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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Every Man
Non classifié
884
Piano & claviers
Piano seul
541
Piano, Voix
253
Piano, Voix et Guitare
194
Piano Facile
188
Orgue
113
Instruments en Do
36
Accompagnement Piano
21
Orgue, Trompette (duo)
16
1 Piano, 4 mains
16
Piano Trio: piano, violon, violoncelle
10
2 Pianos, 4 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Accordéon
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano (partie séparée)
1
Ligne De Mélodie, Piano
1
Orgue, Piano (duo)
1
Piano grosses notes
1
1 Piano, 6 mains
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
63
Guitare
60
Ligne De Mélodie, (Paroles) et Accords
23
Mandoline
16
Basse electrique
15
Ukulele
13
Paroles et Accords
7
Banjo
4
Piano, Guitare (duo)
3
4 Guitares (Quatuor)
3
Guitare (partie séparée)
2
Guitare, Violon, Violoncelle (trio)
1
Luth
1
2 Guitares (duo)
1
Dulcimer
1
3 Guitares (trio)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
230
Chorale 3 parties
69
Chorale TTBB
56
Chorale 2 parties
42
Chorale Unison
35
Chorale SSAA
30
Voix Soprano, Piano
8
Voix duo, Piano
7
Pack Instrumental pour Chorale
7
Voix seule
5
Voix Baryton, Piano
4
Voix Tenor, Piano
3
Voix Alto, Piano
3
Voix basse, Piano
2
Voix duo
2
Voix Tenor
2
Chorale
1
Soli, choeur mixte et accompagnement
1
Voix Mezzo-Soprano, Piano
1
Voix moyenne, Piano
1
Voix Soprano
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
94
Quatuor de Saxophones: 4 saxophones
90
Flûte, Hautbois, Clarinette, Basson
89
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
84
2 Saxophones (duo)
72
Clarinette
64
Clarinette et Piano
63
Flûte traversière
54
Quatuor de Clarinettes: 4 clarinettes
50
Hautbois, Piano (duo)
46
Saxophone Alto et Piano
42
Saxophone Alto
37
Saxophone Tenor et Piano
35
2 Clarinettes (duo)
32
Saxophone Tenor
31
Quintette de Saxophone: 5 saxophones
31
Saxophone Soprano et Piano
31
2 Flûtes traversières (duo)
30
3 Saxophones (trio)
28
Saxophone (partie séparée)
27
Saxophone Baryton, Piano
23
2 Hautbois (duo)
18
Saxophone, Clarinette (duo)
18
Quatuor de Flûtes : 4 flûtes
18
Ensemble de Flûtes
18
Clarinette, Violon (duo)
16
Hautbois (partie séparée)
16
Ensemble de saxophones
15
Hautbois
15
Saxophone Soprano
14
Ensemble de Clarinettes
14
Saxophone Baryton
14
Clarinette, Trompette (duo)
14
Saxophone
13
Cor anglais, Piano
12
Quintette de Clarinettes: 5 clarinettes
11
Cor Anglais
10
Hautbois, Basson (duo)
10
Clarinette Basse, Piano
10
Flûte, Trompette (duo)
10
3 Clarinettes (trio)
9
Flûte, Hautbois, Clarinette (trio)
9
Hautbois, Clarinette, Basson (trio d'anches)
8
Hautbois, Clarinette (duo)
8
Clarinette (partie séparée)
7
Flûte, Clarinette (duo)
7
Flûte à bec Soprano
7
Flûte irlandaise
7
Clarinette et Alto
6
Hautbois, Flûte
6
Trio de Flûtes: 3 flûtes
6
Flûte, Violon
6
Flûte, Alto (duo)
5
Flûte, Clarinette, Cor, Basson (Quartet)
5
Clarinette Basse
5
Flûte, Saxophone (duo)
5
Quintette de Flûte : 5 flûtes
4
Flûte, Clarinette et Basson
4
Flûte à bec Soprano, Piano
4
Flûte et Guitare
4
2 Flûte à bec (duo)
3
Flute (partie séparée)
3
Quatuor de Flûtes à bec
2
Clarinette, Basson (duo)
2
3 Hautbois
2
Flûte, Hautbois, Basson
2
Saxophone et Orgue
1
4 Hautbois
1
Hautbois, Guitare (duo)
1
Saxophone et Piano
1
Cor anglais, Guitare (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte à bec Alto
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois (duo)
1
Harmonica
1
Clarinette, Trombone (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, violon (duo)
1
Hautbois, Violoncelle
1
Clarinette, Harpe (duo)
1
Piccolo, Piano
1
+ 78 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
74
Trompette
65
Trombone
40
Trombone et Piano
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
35
Cor et Piano
34
Trompette, Piano
33
Cor
30
Tuba
30
Quatuor de Cuivres: 2 trompettes, Cor, trombone
29
Quatuor de Cuivres
23
Tuba et Piano
22
2 Trombones (duo)
21
2 Trompettes (duo)
17
Trompette (partie séparée)
16
Trompette, Saxophone (duo)
15
Euphonium, Piano (duo)
14
Trombone (partie séparée)
13
Cor anglais, Piano
12
Cor Anglais
10
2 Cors (duo)
10
Trompette, Trombone (duo)
9
Quatuor de cuivres: 4 trombones
6
Ensemble de Trombones
6
Cor (partie séparée)
6
Quatuor de cuivres: 4 cors
5
2 Tubas (duo)
5
Euphonium
5
2 Euphoniums et 2 Tubas
5
Ensemble de Trompettes
4
2 Euphoniums (duo)
3
Tuba (partie séparée)
3
Trombone, Orgue
3
Euphonium, Tuba (duo)
2
3 Trombones (trio)
2
Cor anglais, Guitare (duo)
1
3 Cors (trio)
1
4 Tubas
1
Tuba et Orgue
1
+ 34 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
225
Violon et Piano
118
Violoncelle, Piano
64
Violon
63
Alto, Piano
60
Violon, Violoncelle (duo)
53
Violoncelle
45
Trio à Cordes: violon, alto, violoncelle
37
Alto seul
33
2 Violons (duo)
32
Contre Basse
26
Violon, Alto (duo)
24
Trio à Cordes: 2 violons, violoncelle
24
2 Violoncelles (duo)
23
Violon (partie séparée)
19
Contrebasse, Piano (duo)
16
2 Altos (duo)
15
Alto (partie séparée)
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Harpe
11
Contrebasse (partie séparée)
9
Trio à cordes: 3 violins
5
Violoncelle (partie séparée)
4
Trio à Cordes: 3 violoncelles
3
4 Violoncelles
3
2 Contrebasses (duo)
2
Violon, Orgue
2
Alto, Violoncelle (duo)
2
Ensemble de Violons
2
Harpe, Voix
2
Piano Trio: Violon, Alto, Piano
2
Trio à cordes: 3 altos
2
Harpe, Flûte (duo)
1
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes : 4 altos
1
2 Violons, Piano
1
Harpe et Piano
1
Ensemble de Violoncelles
1
Quatuor à cordes: 4 violons
1
Violon, Guitare (duo)
1
Ensemble d'Altos
1
Violoncelle , Guitare (duo)
1
Autoharp
1
Trio à Cordes: 2 violons, alto
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
296
Orchestre à Cordes
86
Orchestre
76
Ensemble Jazz
64
Ensemble de cuivres
39
Cloches
35
Orchestre de chambre
24
Jazz combo
24
Marimba
14
Xylophone
10
Ensemble de Percussions
9
Fanfare
9
Batterie
7
Percussion (partie séparée)
5
Batterie (partie séparée)
3
Xylophone, Piano
2
Vibraphone
2
Marimba, Piano (duo)
1
Quatuor à Vent : 4 instruments à vents
1
+ 14 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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Vous avez sélectionné:
Every Man
Voix Baryton, Piano
Partitions à imprimer
4 partitions trouvées
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Come, Thou Fount Of Every Blessing
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Voix Baryton, Piano
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FACILE
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Musique Sacrée
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Nettleton by John Wyeth
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Gert Th
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Come, Thou Fount Of Every Bles
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Gert Th. Walter
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 2 - SKU: A0.682608 Composed by Nettleton by John Wyeth. Arranged by Gert Th. Walter. Christian,Praise & Worshi...
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Baritone Horn TC,Vocal Solo,Voice - Level 2 - SKU: A0.682608 Composed by Nettleton by John Wyeth. Arranged by Gert Th. Walter. Christian,Praise & Worship,Sacred. 3 pages. Gert Th. Walter #5827781. Published by Gert Th. Walter (A0.682608). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$2.99
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Voix Baryton, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishi...
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Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Voix Baryton, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
The Torn Fields
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Voix Baryton, Piano
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Contemporain
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Mark- Anthony Turnage
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The Torn Fields
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Schott Music - Digital
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SheetMusicPlus
Baritone and ensemble - difficult - For baritone and large ensemble. Composed by Mark- Anthony Turnage (1960-). This edition: vocal/piano score. Down...
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Baritone and ensemble - difficult - For baritone and large ensemble. Composed by Mark- Anthony Turnage (1960-). This edition: vocal/piano score. Downloadable. Duration 26 minutes. Schott Music - Digital #Q5954. Published by Schott Music - Digital
English.
Emotions from intense anger to morbid despair are conveyed through this powerful vocal work depicting the viewpoints of poets from the Great War. . Mark-Anthony Turnage's 'The Torn Fields' sets the words of Rudyard Kipling, Wilfred Owen, Isaac Rosenberg and Charles Sorley. the latter two of whom were killed in the trenches. .Despite the dark nature of the work, it concludes with a symbol of humanity and hope, the music from the prologue returns with the poem Everyone Sang to creating a unified transcendence away from the fears and desolation of the torn fields.
$33.99
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Every Man
