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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
French Suite
Non classifié
231
Piano & claviers
Piano seul
207
Piano Facile
30
Orgue
7
1 Piano, 4 mains
6
Instruments en Do
2
Clavecin
2
Orgue, Piano (duo)
2
Piano, Voix et Guitare
2
2 Pianos, 4 mains
2
Piano, Voix
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
1 Piano, 6 mains
1
Accompagnement Piano
1
+ 9 instrumentations
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Guitares
Guitare notes et tablatures
12
2 Guitares (duo)
8
Guitare
7
Ukulele
3
3 Guitares (trio)
3
4 Guitares (Quatuor)
1
2 Mandolines (duo)
1
Mandoline
1
+ 3 instrumentations
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Voix
Chorale SATB
8
Chorale 3 parties
1
Chorale SSAA
1
Chorale SSATTB
1
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
73
Quatuor de Saxophones: 4 saxophones
37
Flûte traversière et Piano
30
Clarinette et Piano
19
Flûte, Hautbois, Clarinette, Basson
18
Saxophone Soprano et Piano
13
Saxophone Alto et Piano
12
Quatuor de Clarinettes: 4 clarinettes
9
Hautbois, Piano (duo)
8
Clarinette
6
Saxophone Tenor et Piano
6
Quintette de Clarinettes: 5 clarinettes
5
3 Clarinettes (trio)
5
Flûte et Guitare
5
Quatuor de Flûtes : 4 flûtes
5
3 Saxophones (trio)
4
Cor anglais, Piano
4
Flûte traversière
4
Saxophone Baryton, Piano
4
2 Saxophones (duo)
4
2 Clarinettes (duo)
3
Flûte, Alto (duo)
3
2 Flûte à bec (duo)
3
2 Flûtes traversières (duo)
3
Saxophone, Clarinette (duo)
3
Saxophone
2
Saxophone Alto
2
Clarinette, Violon (duo)
2
Flûte, Clarinette et Basson
2
Hautbois, Harpe
2
Quintette de Saxophone: 5 saxophones
2
Flûte, Hautbois, Clarinette (trio)
2
Saxophone Soprano
2
Clarinette Basse, Piano
2
Clarinette (partie séparée)
2
Saxophone Tenor
2
Hautbois, Basson (duo)
2
Ensemble de Clarinettes
2
Flûte à bec Soprano, Piano
2
Clarinette et Alto
1
Flûte et Trio à cordes
1
3 Flûtes à bec (trio)
1
Clarinette, Guitare (duo)
1
Trio de Flûtes: 3 flûtes
1
Flûte à bec Alto, Piano
1
Flûte, Trompette (duo)
1
Clarinette, Trompette (duo)
1
Clarinette, Harpe (duo)
1
Quatuor de Flûtes à bec
1
Piccolo, Piano
1
Hautbois, Flûte
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Saxophone (duo)
1
2 Hautbois (duo)
1
Clarinette Basse
1
Flûte, Violon
1
Saxophone (partie séparée)
1
Flûte, Violoncelle
1
Ocarina
1
Hautbois, Clarinette (duo)
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Basson
1
+ 57 instrumentations
Retracter
Cuivres
Cor (partie séparée)
240
Cor et Piano
101
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
87
Cor
85
Quatuor de Cuivres: 2 trompettes, Cor, trombone
33
2 Cors (duo)
26
Quatuor de cuivres: 4 cors
21
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Trombone et Piano
12
Euphonium, Piano (duo)
6
Trompette
6
Trompette, Piano
6
Ensemble de Cors
6
Quatuor de Cuivres
6
2 Trompettes (duo)
5
Cor anglais, Piano
4
Tuba et Piano
4
Trombone
4
Trompette, Cor (duo)
3
3 Cors (trio)
3
2 Euphoniums et 2 Tubas
3
Tuba
2
Cor, Tuba (duo)
2
Trompette, Saxophone (duo)
2
Trombone basse
2
Trombone, Cor (duo)
2
Cor, Violoncelle (duo)
2
Quatuor de cuivres: 4 trombones
1
Trompette, Tuba (duo)
1
Euphonium
1
2 Trombones (duo)
1
Ensemble de Trombones
1
Cor et Harpe
1
Trompette, Trombone (duo)
1
Cor et Basson (duo)
1
+ 30 instrumentations
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Cordes
Violon et Piano
23
Quatuor à cordes: 2 violons, alto, violoncelle
21
Violoncelle, Piano
18
Alto, Piano
14
Trio à Cordes: violon, alto, violoncelle
12
Violon
7
Violon, Violoncelle (duo)
6
2 Violons (duo)
5
Alto seul
3
Violon (partie séparée)
3
Harpe
2
Violoncelle
2
Trio à Cordes: 2 violons, violoncelle
2
Violon, Alto (duo)
2
Violoncelle (partie séparée)
2
Violoncelle , Guitare (duo)
2
Harpe, Flûte (duo)
2
Quatuor à cordes : 4 altos
1
Alto, Violoncelle (duo)
1
2 Violoncelles (duo)
1
Harpe, Violon (duo)
1
Contrebasse, Piano (duo)
1
Alto, Guitare (duo)
1
4 Violoncelles
1
Trio à cordes: 3 violins
1
Alto (partie séparée)
1
Violon, Guitare (duo)
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
70
Orchestre
30
Orchestre à Cordes
23
Ensemble de cuivres
14
Orchestre de chambre
4
Percussion (partie séparée)
2
Marimba
2
Ensemble d'École
1
Vibraphone
1
Cloches
1
+ 5 instrumentations
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ACCORDEON
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AUTRES INST…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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French Suite
Clarinette Basse
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Saint-Saëns: The Swan for Bass Clarinet & Piano
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Clarinette Basse
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...
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Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
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French Suite
