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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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I Can See The Change
Non classifié
44
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38
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22
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13
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5
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3
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1
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1
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Guitare
7
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6
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2
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1
2 Guitares (duo)
1
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22
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6
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4
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1
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1
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
Saxophone Alto
1
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1
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1
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1
Cor anglais, Piano
1
3 Clarinettes (trio)
1
2 Flûtes traversières (duo)
1
+ 21 instrumentations
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Quatuor de Cuivres
3
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
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1
2 Trombones (duo)
1
Euphonium, Piano (duo)
1
Cor Anglais
1
Tuba
1
Trombone et Piano
1
Cor
1
Cor anglais, Piano
1
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Violon et Piano
5
Quatuor à cordes: 2 violons, alto, violoncelle
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Violoncelle
2
2 Harpes (duo)
1
Violoncelle, Piano
1
2 Violons (duo)
1
Alto seul
1
Violon
1
Harpe, Voix
1
+ 6 instrumentations
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Orchestre & Percussions
Orchestre
7
Orchestre à Cordes
6
Orchestre d'harmonie
5
Cloches
3
Ensemble Jazz
3
Ensemble de Percussions
2
Percussion
1
Piano et Orchestre
1
Orchestre de chambre
1
Ensemble de cuivres
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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PIANO
SAXOPHONE
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Vous avez sélectionné:
I Can See The Change
Piano seul
Partitions à imprimer
38 partitions trouvées
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26
Jesus Shall Reign Where'er the Sun
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arr…
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Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
4.6 €
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Piano seul
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the Sun
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Paul Thurmond
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SheetMusicPlus
The Last Time I Saw Paris
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1227903 By 101 String Orchestra. By…
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Piano Solo - Level 5 - Digital Download SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #823903. Published by Timothy Stapay (A0.1227903). This arrangement of The Last Time I Saw Paris is written as played by piano artist, Liberace. It contains an introduction, by Liberace, using parts of the French song, Clair De Lune by Claude Debussy.The Last Time I Saw Paris is a song composed by Jerome Kern, with lyrics by Oscar Hammerstein II, published in 1940. It was sung in the 1941 film Lady Be Good by Ann Sothern.By December 1940, six versions of the song were on the charts, with Kate Smith having exclusive radio rights for the song for six weeks. The song catered to a wartime nostalgia for songs about European cities following the Second World War Battle of France (which brought Paris under Nazi control), with A Nightingale Sang in Berkeley Square also proving popular.The song won the Academy Award for Best Original Song in 1941. This was Kern's second Academy Award for Best Original Song (following his success with The Way You Look Tonight in 1936), and Hammerstein's first. Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:(Verse)A lady known as ParisRomantic and charmingHas left her old companionsAnd faded from viewLonely men with lonely eyes are seeking her in vainThe streets are where they wereBut there's no sign of herShe has left the Seine(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHеr trees were dressеd for springAnd lovers walked beneath those treesAnd birds had songs to singI dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my ears The last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn(Bridge)Children who applauded Punch and Judy in the parkAnd those who danced at night and kept our Paris brightTill the town went dark(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHer trees were dressed for springAnd lovers walked beneath those treesAnd birds had songs to sing I dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my earsThe last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn
$8.99
8.29 €
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Piano seul
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101 String Orchestra
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Timothy Stapay
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The Last Time I Saw Paris
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Timothy Stapay
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SheetMusicPlus
Oh, Watch the Stars
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1106278 Composed by American Spirit…
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Piano Solo - Level 3 - Digital Download SKU: A0.1106278 Composed by American Spiritual. Arranged by Jennifer A. Henderson. 19th Century,Folk,Praise & Worship,Spiritual,Traditional. Score. 4 pages. ISFS Productions #709395. Published by ISFS Productions (A0.1106278). “Oh, watch the stars, see how they run. Oh, watch the stars, see how they run. The stars run down at the setting of the sun. Oh, watch the stars, see how they run.†So goes the first verse of this little known American spiritual. As soon as I first heard the serene melody that accompanies the text, I knew I needed to create my own arrangement. This is an intermediate piano solo appropriate for recitals or other performances. The song is in D major with no key changes. There is a three-against-two pattern throughout. The song is 3 pages long with a playing time of around 3 minutes. Follow me on Facebook: https://www.facebook.com/ISFSProductions Subscribe to my YouTube channel: https://www.youtube.com/channel/UCoxlP8Gb1BvoTq8A_kFZgTg.
$4.99
4.6 €
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Piano seul
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American Spiritual
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Jennifer A
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Oh, Watch the Stars
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ISFS Productions
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SheetMusicPlus
Dust In The Wind
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.744626 By Kansas. By Kerry Livgren.…
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Piano Solo - Level 4 - Digital Download SKU: A0.744626 By Kansas. By Kerry Livgren. Arranged by Elena Fortin. Rock. Score. 6 pages. Elena Fortin #5727089. Published by Elena Fortin (A0.744626). DUST IN THE WIND - By Kerry LivgrenArranged by Elena Fortin for Intermediate - Early Advanced PlayersThe group Kansas made a recording of this song by Kerry Livgren. The popularity of the song has stood the test of time. The lyrics refer to how quickly time passes and is a lovely reminder to take each day as it comes and make the most of it.The arrangements I am working on this year are songs that I consider to be important. This song is one of my favourites--I loved the Kansas version of it--with the violin, voice, and two guitars.My arrangement is written in 4/4 time with an almost constant left hand arpeggio bass as a nod to the guitar arrangement. The verse and chorus are repeated three times, each time a little bit differently and explores the full range of the piano. I write this for intermediate to early advanced players--it is a good challenge! There are tricky double-note passages, and some interesting syncopated rhythms. There are full four-note chords in some areas and you need a quick left hand to make some of the harmonic changes!You can check out my other arrangements on my publisher page: https://www.sheetmusicplus.com/search?Ntt=Elena+fortin or come and visit me at my website https://www.the-piano-studio.comYou can see some of my work on my YouTube channel (the-piano-studio.com)
$4.99
4.6 €
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Piano seul
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Kansas
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Elena Fortin
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Dust In The Wind
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Elena Fortin
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SheetMusicPlus
Hanon Piano / Keyboard Exercises 1 - 30 Condensed and Simplified for Beginners Easy Reading
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.887255 Composed by Charles-Louis Ha…
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Piano Solo - Level 2 - Digital Download SKU: A0.887255 Composed by Charles-Louis Hanon. Arranged by Martin Woodward. Instructional. Score. 37 pages. Martin Woodward #6513221. Published by Martin Woodward (A0.887255). Hanon Piano / Keyboard Exercises 1 - 30Condensed and Simplified for Beginners Easy ReadingIn this short book you will find condensed and simplified versions of the Hanon piano finger exercises 1 - 30 as well as the major, harmonic minor and melodic minor scales in every key (two octaves). What is Hanon? The ‘Hanon Virtuoso Pianist’ is a collection of piano finger exercises designed to give equal strength, agility and flexibility to all five fingers of both hands. Written by Charles-Louis Hanon sometime in the 1800s, these exercises without doubt have become one of the most widely used techniques by today’s pianists. In my opinion these are the best finger exercises available. One really great thing about these exercises is that they are applicable to both absolute beginners and advanced players alike, particularly as the reading ability required is minimal. Whatever your ability, these exercises will help improve your technique and finger strength. Having been written well over 100 years ago, the original work is now in the public domain and therefore digital copies can be acquired free of charge on the internet. However, most of these are very poor quality and the instructions are mainly in French or Russian - neither of which work too well for me! For the full version I personally recommend the ‘Alfred’ Edition edited by Allan Small which is clear and has instructions in English. So why do I need this book? The whole point is to make it easy to read and to reduce page turns - less is more! In the full version the first 30 exercises take up fifty pages whereas here there are three exercises per page for the first 20, then two per page for the next 10, reducing the fifty pages to just twelve. I initially produced this for my own use only but figured that others may like to take advantage of what I’ve done. Does this mean that the print is just smaller? No, not at all. If you are familiar with these exercises you will know that they are repeated patterns which ascend and descend for two octaves diatonically. To condense and simplify them and consequently eliminate an enormous amount of page turns I have shown: the all-important fingering on the first pattern (as per the original)then the repeated second patternthen ‘changeover’ patterns between ascending and descending - which are sometimes slightly differentthen finally the last pattern of each exercise which again is often very slightly different. I have also written them two octaves apart (for easy reading) and only shown them for one octave instead of two. In practice they should be played one octave apart and ultimately be practiced for two octaves. You can print out any or all the pages as required (the link for the pdf printable version is given at the end of the book).Please see: https://learn-keyboard.co.uk/hanon.html
$5.99
5.52 €
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Piano seul
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Charles-Louis Hanon
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Martin Woodward
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Hanon Piano / Keyboard Exercises 1 - 30 Condensed and Simplified for Beginners Easy Reading
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Martin Woodward
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SheetMusicPlus
The Power Of The Cross (oh To See The Dawn)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1311907 Composed by Keith Getty and…
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Piano Solo - Level 4 - Digital Download SKU: A0.1311907 Composed by Keith Getty and Stuart Townend. Arranged by Brian Buda. Christian,Contemporary,Easter,Praise & Worship,Religious. Score. 28 pages. Budaful music #900802. Published by budaful music (A0.1311907). This is a piano solo arrangement of 'The Power of the Cross'. This great worship hymn is generally set more in the moderately advanced piano level and has an even feel throughout. It has become one of the go-to hymns during prayer and especially for communion. Many built in options are provided that can affect the length of the arrangement. See the 1st page of music for more details regarding performance options. 3 transpositions included: C, Bb, & A (C or Bb recommended, especially when using the key change option).I also have an alternative piano arrangement (SMD) of this hymn as well that is more harmonically diverse, majestic in tone, and more highly advanced in nature. It is one of my first pieces published to SMP/SMD!
$6.99
6.44 €
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Piano seul
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Keith Getty and Stuart Townend
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Brian Buda
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The Power Of The Cross
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budaful music
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SheetMusicPlus
The Christmas Song (chestnuts Roasting On An Open Fire)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1325497 By Nat Cole With N. Riddle …
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Piano Solo - Level 3 - Digital Download SKU: A0.1325497 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Thomas Gunther. Christmas,Holiday,Jazz. Score. 4 pages. Thomas Gunther Music Productions #913724. Published by Thomas Gunther Music Productions (A0.1325497). Solo Piano Arrangement By Thomas GuntherThe Christmas Song is maybe the most popular Christmas Song in the USA. Some know it as Chestnuts Roasted On An Open Fire or Merry Christmas to You. The melody is absolutely beautiful, and the chord changes super interesting. I especially like Nat King Cole's version, which is in Db major. To make it easier for intermediate piano players I wrote my piano solo arrangement in C major instead. It is still challenging  enough.The sheet music will be available for purchase at 2pm Chicago time on Nov 27.About The ArrangementThe arrangement is written in jazz ballade style. It doesn't swing. I includes a fun double time improvisation section though which I made up on the spot during the second B section when I recorded the song. It is in latin style. The arrangement can be performed with or without improvisation. Should you be a jazz pianist you could use the included chord symbols to make up your own improvisation.About The Sheet MusicThe sheet music is the exact transcription of my recording, including the improvisation part. (You can listen to it and see me perform in the video below.)The sheet music contains jazz chord symbols and plentiful of articulations as well as some dynamic markings. How This Arrangement Came AboutMay arrangement is heavily based on the Nat King Cole version. I love the ballade feel and the beautiful chord substitutions he uses in the orchestration. First I simply played along with his version in Db major. This helped me to figure out the harmony. Next I start thinking about the accompaniment. Now it is time to practice it. Once I have the arrangement figured out I start recording it a few times, listen to each version, iron out the edges. Now it is time to record the entire thing. Recommendations For Learning The SongI recommend that you first listen to my performance while reading along in the sheet music. I always think about fingering and sustain pedal use at the same time when learning a song. Smart use of the sustain pedal can really make it much easier to play.Is This Arrangement For You?This solo piano arrangement is for every pianist who loves The Christmas Song. It doesn't matter would kind of pianist you are. The arrangement is certainly for intermediate pianists and up. It is also beneficial when you don't have very small hands. Some chords in the left hand require a hand span of a 10th. However, there are ways to get around that by simply rolling the notes with the help of the sustain pedal.
$5.99
5.52 €
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Piano seul
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Nat Cole With N
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Thomas Gunther
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The Christmas Song
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Thomas Gunther Music Productions
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SheetMusicPlus
Candle in the Wind - Piano Solo
Piano seul
Piano Solo - Intermediate - Digital Download By Elton John. Arranged by Mario Stallba…
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Piano Solo - Intermediate - Digital Download By Elton John. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer
Here's how to play "Candle in the Wind" by Elton John on piano!<br> <br> With this piano sheet music, you get an accurate arrangement of "Candle in the Wind" (1973 version) which is not too hard to play, and sounds fantastic.<br> <br> The whole melody is included in the piano part, so it makes for a wonderful instrumental (piano solo) version.<br> <br> "Candle in the Wind" was written in 1973 by Elton John and Bernie Taupin in memory of Marilyn Monroe, who had passed away 11 years earlier.<br> <br> Elton John famously performed a rewritten version of the song in 1997 for Princess Diana (after her death in a car crash). It became known as "Candle in the Wind 1997" or "Goodbye England's Rose" after the first line of the new lyrics.<br> <br> This sheet music is an arrangement of the original 1973 version of "Candle in the Wind", as it was included on Elton John's album "Goodbye Yellow Brick Road".<br> <br> Here are the full lyrics to Elton John's "Candle in the Wind":<br> <br> Goodbye Norma Jean<br> Though I never knew you at all<br> You had the grace to hold yourself<br> While those around you crawled<br> They crawled out of the woodwork<br> And they whispered into your brain<br> They set you on the treadmill<br> And they made you change your name<br> <br> And it seems to me you lived your life<br> Like a candle in the wind<br> Never knowing who to cling to<br> When the rain set in<br> And I would have liked to have known you<br> But I was just a kid<br> Your candle burned out long before<br> Your legend ever did<br> <br> Loneliness was tough<br> The toughest role you ever played<br> Hollywood created a superstar<br> And pain was the price you paid<br> Even when you died<br> Oh the press still hounded you<br> All the papers had to say<br> Was that Marilyn was found in the nude<br> <br> And it seems to me you lived your life<br> Like a candle in the wind<br> Never knowing who to cling to<br> When the rain set in<br> And I would have liked to have known you<br> But I was just a kid<br> Your candle burned out long before<br> Your legend ever did<br> <br> Goodbye Norma Jean<br> Though I never knew you at all<br> You had the grace to hold yourself<br> While those around you crawled<br> <br> Goodbye Norma Jean<br> From the young man in the 22nd row<br> Who sees you as something more than sexual<br> More than just our Marilyn Monroe<br> <br> And it seems to me you lived your life<br> Like a candle in the wind<br> Never knowing who to cling to<br> When the rain set in<br> And I would have liked to have known you<br> But I was just a kid<br> Your candle burned out long before<br> Your legend ever did<br> <br> Your candle burned out long before<br> Your legend ever did<br> Here's how to play "Candle in the Wind" by Elton John on piano!<br> <br> With this piano sheet music, you get an accurate arrangement of "Candle in the Wind" (1973 version) which is not too hard to play, and sounds fantastic.<br> <br> The whole melody is included in the piano part, so it makes for a wonderful instrumental (piano solo) version.<br> <br> "Candle in the Wind" was written in 1973 by Elton John and Bernie Taupin in memory of Marilyn Monroe, who had passed away 11 years earlier.<br> <br> Elton John famously performed a rewritten version of the song in 1997 for Princess Diana (after her death in a car crash). It became known as "Candle in the Wind 1997" or "Goodbye England's Rose" after the first line of the new lyrics.<br> <br> This sheet music is an arrangement of the original 1973 version of "Candle in the Wind", as it was included on Elton John's album "Goodbye Yellow Brick Road".<br> <br> Here are the full lyrics to Elton John's "Candle in the Wind":<br> <br> Goodbye Norma Jean<br> Though I never knew you at all<br> You had the grace to hold yourself<br> While those around you crawled<br> They crawled out of the woodwork<br> And they whispered into your brain<br> They set you on the treadmill<br> And they made you change your name<br> <br> And it seems to me you lived your life<br> Like a candle in the wind<br> Never knowing who to cling to<br> When the rain set in<br> And I would have liked to have known you<br> But I was just a kid<br> Your candle burned out long before<br> Your legend ever did<br> <br> Loneliness was tough<br> The toughest role you ever played<br> Hollywood created a superstar<br> And pain was the price you paid<br> Even when you died<br> Oh the press still hounded you<br> All the papers had to say<br> Was that Marilyn was found in the nude<br> <br> And it seems to me you lived your life<br> Like a candle in the wind<br> Never knowing who to cling to<br> When the rain set in<br> And I would have liked to have known you<br> But I was just a kid<br> Your candle burned out long before<br> Your legend ever did<br> <br> Goodbye Norma Jean<br> Though I never knew you at all<br> You had the grace to hold yourself<br> While those around you crawled<br> <br> Goodbye Norma Jean<br> From the young man in the 22nd row<br> Who sees you as something more than sexual<br> More than just our Marilyn Monroe<br> <br> And it seems to me you lived your life<br> Like a candle in the wind<br> Never knowing who to cling to<br> When the rain set in<br> And I would have liked to have known you<br> But I was just a kid<br> Your candle burned out long before<br> Your legend ever did<br> <br> Your candle burned out long before<br> Your legend ever did<br>
$4.99
4.6 €
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Piano seul
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Elton John
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Mario Stallbaumer
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Candle in the Wind - Piano Solo
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Mario Stallbaumer
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SheetMusicPlus
L'alchimista
Piano seul
Piano Solo - Digital Download SKU: A0.976873 Composed by Monica Bergo. Contemporary…
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Piano Solo - Digital Download SKU: A0.976873 Composed by Monica Bergo. Contemporary. Score. 9 pages. Monica Bergo #3243715. Published by Monica Bergo (A0.976873). 2017 Holiday Contest EntryThe alchemist Flames in the dark sparkle voice whispering echoes They say about you Sell useless dreams they say about me that I’m too much frail You are shutting down the day of this city the lights switch on of different realities and time dilates , begins another life It is tacit ritual of a sad tribes You firefly who shine can you tell me where he is? I seek the alchemist , you see yourself from my eyes rimmed on the nothing wide open they are full of fears and resemble your And here it is your circus , you wait me already not much has changed from a lifetime ago you do not, you are not aged a Peter Pan sick , who deduct his sins in the lives of others clown you always have so many , acrobats tired poised always between dream and reality and as a cat, I also see in the dark and over the waste to me slowly and then die the crises, then anxiety , that imperfect woman I do not stand me anymore I who have never been a daughter , your promise of another family and this need for love, that torture and kill me While you brush my long hair , from your hands give off crystals bright lights exploding inside as if by magic now I belong to you snakes tattooed lean on your hips we float in the sea of time how does I exist? always or yesterday I do not remember but only mysteries You adult man and I young girl abracadabra, as all before I tired and old and you still a child us travelers in a bogus time and while I explore the emptiness I have inside Nothing is sweeter than this torment You prepare the potion , the right proportion , the antidote and poison but you put more passion , My animal instinct and add a little 'of gall for those who have hurt me Mix all right , only you know what to do you seals good my heart , can not serve me evil plots to good , with fumes and vapors , ampoules almost full ,please ... let me drink ... But you can not , and I stay here , prisoner of your invisible world We like vampires , breath broken by sighs , arms forward, off eyes alchemist turn off my complaints You like a zombie , ready to sink your teeth ,that fascinates me and scares alchemist dissolve my torments .. but you can not .. and I stay here I'm looking for the courage to live It is being born on the day of this city Milano colored yourself with its activities shorten the shadows , the sun shines and a veil hiding now all his vices and my pace is tired , my face a bit 'more haggard ,emptiness inside me and where are you? I run always and do not know where I go I look back , I stumble and then I fall Slow walk among the tired souls alive but in a state of apparent death rips in the soul and on my clothes I have no tattoos, scars only and as the salt do on the wounds I burn at the memory of bad choices Iron bars are closed . echoes of voices deafen They say about you that you no longer have a tear they say about me that I’m free woman ... Monica Bergo
$3.99
3.68 €
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Piano seul
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Monica Bergo
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L'alchimista
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Monica Bergo
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SheetMusicPlus
ISADAR - The Journey (complete collection)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1224308 By Isadar. By Isadar. New A…
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Piano Solo - Level 4 - Digital Download SKU: A0.1224308 By Isadar. By Isadar. New Age. Score. 63 pages. Mainya Music Publishing (BMI) #820403. Published by Mainya Music Publishing (BMI) (A0.1224308). Sounds like:  Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artistsTranscribed by:  David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recordingContents: 1. Joyful Running 2. Fountain Of Life 3. Voice Of God (Thanksgiving) 4. Pocket Change 5. The Journey 6. Smoke Signals 7. Horseman's Thrill Ride 8. End Of The LineAlbum & Songbook review by:  Kathy Parsons (MainlyPiano.com):Isadar’s fourth solo piano album is a blend of smooth jazz and new age stylings, showing both his impressive technique and sensitivity to melody. Several of the eight selections are free-form and improvisational, revealing some of Liz Story’s influence on his music. Some of Isadar’s earlier recordings have very dark, moody sections, but this one stays fairly upbeat and optimistic without being ear candy. The music is complex enough to sink your teeth into, and yet is accessible enough to enjoy as a backdrop to a quiet dinner or an evening with a good book. Joyful Running begins the journey with an exuberant and uplifting piece that reminds me a little of some of Spencer Brewer’s bouncier compositions. Fountain of Life is a beautiful piece with a water-like flow that never stops in its 10 1/2 minutes. I listened to this CD several times without realizing that this song was that long. It flows and meanders so effortlessly that it seemed no longer than the other seven selections, most of which are between four and five minutes in length. Unstructured and free, this is one of my favorite tracks. I also really like the title track, which is even more abstract and unstructured. The tone is of searching and moving forward. End of the Line is my favorite on this album. Very introspective and contemplative, this seems to be a very personal piece. It is the most somber track, but one still senses hope despite the ending of something dear and important. Or maybe it’s simply the end of the journey and the dread of returning to real life - I feel this way on the last day of my vacations! It is a wonderful and moving closing to an excellent album.The companion songbook is expertly transcribed and engraved by David Shenton of New York Music Publishing. The layout of the music is clear and uncluttered, and the notation includes pedal markings and dynamics that allow the pianist to express the music as closely as possible to how Isadar played it on the recording.  A few of the pieces are quite long and require a more advanced pianist who is able to express the nuances that keep the recording so interesting, but several of the pieces are well within the capabilities of upper intermediate players.  Some of the rhythms are a little bit tricky, but the majority of the left hand parts are running eighth notes, which make it easier.  None of the key signatures are difficult, and none of the chords have a reach of more than an octave, making this music very playable for smaller hands.  My favorite pieces to play in this book are Joyful Running, Voice of God (Thanksgiving), Smoke Signals, and End of the Line.Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more... Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player piano.
$49.99
46.09 €
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Piano seul
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Isadar
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ISADAR - The Journey
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Mainya Music Publishing
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SheetMusicPlus
ALCHEMIST
Piano seul
Piano Solo - Digital Download SKU: A0.1012717 Composed by Monica Bergo. Contemporar…
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Piano Solo - Digital Download SKU: A0.1012717 Composed by Monica Bergo. Contemporary. Score. 11 pages. Moni Bergo #5743015. Published by Moni Bergo (A0.1012717). Music and song composed by me The alchemist Flames in the dark sparkle voice whispering echoes They say about you Sell useless dreams they say about me that I’m too much frail You are shutting down the day of this city the lights switch on of different realities and time dilates , begins another life It is tacit ritual of a sad tribes You firefly who shine can you tell me where he is? I seek the alchemist , you see yourself from my eyes rimmed on the nothing wide open they are full of fears and resemble your And here it is your circus , you wait me already not much has changed from a lifetime ago you do not, you are not aged a Peter Pan sick , who deduct his sins in the lives of others clown you always have so many , acrobats tired poised always between dream and reality and as a cat, I also see in the dark and over the waste to me slowly and then die the crises, then anxiety , that imperfect woman I do not stand me anymore I who have never been a daughter , your promise of another family and this need for love, that torture and kill me While you brush my long hair , from your hands give off crystals bright lights exploding inside as if by magic now I belong to you snakes tattooed lean on your hips we float in the sea of time how does I exist? always or yesterday I do not remember but only mysteries You adult man and I young girl abracadabra, as all before I tired and old and you still a child us travelers in a bogus time and while I explore the emptiness I have inside Nothing is sweeter than this torment You prepare the potion , the right proportion , the antidote and poison but you put more passion , My animal instinct and add a little 'of gall for those who have hurt me Mix all right , only you know what to do you seals good my heart , can not serve me evil plots to good , with fumes and vapors , ampoules almost full ,please ... let me drink ... But you can not , and I stay here , prisoner of your invisible world It is being born on the day of this city Milano colored yourself with its activities shorten the shadows , the sun shines and a veil hiding now all his vices and my pace is tired , my face a bit 'more haggard ,emptiness inside me and where are you? I run always and do not know where I go I look back , I stumble and then I fall Slow walk among the tired souls alive but in a state of apparent death rips in the soul and on my clothes I have no tattoos, scars only and as the salt do on the wounds I burn at the memory of bad choices Iron bars are closed . echoes of voices deafen They say about you that you no longer have a tear they say about me that I’m free woman ... Monica Bergo
$5.00
4.61 €
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Piano seul
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Monica Bergo
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ALCHEMIST
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Moni Bergo
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SheetMusicPlus
When I See My Savior (with "Were You There") (Accompaniment Track)
Piano seul
Piano - Level 2 - Digital Download SKU: A0.1163198 By Stephen DeCesare. By Stephen …
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Piano - Level 2 - Digital Download SKU: A0.1163198 By Stephen DeCesare. By Stephen DeCesare, Spiritual. Easter,Praise & Worship,Religious,Sacred,Spiritual. Accompaniment. Duration 231. Exultet Music #763553. Published by Exultet Music (A0.1163198). Tender yet powerful hymn about how a person's life has changed when they have seen Jesus hanging on the cross.  Also incorporates the well known spiritual: Were You There?. Scored for a variety of arrangements. Accessible and appropriate for any church or concert setting.  Especially can be used during Palm Sunday, Holy Week, Good Friday and Tenebrae service.
$3.99
3.68 €
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Piano seul
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Stephen DeCesare
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When I See My Savior
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Exultet Music
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SheetMusicPlus
Le streghe
Piano seul
Piano Solo - Digital Download SKU: A0.976872 Composed by Monica Bergo. Children,Con…
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Piano Solo - Digital Download SKU: A0.976872 Composed by Monica Bergo. Children,Contemporary,Halloween. Score. 8 pages. Monica Bergo #3240587. Published by Monica Bergo (A0.976872). 2017 Holiday Contest Entry♫ *'¯` * • .¸¸. ♫ ♫ Witches *'¯` * • .¸¸. ♫ It seemed a day so, like many others, I wake up and commitments already there are pressing who asks, who call, they have all need leave me alone want my dream Today, I'm sorry, but is not the day from these chains I feel disconnected and run happy in the thick of the wood I reach my nest my hidden place I never afraid in the woods at night With they I find again the right atmosphere and there, around the fire there is my family the only, the true that resembles me the most And in my reflection are barefoot and shabby but just so , I feel myself and while we wait something to happen dolls in hand we look for a prey if in the Middle Ages they had burned us stronger and bad now we are back Between 1000 potions between powders and concoctions we here manufacture the strange mixtures And dance around the fire Of us, cares little to you we are ugly, we are ungainly we are dirty and unkempt and turned, turned around, there is a place in the world where it does not matter the look and appearance. And while we intone the chants to the moon a strange mantra to bring good luck I feel observed because there hidden he's , he followed me in the thick of wood I stop petrified and now I'm afraid because he knows nothing of my dark half and I see the contempt I can see it in his face and I have a heavy heart tears soaked-.... What I could say I would tell him do not go while time seems to stop a moment seems eternal.... But who cares half woman half witch If really you're interested maybe you love me the same.... and I look at you go away in my eyes nostalgy and a tear goes I think of what will not be strange actress consumed identity lost I try wherever my part always change my fate. And watch you disappear something inside me dies I would like an elixir of love it gives you back &n.
$3.99
3.68 €
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Piano seul
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Monica Bergo
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I find again
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Le streghe
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Monica Bergo
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SheetMusicPlus
WITCHS
Piano seul
Piano Solo - Digital Download SKU: A0.1012708 Composed by Monica Bergo. Contemporar…
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Piano Solo - Digital Download SKU: A0.1012708 Composed by Monica Bergo. Contemporary. Score. 11 pages. Moni Bergo #5742971. Published by Moni Bergo (A0.1012708). Music and song composed by me♫ *'¯` * • .¸¸. ♫ ♫ Witches *'¯` * • .¸¸. ♫ It seemed a day so, like many others, I wake up and commitments already there are pressing who asks, who call, they have all need leave me alone want my dream Today, I'm sorry, but is not the day from these chains I feel disconnected and run happy in the thick of the wood I reach my nest my hidden place I never afraid in the woods at night With they I find again the right atmosphere and there, around the fire there is my family the only, the true that resembles me the most And in my reflection are barefoot and shabby but just so , I feel myself and while we wait something to happen dolls in hand we look for a prey if in the Middle Ages they had burned us stronger and bad now we are back Between 1000 potions between powders and concoctions we here manufacture the strange mixtures And dance around the fire Of us, cares little to you we are ugly, we are ungainly we are dirty and unkempt and turned, turned around, there is a place in the world where it does not matter the look and appearance. And while we intone the chants to the moon a strange mantra to bring good luck I feel observed because there hidden he's , he followed me in the thick of wood I stop petrified and now I'm afraid because he knows nothing of my dark half and I see the contempt I can see it in his face and I have a heavy heart tears soaked-.... What I could say I would tell him do not go while time seems to stop a moment seems eternal.... But who cares half woman half witch If really you're interested maybe you love me the same.... and I look at you go away in my eyes nostalgy and a tear goes I think of what will not be strange actress consumed identity lost I try wherever my part always change my fate. And watch you disappear something inside me dies I would like an elixir of love it gives you back
$5.00
4.61 €
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Piano seul
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Monica Bergo
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I find again
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WITCHS
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Moni Bergo
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SheetMusicPlus
Numb
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1203048 By Isadar. By Isadar. 20th …
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Piano Solo - Level 3 - Digital Download SKU: A0.1203048 By Isadar. By Isadar. 20th Century,Contemporary,Jazz,New Age. Score. 7 pages. Mainya Music Publishing (BMI) #801732. Published by Mainya Music Publishing (BMI) (A0.1203048). Contains:Numb - taken from the Isadar solo piano collection, The Purple Heart (improvisational solo piano) (available soon on SMP) Sounds like: Keith Jarrett's Köln Concert, Bill Evans, Liz Story, George Winston, early Windham Hill solo piano artists Transcribed by:  David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording Album & Songbook review by:  Kathy Parsons (MainlyPiano.com):The Purple Heart is Isadar’s solo piano tribute and memorial to the people who lost their lives in the 9/11/01 tragedy. Recorded as a 56-minute improvisation on 12/25/02, the music is thoughtful, somber, and quite elegant. There are actually thirteen pieces on the CD, but they segue into each other, making it difficult to tell where one song ends and another begins. This is very definitely NOT a problem, as the album unfolds naturally and organically, asking questions, looking inward, and expressing shock and grief. However, this is not music about only despair or rage. I also hear hope and determination as well as quiet reverence - the strange mix of emotions we all felt during those dark days. Titles include From Cradle to Coffin, Bravery, Numb, New York Skyline, and Truth. Isadar has a wonderful way of wearing his heart on his musical sleeve, pouring deep emotion and heartfelt expression into his music. The music was recorded in one take, but rather than meandering all over the place, Isadar used recurring themes that make the work cohesive and consistent enough to hold together even after many listens. This is a very strong and passionate work, but it was recorded with a rather quiet voice which allows it to be very comfortable and soothing background music as well as evocative solo piano music for concentrated and focused listening. The Purple Heart Sheet Music Collection is a note-for-note solo piano transcription of Isadar’s 2003 memorial CD by the same name (transcribed by David Shenton). The recording and book are a tribute to those who died in the attacks of 9/11/2001. The music was recorded in one take and although there are thirteen titles, the pieces segue into each other, creating a seamless 56-minute improvisation. The book indicates where the various pieces begin and end, but can also be played as one long piece. Although the theme of the music is very somber and bleak, the music covers the broad range of emotions we all felt during that period - anger, sadness, hope, determination, resolve, fear, grief, etc. Although the recording is an improvisation, Isadar incorporates a recurring theme that holds the work together as a single entity. Some pieces are very slow while others are lively and even fast. All thirteen pieces are in C minor/Eb major, but the variety of moods and tempos keep the music evolving without becoming repetitious. When the recurring theme pops up, it’s like seeing an old friend!The difficulty in playing someone’s improvisation is that the creation of the music was spontaneous and free-flowing. It isn’t easy to read an improvisation and give the music that quality of freedom. Less advanced pianists might find this frustrating. The time signatures change frequently, but a competent pianist will have no trouble with that. As I was playing this book, I sensed that I was looking directly into Isadar’s heart and feeling what he was feeling as the music was being born - a very powerful experience! Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, featuring today's biggest names in solo piano music.
$5.99
5.52 €
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Piano seul
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Isadar
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Numb
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Mainya Music Publishing
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SheetMusicPlus
Billy Joel - Just the Way You Are (Piano Solo)
Piano seul
Piano Solo - Intermediate - Digital Download By Billy Joel. Arranged by Mario Stallba…
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Piano Solo - Intermediate - Digital Download By Billy Joel. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer
Here's how to play "Just the Way You Are" by Billy Joel on piano!<br> <br> With this sheet music, you get a playable piano arrangement of "Just the Way You Are" which sounds beautiful.<br> <br> The full melody is included in the piano part, so it makes for a wonderful instrumental (piano solo) cover.<br> <br> "Just the Way You Are" is a song from Billy Joel's 1977 album "The Stranger", and served as the album's lead single. It became his first top 10 hit in the US, and won two Grammy Awards ("Record of the Year" and "Song of the Year") in 1977!<br> <br> It's certainly one of the greatest and most iconic love songs from the 70s - with this piano sheet music, you can play it in the most beautiful way!<br> <br> If you like this arrangement, please consider leaving a review - it would mean a lot.<br> <br> Here are the full lyrics to Billy Joel's "Just the Way You Are":<br> <br> <br> [Verse 1]<br> Don't go changing to try and please me<br> You never let me down before<br> Don't imagine you're too familiar<br> And I don't see you anymore<br> <br> [Refrain 1]<br> I would not leave you in times of trouble<br> We never could have come this far<br> I took the good times, I'll take the bad times<br> I'll take you just the way you are<br> <br> [Verse 2]<br> Don't go trying some new fashion<br> Don't change the color of your hair<br> You always have my unspoken passion<br> Although I might not seem to care<br> <br> [Refrain 2]<br> I don't want clever conversation<br> I never want to work that hard<br> I just want someone that I can talk to<br> I want you just the way you are<br> <br> [Bridge]<br> I need to know that you will always be<br> The same old someone that I knew<br> What will it take till you believe in me<br> The way that I believe in you<br> <br> [Refrain 3]<br> I said I love you and that's forever<br> And this I promise from the heart<br> I could not love you any better<br> I love you just the way you are<br> <br> [Refrain 2]<br> I don't want clever conversation<br> I never want to work that hard<br> I just want someone that I can talk to<br> I want you just the way you areHere's how to play "Just the Way You Are" by Billy Joel on piano!<br> <br> With this sheet music, you get a playable piano arrangement of "Just the Way You Are" which sounds beautiful.<br> <br> The full melody is included in the piano part, so it makes for a wonderful instrumental (piano solo) cover.<br> <br> "Just the Way You Are" is a song from Billy Joel's 1977 album "The Stranger", and served as the album's lead single. It became his first top 10 hit in the US, and won two Grammy Awards ("Record of the Year" and "Song of the Year") in 1977!<br> <br> It's certainly one of the greatest and most iconic love songs from the 70s - with this piano sheet music, you can play it in the most beautiful way!<br> <br> If you like this arrangement, please consider leaving a review - it would mean a lot.<br> <br> Here are the full lyrics to Billy Joel's "Just the Way You Are":<br> <br> <br> [Verse 1]<br> Don't go changing to try and please me<br> You never let me down before<br> Don't imagine you're too familiar<br> And I don't see you anymore<br> <br> [Refrain 1]<br> I would not leave you in times of trouble<br> We never could have come this far<br> I took the good times, I'll take the bad times<br> I'll take you just the way you are<br> <br> [Verse 2]<br> Don't go trying some new fashion<br> Don't change the color of your hair<br> You always have my unspoken passion<br> Although I might not seem to care<br> <br> [Refrain 2]<br> I don't want clever conversation<br> I never want to work that hard<br> I just want someone that I can talk to<br> I want you just the way you are<br> <br> [Bridge]<br> I need to know that you will always be<br> The same old someone that I knew<br> What will it take till you believe in me<br> The way that I believe in you<br> <br> [Refrain 3]<br> I said I love you and that's forever<br> And this I promise from the heart<br> I could not love you any better<br> I love you just the way you are<br> <br> [Refrain 2]<br> I don't want clever conversation<br> I never want to work that hard<br> I just want someone that I can talk to<br> I want you just the way you are
$4.99
4.6 €
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Piano seul
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Billy Joel
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Mario Stallbaumer
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Billy Joel - Just the Way You Are
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Mario Stallbaumer
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SheetMusicPlus
Yesterday Once More
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1262310 By The Carpenters. By John …
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Piano Solo - Level 3 - Digital Download SKU: A0.1262310 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 2 pages. Timothy Stapay #855346. Published by Timothy Stapay (A0.1262310). A piano solo arrangement of Yesterday Once More; made famous by The Carpenters. Yesterday Once More, written by Richard Carpenter and John Bettis, is a hit song by the Carpenters from their 1973 album Now & Then. Thematically the song concerns reminiscing about songs of a generation gone by. It segues into a long medley, consisting of eight covers of 1960s tunes incorporated into a faux oldies radio program. The work takes up the entire B-side of the album.The single version of the song peaked at number 2 on the Billboard Hot 100 chart, kept from the number 1 spot by Bad, Bad Leroy Brown by Jim Croce. It was the duo's fifth number two hit and makes them the act with the second-most number two hits on the chart behind Madonna. The song also peaked at number 1 on the easy listening chart, becoming their eighth number 1 on that chart in four years.  It is the Carpenters' biggest-selling record worldwide and their best-selling single in the UK, peaking at number 2 Richard Carpenter stated, on a Japanese documentary, that it was his favorite of all the songs that he had written. He has performed an instrumental version at concerts.Lyrics:[Verse 1]When I was young, I'd listen to the radioWaitin' for my favorite songsWhen they played, I'd sing alongIt made me smile[Pre-Chorus 1]Those were such happy timesAnd not so long agoHow I wondered where they'd goneBut they're back againJust like a long-lost friendAll the songs I loved so well[Chorus 1]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineWhen they get to the partWhere he's breaking her heartIt can really make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang)(Shoobie-doo, lang, lang) [Verse 2]Lookin' back on how it was in years gone byAnd the good times that I hadMakes today seem rather sadSo much has changed[Pre-Chorus 2]It was songs of loveThat I would sing to themAnd I'd memorize each wordThose old melodiesStill sound so good to meAs they melt the years away[Chorus 2]Every sha-la-la-laEvery whoa, whoa-oh still shines(Only oldies, but goodies)Every shing-a-ling-a-lingThat they're starting to sing so fineAll my best memoriesCome back clearly to meSome can even make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang) [Outro]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineEvery sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fine...
$6.99
6.44 €
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Piano seul
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The Carpenters
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Timothy Stapay
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Then
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Yesterday Once More
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Timothy Stapay
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SheetMusicPlus
Throwing The Dice
Piano seul
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, …
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Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Neo- Classical, Activities and Games, Recital, New Age. Sheet Music Single. 9 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "Throwing The Dice"<br> - taken from the Isadar solo piano collections, "Active Imagination / Reconstructed" (also available on SMP) <br> <br> Sounds like: Liz Story's ("Things With Wings"), Philip Aaberg, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Note: A slightly different version of this composition is also heard on the Isadar album, "Reconstructed" (Produced by Will Ackerman)<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> I love this CD! It constantly amazes me how many outstanding composer/pianists there are out there - especially in relation to the few who are highly (commercially) successful within this broad genre. I would say that Active Imagination definitely belongs near the top of the heap. Isadar’s style is original, and his pianism is excellent. He lists his inspirations as Liz Story, Keith Jarrett, and Bill Evans, and I can hear traces of all three in his playing, but find his composing and playing styles to be uniquely his own.<br> <br> The first three tracks are lively and upbeat (“Active Imagination”, “Throwing the Dice”, and “Where the Wild Things Are”) with an easy, jazzy, improvised feel. The meter changes are fascinating, and the bluesy beat on “Wild Things” is infectious.<br> <br> From there, the mood seems to gradually darken and become more introspective. “Waiting” is a beautiful, flowing mood piece full of questions and a lovely melody line. Isadar’s cover of Liz Story’s “Wedding Rain” is wonderful - this is a piece I often work on with my advanced students, and everything about Isadar’s interpretation of the piece seems right without being a carbon-copy of Liz’s recording.<br> <br> “Feu Follet (the ‘spook’ light’)” has a nice, easy flow with a strong sense of mystery; it also has an unusual rhythm that lightens the mood and adds a bounce. “Uncertainty” is cooler and more aloof, but gorgeous in its flowing introspection - that it ends with a major chord, feels like the soul-searching has had positive results. “Love Chaconne” is the closing track, and is the longest and most abstract piece on the CD. The left hand plays a repeated pattern while the right hand goes off in several different directions (one of the primary characteristics of a “chaconne”). Beautiful in its simplicity, this is the only track that seems to contain an element of pain and sorrow, but never dissolves into melodrama.<br> <br> Active Imagination is excellent from start to finish and I highly recommend it to anyone who likes solo piano with substance and complexity, but is still accessible, melodic, and rhythmic. Bravo amundo!<br> <br> Active Imagination Sheet Music Collection is the companion songbook to Isadar’s 1999 CD release, Active Imagination. The CD was one of my favorites for the year when I reviewed it for the print version of “Wind and Wire” magazine, so I was really looking forward to the sheet music! Transcribed note-for-note by David Shenton of ShentonMusic.com (I proofed about half of the book, so I can attest to how accurate it is!), it is up to you to make the music sound as close to the CD as you want or to interpret the music and make your own statements with it.<br> <br> One thing that really stands out about this collection is how much FUN it is to play. The rhythms are interesting and catchy, and the mood in several of the songs is playful and upbeat. This is especially true with the title song, “Throwing the Dice,” “Where the Wild Things Are,” and “Feu Follet (the ‘spook’ light).” “Waiting,” “Love Chaconne,” and “Uncertainty” are slower, more introspective, and a bit moody, making this a sheet music collection that contains a variety of moods and styles. The only piece missing from the book is Liz Story’s “Wedding Rain,” but the sheet music for that song is available in some of Ms. Story’s own collections.<br> <br> Early-advanced players should have no trouble with this music. The timing on some of the songs is a little bit tricky, but if you count it as you are learning it, it will fall into place.<br> <br> If you haven’t heard the CD, check it out, too! This book is available here from SMP, isadar.com and amazon.com. Highly recommended!<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.comContains:<br> "Throwing The Dice"<br> - taken from the Isadar solo piano collections, "Active Imagination / Reconstructed" (also available on SMP) <br> <br> Sounds like: Liz Story's ("Things With Wings"), Philip Aaberg, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Note: A slightly different version of this composition is also heard on the Isadar album, "Reconstructed" (Produced by Will Ackerman)<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> I love this CD! It constantly amazes me how many outstanding composer/pianists there are out there - especially in relation to the few who are highly (commercially) successful within this broad genre. I would say that Active Imagination definitely belongs near the top of the heap. Isadar’s style is original, and his pianism is excellent. He lists his inspirations as Liz Story, Keith Jarrett, and Bill Evans, and I can hear traces of all three in his playing, but find his composing and playing styles to be uniquely his own.<br> <br> The first three tracks are lively and upbeat (“Active Imagination”, “Throwing the Dice”, and “Where the Wild Things Are”) with an easy, jazzy, improvised feel. The meter changes are fascinating, and the bluesy beat on “Wild Things” is infectious.<br> <br> From there, the mood seems to gradually darken and become more introspective. “Waiting” is a beautiful, flowing mood piece full of questions and a lovely melody line. Isadar’s cover of Liz Story’s “Wedding Rain” is wonderful - this is a piece I often work on with my advanced students, and everything about Isadar’s interpretation of the piece seems right without being a carbon-copy of Liz’s recording.<br> <br> “Feu Follet (the ‘spook’ light’)” has a nice, easy flow with a strong sense of mystery; it also has an unusual rhythm that lightens the mood and adds a bounce. “Uncertainty” is cooler and more aloof, but gorgeous in its flowing introspection - that it ends with a major chord, feels like the soul-searching has had positive results. “Love Chaconne” is the closing track, and is the longest and most abstract piece on the CD. The left hand plays a repeated pattern while the right hand goes off in several different directions (one of the primary characteristics of a “chaconne”). Beautiful in its simplicity, this is the only track that seems to contain an element of pain and sorrow, but never dissolves into melodrama.<br> <br> Active Imagination is excellent from start to finish and I highly recommend it to anyone who likes solo piano with substance and complexity, but is still accessible, melodic, and rhythmic. Bravo amundo!<br> <br> Active Imagination Sheet Music Collection is the companion songbook to Isadar’s 1999 CD release, Active Imagination. The CD was one of my favorites for the year when I reviewed it for the print version of “Wind and Wire” magazine, so I was really looking forward to the sheet music! Transcribed note-for-note by David Shenton of ShentonMusic.com (I proofed about half of the book, so I can attest to how accurate it is!), it is up to you to make the music sound as close to the CD as you want or to interpret the music and make your own statements with it.<br> <br> One thing that really stands out about this collection is how much FUN it is to play. The rhythms are interesting and catchy, and the mood in several of the songs is playful and upbeat. This is especially true with the title song, “Throwing the Dice,” “Where the Wild Things Are,” and “Feu Follet (the ‘spook’ light).” “Waiting,” “Love Chaconne,” and “Uncertainty” are slower, more introspective, and a bit moody, making this a sheet music collection that contains a variety of moods and styles. The only piece missing from the book is Liz Story’s “Wedding Rain,” but the sheet music for that song is available in some of Ms. Story’s own collections.<br> <br> Early-advanced players should have no trouble with this music. The timing on some of the songs is a little bit tricky, but if you count it as you are learning it, it will fall into place.<br> <br> If you haven’t heard the CD, check it out, too! This book is available here from SMP, isadar.com and amazon.com. Highly recommended!<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.com
$5.99
5.52 €
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Piano seul
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Isadar
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Throwing The Dice
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Mainya Music Publishing
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SheetMusicPlus
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beeth…
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Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Published by Upstream Music (A0.933520). There are many more unfinished than completed compositions of Beethoven that have been preserved. ln these fragments one sees ideas for individual works. A large number of sketchbooks and sketches from the composer were preserved and are housed in libraries and private collections all over the globe. Some sketches are no more than brief experiments or short elaborated ideas, but there are also fragments preserved that nearly give us a complete picture of a composition. In the so-called Kafka sketchbook, which was published in 1970 in London, approximately 500 fragments of manuscripts were bundled that stem from 1786 - 1799. The Fantasia Sonata in D (deest 45) for piano forte in three parts, was hidden in the archives since 1792. This sonata of the young Beethoven, with striking similarities to the Moonlight sonata and the Pastorale has never been performed on stage. Young pianotalent Martin Oei played it for the first time in the Concertgebouw Amsterdam, October 21st, 2012. The large, over 1100 bars comprising torso now known as Fantasia Sonata in D from 1792, cannot be called a sketch anymore, although Beethoven has not completed the work and used many ideas in other, later works. The reconstruction of the sketches was done by the Dutch Beethoven musicologist and composer Cees Nieuwenhuizen. The piece was probably written in Bonn, three years before he started to write his first official piano sonata of a series of 32 sonatas. In November 1792 Beethoven went from Bonn to Vienna to study with the famous composer Joseph Haydn (1732–1809). Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched. Striking harmonies The re-using of previously drafted material is quite common in Beethoven's works. Apparently the material wasn't yet ripe enough at the time of its origination, or perhaps Beethoven changed his mind with regards to the new composition. This could very well be so regarding the torso from Kafka’s sketchbook that we now call the Piano Fantasia sonata in D. This piece contains 1100 bars of music, not taking into account the alternative bars. The piece is composed by Beethoven in 1792 - 1793 and was set up as a tripartite sonata in D with remarkable abnormalities in terms of form and content. There are striking harmonies that cannot be found in other works composed in that same period. It’s possible that the composer didn’t have the courage to publish it or that indeed the time was not yet ripe for it. Finally the composer let the draft go and never came back to it. Or did he? Thematic similarities We find phrases in several later works that share similarities with ideas and themes from Fantasia sonata in D. The first part of Fantasia sonata has the same theme as the trio of the third movement of Symphony no. 7 (in A Major Opus 92). Even the key and also the rhythm in 3/4 time are the same. This cannot be a coincidence. Similar mood and thematic parallels can be found in the Pastorale, the Sonata for piano no. 15 (Opus 28): it is striking that this piece is also composed in D and in 3/4 time. We find similar dramatic expression in the Sonata for piano no. I 7 in d minor Opus 31 no. 2. The second movement of the Fantasia sonata nearly has the same theme as the second movement of the Sonata for piano no. 23 in minor (the Appassionato Opus 57). Martin Oei, Daiel Wayenberg, Cees Nieuwenhuizen at The World Premiere in The Concertgebouw Beethoven begins the third movement of the Fantasia sonata with the main theme of the first movement, but now in e minor. lts appearance in minor is an entirely new idea. Nevertheless Beethoven doesn't elaborate the idea any further because it disappears after 29 bars. Now a new agitated theme starts in d minor, which was announced in the first movement, but now reappears in its complete.
$29.00
26.74 €
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Piano seul
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Ludwig van Beethoven, Cees Nieuwenhuizen
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Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven
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Upstream Music
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SheetMusicPlus
Child's Play
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1024388 Composed by Stephen Lebsanf…
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Piano Solo - Level 3 - Digital Download SKU: A0.1024388 Composed by Stephen Lebsanft. 20th Century,Contemporary. Score. 9 pages. Stephen Lebsanft #5794087. Published by Stephen Lebsanft (A0.1024388). Child’s Play is a representative work that captures the moods and sensations of a child’s backyard adventures through the perspective of their mind’s eye. As a young boy, I revelled in creating grand stories and playing them out in my backyard. I felt so invested in them that they almost seemed real and I endeavour to capture this commitment to my imagination in Child’s Play. The simple semiquaver ostinato present throughout most of the work represents the innocence of being young. It’s lilting nature lead’s the listener to reminisce on the carefree nature of life at that age. In contrast to this, the stirring harmonies evoke feelings of drama and grandeur that depict the sagas that my imagination conjured. In keeping with the representative nature of the work, the sporadic changes in dynamics symbolize being constantly swept away to different imaginary lands as we all know young boys can rarely stay focused on a single idea for very long. With reference to the pedalling, I have very deliberately written the change to occur between notes where specified. This creates a lucid harmonic rhythm throughout the entire piece and a constant undertone of the mysterious enigma that is a child’s mind.
$19.00
17.52 €
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Piano seul
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Stephen Lebsanft
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Child's Play
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Stephen Lebsanft
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SheetMusicPlus
Seven Pieces in Twentieth-Century Styles
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 2…
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Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00
4.61 €
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Piano seul
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James Siddons
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Seven Pieces in Twentieth-Century Styles
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James Siddons Music and Writings
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SheetMusicPlus
Mood Suite - Complete Score
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.938016 Composed by Liz Nedela. Clas…
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Piano Solo - Level 4 - Digital Download SKU: A0.938016 Composed by Liz Nedela. Classical,Contemporary,Contest,Festival,Instructional. Score. 28 pages. Liz Nedela #6114751. Published by Liz Nedela (A0.938016). Mood Suite is a set of five piano solos depicting moods that we all experience: Restless, Peaceful, Mood Swings (Monkey Thoughts), Anger, Fun (Dance-Crazy Waltz). The set began as a commission for the Billings (MT) Music Teachers Association (1986) and has been used in several variations for specific events; some have changed titles, but all remain the same music. All have been enjoyed by students, teachers, and professional pianists! The set is comprised of teaching pieces, each in its own scale and style. The title changes have been influenced by the purpose of the event (i.e. see PDX), as well as nicknames by students or performers; (i.e. Mood Swings became Monkey Thoughts; Fun became Dance and then Crazy Waltz). Have fun with these pieces! Interpret them to fit your own moods! NOTE: The recording is a live performance of Restless, Peaceful, Crazy Waltz, used in the concert for PDX. Mood Swings and Anger recordings can be obtained at no charge from the composer. Also Note: some pieces are sold separately.
$8.50
7.84 €
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Piano seul
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Liz Nedela
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Mood Suite - Complete Score
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Liz Nedela
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SheetMusicPlus
Dream of Dunhuang - Ballet in 3 Acts, O,p.29 (1979 - 80) (Piano Reductions)
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1040102 Composed by An-lun Huang. 2…
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Piano Solo - Level 5 - Digital Download SKU: A0.1040102 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score. 140 pages. DoReMi Edition #644926. Published by DoReMi Edition (A0.1040102). One of the Masterpieces of Chinese Music of 20th Century The magnificent cave art at Dunhuang, in Western China sets the stage for the ballet, “Dream of Dunhuangâ€. In the middle of the vast wastes of Western China, lies the oasis of Dunhuang, situated in today‘s Gansu Province. Since the Western Han Dynasty(202BC-8AC), Dunhuang was an important trading and cultural center on the famous “Silk Road’, the ribbon of communication which fostered the historic ties between East and West. In the East was China, source of treasured trading articles such as silk; in the West, the â€road“ branched to Venice, and north to what is today‘s Russia. The mural led caves at Dunhuang, which were begun the Northern Wei dynasty(336AD), and developed over one thousand years into the Qing Dynasty, re presents one of the world‘s richest cultural treasures. Drawing on bothn Western(Indian and Persian) as well as Chinese tradition, the caves, of which 492 remain intact, were decorated as a mines of religious devotion, with the initiation of Buddhism into China. The subjects of the murals, such as devise, demons, apsaras and bodhisattvas, represent the entire pantheon of Buddhist mythology, yet are also significant in their representation of muti-racial and muti-cultural influences, standing as an important testament to the age old exchange between East and West. A fabricated fantasia, the story of the ballet was inspirited by the famous artist, maestro Chang Shu-hong, who dedicated his whole life to Dunhuang. One of the Huang An-lun‘s major compositions with the play written by Xu Qing-dong, the score of “Dream of Dunhuang†was completed in mid-1979. The ballet has been dedicated to the composer‘s closest friends, Canadian writers John Fraser and Elizabeth MacCallun. Up to the date this CD being released, the ballet has never got a chance to performed in mainland China. Nevertheless, its music has been wildly performed and warmly received around the world. The Singapore premiere of its suite No.1 was performed by the SSO, conducted by Maestro Lim Yao. It has been also chosen as one of the “Master Piece of Chinese Music in 20th Century†in 1993. The world premiere of the complete ballet was performed successfully by the Russian State Ballet of Moscow, directed by its artist director, Vyatcheslav Godeyev, in 1994. Choreographed by Chen Min, it was took place in Taiwan with the Taiwan Symphony Orchestra, conducted by maestro David C.H.Chen. In 2002, ROI of Hong Kong has released the CD of the whole ballet, performed by the Russian Philharmonic Orchestra of Moscow. This is also the audio file attached. Before this recording conducted by the composer himself, the entire score was also performed by the Bolshoi Symphony Orchestra of Moscow in1995. The YouTube video was the World Premiere in Taiwan by the Russia National Ballet with the Taiwan symphony Orchestra, conducted by David Chen in 1994. The ballet, “ Dream of Dunhuang†depicts two young artists seeking the ultimate experience in love and expression. This two lovers arrived at desert and with the guidance of the celestial maiden, they discover the miracles of Dunhuang. It‘s divided into three acts: Act I: Desert, Act II: Cave, and Act III: Mogao cave.
$19.99
18.43 €
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Piano seul
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An-lun Huang
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Dream of Dunhuang - Ballet in 3 Acts, O,p.29
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DoReMi Edition
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SheetMusicPlus
Nocturne No 1 - A restless night in June 2016
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.835450 Composed by Stuart Brown. Co…
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Piano Solo - Level 4 - Digital Download SKU: A0.835450 Composed by Stuart Brown. Concert,Contemporary. Score. 12 pages. Stuart Brown Music #2859967. Published by Stuart Brown Music (A0.835450). This is not your typical nocturne. This is night as it really is for many people: a time of restlessness, of anxiety, in which you lie awake or even feel the need to get out of the house for a while. This music is for all of those nights when you wonder what on earth is happening to the world around you, when you feel troubled by the contradictions between you and the world, when you dread the morning news of the results of an election or referendum; when you just want to shout at the world, I'm out of here ... imagine a night in which you need to step outside to gather your thoughts. You feel the chill of the night air as you stand gazing up at the sky. As clouds move above, you turn over in your mind the things that are troubling you. Gradually you begin to see more clearly the difference between the things you cannot change and those that you can; and with that realisation comes serenity and finally you are able to sleep.The composer, who is a passionate believer in unity rather than division, wrote this music three days after Britain's 2016 referendum on its continued membership of the European Union, reflecting his feelings about the outcome. This is, therefore, as deeply personal a piece of music as you'll get. Include it in a program and it will help to put the rest of the program into perspective.The music itself demonstrates that nonatonic and octatonic modes of limited transposition can be used to create melodies and harmonic progressions that combine tension with great beauty. At notated tempi the work lasts just under ten minutes. It is of advanced intermediate difficulty, the main challenges for the player being the complex modality and the shifting rhythms. The sound file provided here is the composer's own live performance, recorded on Saturday, September 10th, 2016. It is possibly appropriate for high school performance: students who are interested are welcome to get in touch with the composer via www.facebook.com/StuartBrownComposer/
$2.50
2.3 €
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Piano seul
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Stuart Brown
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Nocturne No 1 - A restless night in June 2016
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Stuart Brown Music
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SheetMusicPlus
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I Can See The Change
