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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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Echo March
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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Vous avez sélectionné:
Echo March
Piano seul
Partitions à imprimer
10 partitions trouvées
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Echo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Jeffrey J
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Echo
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Jeffrey J Torres
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1189581 Composed by Jeffrey J. Torres. Classical. Score. 6 pages. Jeffrey J Torres #789200. Published by Jeffrey J Torres...
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Piano Solo - Level 4 - SKU: A0.1189581 Composed by Jeffrey J. Torres. Classical. Score. 6 pages. Jeffrey J Torres #789200. Published by Jeffrey J Torres (A0.1189581). This composition is a musical interpretation of Christina Rossetti's (1830-1894) poem “Echo†which she put to paper in 1854. In the text, the subject is reminiscing about lost love and their wishes for their lover to return to them in real life, or even in dreams, like an echo. They describe the memories of their love as something that shall always be a part of their life, much like the way it is in every heartbreaking relationship. The poem, and thus the music, is filled with the emotions of deep yearning, along with joy of memories past and hope- until it all fades away at the end and reality sets back in......Echo will be my featured compostion to celebrate International Piano Day on March 29th, 2023.
$5.00
Mocking Bird Echoes: Mocking Bird Quickstep
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Piano seul
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E
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E
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Mocking Bird Echoes: Mocking B
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.9668 Composed by E. Mack. Tree limbs. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9...
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Piano - SKU: LV.9668 Composed by E. Mack. Tree limbs. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9668). Mocking Bird Echoes. A Collection of Beautiful Variations, Marches, Waltzes, Galops, Quicksteps, Etc. Upon This Very Popular Melody. Mocking Bird Quickstep. By E. Mack. Published 1866 by Oliver Ditson & Co., 451 Washington St. in Boston. Composition of da capo with piano instrumentation. Subject headings for this piece include Tree limbs. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
André (Piano)
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Piano seul
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FACILE
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Rudesindo Soutelo
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Piano
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André
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1289983 Composed by Rudesindo Soutelo. Arranged by Piano. 21st Century,Children,Contemporary. Score. 17 pages. Publisher ...
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Piano Solo - Level 2 - SKU: A0.1289983 Composed by Rudesindo Soutelo. Arranged by Piano. 21st Century,Children,Contemporary. Score. 17 pages. Publisher by Rudesindo Soutelo #880677. Published by Publisher by Rudesindo Soutelo (A0.1289983). A André Vidal CapomRudesindo SouteloAndré - 5 peças para uma criança / 5 pieces for a child. (Piano, ca. 14'40)1. (A) Prelúdio da manhã / Morning prelude2. (n) Alvorecer na janela / Dawn in the window3. (d) Valsa dos soldadinhos de chumbo / Little lead soldiers’ waltz4. (r) A catedral imergente / The immersing cathedral5. (é) Marcha da formiga atónita / March of the astonished antPremière: 3-X-2006. Colóquios da Lusofonia. Centro Cultural Municipal, Bragança. Int.: Yerko P. Ivánovic-Barbeito.ISWC: T-045.522.026-4ISMN: 979-0-707704-18-9This work was written as a birthday present for André, a very restless and impulsive 8-year-old, but with great emotional capacity and original thoughts. The “Morning prelude†is the restless awakening; the “Dawn in the window†is the light of the new day enlightening the spirit. Creative imagination manifests itself in the “Little lead soldiers’ waltzâ€, who turn rifles into pairs to dance with.From the hill where he lives, the boy contemplates the city crowned by “The immersing cathedralâ€, which was once a spiritual fortress and now the bells echo its inexorable decline, diluting into the surrounding criminal urbanism. The “March of the astonished ant†is about the adventures of an ant who wanders off the path and meets a playful child who likes to put so many obstacles in her way that she is astonished; however, she doesn’t give up her endeavour, takes a deep breath, gains courage and, although exhausted, manages to free herself.The complexes that organise the work are [5, 5, 5, 8] and [9, 7].There's a guitar transcription. See https://soutelo.eu--oOo--Esta obra foi composta como prenda de anos para André, uma criança de 8 anos muito inquieta e impulsiva, mas com grande capacidade emocional e reflexões originais. O “Prelúdio da manhã†é o acordar buliçoso; o “Alvorecer na janela†é a luz do novo dia a esclarecer o espÃrito. A imaginação criativa manifesta-se na “Valsa dos soldadinhos de chumbo†que transformam as espingardas em pares com quem dançar.Desde a colina onde mora, o menino contempla a cidade coroada por “A catedral imergente†que outrora foi fortaleza espiritual e, agora, os sinos ecoam seu inexorável declÃnio, diluindo-se no criminoso urbanismo circundante. A “Marcha da formiga atónita†são as peripécias duma formiga que se desvia do carreiro e encontra uma criança brincalhona que gosta de lhe pôr tantos obstáculos no caminho que ela fica atónita; no entanto, não desiste do seu empenho, respira fundo, ganha coragem e, ainda que exhausta, consegue libertar-se.Os complexos que organizam a obra são [5, 5, 5, 8] e [9, 7].Há uma transcrição para guitarra. Consulte https://soutelo.eu
$8.00
Carson Cooman: Nine Preludes for piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Carson Cooman
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Carson Cooman: Nine Preludes f
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.533554 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 37 pages. Musik Fabrik Music Publishing #3018601...
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Piano Solo - Level 4 - SKU: A0.533554 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 37 pages. Musik Fabrik Music Publishing #3018601. Published by Musik Fabrik Music Publishing (A0.533554). I. (Flowing)II. (Fast, nimble)III. (Funereal) (in memoriam Donald Martino)IV. (Dancing)V. (Distant, echoing) (for Richard and Dee Wilson)VI. (Moderate, singing, with humor) (for Michael Finnissy)VII. (Slow, very lyrical)VIII. (March)IX. (Envoi: Very slow, from afar)Nine Preludes (2007) for piano was written for and is dedicated to pianist Marilyn Nonken; it was commissioned byRichard Mason.Although the work is composed as a set of discrete movements, the preludes are very much interconnected, as motivicand developmental ideas run throughout the entire set. The basic musical material (founded upon collections of minorand major thirds) is shared among all nine movements. An elegiac quality runs throughout the work.The first prelude (Flowing) is inspired by the piano music of Johannes Brahms, whose contributions to the instrument’sliterature have been a significant and ongoing influence on my work.The second prelude is fast and bright. Consistent staccato textures are maintained as the two hands intertwine.The third prelude (Funereal) is dedicated to the memory of American composer Donald Martino (1931–2005). The musicrefers very obliquely to Martino’s setting of Robert Herrick’s poems of death and eternity in The White Island (1985).The fourth prelude (Dancing) is light and buoyant. After a melodic middle section, the opening music reverses itself to theend.The fifth prelude (Distant, echoing) is dedicated to Richard and Dee Wilson. Through large blocks of sustained sound (bothquiet and loud), the movement explores certain harmonic colors of the piano.The sixth prelude (Moderate, singing, with humor) is dedicated to English composer Michael Finnissy. The opening ismarked “like an ‘off-kilter’ folk song,†and this original melody is subjected to a variety of transformations and textures.The rhythmic patterns are constantly in flux.The seventh prelude (Slow, very lyrical) is melodic and passionate, with a nocturnal character. The middle builds to anintense climax before dying away.The eighth prelude (March) is spiky and crisp. In the trio, the march theme is turned first into a tonal ballad beforegradually transforming back into the language of the march. A faster reprise of the opening music follows.The ninth prelude (Envoi: Very slow, from afar) is an elegaic “farewell.†Romantic gestures and harmonies try to assertthemselves before the music dies away.Performance Note: Although it is preferred that the entire set of nine preludes be played in concert, individual preludes (or smallerassembled groupings) may be performed when necessary for programming needs. If the entire set is played, however, the order of thepreludes should not be changed. The movements should be listed in the program in the format shown at the top of this page.Recorded by Donna Amato on Carson Cooman: Piano works ALTARUS AIR-CD-9015
$25.95
Traditional Patterns
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Piano seul
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INTERMÉDIAIRE
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Donald Ashwander
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Traditional Patterns
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The Donald Ashwander Estate
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1414362 Composed by Donald Ashwander. Classical,Contemporary,Folk. Score. 26 pages. The Donald Ashwander Estate #996164. ...
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Piano Solo - Level 3 - SKU: A0.1414362 Composed by Donald Ashwander. Classical,Contemporary,Folk. Score. 26 pages. The Donald Ashwander Estate #996164. Published by The Donald Ashwander Estate (A0.1414362). Donald Ashwander's Traditional Patterns is a remarkable 25-page musical journey inspired by the rich tapestry of American folk art. Through this suite of eight pieces, Ashwander masterfully weaves together melodies that evoke a myriad of emotions and imagery.The suite opens with Dove in the Window, a gentle yet haunting composition that pays homage to the Sacred Harp tradition with its modal echoes and soul-stirring melodies. From there, the journey continues with Crow Tracks, a jaunty march that seamlessly transitions into the exuberant revelry of a hoe-down.Road to California paints a vivid picture of early westward treks, with its march-like rhythm in the beloved 6/8 time signature of the 19th century. Meanwhile, Drunkard's Path explores shifting meters, mirroring the lurching and stumbling of the town drunk on a Saturday night.Sunshine and Shadow offers a gentle yet vivacious waltz, showcasing Ashwander's talent for capturing the true essence of American country music. Pine Trees utilizes juxtapositions of 3/4 and 4/4 measures, evoking the distant echoes of church singing amidst the tranquil scenery.Goose in the Pond is a celebration of rural dance, bursting with extroverted energy and lyrical evocations of banjo plucking. Finally, the suite concludes with The Moonflower Vine, a magical and solemn piece reminiscent of midsummer nights filled with enchantment and mystery.Through Traditional Patterns, Donald Ashwander invites pianists to immerse themselves in the rich history and evocative imagery of American folk art, as each composition unfolds like a vibrant patchwork quilt, revealing new layers of beauty and meaning with every note.
$9.95
Seven Pieces in Twentieth-Century Styles
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Piano seul
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INTERMÉDIAIRE
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James Siddons
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Seven Pieces in Twentieth-Cent
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and W...
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Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00
Four Preludes
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Michael Maw
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Four Preludes
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Michael Maw
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1269692 Composed by Michael Maw. 20th Century,Classical. Score. 14 pages. Michael Maw #862201. Published by Michael Maw (...
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Piano Solo - Level 4 - SKU: A0.1269692 Composed by Michael Maw. 20th Century,Classical. Score. 14 pages. Michael Maw #862201. Published by Michael Maw (A0.1269692). Composed at the age of 18, this set of four preludes for piano is dedicated to the Russian composer Dmitri Shostakovich. Opening with a march-like motif, the music shifts drastically between piercing screams of sound and quiet melancholy – reflecting Shostakovich’s tumultuous life under the dictatorship of Joseph Stalin. The second prelude opens with youthful energy which then descends into a mysterious ostinato. This builds into a thundering finish where the music shatters into a myriad of echoing fragments. Prelude No. 3 opens with calmness and serenity. The simple repeating motif grows into an agonizing climax, immediately followed by Shostakovich’s signature phrase: DSCH (D Eb C B). This causes a return back to the same peaceful opening – as if reflecting back on the past. The final prelude is a mix of incredible energy and jest, rounding out the set with a boisterous ending. Skill level: Advanced Intermediate. 14 pages.
$6.99
Upon This Very Popular Melody
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Piano seul
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E
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E
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Upon This Very Popular Melody
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.9983 Composed by E. Mack. Tree limbs. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9...
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Piano - SKU: LV.9983 Composed by E. Mack. Tree limbs. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9983). Mocking Bird Echoes. A Collection of Beautiful Variations, Marches, Waltzes, Galops, Quicksteps, Etc. Upon This Very Popular Melody. By E. Mack. Published 1866 by Lee & Walker, 722 Chestnut St. in Philadelphia. Composition of da capo with piano instrumentation. Subject headings for this piece include Tree limbs. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Shall We Gather at the River
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Piano seul
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INTERMÉDIAIRE
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Robert Lowry
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Ken Litton
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Shall We Gather at the River
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Artist of Note, Inc.
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1450566 Composed by Robert Lowry. Arranged by Ken Litton. Christian,Instructional,Religious,Sacred,Traditional. Score. 3 ...
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Piano Solo - Level 3 - SKU: A0.1450566 Composed by Robert Lowry. Arranged by Ken Litton. Christian,Instructional,Religious,Sacred,Traditional. Score. 3 pages. Artist of Note, Inc. #1030191. Published by Artist of Note, Inc. (A0.1450566). Shall We Gather at the RiverRobert Lowry, 1864Easy intermediate PIANOFrom the author/composer of How Can I Keep from Singing, Low in The Grave He Lay/Christ Arose, All the Way My Savior Leads Me, We’re Marching to Zion and I Need Thee Every Hour comes this classic hymn of longing for heaven, worship and fellowship by Robert Lowry, 1864.On a ministry visit to a grieving family he was asked, “Pastor, we have parted at the river of death. Will we meet again by the river of life?” Lowry assured her from Revelation 22:1 they they would. Then, later that afternoon he wrote both the words and the music of Shall We Gather at the River.The arrangement may serve as well as an early goal for a progressing piano student as for an intermediate to advanced player this coming Sunday.The intro announces the tune and calls the first line of the chorus to mind. After setting the meditative mood the first stanza is presented in right hand melody with left hand accompaniment that only occasionallyis rhythmically active beyond beat three. Then, the easily playable key change takes the vision to the bank of the “shining river” by way of a brief, flowing left hand figuration. A few easily-managed major seven chords and an expressive dotted eighth note or two later the “melody of peace” concludes with echoes of the intro, bringing both heart and hands to rest.All this from the places you go for the best in downloadable resources:Sheet Music Directsheetmusicdirect.comSheet Music Plussheetmusicplus.comAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard!
$4.99
National Echoes March: Medley of Patriotic Airs
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Piano seul
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J
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National Echoes March: Medley
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SheetMusicPlus
Arranged by J. Henry Ellis. For piano solo. From the Sam DeVincent Collection of Illustrated American Sheet Music, Series 5.1: Politics and Political Movements ...
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Arranged by J. Henry Ellis. For piano solo. From the Sam DeVincent Collection of Illustrated American Sheet Music, Series 5.1: Politics and Political Movements - Patriotic Music, Box 1, Folder D, Archives Center, National Museum of American History, Smith
$5.99
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Echo March
