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City and Colour
Non classifié
25
Piano & claviers
Piano seul
6
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3
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1
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6
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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Vous avez sélectionné:
City and Colour
Piano seul
Partitions à imprimer
6 partitions trouvées
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Colours of the Corals
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Piano seul
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INTERMÉDIAIRE
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Felicity Atkinson
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Colours of the Corals
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Felicity Anne Atkinson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1005182 Composed by Felicity Atkinson. 20th Century,Contemporary,Standards. Score. 3 pages. Felicity Anne Atkinson #60776...
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Piano Solo - Level 3 - SKU: A0.1005182 Composed by Felicity Atkinson. 20th Century,Contemporary,Standards. Score. 3 pages. Felicity Anne Atkinson #6077655. Published by Felicity Anne Atkinson (A0.1005182). In this piece, you head down under the sea to the colourful coral reef. This piece is easier to play than it sounds and any player will enjoy particularly the colourful semiquaver opening. A great recital piece with romantic elements for an intermediate pianist.
$2.99
Die Reise nach Batumi
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Piano seul
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Mulo Francel, Quandro Nuevo
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Die Reise nach Batumi
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Roba Music Verlag
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SheetMusicPlus
Piano - SKU: RX.9783737803298 Sheet music for piano. Composed by Mulo Francel, Quandro Nuevo. Text language: English. World music. 4 pages. Publi...
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Piano - SKU: RX.9783737803298 Sheet music for piano. Composed by Mulo Francel, Quandro Nuevo. Text language: English. World music. 4 pages. Published by Roba Music Verlag (RX.9783737803298). This song is a travelling song written under the impression of several tours through South and East Europe, the Balkans and around the Black Sea. Dedicated to Jason, the hero of the Greek mythology, it has to be played in a hymnic manner. Jason went on a most adventurous journey to the very outermost coast of the Black Sea with this motley entourage - the Argonauts - in order to seize the Golden Fleece, a gigantic golden ram skin. Just about where the Georgian city of Batumi is today. If you would like to know more about it, you may want to read the chapter “Die Reise nach Batumi†(The Journey to Batumi) in our roadbook “Quadro Nuevo: Grand Voyage. To every person who is interested in these old myths, I recommend the books of the author and journalist Michael Kohlmeier, for example his amusing interpretations of the Sagen des Klassischen Altertums (Sagas of the classical antiquity). Just East of Batumi the Caucasus begins, with its colourful mixture of ancient peoples and cultures. I have always been fascinated with musicians who originate from this region. For example the composer Aram Katschaturian or the pianist David Gazarov, with whom I often play concerts. An Eastern groove suits this song well, quite comparable to a fast rumba. I suggest you play the intro (may be extended) and the theme (measures 6 to 39) first. Then you may improvise freely over the AABA-form of the theme. The last solo part is shortened because the B-part leads into a percussion solo. This percussion solo may be omited. After the last complete solo part you can repeat the theme and then play the al fine. For Improvisation: On a separate sheet I am offering some scales to the chords of the song in various transpositions, which is helpful as basic material for improvisations. Some chords (like the very first one) fit several different scales. Decide for yourself which one you prefer. Or maybe even make up your own. Even though these notes may sound right with the chords, one thing always holds true in creative music: There should be no dogmatic wrong or right. Sometimes what seems like a wrong note, could give the progression of the melody its special colour, tension and spice. Sometimes an improvisation with exclusive right notes is correct in music theory, but sounds terribly boring. Besides, every improviser is encouraged to happily help themselves to the chromatics. All of this is only a suggestion. Music becomes exciting and colourful when the basic material is interpreted in an imaginative and creative way!
$6.19
Audacious Binary Forms for Pianist (one or two pianos)
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Piano seul
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Contemporain
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Paul Copeland
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Audacious Binary Forms for Pia
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Paul Copeland
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SheetMusicPlus
Piano Solo - SKU: A0.901081 Composed by Paul Copeland. 20th Century,Contemporary. Score. 50 pages. Paul Copeland #5988217. Published by Paul Copeland (A...
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Piano Solo - SKU: A0.901081 Composed by Paul Copeland. 20th Century,Contemporary. Score. 50 pages. Paul Copeland #5988217. Published by Paul Copeland (A0.901081). Audacious Binary Forms for pianist playing one or two pianos, won Australia’s most prestigious piano composition competition the Jean Bogan Prize for Piano Composition 2016. The world premiere was performed by Michael Kieran Harvey. He is considered by many as being one of Australia’s greatest living concert pianists. Michael specializes in performing world premieres of compositions by Australian composers. He is also a prolific composer of avant-garde music. ABSTRACT FROM THE GENERAL DIRECTIONS Audacious Binary Forms for piano is in a fractured binary form. Two types of structures exist; lettered structures, which are experimental structures, and explore the sonorities of the piano, and numbered structures, which are more traditional structures. A structure may be a single page or more than one page. Each page in a structure is to be played sequentially. For example, with structure C, consisting of three pages, C1, C2, C3, each page is played sequentially in numerical order, C1, C2, C3. EXPERIMENTAL STRUCTURESThe structures A, B, C, D, E, F, G, Percussion, CADENZA, and CODA are experimental. TRADITIONAL STRUCTURESThe structures 1, 2, 3, 4, 5, and 6, are traditional. PREPARING THE SCORE FOR PERFORMANCE There are four different options for a performance. MINIMALIST OPTIONThe 13 cards cut from the CUTOUT page are shuffled. Card 4 Rag (1,2) is removed. The 12 cards are placed face down. One card is revealed representing the structure that is to be performed. A member of the audience can be invited to shuffle the cards. STOCHASTIC OPTION An audience member or members can be invited to shuffle all the pages of the score. The resultant random sequence of pages becomes the whole score for the performance. PERFORMER’S OPTIONThe performer prepares the structures according to his musical tastes. All of the experimental structures should be performed. The performer is free to play none, some, or all of the traditional structures. Please note that each structure remains an independent structure and is played sequentially. For example, structure C, consisting of three pages would be played C1, C2, C3 in that order. PERFORMER/COMPOSER OPTIONMonths before the concert the performer can contact me at paulcopeland1@bigpond.com, to discuss the performance, and to work out an ideal performance structure for the work, taking into consideration the venue, expected size of audience, size of auditorium, music program, and if two pianos will be available. IMPORTANT INFORMATION REGARDING SHEET MUSIC SIZE Please note that the score should be printed on separate pages (the notated pages), not back to back. Ideally the score should be printed on A3 pages in colour. However the score can still be printed in grayscale. The sheet music file is approximately 15Mb because the score is in full color. BIOGRAPHICAL INFORMATION Paul Copeland is an award-winning multi-genre composer, graphic artist, programmer, teacher, and author, based in his home city of Melbourne. His compositional styles range from neo-classical, jazz, ragtime, and musical theatre to electronic, avant-garde, post-avant-garde, and experimental music. Born in 1947, Copeland grew up an only child in a musical household. His mother was a talented singer, his father an accomplished amateur pianist, composer of popular music, and internationally renowned travelling telepathist known as Argus The Boy Prophet. Copeland's musical studies commenced at the age of 16 when he began studying piano, and a year later, he enrolled at the Melba Conserv.
$20.00
Acuarelas junto al río inmóvil [5 piano pieces]
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Piano seul
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Juan MarÃa Solare
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Acuarelas junto al río
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - SKU: A0.596506 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary,Standards,World. Score. 10 pages. Juan Maria Solare #336...
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Piano Solo - SKU: A0.596506 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary,Standards,World. Score. 10 pages. Juan Maria Solare #3363803. Published by Juan Maria Solare (A0.596506). Juan MarÃa Solare: Acuarelas junto al rÃo inmóvil (Watercolours alongside the still river) five nocturnes for piano solo The still river is the River Plate; the novelist Eduardo Mallea (1902-1982) refers to Buenos Aires as the city next to the still river, an allusion to its lack of haste. This cycle of piano pieces is a collection of five short nocturnes. The first four Acuarelas were composed in Buenos Aires between 9th and 12th April 2007, the fifth piece was conceived on 4th May and written down on 6th May 2007. All five pieces have practically the same formal structure. Concerning the musical language or style, I would classify this work under contemporary classical with interferences from modern jazz and new tango (imagine Astor Piazzolla listening to a recording of Thelonious Monk playing preludes of Alexander Scriabin). Single titles and approximate durations I - Bruma matinal (Morning Mist) [1'10] II - Flecha flotante (Floating Arrow) [1'00] III - Vaivén de los juncos (Sawying Reeds) [1'15] IV - Orilla urbana (Urban Shore) [2'00] V - Incandescencia estática (Static Incandescence) [0'45] ISWC (International Standard Musical Work Code): T-802.466.008-1 The Acuarelas were recorded by Juan MarÃa Solare in London on Friday 23rd May 2014. Recorded and Mixed by Eduard Muhaxheri Assistant Engineer: Matteo Dessi Grand piano Wendl & Lung Cover Art: Alban Low Label Janus Music & Sound (Bremen, Germany), JMS-004 More about the piece, also sound examples: http://www.juanmariasolare.com/CD_acuarelas_junto_al_rio_inmovil.html The recording of Acuarelas is on Spotify, Deezer, iTunes, amazon mp3, etc. https://open.spotify.com/album/1kVamUJLLSqbQnFURSpxYAVideo of the fourth piece,Orilla urbana: https://www.youtube.com/watch?v=usiEGpImyco
$4.00
Wait (Verbs 1)
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Piano seul
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AVANCÉ
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Contemporain
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Kathleen Ryan
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Wait
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Indigo Mesa Music LLC
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.995799 Composed by Kathleen Ryan. 20th Century,Contemporary. Score. 7 pages. Indigo Mesa Music LLC #5197945. Published by...
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Piano Solo - Level 5 - SKU: A0.995799 Composed by Kathleen Ryan. 20th Century,Contemporary. Score. 7 pages. Indigo Mesa Music LLC #5197945. Published by Indigo Mesa Music LLC (A0.995799). Verbs is a set of 24 impressionistic preludes for piano left hand alone, composed by Kathleen RyanEach prelude evokes the energy and mood of its title verb. Thus, the preludes utilize a wide range of modern styles and harmonic languages.Wait - to be in readiness or expectation. These preludes hark back to earlier antecedents by Debussy, Rachmaninov, Chopin and J S Bach in their variety and appeal, creating an album rich in contrasts. Ryan’s composing style is eclectic, referencing jazz, contemporary classical, traditional classical, and American folk songs and hymns: Play, for example, is a vibrant anthem, redolent of sacred harp singing, while other Preludes are more contemplative, tender and wistful (Forgive, Bloom). Push is energetic and rumbling, suggesting bustling city life, Bounce scampers playfully around the keyboard with jazzy syncopations and colourful harmonies, and Tangle is redolent of some of Prokofiev’s more introspective ‘Visions Fugitives’. The album closes with the meditative Bless. Frances Wilson, The Cross-Eyed PianistVerbs: 24 Preludes for Piano Left Hand is a fascinating collection of pieces composed by Kathleen Ryan. The project originated in 2006 when [Keith] Porter-Snell asked Ryan to create a set of twenty-four piano preludes for left hand only, one in each key. In her search for a unifying theme, Ryan settled on the idea of verbs, one for each prelude, because a verb conveys a distinct quality of energy and motion. ... Ryan’s eclectic composing style contains elements of jazz, contemporary classical, traditional classical, and her own vision that includes making the piano sing. ... It is hard to believe that these preludes are played with only one hand, as they are full, rich, and sound like they move all over the piano keyboard. All of the titles are one-word verbs and the preludes range in duration from 34 seconds to a little more than four minutes. Some are light and playful and some are more complex and dramatic. All are very different from each other and specific to their individual ‘verbs.’ Kathy Parsons, MainlyPiano.com
$5.25
Indian Summer Romance
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Piano seul
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INTERMÉDIAIRE
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Felicity Atkinson
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Indian Summer Romance
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Felicity Anne Atkinson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1005183 Composed by Felicity Atkinson. 20th Century,Contemporary,Standards. Score. 4 pages. Felicity Anne Atkinson #60776...
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Piano Solo - Level 3 - SKU: A0.1005183 Composed by Felicity Atkinson. 20th Century,Contemporary,Standards. Score. 4 pages. Felicity Anne Atkinson #6077657. Published by Felicity Anne Atkinson (A0.1005183). We all love a beautiful Indian Summer and this piece evokes romance, early Autumn sunshine and beautiful colours of ready to fall leaves. A lovely intermediate piano solo.
$2.99
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