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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Old May Day
Non classifié
167
Piano & claviers
Piano seul
71
Piano, Voix
66
Piano, Voix et Guitare
8
Instruments en Do
5
Piano Facile
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue
2
Piano Trio: piano, violon, violoncelle
1
1 Piano, 4 mains
1
Orgue, Piano (duo)
1
Accompagnement Piano
1
+ 6 instrumentations
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Guitares
Guitare
5
Ligne De Mélodie, (Paroles) et Accords
1
Basse electrique
1
Piano, Guitare (duo)
1
Mandoline
1
Guitare notes et tablatures
1
Banjo
1
+ 2 instrumentations
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Voix
Chorale SATB
79
Chorale 2 parties
13
Chorale 3 parties
12
Chorale Unison
11
Voix duo, Piano
7
Chorale TTBB
5
Voix seule
4
Chorale SSAA
4
Voix Alto, Piano
2
Voix basse
1
Voix haute
1
Voix basse, Piano
1
Voix duo
1
+ 8 instrumentations
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Vents
Saxophone Tenor
18
Hautbois (partie séparée)
14
Clarinette
14
Saxophone Alto
14
Flûte traversière
13
Hautbois, Piano (duo)
12
2 Saxophones (duo)
10
Saxophone Alto et Piano
9
Clarinette et Piano
9
Flûte traversière et Piano
8
Saxophone Tenor et Piano
7
Saxophone, Clarinette (duo)
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Cor anglais, Piano
5
Quatuor de Saxophones: 4 saxophones
5
Quintette de Clarinettes: 5 clarinettes
4
2 Clarinettes (duo)
4
Clarinette, Violon (duo)
4
Ensemble de saxophones
4
Saxophone Soprano et Piano
4
Quintette de Saxophone: 5 saxophones
4
Flûte à bec Soprano, Piano
3
Flûte, Violon
3
Quatuor de Clarinettes: 4 clarinettes
3
Ensemble de Flûtes
3
Saxophone Baryton, Piano
3
2 Flûtes traversières (duo)
3
Flûte, Saxophone (duo)
2
2 Hautbois (duo)
2
Clarinette Basse, Piano
2
Flûte, Hautbois, Clarinette, Basson
2
Clarinette, Trompette (duo)
2
Ensemble de Clarinettes
2
Hautbois, Flûte
2
Hautbois, Clarinette (duo)
2
Flûte, Clarinette (duo)
2
Clarinette et Alto
2
Clarinette Basse
1
Flûte, Alto (duo)
1
Clarinette, Trombone (duo)
1
Hautbois, Basson (duo)
1
3 Clarinettes (trio)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Trompette (duo)
1
Quatuor de Flûtes à bec
1
2 Flûte à bec (duo)
1
Quatuor de Flûtes : 4 flûtes
1
+ 42 instrumentations
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Cuivres
Trompette
18
Quatuor de cuivres: 4 trombones
17
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trombone
14
Cor
10
Trombone et Piano
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette, Piano
5
Cor anglais, Piano
5
Trompette, Saxophone (duo)
4
Euphonium, Piano (duo)
4
Cor et Piano
4
Ensemble de Trombones
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
2 Trombones (duo)
3
Ensemble de Trompettes
2
Trompette, Trombone (duo)
2
2 Trompettes (duo)
2
Tuba et Piano
2
Quatuor de Cuivres
1
3 Trombones (trio)
1
Ensemble de Tubas
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 4 cors
1
Tuba
1
+ 20 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
26
Violoncelle
20
Violon
17
Violon et Piano
11
Alto seul
10
Alto, Piano
9
Violoncelle, Piano
6
Violon, Violoncelle (duo)
6
Trio à Cordes: violon, alto, violoncelle
6
Alto (partie séparée)
4
2 Violoncelles (duo)
3
Violon, Alto (duo)
3
Harpe
3
Trio à Cordes: 2 violons, violoncelle
2
2 Altos (duo)
2
Harpe, Voix
2
Contre Basse
1
2 Violons (duo)
1
Ensemble d'Altos
1
Alto, Violoncelle (duo)
1
Violon, Guitare (duo)
1
Harpe et Piano
1
4 Violoncelles
1
Quatuor à cordes: 4 violons
1
Ensemble de Violons
1
+ 20 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
42
Orchestre
13
Cloches
7
Orchestre de chambre
6
Orchestre à Cordes
4
Ensemble de cuivres
3
Fanfare
2
Batterie
1
Marimba
1
Quintette de Cuivres: autres combinaisons
1
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--INSTRUMENTS--
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AUTOHARPE
BANJO
BASSE
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CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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CORNET
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EUPHONIUM
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Vous avez sélectionné:
Old May Day
Ensemble de Flûtes
Partitions à imprimer
3 partitions trouvées
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Silent Night (Bb) (Flute Octet)
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.813987 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,Wor...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.813987 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 11 pages. Regis Bookshar #6636631. Published by Regis Bookshar (A0.813987). Flute Octet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (11 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Flute Octet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
The Lost Celestial
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Stephanie Pack
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The Lost Celestial
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Stephanie Pack
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1478241 By Stephanie Pack. By Stephanie Pack. Chamber. 33 pages. Stephan...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1478241 By Stephanie Pack. By Stephanie Pack. Chamber. 33 pages. Stephanie Pack #1055611. Published by Stephanie Pack (A0.1478241). Imagine Pluto as a living being, journeying through the cosmos with a heart full of dreams. For decades, Pluto basked in the joy and pride of being called a planet, a respected member of the Solar System family. Pluto felt the warmth and camaraderie of its planetary siblings, sharing the vast expanse of space with a sense of belonging.But then, the day came when scientists re-evaluated their criteria for what constitutes a planet. Pluto, once brimming with pride, was told it no longer fit the mold. The news struck like a comet, leaving Pluto feeling isolated and heartbroken. The title of 'planet' was stripped away, and Pluto's status was reduced to that of a mere dwarf planet.In the shadow of its larger, more recognized siblings, Pluto felt a profound sadness. It lingered on the fringes of the Solar System, its sense of identity shattered. However, as time passed, a new understanding began to emerge. The term 'dwarf planet' was created, acknowledging Pluto's unique characteristics and the role it plays in our cosmic neighborhood.Pluto's sorrow began to lift, replaced by a sense of renewed purpose and pride. It found solace in this new classification, realizing that it wasn't forgotten or insignificant. As a dwarf planet, Pluto embraced its identity, feeling a sense of happiness and validation. It stood out in its own right, celebrated for its distinctiveness and contribution to our understanding of the universe.Pluto's journey, filled with emotional highs and lows, ultimately led to a place of acceptance and joy. It taught us all a lesson in resilience and the importance of valuing every member of our celestial family, no matter how small or different they may seem.Parts for Piccolo, 2 C Flutes, 2 Alto Flutes with C flute alternatives, 2 Bass Flutes, and ContraBass Flute.
$19.99
Bach: Wachet auf for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Flute Cho
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
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Old May Day
