Contains:
"Greensleeves 2012"
- taken from the Isadar solo piano collection, "O Christmas" (also available on SMP)

Sounds like: Vince Guaraldi's "A Charlie Brown Christmas," Liz Story's "The Gift," George Winston's "December," legacy Windham Hill solo piano artists, "A Winter's Solstice" compilations.

Note: ?Greensleeves 2012? is a revisited and evolved arrangement which like my earlier version, was inspired by ? and also pays ?homage? to ? Liz Story?s brilliant take on this timeless piece.

Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording

Album review by: Michael Diamond (http://michaeldiamondmusic.com):

Fresh on the heels of his highly acclaimed chart-topping CD, Reconstructed, Isadar gifts us with a sparkling new album of holiday-themed instrumental music for solo piano, entitled ?O Christmas.? Given the proximity to his recent release, one might assume that this one was quickly produced, but in reality O Christmas has been 7 years in the making. Various circumstances including other recording projects, a segue into the field of video production, and a cross country move from NYC to the west coast and later back again, created delays with the completion of the album. But as they say, ?good things come to those who wait.?
One of the most interesting things about this album is the fact that the selections are traditional Christmas songs, yet some were chosen because they are less well known, or ?off the beaten path? as Isadar characterizes them. This follows the pattern set by his 1999 Christmas album ?In Search For The Meaning Of Christmas,? yet this new CD mines even deeper in its quest for interesting and unusual choices.

The album begins with a track called ?Good Christian Men.? Steeped in history, the song dates back to 14th century Germany and its Latin title was originally ?In Dulci Jubilo? before it was translated into English in the 1800?s. Isadar?s interpretation creates a lively and festive air that makes a perfect portal to the recording. The high-spirited mood continues on the next song, ?Teddy Bears Picnic,? which although not technically a Christmas song, has been interwoven by Isadar with ?March Of The Toys? to tie it in with the holidays ? a clever arrangement of these intriguing melodies. One of the more well-known carols on the album is ?O Christmas Tree? and is sure to have listeners humming along with it?s familiar refrain.

A track entitled ?Still? is an innovative rendition of the classic ?Still, Still, Still? which Isadar has put his own spin on, or as he jokingly puts it ?jazzed up shamelessly.? No such liberties were taken on the classic ?O Come, O Come, Emmanuel,? however. This song provides a showcase for Isadar?s accomplished grand piano work, featuring lush left hand arpeggios creating a strong foundation for his more delicate right hand melodies to dance upon ? a powerful and moving combination. Another of the less well known, yet equally inspiring tunes is a Puerto Rican carol entitled ?Song Of The Wise Men.? It has been said that: ?Christmas is, above all, a children?s holiday, and many hymns are addressed to children, reminding them that the real reason for the sugarplums and Christmas trees is the celebration of the birth of the Christ Child.? This theme is well reflected in Isadar?s choice of ?O Come Little Children,? based on a carol from the 1800?s.

Among my favorite tracks on the album are the wistful strains of ?Greensleeves 2012,? which Isadar interprets with elegance and grandeur and also pays ?homage? to Liz Story?s brilliant take on this enduring composition. This is followed by a rendition of ?Masters In This Hall,? which can best be described as, well? ?masterful.? The song dates back to the sixteenth century, and is another of the less well-known tunes that Isadar has chosen to feature. The album draws to a close with Isadar invoking artistic license on what is perhaps one of the most unique and liberal versions of a classic carol heard here yet. Based on ?We Wish You A Merry Christmas,? Isadar characterizes it as ?an uninhibited melancholy arrangement.? While I don?t know if ?melancholy? is the word I would use to describe it, it does have a pensive quality and is presented more as a nocturne than usual lively carol it is known as. I really liked the interpretation and respect Isadar?s creativity and distinctive rendering of the song.

?O Christmas? is an exceptional holiday collection, not only for Isadar?s elegant grand piano artistry, but as well for the interesting and sometimes unexpected repertoire contained within. Like ornaments on a tree, the songs adorn the album, enhancing its beauty with their diversity, individuality, and timelessness. Given the well-deserved accolades and popularity of Isadar?s distinctive piano style, I?m sure that fans will want to include ?O Christmas? in their collection and make it a part of their holiday tradition.

Desvar�os sobre "La botijuela" - a set of variations of a Costa Rica song through Latin American dance rhythms.
Performance time: 13 mins aprox.

Legend has it that the gamonales (landlords) used to keep their money in botijuelas (earthen jars) with the purpose of insuring it against the thieves. These jars were hidden in the thick walls or floors of the houses. As time went by, it so happened that the owners of the money usually forgot the place where they had hidden it and died without finding it. According to popular imagination, the soul of every person who dies having their money buried did not rest in peace until it was found. But on other occasions the owner of the money had been so greedy in life that, even after death, his spirit was still taking care of its capital, and lashed out against the person who dared to find it and take it away. To appease the spirit, it was necessary to invoke the sound of the dance "La botijuela", so that it would not take revenge and reveal the hiding place with the booty.
The work ?Desvar�os sobre La botijuela" (Deliriums on ?La Botijuela?) was inspired by this popular Costa Rican dance and legend. It is a really divertimento for solo piano, consisting of ten variations (or rather free reconstructions) of this Costa Rican folk dance. This musical theme is a danza criolla (creole dance), a rhythm that in Costa Rica is clearly related to other international dances such as habanera and contradanza. Some of the variations of this work make direct musical allusions to the style of composition of important figures of Latin American pianism, namely: Heitor Villa-Lobos, Manuel M. Ponce, Ignacio Cervantes, Astor Piazzolla, Ernesto Nazareth and Alberto Ginastera. Other variations, on the other hand, set rhythms present in the traditional musical imaginary of Costa Rica, even though they are not unique to the country. Such are the cases of rhythms such as pasillo, calypso, swing criollo (cumbia) and tambito. All these adaptations of the original theme are always made from a traditional tonal scheme. In this way, it demonstrates how a melody can be framed with extreme versatility in different rhythmic and stylistic patterns of the continent. That is why it is accurate to affirm that ?Desvar�os on La botijuela" is a composition eminently Latin American.