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31
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12
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7
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2 Euphoniums et 2 Tubas
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Quatuor de cuivres: 4 trompettes
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Quatuor à cordes: 2 violons, alto, violoncelle
65
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8
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7
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7
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6
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2 Violons (duo)
6
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5
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5
Contre Basse
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4
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3
2 Altos (duo)
3
Contrebasse, Piano (duo)
2
Ensemble de Violons
2
Trio à Cordes: 3 violoncelles
2
Alto, Violoncelle (duo)
2
Ensemble d'Altos
2
Violoncelle (partie séparée)
1
Trio à cordes: 3 altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Quatuor à cordes : 4 altos
1
Harpe, Flûte (duo)
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 violins
1
Trio à Cordes: 2 violons, violoncelle
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
220
Orchestre à Cordes
52
Orchestre
41
Ensemble Jazz
31
Orchestre de chambre
24
Cloches
15
Fanfare
15
Ensemble de cuivres
13
Batterie
9
Batterie (partie séparée)
7
Ensemble de Percussions
7
Percussion (partie séparée)
4
Orchestre, Violon
2
Marimba
2
Jazz combo
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Vibraphone
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Piano et Orchestre
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Percussion
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AUTRES
Formation musicale - Solfège
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Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gab…
(+)
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.48 €
#
Ensemble de Flûtes
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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jmsgu3
#
SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gab…
(+)
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.48 €
#
Ensemble de Flûtes
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
#
jmsgu3
#
SheetMusicPlus
March (from "The Nutcracker Suite") (F) (Flute Octet)
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.813877 Composed by Pet…
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Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.813877 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. 43 pages. Regis Bookshar #6612657. Published by Regis Bookshar (A0.813877). Flute Octet - Advanced/Intermediate - Digital Download. This marvelous arrangement of the March from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (43 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance for a wide variety of instrumental ensembles. So, in addition to this version of the March for a Flute Octet, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the March, I would highly encourage you to also consider purchasing the arrangement of the Russian Dance as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the March from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will continue to entertain both performers and audiences alike for years to come.
$32.00
29.01 €
#
Ensemble de Flûtes
#
Peter Ilyich Tchaikovsky
#
Regis Bookshar
#
March
#
Regis Bookshar
#
SheetMusicPlus
Russian Dance ("Trepak") (from "The Nutcracker Suite") (F) (Flute Octet)
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.813922 Composed by Pet…
(+)
Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.813922 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. 15 pages. Regis Bookshar #6615145. Published by Regis Bookshar (A0.813922). Flute Octet - Advanced/Intermediate - Digital Download. This marvelous arrangement of the Russian Dance from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (15 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance, one of the character dances, based on the Russian and Ukrainian folk dance, Trepak, for a wide variety of instrumental ensembles. So, in addition to this version of the Russian Dance, for a Flute Octet, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the Russian Dance, I would highly encourage you to also consider purchasing the arrangement of the March as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the Russian Dance from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will continue to entertain both.
$16.00
14.51 €
#
Ensemble de Flûtes
#
Peter Ilyich Tchaikovsky
#
Regis Bookshar
#
Russian Dance
#
Regis Bookshar
#
SheetMusicPlus
The Impossible Dream for Flute Choir or Flute Quintet
Ensemble de Flûtes
Flute, Flute Choir: 3 Flutes, Alto Flute (alt. c-part included), Bass Flute, opt. Co…
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Flute, Flute Choir: 3 Flutes, Alto Flute (alt. c-part included), Bass Flute, opt. Contrabass Flute - Intermediate - Digital Download By Andy Williams. Arranged by Phyllis Avidan Louke. Score, Set of Parts. 13 pages. Published by Louke Publishing
2018 Chamber Music Contest Entry<br> The Impossible Dream from Man of La Mancha<br> Program Notes<br> <br> The Impossible Dream (The Quest) is the most popular song from the1965 Broadway musical Man of LaMancha and is also featured in the 1972 film of the same name. The song was composed by Mitch Leigh,with lyrics written by Joe Darion. It was awarded the Contemporary Classics Award from the Songwriter’sHall of Fame.<br> <br> I have always found the lyrics of TheImpossible Dream extremely moving:<br> <br> Todream the impossible dream,<br> To fight the unbeatable foe,<br> To bear with unbearable sorrow,<br> To run where the brave dare not go.<br> <br> To right the unrightable wrong,<br> To love pure and chaste from afar,<br> To try when your arms are too weary,<br> To reach the unreachable star.<br> <br> This is my quest,<br> To follow that star<br> No matter how hopeless,<br> No matter how far.<br> <br> To fight for the right<br> Without question or pause,<br> To be willing to march<br> Into hell for a heavenly cause.<br> <br> And I know if I'll only be true<br> To this glorious quest<br> That my heart will be peaceful and calm<br> When I'm laid to my rest.<br> <br> And the world will be better for this,<br> That one man scorned and covered with scars<br> Still strove with his last ounce of courage.<br> To fight the unbeatable foe.<br> To reach the unreachable star.<br> <br> This arrangement for flute choir can be performed with asfew as 5 players or a full flute choir with multiple players on a part. It is scored for 3 flutes, alto flute, bassflute, and optional contrabass flute. <br> <br> Broadway<br> Movies<br> Popular<br> Ballad<br> <br> Phyllis Avidan Louke is a flutist and award-winning composerand arranger with more than 70 published pieces to her credit. www.phyllislouke.com <br> <br> A list of Phyllis Louke’s SMP publications with full lengthrecordings can be found at http://www.phyllislouke.com/compositions/digital-downloads-smp-publications/
$15.00
13.6 €
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Ensemble de Flûtes
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Andy Williams
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Phyllis Avidan Louke
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The Impossible Dream for Flute Choir or Flute Quintet
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Louke Publishing
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SheetMusicPlus
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