Here's how to play "We Are The Champions" by Queen on piano!

With these piano sheets, you can play "We Are The Champions" by the British band Queen.

It's an accurate piano arrangement of this legendary song including all parts of the song.

It's a "We Are The Champions" piano version which is not too hard to play, and sounds fantastic!

You can also get a version of this arrangement which includes the song's full lyrics:
https://www.sheetmusicplus.com/title/21186075

If you want to play more Queen songs on piano, here are more of my arrangements:

"Love Of My Life": https://www.sheetmusicplus.com/title/21145110
"Love Of My Life" (Easy Piano): https://www.sheetmusicplus.com/title/21145489
"Bohemian Rhapsody": https://www.sheetmusicplus.com/title/21155920
"Bohemian Rhapsody" (Piano Solo): https://www.sheetmusicplus.com/title/21156151


"We Are The Champions" is a song from Queen's 1977 album "News of the World", and served as the album's first single.
Of course, it was written by the one and only Freddie Mercury.

The song became a world wide hit, a popular anthem for sports events, the official theme song for the 1994 FIFA World Cup, and stayed one of Queen's most recognizable and popular songs.

Now you can play it, too!


Here are the full lyrics to "We Are The Champions":

[Verse 1]
I've paid my dues
Time after time
I've done my sentence
But committed no crime
And bad mistakes
I've made a few
I've had my share of sand kicked in my face
But I've come through
(And I need to go on and on, and on, and on)

[Chorus]
We are the champions, my friends
And we'll keep on fighting till the end
We are the champions
We are the champions
No time for losers
'Cause we are the champions
Of the world

[Verse 2]
I've taken my bows
And my curtain calls
You brought me fame and fortune and everything that goes with it
I thank you all
But it's been no bed of roses
No pleasure cruise
I consider it a challenge before the whole human race
And I ain't gonna lose
(And I need just go on and on, and on, and on)

[Chorus]
We are the champions, my friends
And we'll keep on fighting till the end
We are the champions
We are the champions
No time for losers
'Cause we are the champions
Of the world

Contains:
"Waiting"
- taken from the Isadar solo piano collections, "Active Imagination / Reconstructed" (also available on SMP)

Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists

Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording

Note: A slightly different version of this composition is also heard on the Isadar album, "Reconstructed" (Produced by Will Ackerman)

Album & Songbook Review by: Kathy Parsons

I love this CD! It constantly amazes me how many outstanding composer/pianists there are out there - especially in relation to the few who are highly (commercially) successful within this broad genre. I would say that Active Imagination definitely belongs near the top of the heap. Isadar?s style is original, and his pianism is excellent. He lists his inspirations as Liz Story, Keith Jarrett, and Bill Evans, and I can hear traces of all three in his playing, but find his composing and playing styles to be uniquely his own.

The first three tracks are lively and upbeat (?Active Imagination?, ?Throwing the Dice?, and ?Where the Wild Things Are?) with an easy, jazzy, improvised feel. The meter changes are fascinating, and the bluesy beat on ?Wild Things? is infectious.

From there, the mood seems to gradually darken and become more introspective. ?Waiting? is a beautiful, flowing mood piece full of questions and a lovely melody line. Isadar?s cover of Liz Story?s ?Wedding Rain? is wonderful - this is a piece I often work on with my advanced students, and everything about Isadar?s interpretation of the piece seems right without being a carbon-copy of Liz?s recording.

?Feu Follet (the ?spook? light?)? has a nice, easy flow with a strong sense of mystery; it also has an unusual rhythm that lightens the mood and adds a bounce. ?Uncertainty? is cooler and more aloof, but gorgeous in its flowing introspection - that it ends with a major chord, feels like the soul-searching has had positive results. ?Love Chaconne? is the closing track, and is the longest and most abstract piece on the CD. The left hand plays a repeated pattern while the right hand goes off in several different directions (one of the primary characteristics of a ?chaconne?). Beautiful in its simplicity, this is the only track that seems to contain an element of pain and sorrow, but never dissolves into melodrama.

Active Imagination is excellent from start to finish and I highly recommend it to anyone who likes solo piano with substance and complexity, but is still accessible, melodic, and rhythmic. Bravo amundo!

Active Imagination Sheet Music Collection is the companion songbook to Isadar?s 1999 CD release, Active Imagination. The CD was one of my favorites for the year when I reviewed it for the print version of ?Wind and Wire? magazine, so I was really looking forward to the sheet music! Transcribed note-for-note by David Shenton of ShentonMusic.com (I proofed about half of the book, so I can attest to how accurate it is!), it is up to you to make the music sound as close to the CD as you want or to interpret the music and make your own statements with it.

One thing that really stands out about this collection is how much FUN it is to play. The rhythms are interesting and catchy, and the mood in several of the songs is playful and upbeat. This is especially true with the title song, ?Throwing the Dice,? ?Where the Wild Things Are,? and ?Feu Follet (the ?spook? light).? ?Waiting,? ?Love Chaconne,? and ?Uncertainty? are slower, more introspective, and a bit moody, making this a sheet music collection that contains a variety of moods and styles. The only piece missing from the book is Liz Story?s ?Wedding Rain,? but the sheet music for that song is available in some of Ms. Story?s own collections.

Early-advanced players should have no trouble with this music. The timing on some of the songs is a little bit tricky, but if you count it as you are learning it, it will fall into place.

If you haven?t heard the CD, check it out, too! This book is available here from SMP, isadar.com and amazon.com. Highly recommended!

Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...

Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.

For more information, visit his website at: http://www.isadar.com

Souvenir de Porto Rico, Op. 31, is a musical composition for piano by American composer Louis Moreau Gottschalk written from 1857 during a tour in Puerto Rico. Dedicated to the Dutch piano virtuoso and salon music composer Ernest Henry Lubeck, and published in Mainz circa 1860 with the subtitle of Marche des Gibaros, it is based on the Christmas folk song 'Si me dan pasteles, denmelos calientes', performed by local peasants known as J�baros.

The piece makes use of Latin-American and Afro-American melodies and rhythms almost fifty years before early ragtime and jazz would popularize its use.Souvenir de Porto Rico was written in the last trimester of 1857, when of Gottschalk's stay at the sugar plantation of English-born Mr. Cornelius Cartwright, in Plazuela. At the time, Gottschalk was on vacation with singer Adelina Patti and her father. He would decide not to leave Puerto Rico, but instead remain there for weeks. During this period he composed a number of additional pieces after the local musical styles.Gottschalk would say about the setting where he composed the piece: "[I was] perched upon the edge of a crater, [and] my cabin overlooked the whole country. Every evening I moved my piano out upon the terrace, and played for myself alone, everything that the scene opened up before me inspired. It was there that I composed 'Marche des Gibaros.'.