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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Main On End
Non classifié
476
Piano & claviers
Piano seul
325
Piano, Voix
156
1 Piano, 4 mains
130
Piano Facile
77
Piano grosses notes
54
2 Pianos, 4 mains
54
Orgue
49
Piano, Voix et Guitare
23
Instruments en Do
21
Accordéon
13
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
4
1 Piano, 6 mains
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Guitare
56
Guitare notes et tablatures
39
Basse electrique
8
Ukulele
7
Ligne De Mélodie, (Paroles) et Accords
4
4 Guitares (Quatuor)
3
3 Guitares (trio)
2
Piano, Guitare (duo)
2
Dulcimer
2
Ensemble de guitares
1
2 Guitares (duo)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
79
Chorale 3 parties
21
Chorale 2 parties
11
Chorale Unison
10
Chorale TTBB
9
Chorale SSAA
8
Voix Tenor, Piano
3
Chorale SSAATTBB
2
Voix haute
2
Voix seule
1
Voix basse, Piano
1
Chorale SSATTB
1
Voix duo, Piano
1
Voix Baryton, Piano
1
+ 9 instrumentations
Retracter
Vents
2 Saxophones (duo)
46
Flûte traversière et Piano
37
Clarinette
34
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
32
Clarinette et Piano
30
2 Clarinettes (duo)
26
Saxophone Alto et Piano
24
2 Flûtes traversières (duo)
21
Flûte, Hautbois, Clarinette, Basson
20
Quintette de Saxophone: 5 saxophones
20
Hautbois, Piano (duo)
19
Flûte traversière
19
Quatuor de Clarinettes: 4 clarinettes
17
Quatuor de Saxophones: 4 saxophones
17
Saxophone Alto
17
Hautbois (partie séparée)
16
Saxophone, Clarinette (duo)
15
Flûte à Bec
12
Saxophone Tenor et Piano
12
Ensemble de Flûtes
11
2 Hautbois (duo)
11
Ensemble de Clarinettes
11
Saxophone Tenor
9
Clarinette, Violon (duo)
9
Hautbois, Basson (duo)
8
Saxophone (partie séparée)
8
Quintette de Clarinettes: 5 clarinettes
8
Flûte, Clarinette (duo)
8
Clarinette, Trompette (duo)
8
Saxophone Soprano et Piano
7
Flûte à bec Soprano
7
3 Saxophones (trio)
6
Flûte à bec Alto
6
Ensemble de saxophones
6
Saxophone Baryton, Piano
6
Flûte, Saxophone (duo)
6
Hautbois
5
Flute (partie séparée)
5
Quatuor de Flûtes : 4 flûtes
5
Hautbois, Flûte
5
Flûte, Alto (duo)
5
Flûte, Violon
5
Flûte à bec Tenor
4
2 Flûte à bec (duo)
4
3 Clarinettes (trio)
4
Hautbois, Clarinette (duo)
4
Clarinette Basse, Piano
4
Flûte, Hautbois (duo)
3
Flûte et Guitare
3
Trio de Flûtes: 3 flûtes
2
Clarinette, Violoncelle (duo)
2
Hautbois, Violoncelle
2
Clarinette et Alto
2
5 Flûtes à bec
2
Flûte, Violoncelle
2
Quintette de Flûte : 5 flûtes
2
Clarinette, Basson (duo)
2
Flûte, Trompette (duo)
2
Clarinette, Guitare (duo)
2
Cor anglais, Piano
2
Hautbois, Basson et Piano
1
Clarinette (partie séparée)
1
Saxophone et Guitare
1
Cor Anglais
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Basson et Piano
1
Piccolo
1
Harmonica
1
Quatuor de Flûtes à bec
1
Flûte à bec Soprano, Piano
1
+ 68 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
2 Trombones (duo)
27
Cor
24
Trompette
23
Trombone et Piano
18
Trompette, Piano
18
Trombone
12
Cor et Piano
11
Tuba
11
Trompette, Saxophone (duo)
10
2 Trompettes (duo)
9
Euphonium, Piano (duo)
7
2 Cors (duo)
7
Trompette (partie séparée)
7
Tuba et Piano
6
2 Euphoniums (duo)
6
Ensemble de Trompettes
6
Trompette, Trombone (duo)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Euphonium
4
Quatuor de cuivres: 4 cors
4
Ensemble de Trombones
4
Quatuor de cuivres: 4 trombones
4
Quatuor de Cuivres
3
3 Trombones (trio)
3
2 Tubas (duo)
2
Tuba et Orgue
2
2 Euphoniums et 2 Tubas
2
Cor anglais, Piano
2
Trombone (partie séparée)
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trompettes
1
Trombone basse et Piano
1
3 Trompettes (trio)
1
Cor Anglais
1
Trompette, Tuba (duo)
1
Trompette, Basson (duo)
1
Trompette, Cor (duo)
1
4 Tubas
1
Cor, Violoncelle (duo)
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
141
Violon, Violoncelle (duo)
59
Violon et Piano
51
Alto, Piano
40
Violoncelle
36
Violoncelle, Piano
34
Violon
32
Trio à Cordes: 2 violons, violoncelle
23
Alto seul
21
Trio à Cordes: violon, alto, violoncelle
15
2 Violoncelles (duo)
15
Violon, Alto (duo)
14
2 Violons (duo)
13
Harpe
12
Contre Basse
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
2 Altos (duo)
8
Contrebasse, Piano (duo)
7
Ensemble d'Altos
2
Alto (partie séparée)
2
2 Contrebasses (duo)
2
Alto, Violoncelle (duo)
2
4 Violoncelles
2
Piano Trio: Violon, Alto, Piano
2
Alto et Basson
1
Quatuor à cordes: 4 violons
1
Violon, Clarinette, Piano (trio)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violon, Basson (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à cordes: 3 violins
1
Harpe, Flûte (duo)
1
Ensemble de Violons
1
Trio à cordes: 3 altos
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
140
Orchestre
67
Orchestre à Cordes
33
Ensemble Jazz
26
Orchestre de chambre
19
Ensemble de cuivres
17
Cloches
7
Xylophone, Piano
6
Jazz combo
5
2 Xylophones
4
Fanfare
4
Batterie
3
Xylophone
3
Ensemble de Percussions
2
2 Marimbas
1
Vibraphone et Marimba
1
Piano et Orchestre
1
3 Marimbas
1
Orchestre, Violon
1
Marimba
1
+ 15 instrumentations
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FLUTE A DIX…
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
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Vous avez sélectionné:
Main On End
Quatuor de cuivres: 4 trombones
Partitions à imprimer
4 partitions trouvées
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1
Symphonie Fantastique for Trombone Quartet
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Quatuor de cuivres: 4 trombones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Hector Berlioz
#
Phil Thrift
#
Symphonie Fantastique for Trom
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Phil Thrift
#
SheetMusicPlus
Brass Ensemble Bass Trombone - Level 4 - SKU: A0.955716 Composed by Hector Berlioz. Arranged by Phil Thrift. Classical. Score and parts. 47 pages. Phil ...
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Brass Ensemble Bass Trombone - Level 4 - SKU: A0.955716 Composed by Hector Berlioz. Arranged by Phil Thrift. Classical. Score and parts. 47 pages. Phil Thrift #5306259. Published by Phil Thrift (A0.955716). This trombone quartet arrangement of Hector Berlioz’ Symphonie Fantastique contains all the well-known themes of the full orchestral symphony. The beginning is identical with the original, but then proceeds immediately to the March to the Scaffold of the fourth movement. The famous idée fixe of the symphony is first heard at measure 72, and this is followed by other themes from the first movement. The adagio at measure 164 re-creates the pastoral duet of the symphony’s third movement. As indicated on the charts, the first trombone should play this section offstage (as for the oboist in the original), while the others remain on stage. If this is not possible, then the first trombone should play this section muted. This very reflective interlude is followed by my personal favorite, the wondrously jolly waltz from the symphony’s second movement. This is followed by the Witches’ Round Dance, a sort of fugue, which leads to the dies irae – played in four octaves here, with a high Eflat to test your first trombonist! The idée fixe is stated once again before the arrangement concludes in the same way as the original symphony.This is a light-hearted arrangement that is not intended to re-create exactly the grandeur of the original with its huge orchestral forces. Lasting up to 8 min 50 sec, depending on how fast you take some sections, this piece will require some stamina, but every player does get a break and the lead shifts between all four trombones.If you’re not familiar with the full orchestral version, then I suggest you listen to it before attempting this arrangement.Alternative tenor clef parts are included for the tenor trombones.
$6.99
'Promenade' from Pictures at an Exhibition - easy arrangement for trombone quartet/tuba
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Quatuor de cuivres: 4 trombones
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FACILE
#
Classique
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Modest Petrovich Mussorgsky
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James Brady
#
'Promenade' from Pictures at a
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James Brady Music
#
SheetMusicPlus
Brass Ensemble Euphonium,Trombone,Tuba - Level 2 - SKU: A0.887012 Composed by Modest Petrovich Mussorgsky. Arranged by James Brady. Romantic Period,Stan...
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Brass Ensemble Euphonium,Trombone,Tuba - Level 2 - SKU: A0.887012 Composed by Modest Petrovich Mussorgsky. Arranged by James Brady. Romantic Period,Standards. Score and parts. 7 pages. James Brady Music #5312711. Published by James Brady Music (A0.887012). This arrangement of the opening of Mussorgsky's best-known work is ideally suited as an opening or closing statement piece for a group of 4 early-intermediate trombones (1 bass trombone or tuba) or other bass clef instruments. It stays true to the original piece with adaptations in range for developing players and an adapted ending better suited for standalone performance. The estimated duration of the performance is 1m 30s.Pictures at an Exhibition is a suite of pieces for piano based on pictures by Mussorgsky's friend Viktor Hartmann, who died suddenly in 1873, aged 39. A memorial exhibition of Hartmann's works was staged in St. Petersburg the following year, and Mussorgsky's suite depicts walk around it, viewing 10 pictures in total. In addition to the pieces inspired by individual pictures, the suite contains several variations of the 'Promenade' theme, which depicts Mussorgsky roving through the exhibition, now leisurely, now briskly in order to come close to a picture that had attracted his attention, and at times sadly, thinking of his departed friend. (Vladimir Stasov). This arrangement presents the opening version of the 'Promenade', adapted to suit a group of 4 trombones (1 bass trombone or tuba) or similar group of bass clef instruments. The ranges have been reduced to accommodate young or developing players. The 1st part goes no higher than F4, and the bass part no lower than Bb1 (optionally A1). The melody is mainly in the 1st part, with passages in the 2nd and 3rd parts from time to time, but as the texture of Mussorgksy's composition is almost exclusively homophonic, all parts have equal importance. I have inserted additional dynamics and accents to aid phrasing, and adapted the ending to suit a standalone performance.
$7.99
Solage: Le basile for Trombone Quartet
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Quatuor de cuivres: 4 trombones
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FACILE
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Solage
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James M
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Solage: Le basile for Trombone
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jmsgu3
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SheetMusicPlus
Trombone Quartet Trombone - Level 2 - SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Me...
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Trombone Quartet Trombone - Level 2 - SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859221. Published by jmsgu3 (A0.1266548). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
Lacrymosa by Mozart for Trombone Quartet
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Quatuor de cuivres: 4 trombones
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FACILE
#
Classique
#
Wolfgang Amadeus Mozart
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Ander
#
Lacrymosa by Mozart for Trombo
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Woods Only, Arrangements
#
SheetMusicPlus
Trombone Quartet - Level 2 - SKU: A0.1409502 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,Christian,Classical,Easter,Religious. 7 pag...
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Trombone Quartet - Level 2 - SKU: A0.1409502 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,Christian,Classical,Easter,Religious. 7 pages. Woods Only, Arrangements #992132. Published by Woods Only, Arrangements (A0.1409502). Introducing the sheet music for Lacrymosa from the Requiem Mass (Missa pro defunctis), K. 626, by Wolfgang Amadeus Mozart, for Trombone Quartet. This sheet music maintains the entire original structure of the work, without reductions in duration and the like, with only the reduction of the ensemble being made. This arrangement is intended for performance groups that already have experience in musical performance, but can also be used as teaching material for music students, and can be used in academic recitals, concerts and ceremonies, catering to various groups of varied tastes. The Requiem in D minor (K. 626) is a requiem mass by Austrian composer Wolfgang Amadeus Mozart from 17911. Mozart composed part of the Requiem in Vienna in late 1791 but it was unfinished at his death on December 5th of the same year. This sheet music is a unique opportunity to experience Mozartâ??s genius in an arrangement for quartet.
$7.99
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