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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
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CORNET
DEEJAY
DIDGERIDOO
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High School Musical 2 - Piano
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164
Piano & claviers
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19
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2
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32
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6
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4
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4
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3
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3
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1
Ensemble de guitares
1
+ 3 instrumentations
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Chorale 2 parties
32
Chorale SATB
30
Chorale 3 parties
24
Pack Instrumental pour Chorale
10
Chorale TTBB
7
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4
Chorale SSAA
3
Chorale Unison
1
+ 3 instrumentations
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74
Clarinette (partie séparée)
52
Flute (partie séparée)
19
Flûte traversière
19
Clarinette
17
Saxophone Alto
11
Saxophone Tenor
9
Hautbois
7
Hautbois (partie séparée)
7
2 Flûtes traversières (duo)
6
Quintette de Saxophone: 5 saxophones
6
Flûte à Bec
3
Trio de Flûtes: 3 flûtes
3
Piccolo
2
Quatuor de Flûtes : 4 flûtes
2
2 Saxophones (duo)
1
Ensemble de Flûtes
1
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1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Hautbois, Clarinette, Basson
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Quatuor de Saxophones: 4 saxophones
1
Clarinette Basse
1
+ 18 instrumentations
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Trompette (partie séparée)
66
Trombone (partie séparée)
45
Cor (partie séparée)
19
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15
Cor
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
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14
Trombone
10
Trompette
7
Tuba ou Euphonium ou Saxhorn
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
2 Trombones (duo)
2
Tuba
2
2 Cors (duo)
2
Ensemble de Trombones
1
Quatuor de cuivres: 4 trombones
1
+ 11 instrumentations
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18
Alto seul
13
Contrebasse (partie séparée)
11
Quatuor à cordes: 2 violons, alto, violoncelle
10
Violon
10
Violoncelle
9
Contre Basse
4
Violoncelle (partie séparée)
4
2 Violons (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto (partie séparée)
1
4 Violoncelles
1
+ 7 instrumentations
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Orchestre d'harmonie
61
Percussion (partie séparée)
40
Fanfare
15
Orchestre
14
Percussion
14
Cloches
8
Ensemble Jazz
7
Orchestre à Cordes
6
Batterie
5
Timbales
4
Batterie (partie séparée)
2
Timbales (partie séparée)
2
Ensemble de cuivres
1
Jazz combo
1
Xylophone
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Crtitères actifs :
High School Musical 2 - Piano
Quatuor de cuivres: 4 trombones
Partitions à imprimer
1 partition trouvée
Solage: Le basile for Trombone Quartet
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Quatuor de cuivres: 4 trombones
#
FACILE
#
Solage
#
James M
#
Solage: Le basile for Trombone
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jmsgu3
#
SheetMusicPlus
Trombone Quartet Trombone - Level 2 - SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Me...
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Trombone Quartet Trombone - Level 2 - SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859221. Published by jmsgu3 (A0.1266548). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
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High School Musical 2 - Piano
