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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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Piano seul
736
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254
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36
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13
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2
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22
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16
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12
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8
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11
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Violon et Piano
86
Alto, Piano
42
Violoncelle, Piano
40
Quatuor à cordes: 2 violons, alto, violoncelle
10
Trio à Cordes: violon, alto, violoncelle
6
Violon, Guitare (duo)
4
Contrebasse, Piano (duo)
4
Harpe
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon (partie séparée)
2
Violon
2
4 Violoncelles
1
Alto et Harpe
1
Violoncelle
1
Alto (partie séparée)
1
Harpe, Flûte (duo)
1
Violon, Alto (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
2 Violoncelles (duo)
1
Harpe, Violon (duo)
1
2 Violons (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
14
Orchestre d'harmonie
10
Orchestre
9
Orchestre de chambre
6
Ensemble de Percussions
2
Ensemble de cuivres
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Jazz combo
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AUTRES
Vous avez sélectionné:
PIANO Early 20th century
Piano seul
Partitions à imprimer
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Angels We Have Heard on High - Christmas Carol Arrangement for Solo Piano with Narration by Stephen R Dalrymple, minimalist style
Piano seul
Piano Solo - Digital Download Arranged by Stephen R. Dalrymple (Dalrymple Designs). C…
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Piano Solo - Digital Download Arranged by Stephen R. Dalrymple (Dalrymple Designs). Contemporary Classical, Minimalism, Christmas. Score. 8 pages. Published by Dalrymple Designs
Angels We HaveHeard on High (minimalist)<br> <br> Christmas carolarrangement for piano solo with narration by Stephen R Dalrymple<br> <br> sequenced by thecomposer<br> <br> © 2018, ℗ 2020 Stephen R Dalrymple<br> <br> In 2017 I began researching andwriting a university level music textbook explaining contemporary classicalmusic composition techniques. In 2018 I finished the 300+ page manuscript and usedit to teach two university music course in Haiti that year.<br> <br> It had been many years since I hadtaken the course myself, and needed to add to my knowledge of late 20thCentury and early 21st Century classical music composition techniques.During my research I grew interested in a classical music minimalist styleinfluenced by Terry Riley and Philip Glass. I have tried to use some of theirideas in this composition. There are 10 sections that can be repeated,reordered, and combined so that the performer actually makes a contribution tothe creation of the work.<br> <br> Playing the piano at church behind areading of Luke 2, was my first experiment in this new form of music. When Ireturned home, I began to experiment in writing down the experience andrefining the work according to these minimalist ideas. The composition could beperformed with or without the narration, with a single narrator in a singlelanguage, or with the narration in multiple languages and/or with multiplevoices.<br> <br> Suitable for preludes,offertories, concerts, personal meditation. Includes 2 versions 1) piano score,letter size 2) piano score, small pageformat for performing from 10.1 inch tablet. UpdatedDecember 2020.<br> <br> (Note: Tell your computer whichpages you want to print. There are programs online that will allow you to splitpdf files so that you can choose the correct part of the pdf for your tablet.)
$4.50
4.14 €
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Piano seul
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Stephen R
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Angels We Have Heard on High - Christmas Carol Arrangement for Solo Piano with Narration by Stephen R Dalrymple, minimalist style
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Dalrymple Designs
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SheetMusicPlus
20th Century Fox Fanfare
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Arranged by Mario Stallbaumer…
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Piano Solo - Advanced Intermediate - Digital Download Arranged by Mario Stallbaumer. 2 pages. Published by Mario Stallbaumer
The piece (also known as the "Twentieth Century Fox Trademark", "20th Century Fox Theme" or "20th Century Fox Intro Theme") was composed by Alfred Newman. Since the early days of the 20th Century Fox productions, this fanfare appears at the very beginning of all their films, accompanying the famous logo.<br> <br> While the original orchestral version of this piece is famous for its characteristic trumpet / brass fanfares, it's also a fantastic piece for piano.<br> <br> With this piano sheet music, you get an accurate piano transcription of the piece - a challenge for average players, but it sure sounds fantastic!
$4.99
4.59 €
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Piano seul
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Mario Stallbaumer
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20th Century Fox Fanfare
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Mario Stallbaumer
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SheetMusicPlus
ADAGIO from Concerto in D minor, BWV 974 (Concerto d'après Marcello in D Minor) for PIANO
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Johann Sebastian …
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Piano Solo - Advanced Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Flavio Regis Cunha. Baroque Period, Christian, Sacred, Funeral, Recital. Score. 8 pages. Published by Flavio Regis Cunha
The Concerto for Oboe and Strings in D minor, attributed to Alessandro Marcello, is one of the most performed oboe concertos in the repertory. It was written in the early 18th century and has become Marcello's most famous work. Bach wrote a keyboard transcription of the concerto. Here we offer an arrangement for Violoncello solo and piano based on Bach's transcription.<br> <br> The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715. As a concerto for oboe, strings and continuo its oldest extant sources date from 1717: that year it was printed in Amsterdam, and a C minor variant of the concerto, S Z799, was written down.<br> <br> Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.<br> <br> <br> <br> This arrangement was written for Piano Solo.
$7.99
7.36 €
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Piano seul
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Johann Sebastian Bach
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Flavio Regis Cunha
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ADAGIO from Concerto in D minor, BWV 974
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Flavio Regis Cunha
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SheetMusicPlus
Piano Concert No. 3 (Theme)
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1206057 Composed by Sergei Rachmani…
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Piano Solo - Level 2 - Digital Download SKU: A0.1206057 Composed by Sergei Rachmaninoff. Arranged by Walker Piano Studio. 20th Century,Classical,Instructional. Score. 1 pages. Walker Piano Studio #804251. Published by Walker Piano Studio (A0.1206057). The genius of Rachmaninoff is evident in this simple melody from his third piano concerto. Arranged for piano students in the early intermediate stage.
$2.25
2.07 €
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Piano seul
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Sergei Rachmaninoff
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Walker Piano Studio
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Piano Concert No. 3
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Walker Piano Studio
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SheetMusicPlus
Fantasy in C# Minor - Piano Solo
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.836529 Composed by Charles E. Davis…
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Piano Solo - Level 5 - Digital Download SKU: A0.836529 Composed by Charles E. Davis. Instructional,Romantic Period,Standards. Score. 12 pages. Charles E. & Maria A. Davis #59631. Published by Charles E. & Maria A. Davis (A0.836529). This beautiful lyrical piano solo is written in Romantic Style (late 19th-early 20th century) for the Advanced Piano Student and Performer. This piece will become and instant favorite, and may be used for solo study or public performance.
$8.95
8.24 €
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Piano seul
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Charles E
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Fantasy in C# Minor - Piano Solo
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Charles E. & Maria A. Davis
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SheetMusicPlus
Astrid Valse (Piano Solo - Beautiful Waltz)
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1349753 Composed by Swedish Folk So…
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Piano Solo - Level 2 - Digital Download SKU: A0.1349753 Composed by Swedish Folk Song. Arranged by Felix Sun. Folk,Traditional. Score. 2 pages. Felix Sun #934525. Published by Felix Sun (A0.1349753). A beautiful solo piano arrangement of Astrid Valse.Astrid Valse is a Swedish Folk song that likely emerged in the early 20th century.
$4.99
4.59 €
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Piano seul
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Swedish Folk Song
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Felix Sun
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Astrid Valse
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Felix Sun
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SheetMusicPlus
Pas de basques piano sheet music
Piano seul
Piano Solo - Early Intermediate - Digital Download Composed by Robert Long. 20th Ce…
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Piano Solo - Early Intermediate - Digital Download Composed by Robert Long. 20th Century, Neo-Classical, Etudes and Exercises, Classroom. 2 pages. Published by Robert Long
A selection for pas de basques in piano sheet music format by Robert Long from his "Ballet Etudes" album. Bold and brash, with dramatic rhythms and a touch of a Spanish feel, this is a very inspiring piece for this exercise.
$2.95
2.72 €
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Piano seul
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Robert Long
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Pas de basques piano sheet music
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SheetMusicPlus
Berceuse (Reve triste) for Piano solo
Piano seul
Piano Solo - Early Intermediate - Digital Download Composed by Chris Gordon. 20th C…
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Piano Solo - Early Intermediate - Digital Download Composed by Chris Gordon. 20th Century, Romantic Period, Repertoire. Score. 2 pages. Published by Cool Wind Music Digital
A romantic little étude for piano solo.
$3.75
3.45 €
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Piano seul
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Chris Gordon
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Berceuse
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Cool Wind Music Digital
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SheetMusicPlus
Ballet Piano: Grands Battements en Cloche from Etudes II
Piano seul
Piano Solo - Early Intermediate - Digital Download Composed by Robert Long. 20th Ce…
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Piano Solo - Early Intermediate - Digital Download Composed by Robert Long. 20th Century, Neo-Classical, Etudes and Exercises, Classroom. 3 pages. Published by Robert Long
Piano sheet music for grands battements en cloche from Robert Long's Etudes II album. A lively waltz with a nice swing and a bit of a Spanish feel, this piece should work well for grand allegro exercises as well.
$2.95
2.72 €
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Piano seul
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Robert Long
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Ballet Piano: Grands Battements en Cloche from Etudes II
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SheetMusicPlus
Numbered Places [11 pieces for piano solo]
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Juan María Solare. 20…
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Piano Solo - Intermediate - Digital Download Composed by Juan María Solare. 20th Century, Contemporary Classical, Minimalism, Neo-Classical, Repertoire. Score, Solo Part. 35 pages. Published by Juan Maria Solare
Juan María Solare: Numbered Places (eleven piano pieces) <br> <br> <br> <br> 01 - One Way Flight to... (2:50)<br> <br> 02 - Twopenny Loaf [USA] (3:45)<br> <br> 03 - Three Bridges [UK] (2:25)<br> <br> 04 - Four Oaks [USA] (3:00)<br> <br> 05 - Five Pointz [NYC] (3:45)<br> <br> 06 - Six Mile Bottom [UK] (2:40)<br> <br> 07 - Seven Kings [UK] (5:10)<br> <br> 08 - Eight Streets [USA] (5:55)<br> <br> 09 - Nine Elms [UK] (2:50)<br> <br> 10 - Ten Ten Road [NC, USA] (3:25)<br> <br> 11 - Eleven Lands [UK] (3:30)<br> <br> <br> <br> Totaltime: 39:15<br> <br> Numbered Places * piano * music by Juan María Solare<br> <br> <br> <br> The cycle Numbered Places startsfrom a simple idea: the piece nr. 1 would have a title that begins with theword One, the piece nr. 2 a titlethat begins with the word Two and soon up to an arbitrary number (in this case, eleven).<br> <br> <br> <br> For everything to have more cohesion, English names of different places orregions in either USA or (mainly) UK were used.<br> <br> <br> <br> In its own way, Numbered Placesis therefore a conceptual album - alreadyfrom the point of view of titles.<br> <br> <br> <br> Also musically, this world of sound has cohesion: instrumental piano music,neoclassical aesthetics (a somewhat broad concept that encompasses composerssuch as Erik Satie or Ludovico Einaudi), a certain simplicity in its surface.<br> <br> <br> <br> Let us briefly comment each of the titles:<br> <br> <br> <br> - One WayFlight to ...: The imaginary journey starts here. Each person will completethe sentence with the destiny of their choice.<br> <br> - TwopennyLoaf: This is a neighborhood (and geographically a cape) in the city ofGloucester, Essex County, Massachusetts, USA. It is believed to have gotten itsname because it is shaped like a (bread) loaf that at the time cost twopennies.<br> <br> - ThreeBridges: It is a city somewhere between London and Brighton, and a nodalpoint where trains typically split. Musically, the most minimalistic of all thecycle.<br> <br> - Four Oaks:There are numerous places so named, both in England and the US, and possibly inother countries. I can imagine that there were actually four oak trees planted near.<br> <br> - FivePointz: Neighborhood in Queens, New York. A graffiti mecca that wasdemolished in 2014 to build expensive buildings. And yes, it is spelled with zin this case.<br> <br> - Six MileBottom: Is a hamlet near Cambridge in England. The hamlet derives its namefrom its distance from the start of Newmarket Racecourse and because it lies ina valley bottom. There is no public transport. The old train station, closed in1967 for lack of use, is now a private residence.<br> <br> - SevenKings: It is a neighborhood in Ilford, East London. The earliest recordeduse of the name is as Sevekyngg or Sevekyngges in 1285, possibly meaning'settlement of the family or followers of a man called Seofoca'<br> <br> - EightStreets: it is a (very sought-after) neighborhood located in the heart ofthe historic South End of the city of Boston, Massachusetts, USA.<br> <br> - Nine Elms:a district of South West London. Nine Elms Lane was named around the year 1645,from a row of elm trees bordering the road.<br> <br> - Ten TenRoad: it is a place -actually the main road- in the town of Apex, NorthCarolina, USA.<br> <br> - ElevenLands: this place is mentioned in an old legal report from around 1782 asexisting in North London ("a place called Eleven Lands, containing fiveacres of arable, formerly Cosby's, beonging to a farm in the said parish ofBletcheley...", in " Acollection of the Reports of Cases, the Statutes, and Ecclesiastical Laws,relating to Tithes", volume 3). It has certainly changed its name.Musically, this last piece has a certain tango aura.<br> <br> <br> <br> <br> <br> Why eleven pieces and not more? The truth is that - incredibly as it mayseem - I didn't find any place called "Twelve" something. Yes thereare such names in other languages, but I wanted to keep some consistency. Thereare also pubs or bars called Twelvewhatever, but since they are not sponsoring my music, I had no motivation togive them free advertising at the moment.<br> <br> <br> <br> This album was released in early 2020 on Spotify, iTunes and allother online platforms through the label BlissRecordings in London (part of frtyfve).Find your favorite service here: https://frtyfve.lnk.to/NPVol1<br> <br> <br> <br> There are alsovideos of several pieces of this album. They are in the following playlist:<br> <br> https://www.youtube.com/playlist?list=PL70vQeCRYmkp3vEdIkdnjJyiU1aZ_u7HA
$11.00
10.13 €
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Piano seul
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Juan María Solare
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Numbered Places [11 pieces for piano solo]
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Juan Maria Solare
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.87 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.87 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
Pickles and Peppers - Early Intermediate Piano Arrangement
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.956187 Composed by Adaline Shepherd…
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Piano Solo - Level 2 - Digital Download SKU: A0.956187 Composed by Adaline Shepherd. Arranged by Marc Yu. 20th Century. Score. 2 pages. Marc Yu Music #6010215. Published by Marc Yu Music (A0.956187). Basic Info:Piano Solo Sheet Music, digital downloadLevel: Level 3, Early IntermediateDetailed Description: Pickles and Peppers composed by Adaline Shepherd. 20th century. Ragtime. Historic Women Composers. Classical Piano Repertoire for the earliest beginner. Arranged by Marc Yu.This is a late elementary level arrangement in the key of Ab Major and serves as an introduction to historic women composers. Other arrangements of this piece at different levels are available. This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies written by women composers. Looking for more easy piano versions of works by historical women composers? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Piano Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.
$2.40
2.21 €
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Piano seul
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Adaline Shepherd
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Marc Yu
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Pickles and Peppers - Early Intermediate Piano Arrangement
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Marc Yu Music
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SheetMusicPlus
Pickles and Peppers - Intermediate Piano Arrangement
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.956188 Composed by Adaline Shepherd…
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Piano Solo - Level 3 - Digital Download SKU: A0.956188 Composed by Adaline Shepherd. Arranged by Marc Yu. 20th Century. Score. 5 pages. Marc Yu Music #6010219. Published by Marc Yu Music (A0.956188). Basic Info:Piano Solo Sheet Music, digital downloadLevel: Level 4, IntermediateDetailed Description: Pickles and Peppers composed by Adaline Shepherd. 20th century. Ragtime. Historic Women Composers. Classical Piano Repertoire for the earliest beginner. Arranged by Marc Yu.This is an intermediate level arrangement in the key of Ab Major and serves as an introduction to historic women composers. Other arrangements of this piece at different levels are available. This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies written by women composers. Looking for more easy piano versions of works by historical women composers? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Piano Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.
$2.40
2.21 €
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Piano seul
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Adaline Shepherd
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Marc Yu
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Pickles and Peppers - Intermediate Piano Arrangement
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Marc Yu Music
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SheetMusicPlus
Seven Pieces in Twentieth-Century Styles
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 2…
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Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00
4.6 €
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Piano seul
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James Siddons
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Seven Pieces in Twentieth-Century Styles
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James Siddons Music and Writings
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SheetMusicPlus
ISADAR - The Purple Heart (improvisational solo piano) [complete collection]
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1310020 By Isadar. By Isadar. 20th …
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Piano Solo - Level 4 - Digital Download SKU: A0.1310020 By Isadar. By Isadar. 20th Century,Contemporary,Jazz,New Age. Score. 58 pages. Mainya Music Publishing (BMI) #899138. Published by Mainya Music Publishing (BMI) (A0.1310020). Sounds like: Keith Jarrett's Köln Concert, Bill Evans, Liz Story, George Winston, early Windham Hill solo piano artistsTranscribed by:  David Shenton ( MainlyPiano.com):The Purple Heart Sheet Music Collection is a note-for-note solo piano transcription of Isadars 2003 memorial CD by the same name (transcribed by David Shenton). The recording and book are a tribute to those who died in the attacks of 9/11/2001. The music was recorded in one take and although there are thirteen titles, the pieces segue into each other, creating a seamless 56-minute improvisation. The book indicates where the various pieces begin and end, but can also be played as one long piece. Although the theme of the music is very somber and bleak, the music covers the broad range of emotions we all felt during that period - anger, sadness, hope, determination, resolve, fear, grief, etc. Although the recording is an improvisation, Isadar incorporates a recurring theme that holds the work together as a single entity. Some pieces are very slow while others are lively and even fast. All thirteen pieces are in C minor/Eb major, but the variety of moods and tempos keep the music evolving without becoming repetitious. When the recurring theme pops up, its like seeing an old friend... Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, featuring today's biggest names in solo piano music. Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.For more information, visit his website at:
$49.99
46.03 €
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Piano seul
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Isadar
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ISADAR - The Purple Heart
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Mainya Music Publishing
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SheetMusicPlus
Suite for Piano
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.973026 Composed by Francis Kayali. …
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Piano Solo - Level 5 - Digital Download SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #5718759. Published by Francis Kayali (A0.973026). Composed between January and March 2003, the Suite for Piano was written for a recital by pianist Qi Liu (1976-2017), at Stony Brook University, in March of 2003.The opening of the first movement evokes bells, not unlike those in Rachmaninoff’s RusÂsian Easter (the finale of his First Suite for Two Pianos). This is contrasted with a short and murky rising gesture. The middle section incorporates pianistic patterns (some reminiscent of Debussy), a yearning IbeÂrian melody, and a barely-recognizÂable snippet of Chopin used for a climax. The murky gesture eventually returns, introducing a triumphant stateÂment of the opening bells.Early on, I had decided the piece should include references to the other pieces on the reÂcital’s program: Beethoven’s Piano Sonata No. 18 (op. 31, No. 3) and Brahms’s F minor SoÂnata (op. 5). As soon as I had word from Qi that she was going to play the Beethoven, I immediÂately wanted to hear it. I wasn’t familiar with the piece, and since I didn’t have a score or a reÂcording of it at home, I decided to download it in MIDI format from the internet. Unbeknownst to me, the computer’s rendition transformed the lively secÂond movement scherzo into a slow-moving hymn which reminded me of the Ode to Joy. I was quite surÂprised the next mornÂing when I went to the muÂsic library and listened to a reÂcording played by a human. Nonetheless, I was drawn to the melody, and I found the slow effect interesting, so I deÂcided to base my middle movement (the slow movement) around the theme of BeethoÂven’s scherzo, making it the hidÂden theme for a short set of variations. The end of the movement also contains less direct referÂences to the music of Brahms (very short alluÂsions to the Sonata and to the Variations on a Theme by Haydn).The last movement explores fast and light fingerwork, in a sort of toccata or capriccio, proÂviding a flashy ending to the piece. As in the first movement, the form is A-B-A. Before the return of the first section, a little dance evokes the opening of the piece. (The murky gesture from the first movement also finds its way into this last movement).Each of the three movements experiments at one point with using the sustain pedal in order to create a wash of sound. This effect is used most prominently in the second movement.Movement I: https://www.youtube.com/watch?v=n-NKcs076UIMovement II: https://www.youtube.com/watch?v=XSxkOcdlpiYMovement III: https://www.youtube.com/watch?v=CntmWYdOA9Y
$12.00
11.05 €
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Piano seul
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Francis Kayali
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Suite for Piano
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Francis Kayali
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SheetMusicPlus
Gnossienne No.1 by Satie - Piano Solo (Original Version)
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1179189 Composed by Erik Satie. Arr…
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Piano Solo - Level 2 - Digital Download SKU: A0.1179189 Composed by Erik Satie. Arranged by César Madeira. 19th Century,20th Century,Children,Folk,Romantic Period. Score. 3 pages. Sheet Music To Play Editions #779162. Published by Sheet Music To Play Editions (A0.1179189). Gnossienne No.1 by Satie for Piano Solo. The Original Version. With Full Score. Enjoy it!Erik Satie (1866 - 1925) was a French composer and pianist. Satie was an influential artist in the late 19th- and early 20th-century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd, while his 1917 coinage furniture music would presage the development of background and ambient music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$5.99
5.52 €
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Piano seul
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Erik Satie
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César Madeira
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Gnossienne No.1 by Satie - Piano Solo
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Sheet Music To Play Editions
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SheetMusicPlus
Children's Sketches Little Pieces for Solo Piano
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.835228 Composed by Claudio Porstman…
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Piano Solo - Level 2 - Digital Download SKU: A0.835228 Composed by Claudio Porstmann. 20th Century,Classical,Instructional,Standards. Score. 20 pages. Claudio Porstmann #3685715. Published by Claudio Porstmann (A0.835228). A collection of 8 fun little pieces for the early intermediate piano student, written similar to the traditional minuet-trio format of the 18th century. The collection contains pieces in many different keys, giving the student a chance to practice playing pieces with more sharps. Musically oriented towards the early minuets of Mozart, these pieces are fun and not too challenging to master.
$9.99
9.2 €
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Piano seul
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Claudio Porstmann
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Children's Sketches Little Pieces for Solo Piano
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Claudio Porstmann
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SheetMusicPlus
Rhapsody in G Major for Solo Piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1098866 By Andrew Orgee. By Andrew …
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Piano Solo - Level 4 - Digital Download SKU: A0.1098866 By Andrew Orgee. By Andrew Orgee. Arranged by Andrew Orgee. 20th Century,Classical. Score. 5 pages. Andrew Orgee #702709. Published by Andrew Orgee (A0.1098866). A concert piece for piano that evokes the style and mood of John Ireland's much-loved piano pieces which were inspired by the Channel Islands and composed in the early 20th century. It was commissioned for an honours degree recital and as such is written for pianists at that level. It has some tricky cross-rhythms and crossing of hands in places, but has a pleasing and accessible style and has been well-liked by concert goers.
$1.99
1.83 €
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Piano seul
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Andrew Orgee
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Andrew Orgee
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Rhapsody in G Major for Solo Piano
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Andrew Orgee
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SheetMusicPlus
Piano Concerto No.2 Op.16 in G Minor
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1365733 Composed by Sergei Prokofie…
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Piano Solo - Level 5 - Digital Download SKU: A0.1365733 Composed by Sergei Prokofiev. Arranged by Daniel Nicholson. 20th Century,Classical. Score. 77 pages. Daniel Nicholson #950076. Published by Daniel Nicholson (A0.1365733). A fully solo piano arrangement of this epic early 20th Century work. Very challenging!
$9.99
9.2 €
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Piano seul
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Sergei Prokofiev
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Daniel Nicholson
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Piano Concerto No.2 Op.16 in G Minor
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Daniel Nicholson
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SheetMusicPlus
Piano Suite, Op. 1
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1031407 Composed by Zach Tesch. 20t…
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Piano Solo - Level 5 - Digital Download SKU: A0.1031407 Composed by Zach Tesch. 20th Century,Classical,Contemporary,Romantic Period. Score. 14 pages. Zach Tesch #3407831. Published by Zach Tesch (A0.1031407). Movements:I. DistanceII. The Grand BallIII. NocturneIV. The Devil's WaltzA fun, short work for piano, each movement varies in difficulty, with The Grand Ball as the easiest and The Devil's Waltz as the most challenging. Performance time of the entire work is about 10 minutes, but each movement is short and can be performed effectively as a stand-alone work. Each movement is written based on a different historical genre of music: Distance is inspired by modern choral works, The Grand Ball is Classical in nature, Nocturne is in the Romantic style, and The Devil's Waltz calls upon the church modes and dissonance of the early and late 20th century.
$7.99
7.36 €
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Piano seul
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Zach Tesch
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Piano Suite, Op. 1
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Zach Tesch
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SheetMusicPlus
Disillusion (Advanced Piano)
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.919971 Composed by Kate Emht. 20th …
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Piano Solo - Level 5 - Digital Download SKU: A0.919971 Composed by Kate Emht. 20th Century,Concert,Contemporary. Score. 6 pages. Katherine Madonna McDowell #6046661. Published by Katherine Madonna McDowell (A0.919971). Disillusion is a contemporary piano piece expressing the anguish of mental illness. The title's double-meaning is meant to signify the the dissolution of tonality in the early part of the 20th century.
$5.99
5.52 €
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Piano seul
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Kate Emht
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Disillusion
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Katherine Madonna McDowell
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SheetMusicPlus
Après un rêve (Piano Transcription)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1211519 Composed by Gabriel Faure. …
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Piano Solo - Level 4 - Digital Download SKU: A0.1211519 Composed by Gabriel Faure. Arranged by Christopher Miltenberger. 19th Century,20th Century,Classical,Romantic Period,Wedding. Score. 4 pages. Christopher Miltenberger #809129. Published by Christopher Miltenberger (A0.1211519). The well-known song by Gabriel Fauré has already been rearranged for various instruments. This transcription for solo piano expands the harmonies and degree of difficulty while recalling paraphrases of the late 19th and early 20th centuries.
$6.99
6.44 €
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Piano seul
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Gabriel Faure
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Christopher Miltenberger
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Après un rêve
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Christopher Miltenberger
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SheetMusicPlus
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