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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR ANGLAIS
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HARMONICA
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HAUTBOIS
LIVRES
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MARIMBA
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PIANO
SAXOPHONE
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975
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568
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197
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158
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157
1 Piano, 4 mains
32
Instruments en Do
31
Orgue
30
Accompagnement Piano
9
Piano (partie séparée)
8
2 Pianos, 4 mains
7
Piano Trio: piano, violon, violoncelle
7
Piano grosses notes
5
Piano Quatuor: piano, violon, alto, violoncelle
5
Accordéon
3
Clavecin
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Piano (duo)
1
1 Piano, 6 mains
1
2 Pianos, 8 mains
1
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Guitare notes et tablatures
92
Guitare
67
Ukulele
23
Ligne De Mélodie, (Paroles) et Accords
19
Guitare (partie séparée)
15
Basse electrique
9
2 Guitares (duo)
8
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6
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6
3 Guitares (trio)
4
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3
Ensemble de guitares
3
Piano, Guitare (duo)
2
Banjo
1
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Chorale SATB
237
Chorale 3 parties
77
Chorale TTBB
55
Chorale 2 parties
41
Chorale Unison
38
Chorale SSAA
37
Voix Soprano, Piano
22
Voix duo, Piano
7
Voix seule
4
Voix duo
4
Voix Alto, Piano
3
Chorale SSATTB
2
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2
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2
Voix Tenor, Piano
1
Voix moyenne, Piano
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2 Saxophones (duo)
78
Saxophone (partie séparée)
62
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59
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55
Saxophone Alto
52
Flûte traversière et Piano
51
Flûte traversière
47
Clarinette
46
Flûte, Hautbois, Clarinette, Basson
37
Clarinette et Piano
34
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32
Quatuor de Clarinettes: 4 clarinettes
31
Hautbois, Piano (duo)
31
2 Clarinettes (duo)
30
Saxophone Alto et Piano
27
2 Flûtes traversières (duo)
26
Quintette de Clarinettes: 5 clarinettes
24
Saxophone Tenor
23
Ensemble de saxophones
21
Saxophone Tenor et Piano
18
Saxophone, Clarinette (duo)
17
Ensemble de Clarinettes
17
3 Saxophones (trio)
16
Flûte et Guitare
15
Saxophone Soprano et Piano
15
Hautbois
14
Quatuor de Flûtes : 4 flûtes
13
3 Clarinettes (trio)
11
2 Hautbois (duo)
11
Hautbois (partie séparée)
11
Clarinette, Violon (duo)
10
Ensemble de Flûtes
9
Quintette de Flûte : 5 flûtes
8
Flûte, Hautbois, Clarinette (trio)
8
Saxophone Baryton, Piano
8
Hautbois, Flûte
8
Flûte, Clarinette (duo)
8
Clarinette, Trompette (duo)
8
Trio de Flûtes: 3 flûtes
7
Hautbois, Basson (duo)
7
Flute (partie séparée)
7
Clarinette (partie séparée)
6
Flûte, Saxophone (duo)
6
Flûte, Alto (duo)
6
Hautbois, Clarinette (duo)
6
Clarinette, Guitare (duo)
5
Flûte, Violon
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Trompette (duo)
5
Flûte, Clarinette et Basson
4
Cor anglais, Guitare (duo)
3
Clarinette et Alto
3
Clarinette Basse, Piano
3
Saxophone Soprano
3
Flûte, Alto et Piano
2
2 Cors Anglais Et Pianoforte
2
Flûte, Violoncelle
2
Saxophone
2
2 Flûte à bec (duo)
2
Saxophone Baryton
2
Cor Anglais
2
Flûte à bec Soprano, Piano
2
Quatuor de Flûtes à bec
2
Harmonica
2
5 Flûtes à bec
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Violon et Violoncelle
1
Instruments en Mib
1
Flûte, Hautbois, Basson
1
2 Saxophones, Piano
1
Ensemble de Hautbois
1
Clarinette, Basson (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Piano (trio)
1
Saxophone et Orgue
1
+ 72 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
58
Quatuor de Cuivres : 2 trompettes, trombone, tuba
52
Trombone (partie séparée)
47
Trompette
44
Trompette (partie séparée)
40
Trombone
38
Trompette, Piano
33
Trombone et Piano
31
Cor et Piano
28
Tuba
24
Cor
24
Tuba et Piano
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
2 Trompettes (duo)
16
2 Trombones (duo)
13
Trompette, Saxophone (duo)
12
2 Euphoniums et 2 Tubas
12
Quatuor de cuivres: 4 trombones
10
Cor (partie séparée)
10
Tuba (partie séparée)
8
Quatuor de cuivres: 4 cors
8
Trompette, Trombone (duo)
7
Ensemble de Trombones
7
Quatuor de Cuivres
6
2 Cors (duo)
6
Euphonium, Piano (duo)
5
Bass Clef Instruments
4
Ensemble de Trompettes
4
2 Tubas (duo)
4
4 Tubas
3
Cor anglais, Guitare (duo)
3
3 Trompettes (trio)
3
2 Cors Anglais Et Pianoforte
2
Cor Anglais
2
2 Euphoniums (duo)
2
3 Trombones (trio)
1
Trompette, Basson (duo)
1
Euphonium
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Tuba et Orgue
1
Trompette, Euphonium (duo)
1
Instruments en Sib
1
Ensemble de Cors
1
+ 38 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
274
Violon
94
Violon, Violoncelle (duo)
68
Violon et Piano
63
Harpe
49
Trio à Cordes: violon, alto, violoncelle
46
Violoncelle
40
Alto, Piano
38
Violoncelle, Piano
33
Trio à Cordes: 2 violons, violoncelle
30
Alto seul
30
Quintette à cordes: 2 violons, alto, violoncelle, basse
26
2 Violoncelles (duo)
24
2 Violons (duo)
21
Contrebasse (partie séparée)
14
Violon (partie séparée)
13
Violon, Alto (duo)
12
Contre Basse
12
2 Altos (duo)
11
Contrebasse, Piano (duo)
10
Alto, Violoncelle (duo)
8
Quatuor à cordes: 4 violons
7
Alto (partie séparée)
6
Trio à Cordes: 3 violoncelles
5
2 Harpes (duo)
3
Trio à cordes: 3 violins
3
Violoncelle (partie séparée)
3
Violoncelle, Contrebasse (duo)
3
Trio à Cordes: 2 violons, alto
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
4 Violoncelles
2
2 Contrebasses (duo)
2
Piano Trio: Violon, Alto, Piano
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Harpe, Flûte (duo)
2
Harpe, Voix
2
Violon, Clarinette, Piano (trio)
1
Violoncelle , Guitare (duo)
1
Harpe et Piano
1
Harpe et mandoline
1
Ensemble de Violoncelles
1
4 Contrebasses
1
Violoncelle, Orgue
1
Harpe, Violon (duo)
1
Violon, Guitare (duo)
1
+ 40 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
406
Orchestre à Cordes
124
Ensemble de cuivres
88
Orchestre
81
Fanfare
80
Ensemble Jazz
47
Cloches
33
Orchestre de chambre
29
Jazz combo
14
Batterie
11
Ensemble de Percussions
9
Marimba
8
Batterie (partie séparée)
7
Ensemble d'École
6
Percussion (partie séparée)
6
Percussion
4
Xylophone, Piano
3
Xylophone
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Vibraphone
2
Piano et Orchestre
1
2 Xylophones
1
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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
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CORNET
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Voix Baryton, Piano
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Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Voix Baryton, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishi...
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Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Voix Baryton, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Op...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
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