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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
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125
PIANO & CLAVIERS
Piano seul
48
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40
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6
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1 Piano, 4 mains
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Flûte traversière et Piano
31
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25
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17
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12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
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11
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10
Hautbois, Piano (duo)
10
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7
Flûte traversière
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6
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5
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3
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Clarinette, Violon (duo)
2
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2
Clarinette
2
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1
Quintette de Flûte : 5 flûtes
1
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1
Clarinette, Guitare (duo)
1
Flûte, Clarinette (duo)
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1
Clarinette et Alto
1
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1
2 Hautbois (duo)
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Flûte, Violon
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
33
Cor et Piano
11
Quatuor de Cuivres
10
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10
Trombone et Piano
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Ensemble de Trombones
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Tuba et Piano
5
Trompette
5
Trombone
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Euphonium, Piano (duo)
5
Ensemble de Trompettes
4
Cor anglais, Piano
4
Ensemble de Cors
3
2 Trompettes (duo)
2
Trompette, Saxophone (duo)
2
Quatuor de cuivres: 4 trompettes
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 trombones
1
Trompette, Trombone (duo)
1
2 Trombones (duo)
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CORDES
Violon et Piano
34
Violoncelle, Piano
26
Alto, Piano
24
Quatuor à cordes: 2 violons, alto, violoncelle
23
Trio à Cordes: violon, alto, violoncelle
9
Violoncelle
7
Violon
6
Contrebasse, Piano (duo)
5
Violon, Violoncelle (duo)
5
Violon, Alto (duo)
2
2 Violoncelles (duo)
2
Alto seul
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe
2
2 Violons (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Flûte (duo)
1
2 Altos (duo)
1
Trio à Cordes: 3 violoncelles
1
Ensemble de Violons
1
Ensemble d'Altos
1
Alto, Violoncelle (duo)
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
18
Orchestre
11
Orchestre d'harmonie
9
Orchestre de chambre
5
Ensemble de cuivres
5
Ensemble Jazz
5
Cloches
2
Jazz combo
2
Marimba
1
Ensemble de Percussions
1
Vibraphone
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Fanfare
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AUTRES
Vous avez sélectionné:
Despite it All
Piano seul
Partitions à imprimer
48 partitions trouvées
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26
alt.Callahans Reel
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.992361 Composed by Tim Fatchen. Cel…
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Piano Solo - Level 4 - Digital Download SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published by Flying Tadpole Productions (A0.992361). ALT.CALLAHANS REEL(which is actually a Slide, with a Reel interlude!) Fast and lively foot-tapping neo-Celtic, at its best on electronic keyboard but also a fun piano solo. (Duration 8+ minutes) Reel Jiggery-pokery The song started as a jig but drank too much and reeled into 12/8 time. Properly speaking, despite its strong 4-beat pulse, it's a Slide. Or perhaps a Double Jig. Except for the mid-section, which is really a Reel! Needless to say, this is not for the purists...but it's huge fun for the rest of us! Playing and Performing We've marked it Advanced Intermediate. It's the indicated speed which makes demands! But you can play it slower and enjoy! On electronic or MIDI keyboard, use a percussive/plucked foundation (e.g. piano, harp, faux guitar) with a sustained string patch (string ensemble, synth strings, viola works well, fiddle works well, most violin patches are terrible!). For piano, you'll have to use more of the sustain pedal but not too much or it'll go all muddy on you, just like a mis-step in an Irish bog! (Original live and YouTube performances were on a Medeli MC 710, from 2005. This keyboard allowed splitting and dual voices. Piano was used as foundation both above and below the split point. A loud viola patch was used as the second voice on the upper part of the keyboard, as the dominant fiddle sound carrying the melody. A synth string patch was used as second voice on the lower half, giving the drones.) Add Your Own Salt and Pepper to the Score! The song is scored for clarity, not as a detailed demand for every possible nuance. It's fast, so although simple to look at when not playing, you'll need to be reading the music at speed. Unless, of course, you're blessed with a brilliant memory! So the score isn't cluttered with ornaments and fiddly bits, or lots of expression marks. Especially, it's not cluttered by a lot of suspended notes. BUT...you will need to suspend a lot of notes as you play. Think drones running all over the place and use your keyboard sustaining string patches to bring those drones out! Listen to the live recordings, they'll help. You, as player, have lots of freedom! It's up to you how many additional frills, or emphasis, or drone suspensions you throw in. Why alt.callahans?In the far distant past of 2005, there was an Internet newsgroup of that name, in honor and emulation of Callahan's Crosstime Saloon, a fictional bar with strongly community-minded and empathic clientele, part of the fictional universe of American writer Spider Robinson. [Wikipedia] A place for tall tales and true, comradeship, puns both good and bad. We had fun there, and this song came out of it. The Internet world, sadly, has changed since.
$7.50
6.77 €
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Piano seul
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Tim Fatchen
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alt.Callahans Reel
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Flying Tadpole Productions
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SheetMusicPlus
Spring Can Really Hang You Up The Most
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1274945 Composed by Fran Landesman …
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Piano Solo - Level 4 - Digital Download SKU: A0.1274945 Composed by Fran Landesman and Tommy Wolf. Arranged by John Fries. 20th Century,Blues,Broadway,Jazz,Musical/Show,Standards. Score. 3 pages. John Fries #867059. Published by John Fries (A0.1274945). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Spring Can Really Hang You Up the Most (1955) is a popular song with lyrics by Fran Landesman, set to music by Tommy Wolf. The title is a jazz rendition of the opening line of T.S. Eliot's The Waste Land, April is the cruellest month. The song describes how somebody feels sad and depressed despite all the good things associated with spring. The song was featured in the 1959 Broadway musical The Nervous Set, but was written in 1955 before this musical and was incorporated into it.
$5.99
5.41 €
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Piano seul
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Fran Landesman and Tommy Wolf
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John Fries
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Spring Can Really Hang You Up The Most
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John Fries
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SheetMusicPlus
In the Hall of the Mountain King
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1227415 Composed by Edvard Grieg. A…
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Piano Solo - Level 2 - Digital Download SKU: A0.1227415 Composed by Edvard Grieg. Arranged by André Nusa. 19th Century,Film/TV,Romantic Period. Score. 2 pages. Andre_Nusa #823394. Published by Andre_Nusa (A0.1227415). This piano arrangement of In the Hall of the Mountain King by Grieg is a great introduction to this iconic classical piece. The arrangement is designed for early-intermediate level players. The piece begins with a simple and repetitive melody played in the right hand, while the left hand provides a steady and rhythmic accompaniment. As the piece progresses, the melody becomes more complex and builds to a crescendo, reflecting the dramatic intensity of the original composition. Despite its simplicity, the arrangement retains the sense of energy and excitement that makes In the Hall of the Mountain King such a beloved piece of classical music. With its catchy melodies and playful rhythms, this arrangement is sure to captivate and engage audiences of all ages and it is a great way to introduce younger or beginner piano students to classical music. It offers a fun and accessible way to learn about one of the most popular pieces in the classical repertoire, while also providing a solid foundation for more advanced piano techniques and repertoire in the future.
$5.99
5.41 €
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Piano seul
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Edvard Grieg
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André Nusa
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In the Hall of the Mountain King
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Andre_Nusa
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SheetMusicPlus
Wahkeena Falls
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1024481 Composed by Ian Evans Guthr…
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Piano Solo - Level 4 - Digital Download SKU: A0.1024481 Composed by Ian Evans Guthrie. 20th Century,Contemporary,Standards. Score. 8 pages. Ian Evans Guthrie #5324837. Published by Ian Evans Guthrie (A0.1024481). Wahkeena Falls for piano solo is the first movement from my Waterfalls of the Columbia River Gorge, and depicts one of my favorite waterfalls in the world - surpassing even the nearby Multnomah Falls. Despite some of the challenges in the piece, it is suitable for any early advanced or amateur pianist wanting to express nature with a romantic aesthetic!
$6.99
6.31 €
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Piano seul
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Ian Evans Guthrie
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Wahkeena Falls
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Ian Evans Guthrie
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SheetMusicPlus
Let It Snow! Let It Snow! Let It Snow!
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1396299 By Dean Martin. By Jule Sty…
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Piano Solo - Level 4 - Digital Download SKU: A0.1396299 By Dean Martin. By Jule Styne and Sammy Cahn. Arranged by John Fries. 20th Century,Christmas,Holiday,Standards. Score. 2 pages. John Fries #979672. Published by John Fries (A0.1396299). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. Let It Snow! Let It Snow! Let It Snow!, also known as simply Let It Snow, is a song written by lyricist Sammy Cahn and composer Jule Styne in July 1945. It was written in Hollywood, California during a heat wave as Cahn and Styne imagined cooler conditions. Despite the lyrics making no mention of any holiday, the song has come to be regarded as a Christmas song worldwide due to its winter theme, being played on radio stations during the Christmas and holiday season, and having often been covered by various artists on Christmas-themed albums.
$5.99
5.41 €
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Piano seul
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Dean Martin
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John Fries
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Let It Snow! Let It Snow! Let It Snow!
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John Fries
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SheetMusicPlus
In the Hall of the Mountain King
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1248618 Composed by Edvard Grieg. A…
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Piano Solo - Level 3 - Digital Download SKU: A0.1248618 Composed by Edvard Grieg. Arranged by André Nusa. 19th Century,Film/TV,Romantic Period. Score. 4 pages. Andre_Nusa #843113. Published by Andre_Nusa (A0.1248618). This piano arrangement of In the Hall of the Mountain King by Grieg is a great introduction to this iconic classical piece. The arrangement is designed for intermediate level players. The piece begins with a simple and repetitive melody played in the right hand, while the left hand provides a steady and rhythmic accompaniment. As the piece progresses, the melody becomes more complex and builds to a crescendo, reflecting the dramatic intensity of the original composition. Despite its simplicity, the arrangement retains the sense of energy and excitement that makes In the Hall of the Mountain King such a beloved piece of classical music. It offers a fun and accessible way to learn about one of the most popular pieces in the classical repertoire, while also providing a solid foundation for more advanced piano techniques and repertoire in the future.
$4.99
4.51 €
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Piano seul
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Edvard Grieg
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André Nusa
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In the Hall of the Mountain King
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Andre_Nusa
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SheetMusicPlus
Sonatina in F Major Anh. 5 No. 2
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1368471 By Jose Valladares. By Ludw…
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Piano Solo - Level 3 - Digital Download SKU: A0.1368471 By Jose Valladares. By Ludwig van Beethoven. Arranged by Jose Valladares. 19th Century. Score. 9 pages. Circlesquare Music #952818. Published by Circlesquare Music (A0.1368471). The Sonatina in F Major, Anh. 5, No. 2 is often attributed to Ludwig van Beethoven, one of the most celebrated composers in Western music history. However, it's important to note that the authenticity of this piece as a work by Beethoven has been questioned by musicologists. The Anh. in the title stands for Anhang, which means appendix in German and refers to a cataloguing system used for works that are either of doubtful authenticity or definitively known not to be composed by Beethoven. Despite this, the piece remains popular among students and teachers for its pedagogical value.Assuming the piece is studied as part of Beethoven's attributed works, here are some key aspects you might expect from the Sonatina in F Major, Anh. 5, No. 2:Sonatina Form: The sonatina is a simplified version of the sonata, generally shorter and less complex, making it suitable for early intermediate students. It usually consists of two or three movements, with the first often following a sonata-allegro structure but in a more condensed form.Key of F Major: The key of F Major tends to have a bright and cheerful character. In a sonatina, this key would lend the piece an uplifting and pleasant quality, making it enjoyable for both performers and listeners.Classical Style Characteristics: Even though the authenticity is in question, pieces attributed to Beethoven typically showcase characteristics of the Classical period, such as clarity in structure, balanced phrasing, and harmonic exploration. The Sonatina in F Major would likely reflect these elements.Technical and Musical Aspects: Sonatinas provide an excellent opportunity for students to develop fundamental skills such as phrasing, articulation, and dynamic contrast. This particular sonatina in F Major would probably include lyrical melodies, clear textures, and typical Classical period accompaniment patterns.Pedagogical Value: Given its approachable difficulty level, the Sonatina in F Major, Anh. 5, No. 2 serves as an excellent teaching piece for introducing young or early intermediate students to the sonata form and Classical style playing.
$8.99
8.12 €
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Piano seul
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Jose Valladares
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Jose Valladares
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Sonatina in F Major Anh. 5 No. 2
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Circlesquare Music
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SheetMusicPlus
Yuki-Onna (piano solo)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1127867 Composed by Philip Le Bas. …
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Piano Solo - Level 4 - Digital Download SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le Bas #728476. Published by Philip Le Bas (A0.1127867). Incidental music composed for piano in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This work developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Thingsâ€, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.†And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.†Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!†As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.
$5.99
5.41 €
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Piano seul
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Philip Le Bas
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Yuki-Onna
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Philip Le Bas
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SheetMusicPlus
Klaviersonate Nr. 1
Piano seul
Piano - Digital Download SKU: BQ.979-0-50179-221-4 Composed by Franz Anton Hoffmeis…
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Piano - Digital Download SKU: BQ.979-0-50179-221-4 Composed by Franz Anton Hoffmeister. Edited by Slavy Dimoff. This edition: softcover. Bisel Classics. Score. With Text Language: English / German. 36 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-221-4). ISBN 9790501792214.In his 1st Piano Sonata in F-major, with the movements Moderato, Adagio and Allegretto Hoffmeister created a work for piano solo that can be classified as high quality light music of the First Viennese School. Despite its high playability, the diction of the piece is never at risk of becoming trite, and it gradually reveals an abundance of pleasant phrases, that nevertheless offer a technical challenge for intermediate students. The composition lends itself ideally as a complement to intermediate level teaching, just as well as for home use or as a sight reading study. The music adds immensely to the intermediate level repertoire of the era we are so abundantly familiar with.
$24.95
22.54 €
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Piano seul
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Franz Anton Hoffmeister
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Klaviersonate Nr. 1
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Bisel Classics - Digital
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SheetMusicPlus
Minuet in F Major - K2
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1368461 Composed by Wolfgang Amadeu…
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Piano Solo - Level 2 - Digital Download SKU: A0.1368461 Composed by Wolfgang Amadeus Mozart. Arranged by Jose Valladares. Classical. Score. 2 pages. Circlesquare Music #952807. Published by Circlesquare Music (A0.1368461). The Minuet in F Major, K2 is a composition by Wolfgang Amadeus Mozart, a prodigious and influential composer of the Classical era. Mozart composed this piece at a very young age, around five or six years old, during his early years in Salzburg. Despite his young age, the compositions from this period already display his burgeoning genius and an understanding of musical form and harmony that was remarkable for his age.Here are some key aspects of the Minuet in F Major, K2:Early Composition: As one of Mozart's early works, the Minuet in F Major, K2 showcases the early development of his compositional style. Even in his juvenile works, Mozart's music is characterized by melodic inventiveness, clarity of form, and harmonic sophistication.F Major Key: The piece is in F Major, which often conveys a warm, harmonious, and sometimes pastoral mood. The key of F Major in this minuet would contribute to a light, pleasant, and graceful character, typical of the minuet dance form.Minuet Form: The minuet is a dance form in triple meter that was extremely popular during the Classical period. It typically features a simple, elegant melody and a clear, balanced structure. Mozart's Minuet in F Major, K2 would follow this structure, likely consisting of two repeated sections, each with its own musical ideas but united by the overall character of the dance.
$7.99
7.22 €
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Piano seul
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Wolfgang Amadeus Mozart
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Jose Valladares
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Minuet in F Major - K2
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Circlesquare Music
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SheetMusicPlus
Almost May for Piano Solo
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi S…
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Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99
3.6 €
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Piano seul
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Trio Recomposed
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1004156 Composed by Matthew Scott P…
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Piano Solo - Level 3 - Digital Download SKU: A0.1004156 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score. 5 pages. Matthew Scott Phillips #6213017. Published by Matthew Scott Phillips (A0.1004156). Program Notes: In 2010 I composed a work for solo piano entitled, Trio for Piano Alone. The work was texturally, and philosophically complex, attempting to analogize the component parts of a personality, which might seem on the surface to be an indivisible whole. With this work, I have revisited my previous one, and recomposed it. This new work is in a radically different, and distinctly more minimal style. Having explored the great complexity of personality in the first one, I am here exploring that very one-ness that is either the result of all that complexity or (as I suspect) the truth of our being despite it.
$4.99
4.51 €
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Piano seul
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Matthew Scott Phillips
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Trio Recomposed
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Matthew Scott Phillips
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.18 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.18 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bagatelle (vol. 1)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.808952 Composed by Mario Totaro. 20…
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Piano Solo - Level 4 - Digital Download SKU: A0.808952 Composed by Mario Totaro. 20th Century,Contemporary. Score. 44 pages. Preludio s.r.l. #6140709. Published by Preludio s.r.l. (A0.808952). Six Bagatelles for piano written by italian composer Mario Totaro.In the summer of 2016 Preludio asks the composer Mario Totaro to write some pieces for piano intended for sync advertising, movies and television. However, in the publisher’s intention, these pieces would have to possess a number of specific features: simplicity, neutral expressivity, positivity, in order to be functional to the objective. Mario Totaro accepted the challenge, and the five bagatelles published in this volume are his personal «answer».Maintaining a balance between individuality and business needs can be very difficult, as it can be hard to reach a certain level of «acceptability» in this field. Difficult, but not impossible. Yet such a challenge can also be as stimulating as amusing experience. Moreover, these bagatelles prove it: despite being quite simple, they reveal a care for detail and a significant daintiness; they are indeed expressive, but they refer to the imagination of their author; finally, they are functional to their purpose without showing it, as too often happens to a certain type of «musical wallpaper» to which we are accustomed. In short, Totaro can measure out all the elements without sacrificing his compositive personality or artistic integrity, and this is definitely a goal that not all composers (sometimes even the biggest) can achieve.
$19.99
18.06 €
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Piano seul
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Mario Totaro
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Bagatelle
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Preludio s.r.l.
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SheetMusicPlus
Somewhere In Time
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1362549 By Allen Comyns. By B.A. Ro…
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Piano Solo - Level 2 - Digital Download SKU: A0.1362549 By Allen Comyns. By B.A. Robertson and John Barry. Arranged by Jhavilah. 21st Century,Film/TV,Romantic Period,Standards,Wedding. Score. 2 pages. Jhavilah #947001. Published by Jhavilah (A0.1362549). The haunting and beautiful score for Somewhere in Time was composed by John Barry, an English composer known for his work on eleven James Bond films. The score is often regarded as one of Barry's most rhapsodic and gorgeous romantic compositions. It features lush orchestration and melodic themes that perfectly capture the film's romantic and timeless atmosphere. Despite the film's small budget, Jane Seymour, who was a personal acquaintance of John Barry and his wife, suggested him to the producers of Somewhere in Time. The producers initially couldn't afford him, but eventually, Barry agreed to compose the score for the film. The soundtrack for Somewhere in Time has become highly regarded among film music enthusiasts. It showcases John Barry's talent for creating emotionally resonant and memorable melodies. The score captures the essence of the film's themes of eternal love, grief, and loss. Overall, Somewhere in Time is a beloved film with a captivating story and a beautiful musical score by John Barry. It has gained a dedicated following over the years and continues to be celebrated for its romantic and timeless qualities.
$4.99
4.51 €
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Piano seul
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Allen Comyns
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Jhavilah
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Somewhere In Time
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Jhavilah
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SheetMusicPlus
Being cured( my dearest Maxmans)
Piano seul
Piano - Level 1 - Digital Download SKU: A0.1290364 By ARTRA. By ARTRA. Arranged by …
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Piano - Level 1 - Digital Download SKU: A0.1290364 By ARTRA. By ARTRA. Arranged by ARTRA. 21st Century. Full Performance. Duration 196. English Diva #881074. Published by English Diva (A0.1290364). This piece describes the time spent reuniting with friends and family after the COVID-19 pandemic. It begins with excitement and gradually transitions into a peaceful and strengthening feeling within my heart. Despite it being only a three-hour reunion after a long separation, the blue winds and warm air of California's beach comfort and uplift me and my friends.
$9.99
9.02 €
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Piano seul
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ARTRA
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ARTRA
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Being cured( my dearest Maxmans)
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English Diva
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SheetMusicPlus
March in D Major - BWV Anh. 122
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1368455 By Jose Valladares. By Joha…
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Piano Solo - Level 2 - Digital Download SKU: A0.1368455 By Jose Valladares. By Johann Sebastian Bach. Arranged by Jose Valladares. Baroque. Score. 1 pages. Circlesquare Music #952801. Published by Circlesquare Music (A0.1368455). The March in D Major, BWV Anh. 122 is attributed to Johann Sebastian Bach, one of the most influential composers of the Baroque era. However, it's important to note that BWV Anh. 122 is part of the Anhang (Anh.), a section of the Bach-Werke-Verzeichnis (Bach Works Catalogue) that includes works of dubious authenticity or those once attributed to Bach but later found to be composed by other composers. In the case of BWV Anh. 122, it's generally believed that the piece was not composed by J.S. Bach himself but rather by one of his contemporaries or successors.Despite the uncertainty regarding its true composer, the March in D Major, BWV Anh. 122 is a delightful and spirited composition that exhibits the stylistic characteristics of the Baroque period. Here are some key aspects of the piece:Baroque Style: The piece reflects the Baroque style, known for its emphasis on contrast, movement, and clear, structured forms. The march is typically characterized by a steady, processional rhythm, and BWV Anh. 122 exemplifies this with its clear, marching tempo.D Major Key: Being in D Major, the piece likely has a bright and jubilant character. D Major is often associated with grandeur and triumph, making it a popular choice for celebratory and ceremonial music during the Baroque period.Keyboard Composition: Like many of Bach's (or his contemporaries') compositions, this march is likely composed for the keyboard, which during Bach's time would have included instruments like the harpsichord or the clavichord. It might also be adaptable for performance on the modern piano.Structure and Texture: The piece probably features a contrapuntal texture, a hallmark of Baroque music, where two or more melodic lines are woven together harmoniously. The structure of the march is likely to be straightforward and symmetrical, reflecting the order and balance prized in the Baroque era.Pedagogical Use: Pieces like the March in D Major, BWV Anh. 122 are often used for educational purposes, helping students develop a sense of rhythm, form, and Baroque style. They are suitable for intermediate-level students who are exploring the stylistic features of Baroque keyboard music.
$8.99
8.12 €
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Piano seul
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Jose Valladares
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Jose Valladares
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March in D Major - BWV Anh. 122
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Circlesquare Music
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SheetMusicPlus
End Of The Line
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1041003 By Isadar. By Isadar. Class…
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Piano Solo - Level 2 - Digital Download SKU: A0.1041003 By Isadar. By Isadar. Classical,Contemporary,Jazz,New Age. Score. 9 pages. Mainya Music Publishing (BMI) #645734. Published by Mainya Music Publishing (BMI) (A0.1041003). Contains:End Of The Line - taken from the Isadar solo piano collection, The Journey (available soon on SheetMusicDirect and SheetMusicPlus) Sounds like: Liz Story, George Winston, early Windham Hill solo piano artists Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording Album & Songbook review by:Kathy Parsons (MainlyPiano.com): Isadar’s fourth solo piano album is a blend of smooth jazz and new age, showing both his impressive technique and sensitivity to melody. Several of the eight selections are free-form and improvisational, revealing some of Liz Story’s influence on his music. Some of Isadar’s earlier recordings have very dark, moody sections, but this one stays fairly upbeat and optimistic without being ear candy. The music is complex enough to sink your teeth into, and yet is accessible enough to enjoy as a backdrop to a quiet dinner or an evening with a good book. Joyful Running begins the journey with an exuberant and uplifting piece that reminds me a little of some of Spencer Brewer’s bouncier compositions. Fountain of Life is a beautiful piece with a water-like flow that never stops in its 10 1/2 minutes. I listened to this CD several times without realizing that this song was that long. It flows and meanders so effortlessly that it seemed no longer than the other seven selections, most of which are between four and five minutes in length. Unstructured and free, this is one of my favorite tracks. I also really like the title track, which is even more abstract and unstructured. The tone is of searching and moving forward. End of the Line is my favorite on this album. Very introspective and contemplative, this seems to be a very personal piece. It is the most somber track, but one still senses hope despite the ending of something dear and important. Or maybe it’s simply the end of the journey and the dread of returning to real life - I feel this way on the last day of my vacations! It is a wonderful and moving closing to an excellent album. The companion songbook is expertly transcribed and engraved by David Shenton of New York Music Publishing. The layout of the music is clear and uncluttered, and the notation includes pedal markings and dynamics that allow the pianist to express the music as closely as possible to how Isadar played it on the recording. A few of the pieces are quite long and require a more advanced pianist who is able to express the nuances that keep the recording so interesting, but several of the pieces are well within the capabilities of upper intermediate players. Some of the rhythms are a little bit tricky, but the majority of the left hand parts are running eighth notes, which make it easier. None of the key signatures are difficult, and none of the chords have a reach of more than an octave, making this music very playable for smaller hands. My favorite pieces to play in this book are Joyful Running, Voice of God (Thanksgiving), Smoke Signals, and End of the Line. Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more... Also available as sheet music in physical songbooks, digital downloads, as as software for Yamaha Disklavier player-pianos. For more information, visit his website at: https://www.isadar.com.
$6.99
6.31 €
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Piano seul
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Isadar
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End Of The Line
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Mainya Music Publishing
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SheetMusicPlus
ISADAR - The Journey (complete collection)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1224308 By Isadar. By Isadar. New A…
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Piano Solo - Level 4 - Digital Download SKU: A0.1224308 By Isadar. By Isadar. New Age. Score. 63 pages. Mainya Music Publishing (BMI) #820403. Published by Mainya Music Publishing (BMI) (A0.1224308). Sounds like:  Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artistsTranscribed by:  David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recordingContents: 1. Joyful Running 2. Fountain Of Life 3. Voice Of God (Thanksgiving) 4. Pocket Change 5. The Journey 6. Smoke Signals 7. Horseman's Thrill Ride 8. End Of The LineAlbum & Songbook review by:  Kathy Parsons (MainlyPiano.com):Isadar’s fourth solo piano album is a blend of smooth jazz and new age stylings, showing both his impressive technique and sensitivity to melody. Several of the eight selections are free-form and improvisational, revealing some of Liz Story’s influence on his music. Some of Isadar’s earlier recordings have very dark, moody sections, but this one stays fairly upbeat and optimistic without being ear candy. The music is complex enough to sink your teeth into, and yet is accessible enough to enjoy as a backdrop to a quiet dinner or an evening with a good book. Joyful Running begins the journey with an exuberant and uplifting piece that reminds me a little of some of Spencer Brewer’s bouncier compositions. Fountain of Life is a beautiful piece with a water-like flow that never stops in its 10 1/2 minutes. I listened to this CD several times without realizing that this song was that long. It flows and meanders so effortlessly that it seemed no longer than the other seven selections, most of which are between four and five minutes in length. Unstructured and free, this is one of my favorite tracks. I also really like the title track, which is even more abstract and unstructured. The tone is of searching and moving forward. End of the Line is my favorite on this album. Very introspective and contemplative, this seems to be a very personal piece. It is the most somber track, but one still senses hope despite the ending of something dear and important. Or maybe it’s simply the end of the journey and the dread of returning to real life - I feel this way on the last day of my vacations! It is a wonderful and moving closing to an excellent album.The companion songbook is expertly transcribed and engraved by David Shenton of New York Music Publishing. The layout of the music is clear and uncluttered, and the notation includes pedal markings and dynamics that allow the pianist to express the music as closely as possible to how Isadar played it on the recording.  A few of the pieces are quite long and require a more advanced pianist who is able to express the nuances that keep the recording so interesting, but several of the pieces are well within the capabilities of upper intermediate players.  Some of the rhythms are a little bit tricky, but the majority of the left hand parts are running eighth notes, which make it easier.  None of the key signatures are difficult, and none of the chords have a reach of more than an octave, making this music very playable for smaller hands.  My favorite pieces to play in this book are Joyful Running, Voice of God (Thanksgiving), Smoke Signals, and End of the Line.Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more... Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player piano.
$49.99
45.15 €
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Piano seul
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Isadar
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ISADAR - The Journey
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Mainya Music Publishing
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SheetMusicPlus
Dies Irae Dodecaphonic
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1029561 Composed by Peter Daniel Kl…
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Piano Solo - Level 5 - Digital Download SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Published by Peter Daniel Klein (A0.1029561). This musical piece is comprised of two twelve-tone rows, atonal music based on synthetic scales unique to each composition, which are based on medieval plainsong chants whose systemization was begun by Pope Gregory I during the sixth century AD. A simple explanation of this composition is that it is the world's oldest notated music combined with modern 20th-century music theory that eschews traditional melody and harmony for synthetic scales unique to each composition. The music is complex and dissonant, although the conversion of the two plainsong chants to twelve-tone rows retains a semblance of a tonal center at given points throughout. Still, the entire piece of music is that same melody utilized harmonically: just forward, backward, upside-down, backward and upside-down, rhythmically altered, transposed, displaced up or down, or split into smaller cells and then reprocessed in the same way mentioned above. I have also borrowed the Baroque Period techniques of the two-part invention and four-voice fugue combined with serial musical techniques that may offend the average listener's traditional musical sensibilities but make logical structural sense. I used the Dies Irae (The Day of Wrath) and Tuba Mirum (The Last Trumpet Call). The authorship of the chants has been attributed to many saints from Gregory to Thomas of Celano but probably evolved from early Jewish psalmody carried forward by the earliest Jewish converts to Christianity, which further developed into trochaic metered poetry by successive monks. It was set to memorized plainsong heralding back, in part, to Jewish worship. The text of the Dies Irae is very similar to Zephaniah 1:16​. The last trumpet call that raises the dead in Christ is comparable to the Apostle Paul's account written in his first epistle to the Corinthians Chapter 15 and first epistle to the Thessalonians Chapter 4. The two epistles may, or may not, be related to the Final of the Seven Trumpets bringing God's Judgement on the earth spoken of in Revelation 11. The relationship of the trumpet mentioned in the epistles to those written about in Revelation divides theologians, but I digress into unrelated matters. Despite the modern theory, the music is still movingly visceral because of its conceptually descriptive nature. It is full of aural symbolism following the Dies Irae and the Tuba Mirum, making it a type of program music ala Hector Berlioz of the Romantic Period. The music is, therefore, genuinely eclectic because it has blended qualities of several musical periods. The final section of the video explains the symbolism. The music difficulty is virtuosic, extremely taxing to play.
$5.99
5.41 €
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Piano seul
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Peter Daniel Klein
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Dies Irae Dodecaphonic
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Peter Daniel Klein
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SheetMusicPlus
Somewhere In Time
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1364242 By John Barry. By B.A. Robe…
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Piano Solo - Level 3 - Digital Download SKU: A0.1364242 By John Barry. By B.A. Robertson and John Barry. Arranged by Jhavilah. 20th Century,Film/TV,Multicultural,Singer/Songwriter,Wedding,World. Score. 4 pages. Jhavilah #948542. Published by Jhavilah (A0.1364242). The haunting and beautiful score for Somewhere in Time was composed by John Barry, an English composer known for his work on eleven James Bond films. The score is often regarded as one of Barry's most rhapsodic and gorgeous romantic compositions. It features lush orchestration and melodic themes that perfectly capture the film's romantic and timeless atmosphere. Despite the film's small budget, Jane Seymour, who was a personal acquaintance of John Barry and his wife, suggested him to the producers of Somewhere in Time. The producers initially couldn't afford him, but eventually, Barry agreed to compose the score for the film. The soundtrack for Somewhere in Time has become highly regarded among film music enthusiasts. It showcases John Barry's talent for creating emotionally resonant and memorable melodies. The score captures the essence of the film's themes of eternal love, grief, and loss. Overall, Somewhere in Time is a beloved film with a captivating story and a beautiful musical score by John Barry. It has gained a dedicated following over the years and continues to be celebrated for its romantic and timeless qualities.
$4.99
4.51 €
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Piano seul
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John Barry
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Jhavilah
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Somewhere In Time
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Jhavilah
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SheetMusicPlus
Foxtrot from Easy Dances book 2
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1378326 Composed by Matyas Seiber. …
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Piano Solo - Level 3 - Digital Download SKU: A0.1378326 Composed by Matyas Seiber. Arranged by Thomas Ling. 20th Century,Instructional,Jazz. Score. 2 pages. Thomas Swee Chin #962949. Published by Thomas Swee Chin (A0.1378326). Mátyás Seiber's Foxtrot from Easy Dances Vol. 2 is a delightful piece that embodies the elegance and sophistication of the foxtrot dance style. As part of the Easy Dances series, it is tailored to intermediate pianists, offering accessible yet musically rewarding material.The foxtrot, characterized by its smooth, flowing movements, is reflected in the piece's graceful melody and gentle rhythmic pulse. Seiber's composition captures the essence of this classic dance form, with its suave elegance and understated charm.The piece unfolds with a catchy and memorable melody, accompanied by a rhythmic pattern that evokes the swaying motion of dancers on the dance floor. Seiber infuses the music with subtle jazz influences, incorporating bluesy harmonies and syncopated rhythms that lend a touch of sophistication to the composition.Despite its simplicity, Foxtrot showcases Seiber's skillful craftsmanship and attention to detail. The melodic lines are beautifully crafted, with a sense of lyricism and grace that invites pianists to express themselves freely. Meanwhile, the harmonies provide a rich and colorful backdrop, adding depth and texture to the overall sound.Whether performed as a standalone piece or as part of a set, Foxtrot is sure to captivate audiences with its timeless appeal and irresistible charm. It is a testament to Seiber's ability to create music that is both accessible and artistically satisfying, making it a delightful addition to any pianist's repertoire.
$4.80
4.34 €
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Piano seul
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Matyas Seiber
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Thomas Ling
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Foxtrot from Easy Dances book 2
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Thomas Swee Chin
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SheetMusicPlus
The Sons Of Katie Elder
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1313847 Composed by Elmer Bernstein…
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Piano Solo - Level 4 - Digital Download SKU: A0.1313847 Composed by Elmer Bernstein. Arranged by Timothy Stapay. Film/TV,Historic,Pop,Singer/Songwriter. Score. 4 pages. Timothy Stapay #902567. Published by Timothy Stapay (A0.1313847). The Sons of Katie Elder is a 1965 American Western film in Panavision, directed by Henry Hathaway and starring John Wayne and Dean Martin. It was filmed principally in Mexico. The score was composed by Elmer Bernstein, who would also score True Grit by the same director and starring John Wayne. Johnny Cash sang a song in 1965 also called The Sons of Katie Elder, written by Elmer Bernstein and Ernie Sheldon but, despite the title and composer, did not feature in this movie. Elmer Bernstein (April 4, 1922 – August 18, 2004) was an American composer and conductor. In a career that spanned over five decades, he composed some of the most recognizable and memorable themes in Hollywood history, including over 150 original film scores, as well as scores for nearly 80 television productions. For his work he received an Academy Award for Thoroughly Modern Millie (1967) and Primetime Emmy Award. He also received seven Golden Globe Awards, five Grammy Awards, and two Tony Award nominations. Now for the first time, you can play this soaring music from the famous movie starring John Wayne. This piano solo arrangement recreates all the drama from the movie.  Â
$6.99
6.31 €
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Piano seul
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Elmer Bernstein
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Timothy Stapay
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The Sons Of Katie Elder
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Timothy Stapay
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SheetMusicPlus
Ain't Misbehavin'
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1302976 Composed by 'Fats' Waller a…
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Piano Solo - Level 5 - Digital Download SKU: A0.1302976 Composed by 'Fats' Waller and Harry Brooks. Arranged by Richard Simm. 20th Century,Jazz,Ragtime,Standards. Score. 4 pages. Richard Simm #892581. Published by Richard Simm (A0.1302976). A departure from my usual 2-piano arrangements of classical repertoire, I felt that this irresistible song from 1929 just had to be arranged for ambitious solo pianists who have moments when they want to have some fun. After all, good music is good music, whatever mood you're in!I started my career playing simple versions of this kind of music by ear, and despite becoming dedicated to the classical musical world, I've never lost my admiration for the musicality and technical assuredness of many ragtime, honky-tonk and jazz pianists of 100 years ago. The best of their music is truly inspiring.The tempo I have chosen is livelier than 'Fats' Waller's own performance of the song, where he sings to his own piano accompaniment. It's more like the tempo of Louis Armstrong's inimitable version on trumpet.
$5.95
5.37 €
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Piano seul
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'Fats' Waller and Harry Brooks
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Richard Simm
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Ain't Misbehavin'
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Richard Simm
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SheetMusicPlus
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