English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
70
Partitions
Numériques
112
Librairie
Musicale
209
Matériel
de Musique
239
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
442
PIANO & CLAVIERS
Piano seul
112
Piano, Voix et Guitare
63
Piano, Voix
31
Piano Facile
13
Piano grosses notes
7
Orgue
5
1 Piano, 4 mains
5
Instruments en Do
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Accompagnement Piano
2
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 8 mains
2
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
32
Basse electrique
10
Guitare
8
Ligne De Mélodie, (Paroles) et Accords
5
2 Guitares (duo)
3
4 Guitares (Quatuor)
2
Mandoline, Guitare (duo)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
79
Chorale TTBB
13
Chorale 2 parties
9
Chorale 3 parties
7
Voix seule
5
Chorale SSAA
4
Voix duo, Piano
3
Voix duo
3
Voix Soprano, Piano
3
Voix Baryton, Piano
1
Voix moyenne, Piano
1
Voix haute
1
Instrumentations suivantes
Retracter
VENTS
Quintette de Saxophone: 5 saxophones
78
Ensemble de saxophones
71
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
59
Ensemble de Clarinettes
17
Flûte traversière et Piano
11
Quatuor de Saxophones: 4 saxophones
9
Saxophone Soprano et Piano
8
Clarinette
7
Saxophone Tenor et Piano
7
Ensemble de Flûtes
7
Quintette de Flûte : 5 flûtes
7
Saxophone Alto et Piano
6
Clarinette et Piano
6
Flûte, Hautbois, Clarinette, Basson
5
2 Flûtes traversières (duo)
5
Hautbois, Piano (duo)
5
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone Baryton, Piano
4
Quatuor de Flûtes : 4 flûtes
3
Flûte traversière
3
Cor anglais, Piano
3
Clarinette Basse, Piano
3
Flûte à bec Soprano
2
Saxophone Tenor
2
Saxophone Alto
2
Flûte, Violon
1
2 Clarinettes (duo)
1
Clarinette, Guitare (duo)
1
Flûte et Guitare
1
3 Clarinettes (trio)
1
Saxophone et Orgue
1
Saxophone (partie séparée)
1
Hautbois
1
Flûte, Clarinette (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
60
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
34
Quatuor de Cuivres: 2 trompettes, Cor, trombone
24
Ensemble de Trombones
15
Ensemble de Trompettes
13
Quatuor de Cuivres
10
Trompette
7
Trombone et Piano
6
Cor et Piano
5
Euphonium, Piano (duo)
4
Trombone
3
Ensemble de Cors
3
Cor anglais, Piano
3
Tuba
2
2 Cors (duo)
2
Trompette, Piano
2
Quatuor de cuivres: 4 trombones
1
Trio de Cuivres
1
2 Trompettes (duo)
1
Cor
1
2 Trombones (duo)
1
Tuba et Piano
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
64
Violon, Violoncelle (duo)
45
Trio à Cordes: violon, alto, violoncelle
39
Violon
34
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Violon et Piano
12
Ensemble de Violons
9
Ensemble d'Altos
9
Alto, Piano
8
Violoncelle
8
Trio à Cordes: 2 violons, violoncelle
5
4 Violoncelles
4
Violoncelle, Piano
4
Harpe
3
Alto seul
3
2 Violons (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violon, Alto (duo)
2
Trio à Cordes: 2 violons, alto
1
Quatuor à cordes : 4 altos
1
2 Violoncelles (duo)
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes: 4 violons
1
Contre Basse
1
Harpe, Flûte (duo)
1
Alto et Harpe
1
Ensemble de Violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
26
Orchestre d'harmonie
15
Orchestre de chambre
15
Orchestre
11
Ensemble Jazz
9
Jazz combo
8
Ensemble de cuivres
3
Batterie
2
Quintette de Cuivres: autres combinaisons
1
Ensemble de Percussions
1
Vibraphone
1
Cloches
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
I'm Not The Man
Piano seul
Partitions à imprimer
112 partitions trouvées
<
1
26
51
....
101
Selection of every Minuets From Notebook for Anna Magdalena Bach
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1342549 Composed by Christian Petzo…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1342549 Composed by Christian Petzold, Georg Bohm, Johann Sebastian Bach, and W. F. Bach. Arranged by Alex E. Baroque,Chamber,Classical,Medieval,Traditional. Score. 41 pages. Müller Publishing company #928047. Published by Müller Publishing company (A0.1342549). Selection of every Minuets From Notebook for Anna Magdalena BachI am pleased to present you all with a very special opportunity to acquire a treasure from Johann Sebastian Bach's musical works. It is the anthology Selection of Every Minuets from Notebook for Anna Magdalena Bach, the result of my remarkable research and editing work.  This publication brings together the minuets written for harpsichord or clavichord contained in Bach's original handwritten notebooks dated from 1722 and 1725. These pieces were created by Bach as musical gifts for his wife Anna Magdalena, likely to be enjoyed during her domestic studies of the harpsichord or clavichord.I myself have diligently carried out the careful work of researching, transcribing and editing this important repertoire, faithfully preserving the notation and style of the era. In this way, musicians and scholars will be able to enjoy the works in their original form, without any adaptations.We now have in a single, easily legible edition, all pieces organized with great care in the same sequence as in the manuscripts.Whether for the study of the master's style or simply for enjoyment, this anthology will preserve under my curation Bach's most intimate creations in a practical and accessible way.I am pleased to announce that in addition to the complete anthology, individual score editions from the collection are also available from our profile on the Müller Publishing company website. I guarantee that students and professors alike will greatly value the content's wealth of teachings.I warmly invite you all to acquire your copy - a gift to yourself and to music history. It will be an investment that will enhance any collection.I hope to count on your support for this endeavor. I will be grateful for any feedback or suggestions to further improve this project.
$10.00
9.13 €
#
Piano seul
#
Christian Petzold, Georg Bohm, Johann Sebastian Bach, and W
#
Alex E
#
Selection of every Minuets From Notebook for Anna Magdalena Bach
#
Müller Publishing company
#
SheetMusicPlus
The Beatles - Yesterday - Piano Solo
Piano seul
Piano Solo - Intermediate - Digital Download By The Beatles. Arranged by Mario Stallb…
(+)
Piano Solo - Intermediate - Digital Download By The Beatles. Arranged by Mario Stallbaumer. 2 pages. Published by Mario Stallbaumer
With this sheet music, you can play "Yesterday" by The Beatles on piano!<br> <br> It's a beautiful piano ballad arrangement with an intermediate difficulty level.<br> <br> The full melody is included in the piano part, so it makes for a perfect instrumental (piano solo) cover.<br> <br> Written by Paul McCartney (and officially credited to Lennon–McCartney), "Yesterday" was included on the Beatles' 1965 album "Help!" in the UK, and on their 1966 album "Yesterday and Today" in the US.<br> <br> The melancholic ballad became one of their biggest hits, topped the charts in the US, and was later inducted into the Grammy Hall of Fame.<br> <br> In 1999, it was voted the best song of the 20th century in a BBC poll, and the No. 1 pop song of all time by both MTV and the Rolling Stone magazine in 2000.<br> <br> It's also one of the most covered songs ever written, with over 2,000 recorded cover versions.<br> <br> Time for you to play it, too!<br> <br> Here are the full lyrics to "Yesterday" by the Beatles:<br> <br> Yesterday<br> All my troubles seemed so far away<br> Now it looks as though they're here to stay<br> Oh, I believe in yesterday<br> <br> Suddenly<br> I'm not half the man I used to be<br> There's a shadow hanging over me<br> Oh, yesterday came suddenly<br> <br> Why she had to go<br> I don't know, she wouldn't say<br> I said something wrong<br> Now I long for yesterday<br> <br> Yesterday<br> Love was such an easy game to play<br> Now I need a place to hide away<br> Oh, I believe in yesterday<br> <br> Why she had to go<br> I don't know, she wouldn't say<br> I said something wrong<br> Now I long for yesterday<br> <br> Yesterday<br> Love was such an easy game to play<br> Now I need a place to hide away<br> Oh, I believe in yesterdayWith this sheet music, you can play "Yesterday" by The Beatles on piano!<br> <br> It's a beautiful piano ballad arrangement with an intermediate difficulty level.<br> <br> The full melody is included in the piano part, so it makes for a perfect instrumental (piano solo) cover.<br> <br> Written by Paul McCartney (and officially credited to Lennon–McCartney), "Yesterday" was included on the Beatles' 1965 album "Help!" in the UK, and on their 1966 album "Yesterday and Today" in the US.<br> <br> The melancholic ballad became one of their biggest hits, topped the charts in the US, and was later inducted into the Grammy Hall of Fame.<br> <br> In 1999, it was voted the best song of the 20th century in a BBC poll, and the No. 1 pop song of all time by both MTV and the Rolling Stone magazine in 2000.<br> <br> It's also one of the most covered songs ever written, with over 2,000 recorded cover versions.<br> <br> Time for you to play it, too!<br> <br> Here are the full lyrics to "Yesterday" by the Beatles:<br> <br> Yesterday<br> All my troubles seemed so far away<br> Now it looks as though they're here to stay<br> Oh, I believe in yesterday<br> <br> Suddenly<br> I'm not half the man I used to be<br> There's a shadow hanging over me<br> Oh, yesterday came suddenly<br> <br> Why she had to go<br> I don't know, she wouldn't say<br> I said something wrong<br> Now I long for yesterday<br> <br> Yesterday<br> Love was such an easy game to play<br> Now I need a place to hide away<br> Oh, I believe in yesterday<br> <br> Why she had to go<br> I don't know, she wouldn't say<br> I said something wrong<br> Now I long for yesterday<br> <br> Yesterday<br> Love was such an easy game to play<br> Now I need a place to hide away<br> Oh, I believe in yesterday
$4.99
4.55 €
#
Piano seul
#
The Beatles
#
Mario Stallbaumer
#
The Beatles - Yesterday - Piano Solo
#
Mario Stallbaumer
#
SheetMusicPlus
Beyond The Sea
Piano seul
Piano - Level 4 - Digital Download SKU: A0.1398436 By Bobby Darin. By Albert Lasry,…
(+)
Piano - Level 4 - Digital Download SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Score (Chords/Lyrics). 7 pages. Tobi Crawford #981711. Published by Tobi Crawford (A0.1398436). This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson and Sara Gazarek improvise on ballads for inspiration.
$25.00
22.82 €
#
Piano seul
#
Bobby Darin
#
Tobi A Crawford
#
Beyond The Sea
#
Tobi Crawford
#
SheetMusicPlus
I'm a Piano Man
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1504762 By Bryon Tosoff. By Bryon T…
(+)
Piano Solo - Level 2 - Digital Download SKU: A0.1504762 By Bryon Tosoff. By Bryon Tosoff. Arranged by Bryon Tosoff. 21st Century,Broadway,Contemporary,Musical/Show,Pop,Rock. Score. 6 pages. Bryon tosoff #1080183. Published by bryon tosoff (A0.1504762). I'm a Piano Man is a piano driven tune in the style of Elton John, Billy Joel or Carol King.It is a straight ahead rocking honky tonk style happening energetic song that is sure to makea intermediate pianist, student or piano teacher take note and incorporate this titleinto their piano playing catalog. Check it out on the mp3 and note the high energy and fun feel to the song that has great hooks and a style that is sure to draw one intothe songI'm a Piano Man was composed and scored out by Bryon Tosoff a piano teacher and performerBryon is from White Rock, B.C. Canada pianoteacher.ca.
$5.99
5.47 €
#
Piano seul
#
Bryon Tosoff
#
Bryon Tosoff
#
I'm a Piano Man
#
bryon tosoff
#
SheetMusicPlus
I'm Trying to Be Like Jesus
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1307229 Composed by Janice Kapp Per…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1307229 Composed by Janice Kapp Perry. Arranged by Mark Gubler. Children,Christian,New Age,Religious,Sacred. Score. 5 pages. Mark Gubler #896486. Published by Mark Gubler (A0.1307229). The gospel of Jesus Christ is simple. We are commanded to love God and everyone around us. All the other commandments are given to point us to these two great commandments. In this arrangement the music surrounding the lyrics love one another as Jesus loves you keeps coming back throughout. It represents that though we may get distracted by all the things that we feel we should be doing, there is power in always returning and centering our lives around loving as Jesus loves.Song Lyrics 1. I’m trying to be like Jesus; I’m following in his ways. I’m trying to love as he did, in all that I do and say. At times I am tempted to make a wrong choice, But I try to listen as the still small voice whispers, “Love one another as Jesus loves you. Try to show kindness in all that you do. Be gentle and loving in deed and in thought, For these are the things Jesus taught.†2. I’m trying to love my neighbor; I’m learning to serve my friends. I watch for the day of gladness when Jesus will come again. I try to remember the lessons he taught. Then the Holy Spirit enters into my thoughts, saying: “Love one another as Jesus loves you. Try to show kindness in all that you do. Be gentle and loving in deed and in thought, For these are the things Jesus taught.â€.
$9.99
9.12 €
#
Piano seul
#
Janice Kapp Perry
#
Mark Gubler
#
I'm Trying to Be Like Jesus
#
Mark Gubler
#
SheetMusicPlus
Hymns from Childhood - Set 10 (solo)
Piano seul
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719770 Composed by Various. A…
(+)
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719770 Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Published by Curtis Hanson (A0.719770). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (*See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior. This collection of arrangements is also available for SATB voices and piano or piano solo.*A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This medley of hymns was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second hymn is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.
$5.99
5.47 €
#
Piano seul
#
Various
#
Curtis Hanson
#
Hymns from Childhood - Set 10
#
Curtis Hanson
#
SheetMusicPlus
The History of Shells
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1172232 By Sarah Bonsignore. By Sar…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1172232 By Sarah Bonsignore. By Sarah Bonsignore. Arranged by Sarah Bonsignore. 19th Century,20th Century,Classical,Contemporary,Romantic Period. Score. 11 pages. Sarah Bonsignore #772456. Published by Sarah Bonsignore (A0.1172232). Here is a brand new piece in five parts that has been haunting me for two days. It came to me at 3am yesterday and I went into my studio to notate it. It's a dreamy, soothing and sometimes soaring piece that reminded me of the octopus from the amazing documentary My Octopus Teacher. Part 1 is possibly more beginner intermediate, and I think some of the parts can be played as individual solos. I've included a link to the youtube demo on the score with an above hands view and a light up keyboard so that students can follow the score and listen.My husband and children loved this piece when they heard it, so I'm excited to have it published for others to learn and play. Part 3 was an idea from a piece I improvized in the Tottenham Court tube station a few years ago (yes, there was a piano in the tube station, and there should be a piano in every tube station as far as I'm concerned :) The theme I played that day never left me and it seemed to fit here. I wrote an expanded version of part 3 called Flight in D major that I hope to include on my website singplaystudios.com and here in a few weeks, so if you like part 3, I hope you'll check that piece out too. I plan to include this work in my 20 Beautiful Piano Solos book 3 (please find the first two books and many other repertoire and ear training books on Amazon). Thank you for considering learning this piece. It is very special to me, and you can read more about my inspiration and process at the youtube link.
$5.99
5.47 €
#
Piano seul
#
Sarah Bonsignore
#
Sarah Bonsignore
#
The History of Shells
#
Sarah Bonsignore
#
SheetMusicPlus
"39 Variations on an Original Theme in F Major" for piano Op. 98
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.980450 Composed by Gary Noland. 20t…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.980450 Composed by Gary Noland. 20th Century,Concert,Contemporary. Score. 192 pages. Freeland Publications #3246581. Published by Freeland Publications (A0.980450). Duration: ca. 90 minutes-2 hours. Quite possibly the longest set of piano variations in the entire classical music literature, with the exception, perhaps, of certain sets of variations for piano by Kaikhosru Shapurgi Sorabji. This work ends with a monstrous 35-page long fugue. In the 18th century, Bach composed the Goldberg Variations (30 variations), in the 19th century Beethoven composed the Diabelli Variations (33 variations), in the 20th century Frederic Rzewski composed The People United Will Never Be Defeated (36 variations), and now, in the 21st century, Gary Noland has composed his monumental 39 Variations on an Original Theme in F Major. (There seems to be a pattern of three variations added on for each century). This is a work for adventurous first-rate pianists! Some of the variations are self-contained and may be played separate from the whole.I'm fascinated by your variations. Perhaps a marathon performance with many pianists doing several variations? Could be interesting. RIchard Strauss would have loved it.-Jed Distler, pianist. Sheer genius!!!! Move over Bach!!!!!-Alfred Watson, composer & pianist. Very nice and exciting! I listened [to] both the parts on you tube and I was not bored at all ... impeccable technique with echos (in my opinion) from Bach, Beethoven, Satie up to contemporaries, and many others ... many compliments!!!-Sisto PalombellaOne word: monumental!-Joseph Ford, composerThis is amazing music … Wow!!!-John William BaxterBeautifully put together. Three cheers!-Scott Giles, composerThis is a remarkable set of variations, not only for the immensely imaginative treatment of the theme but also for the vast array of stylistic influences incorporated into the score. One need only listen to five minutes to appreciate the craftsmanship!-Lenny Cavallaro, composerI'm enjoying this very much. I liked the intellectual rigor that underlies it.-John Melcher, composerAmazing work!-Rudolf SchmittLink to Section One: https://www.youtube.com/watch?v=4JQYgBiP388Link to Section Two: https://www.youtube.com/watch?v=UjQLOoPGvII&t=1025s
$30.00
27.38 €
#
Piano seul
#
Gary Noland
#
"39 Variations on an Original Theme in F Major" for piano Op. 98
#
Freeland Publications
#
SheetMusicPlus
En Face Du Miroir (Facing The Mirror)
Piano seul
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, …
(+)
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "En Face Du Miroir (Facing The Mirror)"<br> - taken from the Isadar solo piano complete collection, "Red" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> Red is pianist/composer Isadar’s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar’s best piano pieces; O Christmas, Isadar’s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.<br> <br> I have been reviewing and thoroughly enjoying Isadar’s releases since his second piano album, 1999’s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar’s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.<br> <br> Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar’s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.<br> <br> Red opens with “Broken Valentine,” a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. “The Man Who Broke My Heart” is energetic and in constant swirling motion - also very free and from deep within. “The Stairwell” is darker and much more mysterious, overflowing with Isadar’s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute “Letting Go,” a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! “En Face Du Miroir (Facing the Mirror)” is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with “Blood ... Thicker Than Water,” again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.<br> <br> Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!<br> <br> Isadar’s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar’s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.<br> <br> Isadar is an amazing pianist with a style all his own, so this isn’t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.<br> <br> Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9”x12” format with a stapled binding.<br> <br> If you enjoy listening to Isadar’s music, I’m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!<br> <br> The songs with their key signatures and the number of pages is listed below:<br> <br> Broken Valentine - C minor (3 flats) - 4 pages<br> Red - A minor (0 sharps or flats) - 5 pages<br> The Man Who Broke My Heart - A minor - 6 pages<br> The Stairwell - F# minor (3 sharps) - 7 pages<br> Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages<br> En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages<br> Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.comContains:<br> "En Face Du Miroir (Facing The Mirror)"<br> - taken from the Isadar solo piano complete collection, "Red" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> Red is pianist/composer Isadar’s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar’s best piano pieces; O Christmas, Isadar’s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.<br> <br> I have been reviewing and thoroughly enjoying Isadar’s releases since his second piano album, 1999’s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar’s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.<br> <br> Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar’s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.<br> <br> Red opens with “Broken Valentine,” a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. “The Man Who Broke My Heart” is energetic and in constant swirling motion - also very free and from deep within. “The Stairwell” is darker and much more mysterious, overflowing with Isadar’s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute “Letting Go,” a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! “En Face Du Miroir (Facing the Mirror)” is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with “Blood ... Thicker Than Water,” again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.<br> <br> Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!<br> <br> Isadar’s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar’s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.<br> <br> Isadar is an amazing pianist with a style all his own, so this isn’t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.<br> <br> Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9”x12” format with a stapled binding.<br> <br> If you enjoy listening to Isadar’s music, I’m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!<br> <br> The songs with their key signatures and the number of pages is listed below:<br> <br> Broken Valentine - C minor (3 flats) - 4 pages<br> Red - A minor (0 sharps or flats) - 5 pages<br> The Man Who Broke My Heart - A minor - 6 pages<br> The Stairwell - F# minor (3 sharps) - 7 pages<br> Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages<br> En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages<br> Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.com
$5.99
5.47 €
#
Piano seul
#
Isadar
#
En Face Du Miroir
#
Mainya Music Publishing
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.55 €
#
Piano seul
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.55 €
#
Piano seul
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Embracing the Comfort Zone [piano solo]
Piano seul
Easy Piano - Level 2 - Digital Download SKU: A0.1270300 By Iannis Eralos. By Juan M…
(+)
Easy Piano - Level 2 - Digital Download SKU: A0.1270300 By Iannis Eralos. By Juan MarÃa Solare. 21st Century,Classical,Contemporary,Instructional,New Age. Score. 5 pages. Juan Maria Solare #862734. Published by Juan Maria Solare (A0.1270300). Juan MarÃa Solare: Embracing the Comfort Zone, for piano solo [en Castellano debajo]Tons of motivational speeches suggest, or rather order, to leave the comfort zone in order to achieve success. I dare to relativize this idea. In the comfort zone, one feels safe and in control. It is the realm of mastery, the place where we perform at our best. When in your comfort zone we can carry out tasks with ease and precision. Discomfort is not a measure of growth. Stress hampers creativity. While stress might be necessary in some situations to combat stagnation, life itself constantly pushes us outside our comfort zone.The comfort zone is not the enemy, it's not a trap. Instead, it can be our ally, a place where we can safely build with a solid foundation. And if you have the feeling it's not large enough, you can expand it.Oh, I forgot to mention that this is a quiet piano piece! In neoclassical style.Find the audio here: https://gyro.to/EmbracingtheComfortZoneJuan MarÃa SolareWorpswede, Germany, 25 July 2023Montones de discursos motivacionales sugieren, o más bien ordenan, abandonar la zona de confort para alcanzar el éxito. Me atrevo a relativizar esta idea. En la zona de confort uno se siente seguro y en control. Es la región de la maestrÃa, el lugar donde rendimos al máximo. En la zona de confort podemos realizar tareas con facilidad y precisión. La incomodidad no es un baremo del crecimiento. El estrés obstaculiza la creatividad. Aunque el estrés pueda ser necesario en algunas situaciones para combatir el estancamiento, ya la vida misma nos empuja constantemente fuera de nuestra zona de confort.La zona de confort no es el enemigo, no es una trampa. En cambio, puede ser tu aliada, un lugar donde se puede construir en seguridad y con bases sólidas. Y si uno siente que no es lo suficientemente grande, se la puede expandir.¡Ah, se me olvidó mencionar que esta es una calma pieza para piano! En estilo neoclásico.Hallen la música aquÃ: https://gyro.to/EmbracingtheComfortZoneJuan MarÃa SolareWorpswede, Alemania, 25 de julio de 2023.
$2.00
1.83 €
#
Piano seul
#
Iannis Eralos
#
composer href=http://www
#
Embracing the Comfort Zone [piano solo]
#
Juan Maria Solare
#
SheetMusicPlus
(i'm Afraid) The Masquerade Is Over
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1273299 Composed by Allie Wrubel an…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1273299 Composed by Allie Wrubel and Herb Magidson. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 3 pages. John Fries #865449. Published by John Fries (A0.1273299). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. This great sultry ballad was written in 1939. It has been covered by many singers, with the most notable by Nancy Wilson.Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.
$5.99
5.47 €
#
Piano seul
#
Allie Wrubel and Herb Magidson
#
John Fries
#
(i'm Afraid) The Masquerade Is Over
#
John Fries
#
SheetMusicPlus
L'alchimista
Piano seul
Piano Solo - Digital Download SKU: A0.976873 Composed by Monica Bergo. Contemporary…
(+)
Piano Solo - Digital Download SKU: A0.976873 Composed by Monica Bergo. Contemporary. Score. 9 pages. Monica Bergo #3243715. Published by Monica Bergo (A0.976873). 2017 Holiday Contest EntryThe alchemist Flames in the dark sparkle voice whispering echoes They say about you Sell useless dreams they say about me that I’m too much frail You are shutting down the day of this city the lights switch on of different realities and time dilates , begins another life It is tacit ritual of a sad tribes You firefly who shine can you tell me where he is? I seek the alchemist , you see yourself from my eyes rimmed on the nothing wide open they are full of fears and resemble your And here it is your circus , you wait me already not much has changed from a lifetime ago you do not, you are not aged a Peter Pan sick , who deduct his sins in the lives of others clown you always have so many , acrobats tired poised always between dream and reality and as a cat, I also see in the dark and over the waste to me slowly and then die the crises, then anxiety , that imperfect woman I do not stand me anymore I who have never been a daughter , your promise of another family and this need for love, that torture and kill me While you brush my long hair , from your hands give off crystals bright lights exploding inside as if by magic now I belong to you snakes tattooed lean on your hips we float in the sea of time how does I exist? always or yesterday I do not remember but only mysteries You adult man and I young girl abracadabra, as all before I tired and old and you still a child us travelers in a bogus time and while I explore the emptiness I have inside Nothing is sweeter than this torment You prepare the potion , the right proportion , the antidote and poison but you put more passion , My animal instinct and add a little 'of gall for those who have hurt me Mix all right , only you know what to do you seals good my heart , can not serve me evil plots to good , with fumes and vapors , ampoules almost full ,please ... let me drink ... But you can not , and I stay here , prisoner of your invisible world We like vampires , breath broken by sighs , arms forward, off eyes alchemist turn off my complaints You like a zombie , ready to sink your teeth ,that fascinates me and scares alchemist dissolve my torments .. but you can not .. and I stay here I'm looking for the courage to live It is being born on the day of this city Milano colored yourself with its activities shorten the shadows , the sun shines and a veil hiding now all his vices and my pace is tired , my face a bit 'more haggard ,emptiness inside me and where are you? I run always and do not know where I go I look back , I stumble and then I fall Slow walk among the tired souls alive but in a state of apparent death rips in the soul and on my clothes I have no tattoos, scars only and as the salt do on the wounds I burn at the memory of bad choices Iron bars are closed . echoes of voices deafen They say about you that you no longer have a tear they say about me that I’m free woman ... Monica Bergo
$3.99
3.64 €
#
Piano seul
#
Monica Bergo
#
L'alchimista
#
Monica Bergo
#
SheetMusicPlus
ALCHEMIST
Piano seul
Piano Solo - Digital Download SKU: A0.1012717 Composed by Monica Bergo. Contemporar…
(+)
Piano Solo - Digital Download SKU: A0.1012717 Composed by Monica Bergo. Contemporary. Score. 11 pages. Moni Bergo #5743015. Published by Moni Bergo (A0.1012717). Music and song composed by me The alchemist Flames in the dark sparkle voice whispering echoes They say about you Sell useless dreams they say about me that I’m too much frail You are shutting down the day of this city the lights switch on of different realities and time dilates , begins another life It is tacit ritual of a sad tribes You firefly who shine can you tell me where he is? I seek the alchemist , you see yourself from my eyes rimmed on the nothing wide open they are full of fears and resemble your And here it is your circus , you wait me already not much has changed from a lifetime ago you do not, you are not aged a Peter Pan sick , who deduct his sins in the lives of others clown you always have so many , acrobats tired poised always between dream and reality and as a cat, I also see in the dark and over the waste to me slowly and then die the crises, then anxiety , that imperfect woman I do not stand me anymore I who have never been a daughter , your promise of another family and this need for love, that torture and kill me While you brush my long hair , from your hands give off crystals bright lights exploding inside as if by magic now I belong to you snakes tattooed lean on your hips we float in the sea of time how does I exist? always or yesterday I do not remember but only mysteries You adult man and I young girl abracadabra, as all before I tired and old and you still a child us travelers in a bogus time and while I explore the emptiness I have inside Nothing is sweeter than this torment You prepare the potion , the right proportion , the antidote and poison but you put more passion , My animal instinct and add a little 'of gall for those who have hurt me Mix all right , only you know what to do you seals good my heart , can not serve me evil plots to good , with fumes and vapors , ampoules almost full ,please ... let me drink ... But you can not , and I stay here , prisoner of your invisible world It is being born on the day of this city Milano colored yourself with its activities shorten the shadows , the sun shines and a veil hiding now all his vices and my pace is tired , my face a bit 'more haggard ,emptiness inside me and where are you? I run always and do not know where I go I look back , I stumble and then I fall Slow walk among the tired souls alive but in a state of apparent death rips in the soul and on my clothes I have no tattoos, scars only and as the salt do on the wounds I burn at the memory of bad choices Iron bars are closed . echoes of voices deafen They say about you that you no longer have a tear they say about me that I’m free woman ... Monica Bergo
$5.00
4.56 €
#
Piano seul
#
Monica Bergo
#
ALCHEMIST
#
Moni Bergo
#
SheetMusicPlus
Without You I'm Nothing
Piano seul
Piano Solo - Digital Download SKU: A0.501741 By Placebo. By Brian Molko, Stefan Ols…
(+)
Piano Solo - Digital Download SKU: A0.501741 By Placebo. By Brian Molko, Stefan Olsdal, and Steven James Hewitt. Arranged by John Wilson (YouTube JW Soundworks). Classical,Contemporary,Pop,Rock,Romantic Period. Score. 9 pages. Published by JW Soundworks (A0.501741). This is my solo classical piano arrangement, in the style of the late 19th century composers such as Rachmaninov or Scriabin, of the title track of the 1998 cult classic album Without You I'm Nothing by alternative/indie rockers Placebo. It is intended for players of an intermediate or advanced level. Please head over to my YouTube channel (JW SOUNDWORKS) to watch my performance of it.
$10.00
9.13 €
#
Piano seul
#
Placebo
#
Without You I'm Nothing
#
JW Soundworks
#
SheetMusicPlus
In the Shadow of the Phrygian Sea - Dark Piano
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.573349 Composed by James Michael St…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.573349 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Score. 4 pages. James M Stevens Music ASCAP #5317955. Published by James M Stevens Music ASCAP (A0.573349). Written March 20, 2020, this is an original piano composition in the ancient Greek mode of D Phrygian. It is in a darkly reflective style. Some of the sounds in the melody and harmony you hear might not sound quite right because it is in neither major or minor. This particular mode is not used as much as some of the others because of the minor 2nd in the scale and because there is not a true dominant feeling chord because the V chord does not have a perfect fifth and is naturally a diminished chord. Sometimes I like to write a piece that is just an exercise in 20th century music theory utilizing the ancient modes. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$4.99
4.55 €
#
Piano seul
#
James Michael Stevens
#
James Michael Stevens
#
In the Shadow of the Phrygian Sea - Dark Piano
#
James M Stevens Music ASCAP
#
SheetMusicPlus
I'm Still Standing
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1489220 By Elton John. By Bernie Ta…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1489220 By Elton John. By Bernie Taupin and Elton John. Arranged by Claudio Porstmann. Pop,Rock. Score. 3 pages. Claudio Porstmann #1066076. Published by Claudio Porstmann (A0.1489220). An easy arrangement of the always popular Elton John song I'm Still Standing. This rock song by Elton John from the early 1980s has been a hit right from teh beginning.Yhis arrangement is for intermediate players but does not present any problems when playing. Its steady beat and immediately regognizable melody make I'm Still Standing a classic staple of any pop rock interpreter and will deliver a boost of energy whenever it is performed.
$5.99
5.47 €
#
Piano seul
#
Elton John
#
Claudio Porstmann
#
I'm Still Standing
#
Claudio Porstmann
#
SheetMusicPlus
Aphelion
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1205194 Composed by M.Y Owusu. Cont…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1205194 Composed by M.Y Owusu. Contemporary. Score. 3 pages. M.Y Owusu #803377. Published by M.Y Owusu (A0.1205194). Aphelion is one of my few pieces that's meant to tell a story and it's not incredibly specific, but here is the story of Aphelion. However, the definition of aphelion first is incredibly important.aphelion (noun):the point in the orbit of a planet, asteroid, or comet at which it is furthest from the sun.And it's very important to know the definition of its absolute antonym: perihelion.perihelion (noun):the point in the orbit of a planet, asteroid, or comet at which it is closest to the sun.These are terms used in astronomy to describe a celestial object's extreme distance from the sun. I'm using this to describe a relationship between two people. The type of relationship does not matter, it is simply just a relationship. However, you perceive it: platonic, romantic, etc.That is up to your interpretation.Aphelion follows the story of two people, with the start of the piece not actually being the aphelion, but however the perihelion, starting in D Major.It highlights their relationship as perfect, well-rounded, and flawless relationship. Some may call it a honeymoon era/phase or just the possible closest two people could be, i.e the perihelion.Then the two slowly drift away, with a shift to B Minor and D Minor. Issues, flaws, and problems that weren't there before begin to appear. These issues are quickly shoved under the rug, and the two pretend that they are nonexistent. The piece shifts back to D major incredibly quickly, however, there is a slight sense of uneasiness within the piece that I intended to create as it goes through this relationship that is clearly rocky, but it isn't being addressed because neither are choosing to communicate these issues.Then, the mysterious part hits very quickly, this is the aphelion. following a D Minor chord progression, then a shift into D minor itself. This part is where the relationship issues reach a boiling point, neither can stand the other and any attempt to resolve the issues is essentially useless. They stay in a toxic relationship. However, it's labeled as mysterious because the future is an absolute mystery to the two. They don't know what will happen. Then, one confronts the other, they choose to genuinely communicate.It's where the shift back to D Major occurs. They finally come to an understanding. At this point, they can choose to stay in the relationship, and work on the issues, or come to an understanding that it might not work from here, because a relationship takes two. There is a sense of peace, they are finally at peace with one another and their situation. Life can continue moving on, and the piece ends on an A Major chord. This is because A Major can be interpreted as one finally becoming content.That is the story that I intended to tell by writing Aphelion.
$5.00
4.56 €
#
Piano seul
#
M
#
Aphelion
#
M.Y Owusu
#
SheetMusicPlus
Softly and Tenderly / Jesus I Come (2 for 1 PIANO Standalone Arr's)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.874785 Composed by Will Thompson / …
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.874785 Composed by Will Thompson / Geo. Stebbins. Arranged by Dr. Jerry Nelson. Christian,Holiday,Romantic Period,Sacred. Score. 9 pages. Jerry Nelson #3604021. Published by Jerry Nelson (A0.874785). Receive both arrangements (Level 3+ and 5) for the price of one! Standalone arrangement not requiring Accompaniment Track. (The AUDIO DEMO is performed at the higher level). Time - 3:29. SUGGESTION: Use level 3+ for quiet meditation, Level 5 a great offertory. For a 4-song medley, add the medley Lord I'm Coming Home / I Surrender All. See #SO.402943DO YOU or a Friend or Student PLAY ONE OF THESE: FL, OB, CL, ASX, TSX, HN, TPT, TBN, VLN, VLA, CEL? Show them where you found the 'Needle in the Haystack.' SEARCH: Jerry Nelson (plus the name of Instrument). Visit www.JerryNelsonMusic.com for a FREE 15-song Mega-Medley of Arrangements & Audio Demos.
$3.99
3.64 €
#
Piano seul
#
Will Thompson / Geo
#
Dr
#
Audio Demos.
#
Softly and Tenderly / Jesus I Come
#
Jerry Nelson
#
SheetMusicPlus
"I'm So Happy With You" An original piano solo for Weddings/Romance etc,
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.785713 Composed by Grant Horsley. F…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.785713 Composed by Grant Horsley. Film/TV,Holiday,Wedding. Score. 5 pages. Grant Horsley #5805673. Published by Grant Horsley (A0.785713). I'm So Happy With You-This is an original piece for piano. It would work really well for weddings- processional- (walk in) signing of the register, recessional (walk out), reception, or could be used for other big occasions-birthdays, anniversaries, parties etc. The intention was to have a feel good factor about it. It is not wonderfully difficult to play-possibly high end intermediate-around grade 6 associated board.
$5.00
4.56 €
#
Piano seul
#
Grant Horsley
#
"I'm So Happy With You" An original piano solo for Weddings/Romance etc,
#
Grant Horsley
#
SheetMusicPlus
Sunflower (from "Spider-Man: Into the Spider-Verse")
Piano seul
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Post Malone &am…
(+)
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Post Malone & Swae Lee. Arranged by Mario Stallbaumer. 6 pages. Published by Mario Stallbaumer
Here's how to play "Sunflower" by Post Malone & Swae Lee on piano (from "Spider-Man: Into the Spider-Verse")!<br> <br> With this piano sheet music, you can play the entire song on piano.<br> <br> It's not easy to create a "Sunflower" piano arrangement that actually sounds great - I worked hard on piano version, and must say I'm pretty happy with the result!<br> <br> The full melody is included in the piano part, and these sheets come with the song's full lyrics.<br> <br> "Sunflower" is a song from the soundtrack to the 2018 superhero film "Spider-Man: Into the Spider-Verse".<br> <br> The film received a Golden Globe ("Best Animated Feature Film") and an Academy Award nomination.<br> <br> Here are the full lyrics to the song:<br> <br> [Intro: Swae Lee]<br> Ayy, ayy, ayy, ayy (Ooh)<br> Ooh, ooh, ooh, ooh (Ooh)<br> Ayy, ayy<br> Ooh, ooh, ooh, ooh<br> <br> [Verse 1: Swae Lee]<br> Needless to say, I keep it in check<br> She was a bad-bad, nevertheless (Yeah)<br> Callin' it quits now, baby, I'm a wreck (Wreck)<br> Crash at my place, baby, you're a wreck (Wreck)<br> Needless to say, I'm keeping in check<br> She was a bad-bad, nevertheless<br> Callin' it quits now, baby, I'm a wreck<br> Crash at my place, baby, you're a wreck<br> Thinkin' in a bad way, losin' your grip<br> Screamin' at my face, baby, don't trip<br> Someone took a big L, don't know how that felt<br> Lookin' at you sideways, party on tilt<br> Ooh-ooh, some things you just can't refuse<br> She wanna ride me like a cruise and I'm not tryna lose<br> <br> [Chorus: Swae Lee]<br> Then you're left in the dust, unless I stuck by ya<br> You're a sunflower, I think your love would be too much<br> Or you'll be left in the dust, unless I stuck by ya<br> You're the sunflower, you're the sunflower<br> <br> [Verse 2: Post Malone]<br> Every time I'm leavin' on ya (Ooh)<br> You don't make it easy, no (No, no)<br> Wish I could be there for ya (Ooh)<br> Give me a reason to, oh (Oh)<br> Every time I'm walkin' out (Oh)<br> I can hear you tellin' me to turn around (Oh, oh)<br> Fightin' for my trust and you won't back down (No)<br> Even if we gotta risk it all right now, oh (Now)<br> I know you're scared of the unknown (-Known)<br> You don't wanna be alone (Alone)<br> I know I always come and go (And go)<br> But it's out of my control<br> <br> [Chorus: Post Malone]<br> And you'll be left in the dust, unless I stuck by ya<br> You're the sunflower, I think your love would be too much<br> Or you'll be left in the dust, unless I stuck by ya<br> You're the sunflower, you're the sunflower (Yeah)Here's how to play "Sunflower" by Post Malone & Swae Lee on piano (from "Spider-Man: Into the Spider-Verse")!<br> <br> With this piano sheet music, you can play the entire song on piano.<br> <br> It's not easy to create a "Sunflower" piano arrangement that actually sounds great - I worked hard on piano version, and must say I'm pretty happy with the result!<br> <br> The full melody is included in the piano part, and these sheets come with the song's full lyrics.<br> <br> "Sunflower" is a song from the soundtrack to the 2018 superhero film "Spider-Man: Into the Spider-Verse".<br> <br> The film received a Golden Globe ("Best Animated Feature Film") and an Academy Award nomination.<br> <br> Here are the full lyrics to the song:<br> <br> [Intro: Swae Lee]<br> Ayy, ayy, ayy, ayy (Ooh)<br> Ooh, ooh, ooh, ooh (Ooh)<br> Ayy, ayy<br> Ooh, ooh, ooh, ooh<br> <br> [Verse 1: Swae Lee]<br> Needless to say, I keep it in check<br> She was a bad-bad, nevertheless (Yeah)<br> Callin' it quits now, baby, I'm a wreck (Wreck)<br> Crash at my place, baby, you're a wreck (Wreck)<br> Needless to say, I'm keeping in check<br> She was a bad-bad, nevertheless<br> Callin' it quits now, baby, I'm a wreck<br> Crash at my place, baby, you're a wreck<br> Thinkin' in a bad way, losin' your grip<br> Screamin' at my face, baby, don't trip<br> Someone took a big L, don't know how that felt<br> Lookin' at you sideways, party on tilt<br> Ooh-ooh, some things you just can't refuse<br> She wanna ride me like a cruise and I'm not tryna lose<br> <br> [Chorus: Swae Lee]<br> Then you're left in the dust, unless I stuck by ya<br> You're a sunflower, I think your love would be too much<br> Or you'll be left in the dust, unless I stuck by ya<br> You're the sunflower, you're the sunflower<br> <br> [Verse 2: Post Malone]<br> Every time I'm leavin' on ya (Ooh)<br> You don't make it easy, no (No, no)<br> Wish I could be there for ya (Ooh)<br> Give me a reason to, oh (Oh)<br> Every time I'm walkin' out (Oh)<br> I can hear you tellin' me to turn around (Oh, oh)<br> Fightin' for my trust and you won't back down (No)<br> Even if we gotta risk it all right now, oh (Now)<br> I know you're scared of the unknown (-Known)<br> You don't wanna be alone (Alone)<br> I know I always come and go (And go)<br> But it's out of my control<br> <br> [Chorus: Post Malone]<br> And you'll be left in the dust, unless I stuck by ya<br> You're the sunflower, I think your love would be too much<br> Or you'll be left in the dust, unless I stuck by ya<br> You're the sunflower, you're the sunflower (Yeah)
$4.99
4.55 €
#
Piano seul
#
Post Malone & Swae Lee
#
Mario Stallbaumer
#
Swae Lee
#
Sunflower
#
Mario Stallbaumer
#
SheetMusicPlus
I Will Not Forget You (from Relaxing & Romantic Piano, Vol. IV)
Piano seul
Piano - Digital Download SKU: A0.1060341 Composed by James Michael Stevens. Arrange…
(+)
Piano - Digital Download SKU: A0.1060341 Composed by James Michael Stevens. Arranged by James Michael Stevens. Holiday,Jazz,Love,Standards,Wedding. Full Performance. Duration 189. James M Stevens Music ASCAP #518601. Published by James M Stevens Music ASCAP (A0.1060341). I Will Not Forget You is the piano solo recording from the piano book, Relaxing & Romantic Piano, Vol. IV, played and composed by Dr. James Michael Stevens.
$1.99
1.82 €
#
Piano seul
#
James Michael Stevens
#
James Michael Stevens
#
I Will Not Forget You
#
James M Stevens Music ASCAP
#
SheetMusicPlus
Without Love, We Have Nothing - Advanced Piano Solo
Piano seul
By James Michael Stevens. Arranged by James Michael Stevens. Sheet Music Single. 6 p…
(+)
By James Michael Stevens. Arranged by James Michael Stevens. Sheet Music Single. 6 pages. Published by James M Stevens Music ASCAP
This is an advanced level piano arrangement of the well known song that Joseph M. Martin and I wrote around 1990. I wrote this piano version to play as a solo in concerts for my first trip to Korea in 2008. Without Love We Have Nothing is one of the most famous Asian wedding songs throughout the world, particularly among the great people of Korea. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. https://www.youtube.com/watch?v=vGr4JV__0AcThis is an advanced level piano arrangement of the well known song that Joseph M. Martin and I wrote around 1990. I wrote this piano version to play as a solo in concerts for my first trip to Korea in 2008. Without Love We Have Nothing is one of the most famous Asian wedding songs throughout the world, particularly among the great people of Korea. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. https://www.youtube.com/watch?v=vGr4JV__0Ac
$5.99
5.47 €
#
Piano seul
#
James Michael Stevens
#
James Michael Stevens
#
Without Love, We Have Nothing - Advanced Piano Solo
#
James M Stevens Music ASCAP
#
SheetMusicPlus
Ravel - "Mother Goose" (Ma Mère l’Oye), - Piano solo
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.739953 Composed by Maurice Ravel. A…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.739953 Composed by Maurice Ravel. Arranged by Len Rhodes. 20th Century,Concert,Holiday,Wedding. Score. 8 pages. Len Rhodes Music #3570051. Published by Len Rhodes Music (A0.739953). Len Rhodes has transcribed Ravel's orchestral suite for piano solo. In his book Impressionism, author Pierre Courthion writes how Ravel's Mother Goose Suite seems like a musical commentary to Monet's Waterlilies. Len has titled his transcription - Reflections - containing the main movements from Mother Goose (Ma Mère l’Oye), with beautifully crafted segue's that create uninterrupted flow from movement to movement. Ravel originally wrote this ballet as a charming, delicate and imaginative suite of fairytale pieces. This transcription is a continuous work featuring - (i) the Prelude, (ii) Pavane de la Belle au Bois dormant (Pavane of the Sleeping Beauty), (iii) Les entretiens de la Belle et de la Bête (Conversation of Beauty and the Beast), (iv) Petit Poucet (Little Tom Thumb), and Le jardin féerique (The Fairy Garden). It is suitable for the more advanced (ABRSM grade 6/7) pianist, but will be appreciated by all lovers of Ravel, and Ma Mère l’Oye in particular. The music contains some larger chords so not entirely suitable for small hands. This is an extended work - 8 pages of music.
$5.99
5.47 €
#
Piano seul
#
Maurice Ravel
#
Len Rhodes
#
Ravel - "Mother Goose"
#
Len Rhodes Music
#
SheetMusicPlus
<
1
26
51
....
101
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
