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AUTRES
Vous avez sélectionné:
One Small Voice
Piano seul
Partitions à imprimer
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51
Pitcairn Local Anthem (The Royal Telephone/We From Pitcairn Island”) for Voice & Piano
Piano seul
Piano - Level 3 - Digital Download SKU: A0.1207336 By Keith Terrett. By Frederick M…
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Piano - Level 3 - Digital Download SKU: A0.1207336 By Keith Terrett. By Frederick M. Lehman. Arranged by Keith Terrett. Historic,Multicultural,Patriotic,Praise & Worship,Traditional,World. Score (Chords/Lyrics). 3 pages. Keith Terrett #805498. Published by Keith Terrett (A0.1207336). The Pitcairn Islands are a remote British colony in the South Pacific, famous for being the site where the mutineers from the HMS Bounty landed. The islands’ population have always been very small (currently numbering around 50), yet, aside from the official anthem of God Save the King (which is not heard often on the islands), there have been, and continue to be, many unofficial anthems in use in the colony.In Diana Jolliffe Belcher’s 1871 book “The Mutineers of the Bounty and their Decendants in Pitcairn and Norfolk Island†it is reported that a local poem by Rev. G. H. Nobbs was set to the tune “Rousseau’s Dream†(sheet music) and was considered by Pitcairners to be their anthem at the time. It is not known for how long this was considered as their anthem, however. Also, in 1856, several Pitcairners resettled on Norfolk Island as Pitcairn had become too small. The local anthem now in use on Norfolk Island, Come Ye Blessed, is also referred to as the “Pitcairn Anthemâ€, and more than likely was brought to the island by the Pitcairn settlers, suggesting that this anthem was in use on Pitcairn at that time, and is also heard on Pitcairn currently.Currently, the song “We From Pitcairn Island†(to the tune of the hymn “The Royal Telephoneâ€) is used as an unofficial anthem at gatherings and the like. The lyrics were written by Pitcairner Melva Evans with assistance from the local Seventh Day Adventist Pastor L. A. J. Webster in 1962 to be performed by the school children on board a visiting cruise ship, but the song became identified by residents as their unofficial anthem. Other songs, such as “The Goodbye Song†(written by Pitcairner Amelia Young), and the hymn “In The Sweet By and By†are considered unofficial “Pitcairn songs†at gatherings as well. (“Goodbye songsâ€, sung to ships as they leave the country, are a tradition in many Polynesian islands, and are part of the patriotic music of those countries.).
$4.99
4.59 €
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Piano seul
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Keith Terrett
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Keith Terrett
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Pitcairn Local Anthem
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Keith Terrett
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SheetMusicPlus
I'm Trying to Be Like Jesus
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1307229 Composed by Janice Kapp Per…
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Piano Solo - Level 4 - Digital Download SKU: A0.1307229 Composed by Janice Kapp Perry. Arranged by Mark Gubler. Children,Christian,New Age,Religious,Sacred. Score. 5 pages. Mark Gubler #896486. Published by Mark Gubler (A0.1307229). The gospel of Jesus Christ is simple. We are commanded to love God and everyone around us. All the other commandments are given to point us to these two great commandments. In this arrangement the music surrounding the lyrics love one another as Jesus loves you keeps coming back throughout. It represents that though we may get distracted by all the things that we feel we should be doing, there is power in always returning and centering our lives around loving as Jesus loves.Song Lyrics 1. I’m trying to be like Jesus; I’m following in his ways. I’m trying to love as he did, in all that I do and say. At times I am tempted to make a wrong choice, But I try to listen as the still small voice whispers, “Love one another as Jesus loves you. Try to show kindness in all that you do. Be gentle and loving in deed and in thought, For these are the things Jesus taught.†2. I’m trying to love my neighbor; I’m learning to serve my friends. I watch for the day of gladness when Jesus will come again. I try to remember the lessons he taught. Then the Holy Spirit enters into my thoughts, saying: “Love one another as Jesus loves you. Try to show kindness in all that you do. Be gentle and loving in deed and in thought, For these are the things Jesus taught.â€.
$9.99
9.2 €
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Piano seul
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Janice Kapp Perry
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Mark Gubler
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I'm Trying to Be Like Jesus
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Mark Gubler
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SheetMusicPlus
Softly and Tenderly Jesus Is Calling
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1257744 By Jeff Bjorck. By Will L. …
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Piano Solo - Level 3 - Digital Download SKU: A0.1257744 By Jeff Bjorck. By Will L. Thompson. Arranged by Jeff Bjorck. 19th Century,Christian,New Age,Religious,Spiritual. Score. 3 pages. Pure Piano Music by Jeff Bjorck #850974. Published by Pure Piano Music by Jeff Bjorck (A0.1257744). Jeff Bjorck's original solo piano arrangement of this traditional hymn melody by Will L. Thompson is from Bjorck's album/CD This I Know: Ageless Hymns of Faith. This hymn wonderfully portrays the caring heart of God, who so loved the world that He gave His only begotten Son (John 3:16). Its lyrics are reminiscent of the prodigal son's father, who seemed to be waiting and watching for his erring child to come home.  Many hymns  beautifully  express  the  awesome majesty of God, but this one seems to personify His still, small, voice (I Kings 19:12). It is this still, small, yet powerfully loving voice that Bjorck conveys with this arrangement.
$5.50
5.06 €
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Piano seul
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Jeff Bjorck
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Jeff Bjorck
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Softly and Tenderly Jesus Is Calling
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Pure Piano Music by Jeff Bjorck
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SheetMusicPlus
ISADAR - The Journey (complete collection)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1224308 By Isadar. By Isadar. New A…
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Piano Solo - Level 4 - Digital Download SKU: A0.1224308 By Isadar. By Isadar. New Age. Score. 63 pages. Mainya Music Publishing (BMI) #820403. Published by Mainya Music Publishing (BMI) (A0.1224308). Sounds like:  Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artistsTranscribed by:  David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recordingContents: 1. Joyful Running 2. Fountain Of Life 3. Voice Of God (Thanksgiving) 4. Pocket Change 5. The Journey 6. Smoke Signals 7. Horseman's Thrill Ride 8. End Of The LineAlbum & Songbook review by:  Kathy Parsons (MainlyPiano.com):Isadar’s fourth solo piano album is a blend of smooth jazz and new age stylings, showing both his impressive technique and sensitivity to melody. Several of the eight selections are free-form and improvisational, revealing some of Liz Story’s influence on his music. Some of Isadar’s earlier recordings have very dark, moody sections, but this one stays fairly upbeat and optimistic without being ear candy. The music is complex enough to sink your teeth into, and yet is accessible enough to enjoy as a backdrop to a quiet dinner or an evening with a good book. Joyful Running begins the journey with an exuberant and uplifting piece that reminds me a little of some of Spencer Brewer’s bouncier compositions. Fountain of Life is a beautiful piece with a water-like flow that never stops in its 10 1/2 minutes. I listened to this CD several times without realizing that this song was that long. It flows and meanders so effortlessly that it seemed no longer than the other seven selections, most of which are between four and five minutes in length. Unstructured and free, this is one of my favorite tracks. I also really like the title track, which is even more abstract and unstructured. The tone is of searching and moving forward. End of the Line is my favorite on this album. Very introspective and contemplative, this seems to be a very personal piece. It is the most somber track, but one still senses hope despite the ending of something dear and important. Or maybe it’s simply the end of the journey and the dread of returning to real life - I feel this way on the last day of my vacations! It is a wonderful and moving closing to an excellent album.The companion songbook is expertly transcribed and engraved by David Shenton of New York Music Publishing. The layout of the music is clear and uncluttered, and the notation includes pedal markings and dynamics that allow the pianist to express the music as closely as possible to how Isadar played it on the recording.  A few of the pieces are quite long and require a more advanced pianist who is able to express the nuances that keep the recording so interesting, but several of the pieces are well within the capabilities of upper intermediate players.  Some of the rhythms are a little bit tricky, but the majority of the left hand parts are running eighth notes, which make it easier.  None of the key signatures are difficult, and none of the chords have a reach of more than an octave, making this music very playable for smaller hands.  My favorite pieces to play in this book are Joyful Running, Voice of God (Thanksgiving), Smoke Signals, and End of the Line.Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more... Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player piano.
$49.99
46.03 €
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Piano seul
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Isadar
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ISADAR - The Journey
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Mainya Music Publishing
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SheetMusicPlus
Medieval Rainbow (Curcubeu medieval) (arrangement for piano solo no.1)
Piano seul
Large Ensemble Alto Recorder,Cello,Clarinet,Harpsichord,Organ,Piano,Soprano Recorder,Tenor…
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Large Ensemble Alto Recorder,Cello,Clarinet,Harpsichord,Organ,Piano,Soprano Recorder,Tenor Saxophone,Viola,Voice - Level 2 - Digital Download SKU: A0.912978 Composed by Andrei Lucian Drăgoi (Dragoi). Baroque. Score and parts. 2 pages. Andrei-Lucian Dragoi #1999329. Published by Andrei-Lucian Dragoi (A0.912978). This is a small piece composed for children and addressed to piano beginners of any age. The title is given both in English and Romanian (as the composer is Romanian). This is an arrangement for piano solo (numbered as no.1). However it may be played also on: organ, harpsichord and even on instrumental duet (string duet [violin/viola/guitar with 2nd viola/cello/2nd guitar], woodwinds duet [piccolo/clarinet/soprano recorder with tenor flute/2nd clarinet/alto recorder], brass duet [clarinet/tenor sax/alto sax and 2nd clarinet/tenor sax]) or vocal duet (tenor and baritone/bass). The melody has also auto-accompaniment characteristics and can be played even with any solo voice/instrument.The audio sample was generated from the musical sheet using the Stereo Bells timbre from Native Instruments FM7 Vintage: https://www.soundonsound.com/reviews/native-instruments-fm7
$1.99
1.83 €
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Piano seul
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Andrei Lucian Drăgoi
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Medieval Rainbow
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Andrei-Lucian Dragoi
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SheetMusicPlus
End Of The Line
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1041003 By Isadar. By Isadar. Class…
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Piano Solo - Level 2 - Digital Download SKU: A0.1041003 By Isadar. By Isadar. Classical,Contemporary,Jazz,New Age. Score. 9 pages. Mainya Music Publishing (BMI) #645734. Published by Mainya Music Publishing (BMI) (A0.1041003). Contains:End Of The Line - taken from the Isadar solo piano collection, The Journey (available soon on SheetMusicDirect and SheetMusicPlus) Sounds like: Liz Story, George Winston, early Windham Hill solo piano artists Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording Album & Songbook review by:Kathy Parsons (MainlyPiano.com): Isadar’s fourth solo piano album is a blend of smooth jazz and new age, showing both his impressive technique and sensitivity to melody. Several of the eight selections are free-form and improvisational, revealing some of Liz Story’s influence on his music. Some of Isadar’s earlier recordings have very dark, moody sections, but this one stays fairly upbeat and optimistic without being ear candy. The music is complex enough to sink your teeth into, and yet is accessible enough to enjoy as a backdrop to a quiet dinner or an evening with a good book. Joyful Running begins the journey with an exuberant and uplifting piece that reminds me a little of some of Spencer Brewer’s bouncier compositions. Fountain of Life is a beautiful piece with a water-like flow that never stops in its 10 1/2 minutes. I listened to this CD several times without realizing that this song was that long. It flows and meanders so effortlessly that it seemed no longer than the other seven selections, most of which are between four and five minutes in length. Unstructured and free, this is one of my favorite tracks. I also really like the title track, which is even more abstract and unstructured. The tone is of searching and moving forward. End of the Line is my favorite on this album. Very introspective and contemplative, this seems to be a very personal piece. It is the most somber track, but one still senses hope despite the ending of something dear and important. Or maybe it’s simply the end of the journey and the dread of returning to real life - I feel this way on the last day of my vacations! It is a wonderful and moving closing to an excellent album. The companion songbook is expertly transcribed and engraved by David Shenton of New York Music Publishing. The layout of the music is clear and uncluttered, and the notation includes pedal markings and dynamics that allow the pianist to express the music as closely as possible to how Isadar played it on the recording. A few of the pieces are quite long and require a more advanced pianist who is able to express the nuances that keep the recording so interesting, but several of the pieces are well within the capabilities of upper intermediate players. Some of the rhythms are a little bit tricky, but the majority of the left hand parts are running eighth notes, which make it easier. None of the key signatures are difficult, and none of the chords have a reach of more than an octave, making this music very playable for smaller hands. My favorite pieces to play in this book are Joyful Running, Voice of God (Thanksgiving), Smoke Signals, and End of the Line. Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more... Also available as sheet music in physical songbooks, digital downloads, as as software for Yamaha Disklavier player-pianos. For more information, visit his website at: https://www.isadar.com.
$6.99
6.44 €
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Piano seul
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Isadar
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End Of The Line
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Mainya Music Publishing
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SheetMusicPlus
Worship at the Keys, Spring, Volume 1
Piano seul
Piano Solo - Digital Download SKU: A0.800519 Composed by Various. Arranged by Jason…
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Piano Solo - Digital Download SKU: A0.800519 Composed by Various. Arranged by Jason W. Krug. Easter,Sacred. Score. 48 pages. Grassy Meadow Music #6321159. Published by Grassy Meadow Music (A0.800519). This collection of arrangements and original tunes is the perfect companion for spring worship, with pieces designed to be played at services in March, April, and May, with an emphasis on Lent, Holy Week, and Easter. Also in the set are five brief Interludes, designed to fill any moment of transition or meditation during the service. Accessible for intermediate pianists, and with styles that run the gamut, these pieces will be a welcome addition to any part of service, as well as a pleasure to play! Titles included:Fanfare for a New DawnWhat Wondrous Love Is ThisInterlude (Before the Dawn)Alas, and Did My Savior BleedA Still, Small VoiceTo Mock Your Reign, O Dearest LordA Lonely WalkInterlude (These Forty Days)Hosanna, Loud HosannaThe Day of ResurrectionInterlude (Ah, Holy Jesus)All Creatures of Our God and KingInterlude (Tranquility)For the Beauty of the EarthInterlude (Alleluias)Permission is granted to broadcast or live-stream performances.
$24.95
22.97 €
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Piano seul
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Various
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Jason W
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Worship at the Keys, Spring, Volume 1
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Grassy Meadow Music
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SheetMusicPlus
CHRISTMAS FAIRY TALE
Piano seul
Piano - Level 3 - Interactive Download SKU: A0.1330607 Composed by James Stone. Thi…
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Piano - Level 3 - Interactive Download SKU: A0.1330607 Composed by James Stone. This edition: Interactive Download. Christmas,Jazz,Musical/Show. Lead Sheet / Fake Book. 5 pages. Duration 280. James Stone #2NFpyyAHvgtgrzJ6t2XnD2. Published by James Stone (A0.1330607). Key: G major.Why not turn this into a musical? There are eight verses. Four children sing two verses each, or eight children sing one verse each. Other parts are sung by individuals or together. Several different instruments appear throughout. In a performance of this song performers can dance singly, in pairs, and in a group. The tuba player could also dance a jig. Some performers (fairies, pixies, and sprites) can be suspended in air above the stage among twinkling colored lights using cables. Music for Voice and Small Ensemble including Piano, Tuba, Flute, Harp, Xylophone, Ukulele, Harmonica...Christmas, Children, Celtic/Irish, Musical/Broadway. Published by CumbiaBoy.
$2.99
2.75 €
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Piano seul
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James Stone
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CHRISTMAS FAIRY TALE
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James Stone
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SheetMusicPlus
The Bare Necessities
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1277927 Composed by Terry Gilkyson.…
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Piano Solo - Level 2 - Digital Download SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thomas Gunther Music Productions #869433. Published by Thomas Gunther Music Productions (A0.1277927). About the arrangement(See also (PopJazzKeys.com/The-Bare-Necessities)This is a relatively easy to play solo piano jazz arrangement of THE BAR NECESSITIES. The song is a traditional jazz tune made famous in the Walt Disney movie THE JUNGLE BOOK. The video and audio recording I posted here features me playing the short version of my arrangement. When played as written (with all the repeats) it is almost 4 minutes long.What's cool about this arrangement is that you can easily add a bass player and even an entire rhythm section while playing it the same way as you would in a solo performance!Who this arrangement is best suited forI think everyone who likes the song except perhaps advanced jazz pianists will have fun learning and playing this arrangement. I arranged this piece originally with my younger piano students in mind, who have smaller hands than most adults. That’s why there are no large intervals or big jumps in the left hand. Something generally found in ragtime and early jazz piano styles. This means that my arrangement is perfectly suited for pianists with smaller hands. Of course pianists with large hands (like myself) can play it too (ha-ha!).I think it is also a great piece for pianists who want to familiarize themselves with playing jazz piano. And since I wrote out every note and articulation, they can play along with the recording and hopefully pick up the traditional jazz feel along the way.Although the arrangement is not very difficult, it poses several challenges for the inexperienced pianist, as explained later.How I arranged itAs I already explained above, there are no large intervals or big jumps in the left hand to be found. Instead, I focused more on polyphonic arranging techniques, in both hands. I also used guide tones and inversions.The left hand imitates the accompaniment style of a traditional jazz guitar or banjo player with added half time bass figures that are typically played by a tuba or upright bass an octave lower. Tips for how to learn this arrangementWhen I teach this song to my students I strongly recommend to them to listen to the original version and my recording a lot, rather than explaining to them how swinging eighth notes and jazz articulation work. By the way, there are a few bars where you hear me playing straight eighths on the recording (as indicated in the sheet music). I decided to add articulations so that pianists who have not a lot of experience with playing jazz will find it easier to play it with the appropriate “touchâ€. It's a good idea to check those out.Should you not be familiar with playing polyphonic passages with one hand, you might want to practice very slowly at first and attempt to balance the different voices appropriately. Listening to the recording will also help with discovering dynamic possibilities. I didn’t want to clutter up the sheet music with dynamic markings, so listening to the recording is really the only way to figure out what dynamics I had in mind.
$4.99
4.59 €
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Piano seul
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the way, there are a few bars where you hear me playing straight eighths on the recording
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Terry Gilkyson
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Thomas Gunther
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The Bare Necessities
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Thomas Gunther Music Productions
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SheetMusicPlus
Hommages and Prelude No. 1
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 2…
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Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99
27.62 €
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Piano seul
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David Fraser
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Hommages and Prelude No. 1
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David Fraser
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SheetMusicPlus
Hymns from Childhood - Set 10 (solo)
Piano seul
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719770 Composed by Various. A…
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Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719770 Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Published by Curtis Hanson (A0.719770). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (*See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior. This collection of arrangements is also available for SATB voices and piano or piano solo.*A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This medley of hymns was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second hymn is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.
$5.99
5.52 €
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Piano seul
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Various
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Curtis Hanson
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Hymns from Childhood - Set 10
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Curtis Hanson
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SheetMusicPlus
Almost May for Piano Solo
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi S…
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Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99
3.67 €
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Piano seul
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Dies Irae Dodecaphonic
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1029561 Composed by Peter Daniel Kl…
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Piano Solo - Level 5 - Digital Download SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Published by Peter Daniel Klein (A0.1029561). This musical piece is comprised of two twelve-tone rows, atonal music based on synthetic scales unique to each composition, which are based on medieval plainsong chants whose systemization was begun by Pope Gregory I during the sixth century AD. A simple explanation of this composition is that it is the world's oldest notated music combined with modern 20th-century music theory that eschews traditional melody and harmony for synthetic scales unique to each composition. The music is complex and dissonant, although the conversion of the two plainsong chants to twelve-tone rows retains a semblance of a tonal center at given points throughout. Still, the entire piece of music is that same melody utilized harmonically: just forward, backward, upside-down, backward and upside-down, rhythmically altered, transposed, displaced up or down, or split into smaller cells and then reprocessed in the same way mentioned above. I have also borrowed the Baroque Period techniques of the two-part invention and four-voice fugue combined with serial musical techniques that may offend the average listener's traditional musical sensibilities but make logical structural sense. I used the Dies Irae (The Day of Wrath) and Tuba Mirum (The Last Trumpet Call). The authorship of the chants has been attributed to many saints from Gregory to Thomas of Celano but probably evolved from early Jewish psalmody carried forward by the earliest Jewish converts to Christianity, which further developed into trochaic metered poetry by successive monks. It was set to memorized plainsong heralding back, in part, to Jewish worship. The text of the Dies Irae is very similar to Zephaniah 1:16​. The last trumpet call that raises the dead in Christ is comparable to the Apostle Paul's account written in his first epistle to the Corinthians Chapter 15 and first epistle to the Thessalonians Chapter 4. The two epistles may, or may not, be related to the Final of the Seven Trumpets bringing God's Judgement on the earth spoken of in Revelation 11. The relationship of the trumpet mentioned in the epistles to those written about in Revelation divides theologians, but I digress into unrelated matters. Despite the modern theory, the music is still movingly visceral because of its conceptually descriptive nature. It is full of aural symbolism following the Dies Irae and the Tuba Mirum, making it a type of program music ala Hector Berlioz of the Romantic Period. The music is, therefore, genuinely eclectic because it has blended qualities of several musical periods. The final section of the video explains the symbolism. The music difficulty is virtuosic, extremely taxing to play.
$5.99
5.52 €
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Piano seul
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Peter Daniel Klein
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Dies Irae Dodecaphonic
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Peter Daniel Klein
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SheetMusicPlus
Music for the Taking Part Four: Closeup
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.862579 Composed by Michael Bomier. …
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Piano Solo - Level 5 - Digital Download SKU: A0.862579 Composed by Michael Bomier. 20th Century,Contemporary,Instructional. Score. 7 pages. Michael Butkus-Bomier #436299. Published by Michael Butkus-Bomier (A0.862579). 2015 Piano Contest This final movement is based on a concept in atonal music called The Parsimony of Voice-leading. It uses the idea that there can be only one voice or chord-tone that shifts from one iteration or segment to the next. Thus this piece used small variations on simple five-finger positions that are juxtaposed against each other, with the variations being only one note from one to the next within s section, that section to be followed by another set of similar motions, but on a different keyboard shape. The melody is derived from the content of the five-note group below it, often as dyads with an added 1/2 step. Duration about 3 mins. Lots of motion and crunch, like a good musical snack! MP3 MIDI audio. Advanced level at tempo, but Intermediate at a slower pace. MBB.
$3.00
2.76 €
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Piano seul
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Michael Bomier
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Music for the Taking Part Four: Closeup
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Michael Butkus-Bomier
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SheetMusicPlus
Silent Night
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.506852 Composed by Franz Xaver Grub…
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Piano Solo - Level 3 - Digital Download SKU: A0.506852 Composed by Franz Xaver Gruber and Josef Mohr. Arranged by Rafael Alves. Christmas,Holiday,Jazz,Spiritual,Traditional. Score. 1 pages. Rafael Alves Soares #118264. Published by Rafael Alves Soares (A0.506852). Intermediate level arrangement of the beautiful and traditional Silent Night. The arrangement presents a harmony a little more sophisticated than the traditional one, besides exploring the internal voices in a contrapuntal way. The left hand accompaniment is basically done by arpeggios and it ends with the main theme being exposed as a small canon.
$4.99
4.59 €
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Piano seul
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Franz Xaver Gruber and Josef Mohr
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Rafael Alves
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Silent Night
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Rafael Alves Soares
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SheetMusicPlus
Everlasting Promise
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.961681 Composed by Kim S. Bean. Chi…
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Piano Solo - Level 3 - Digital Download SKU: A0.961681 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 3 pages. Kim S. Bean #6038071. Published by Kim S. Bean (A0.961681). Everlasting Promise, 3 pages, is an intermediate piece in the key of C, is the seventh piece from a fairy tale suite of 8 pieces entitled The Kingdom of Light. This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashores, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more? For individual student enjoyment as well as for recital programs. The recordings have narration and character voice overs followed by the piano piece that tells the story. Churches can use this for religious purposes as this can be allegorical in nature.The solo, Everlasting Promise, is in 4/4 time, opens with a wedding processional using common tone chords. The second and third sections depict the saying of wedding vows followed by great joy as the Prince and Princess are wed. Students with small hands can play single notes instead of octaves when necessary.Other pieces available in this suite are: Script for The Kingdom of Light,The Kingdom of Light, Joyful News! Leaving, The Dark Knight, Waiting, His Journey and Return and Glorious Celebration.
$4.99
4.59 €
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Piano seul
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Kim S
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Everlasting Promise
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Kim S. Bean
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SheetMusicPlus
Power in the Blood (Two Octave, Early-Intermediate Piano Solo)
Piano seul
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1377983 By Sharon Wilson. By…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1377983 By Sharon Wilson. By Lewis E. Jones. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Praise & Worship,Sacred. Score. 2 pages. Sharon Wilson #962604. Published by Sharon Wilson (A0.1377983). This early-intermediate piano solo arrangement has been artistically crafted to provide a unique accompaniment that creatively enhances the melody line played by the right hand. Lyrics are included for sing-along enjoyment.All notes for this arrangement are within the two octaves adjoining Middle C. The LEFT HAND plays from low C to Middle C. The RIGHT HAND plays from Middle C to high C.  This arrangement is ideal for introducing classic Christian songs to piano students. It is a great addition to the supplementary repertoire for students after they have mastered the basics of music notation and note reading. This arrangement is also great for sight-reading practice and perfect for small keyboards.  Requiring only two octaves, it provides the opportunity for additional practice and enjoyment even when a full-sized keyboard is not available. This arrangement is one of the 20 songs in the collection titled 20 Easy Christian Classics, BOOK 1 (Two Octave, Early-Intermediate Piano Solos). Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$2.99
2.75 €
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Piano seul
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Sharon Wilson
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Sharon Wilson
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Power in the Blood
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Sharon Wilson
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SheetMusicPlus
Favorite American Folk Songs, Hymns, and Spirituals of the 1880's Vol. II
Piano seul
Small Ensemble Harpsichord,Organ,Piano - Level 3 - Digital Download SKU: A0.913678 …
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Small Ensemble Harpsichord,Organ,Piano - Level 3 - Digital Download SKU: A0.913678 Arranged by Clay Boland, Jr. Folk,Traditional. Score and parts. 56 pages. BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 #6880017. Published by BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 (A0.913678). The piano scores used for the original sheet music of these folk songs, hymns, and spirituals of the 1800’s were purposely made simple in order to sell as many copies as possible. The idea being that if someone in every family could read the most basic piano score, then the rest of the family could gather around the piano (usually an inexpensive upright) and sing along in the days before records, cassette tapes, CD’s, Radio, Television, iPods, YouTube etc. Nowadays, the few people who can sight-read at the piano are more musically literate, often being able to read and play classical compositions by Bach, Handel, Scarlatti, Mozart, Haydn, and Beethoven. They, therefore, deserve more interesting and rewarding arrangements of these wonderful musical treasures of the 1800’s. Furthermore, since these arrangements for piano and voice can also be played as piano solos, the piano scores are designed to be of enjoyable musical interest on their own; that is, orchestrated for the piano as if they were sketches for an ensemble of instruments. These arrangements can also be considered theatrical improvisations on the original sheet music. Following the best improvisational guidelines, they are based on 1) the implications of the title; 2) the meaning and words of the lyrics; 3) the melody; & 4) the harmonic pattern. For example: Oh, Susanna! is obviously a humorous nonsense song and is therefore arranged to sound carefree, jaunty, and joyful. Also, since the singer refers to my banjo on my knee, the piano arrangement imitates the sound of a banjo as it is played for singing and dancing, strumming its rhythmic way through the simple harmonic changes. You can see and hear the music for most of these contemporary arrangements on Sheet Music Plus and some also on YouTube. And if you wish to play and/or sing along alone or with your friends or family, please do so. Happy time travel!!!
$26.00
23.94 €
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Piano seul
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Clay Boland, Jr
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Favorite American Folk Songs, Hymns, and Spirituals of the 1880's Vol. II
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BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623
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SheetMusicPlus
The End Of The World
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1200229 By Skeeter Davis. By Arthur…
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Piano Solo - Level 4 - Digital Download SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Rock,Standards. Score. 6 pages. Timothy Stapay #799031. Published by Timothy Stapay (A0.1200229). An arrangement of The End Of The World, a song covered by many famous artists. includingThe Carpenters; thanks to the phenomenal singing of Karen Carpenter. The End of the World was written by composer Arthur Kent and lyricist Sylvia Dee, who often worked as a team.The Carpenters (officially known as Carpenters were an American vocal and instrumental duo consisting of siblings Karen (1950–1983) and Richard Carpenter (born 1946). They produced a distinctive soft musical style, combining Karen's contralto vocals with Richard's harmonizing, arranging, and composition skills. During their 14-year career, the Carpenters recorded 10 albums along with many singles and several television specials. Karen possessed a powerful singing voice, and close miking brought out many nuances in her performances. Richard arranged their music to take advantage of this, though Karen had a three-octave vocal range. Richard's work with Karen was influenced by the music of Les Paul, whose overdubbing of the voice of wife and musical partner Mary Ford allowed her to be used as both the lead and harmony vocals.[6] By multi-tracking, Richard was able to use Karen and himself for the harmonies to back Karen's lead. The overdubbed background harmonies were distinctive to the Carpenters, but it was the soulful, engaging sound of Karen's lead voice that made them so recognizable. Record executive Mike Curb said it was Karen's voice that took the Carpenters above straight pop music into pop rock.  She was known as a one take wonder and could deliver a strong performance on the first attempt.Richard Carpenter was the creative force behind the Carpenters' sound. An accomplished keyboard player, composer and arranger, music critic Daniel Levitin called him one of the most gifted arrangers to emerge in popular music. The duo's smooth harmonies were not in step with contemporary music, which was dominated by heavy rock. Instead, the Carpenters strove for a rich and melodic sound, along the same vein as the Beach Boys and the Mamas & the Papas, but with greater fullness and orchestration including frequent use of small string and horn sections and introspective lyrics centred around relationships. Richard also admired the musicianship and arranging skills of Frank Zappa, and the two briefly met backstage at the Billboard Forum in 1975.End Of The World: Lyrics:Why does the sun go on shining?Why does the sea rush to shore?Don't they know it's the end of the world?'Cause you don't love me any moreWhy do the birds go on singing?Why do the stars glow above?Don't they know it's the end of the world?It ended when I lost your love[Bridge]I wake up in the morning and I wonderWhy everything's the same as it wasI can't understand, no, I can't understandHow life goes on the way it doesWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you said goodbyeWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you
$6.99
6.44 €
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Piano seul
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Skeeter Davis
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Timothy Stapay
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The End Of The World
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Timothy Stapay
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SheetMusicPlus
Greensleeves - George Shearing (Jazz Piano/Complete Piano Transcription)
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1290690 By George Shearing. By Trad…
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Piano Solo - Level 5 - Digital Download SKU: A0.1290690 By George Shearing. By Traditional. Arranged by George Shearing. Historic,Jazz,Traditional. Score. 13 pages. Popnroll 1976 #881264. Published by Popnroll 1976 (A0.1290690). Greensleeves - George Shearing (Complete Piano Transcription)Jazz pianist George Shearing plays solo piano on this complete transcription of the traditional Irish folk song Greensleeves from the album My Ship released in 1974.Song description. The solo is played over seven choruses in total. The first chorus is a simple but emotionally rich monophonic melody for the right hand only. In the second chorus, the melody follows the main melody of the right hand with a delay of one bar in the octave of the left hand in a canon-like style. The third chorus is a baroque style with lots of ornamental trills, and the inner voices move with a lively movement in the basic three voices. In the fourth chorus, the melody is finally reharmonized in jazz harmony (restructuring of the chord structure), supported by a stylish chord progression. The atmosphere changes again in the fifth chorus, where the main melody of the first half moves with two voices, and the second half is sung with block chords blending the chords in a glittering octave. The sixth chorus finally becomes George's quintessential jazz, with a fine and dynamic exchange of phrases in a swinging tempo. The final seventh chorus brings the song to a profound ending. Please enjoy the lustrous sound of George Shearing.PDF format, 13 pages. Content : 8 pages score (Large notes) & 5 pages score (Small notes), There are the same score.Instrument: For Solo PianoComposition: Traditional Piano Performance: George Shearing Album : My Ship (1975)Album info. : Discog link https://www.discogs.com/ja/master/533816-George-Shearing-My-Ship.
$9.99
9.2 €
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Piano seul
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George Shearing
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George Shearing
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Greensleeves - George Shearing
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Popnroll 1976
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SheetMusicPlus
Hark the Herald Angels Sing with ΔÏŒξα á¼ν ὑψίστοις θεá¿· (Glory to God in the Highest)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1325492 By Stephen R Dalrymple. By …
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Piano Solo - Level 3 - Digital Download SKU: A0.1325492 By Stephen R Dalrymple. By Charles Wesley & Felix Mendelssohn (WH Cummings). Arranged by Stephen R Dalrymple. Advent,Sacred. Score. 17 pages. Stephen R Dalrymple #913719. Published by Stephen R Dalrymple (A0.1325492). Hark the Herald Angels Sing♫ by Charles Wesley (1739) and Felix Mendelsohn (adapted by W H Cummings (1857) ♫ with  Δόξα á¼Î½ ὑψίστοις θεῷ (Glory to God in the Highest) ♫ original song © 2023 Stephen R Dalrymple♫ piano solo arrangement by Stephen R Dalrymple♫ performed by the arranger♫ music © 2023 Stephen R Dalrymple ♫ recording â„—  2023 Stephen R Dalrymple ♫ presentation © 2023 Stephen R Dalrymple ♫ Charles Wesley started his poem with ‘Listen to the angels !’ This started me wondering, what did the angels’ voices sound like ? ♫ Prosody is study of the intonation, stress, and rhythm of the speech of a language (contrasted with the sounds of the vowels and consonants.) Could I replicate the angel’s basic speech patterns? My study of Greek in seminary has given me a pretty good idea of how to pronounce the consonants and vowels of the Greek language. But I would want to listen to someone who actually speaks Greek as their mother tongue to have an idea of the prosody. After further study, I have rewritten the angels’ music; this update represents my latest understanding.♫ Although Latin was the language of the Roman conquerors, Greek was the lingua franca of the Mediterranean world of the first century. Some scholars want us to believe that most of the Jews were not erudite enough to speak Greek. ♫ Yet those of us who have travelled to countries like Haiti, are not surprised that many people there speak Kreyòl, French, English and Spanish!♫ I began searching for someone who actually spoke Greek conversationally to pronounce Luke 2 :14 in Greek. After I found a reliable source, I reduced the rhythm and the accented sylables to simpified music notation. I pulled from my knowledge of ancient modes and used my imagination to add pitches and repetitions of phrases. The melodic and harmonic result is completely inventive, but I believe the basic rhythm of the speech is fairly accurate.♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ A duplicate YouTube Video is available in French (Écoutez le chant des anges) https://youtu.be/9_equasuWR4YouTube Channel: @DalrympleDesigns.
$4.50
4.14 €
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Piano seul
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Stephen R Dalrymple
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Stephen R Dalrymple
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Hark the Herald Angels Sing with ΔÏŒξα á¼ν ὑψίστοις θεá¿·
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Stephen R Dalrymple
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SheetMusicPlus
Glory to His Name (Two Octave, Early-Intermediate Piano Solo)
Piano seul
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1386639 By Sharon Wilson. By…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1386639 By Sharon Wilson. By Elisha Albright Hoffman and John H. Stockton. Arranged by Sharon Wilson. Children,Christian,Easter,Praise & Worship,Sacred. Score. 2 pages. Sharon Wilson #970521. Published by Sharon Wilson (A0.1386639). This early-intermediate piano solo arrangement has been artistically crafted to provide a unique accompaniment that creatively enhances the melody line played by the right hand. Lyrics are included for sing-along enjoyment.All notes for this arrangement are within the two octaves adjoining Middle C. The LEFT HAND plays from low C to Middle C. The RIGHT HAND plays from Middle C to high C.  This arrangement is ideal for introducing classic Christian songs to piano students. It is a great addition to the supplementary repertoire for students after they have mastered the basics of music notation and note reading. This arrangement is also great for sight-reading practice and perfect for small keyboards.  Requiring only two octaves, it provides the opportunity for additional practice and enjoyment even when a full-sized keyboard is not available. This arrangement is one of the 20 songs in the collection titled 20 Easy Christian Classics, BOOK 2 (Two Octave, Early-Intermediate Piano Solos). Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$2.99
2.75 €
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Piano seul
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Sharon Wilson
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Sharon Wilson
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Glory to His Name
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Sharon Wilson
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SheetMusicPlus
The Gospel Train (Two Octave, Early-Intermediate Piano Solo)
Piano seul
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1386674 By Sharon Wilson. By…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1386674 By Sharon Wilson. By African-American Spiritual and Traditional Spiritual. Arranged by Sharon Wilson. 19th Century,Children,Christian,Instructional,Spiritual. Score. 2 pages. Sharon Wilson #970557. Published by Sharon Wilson (A0.1386674). This early-intermediate piano solo arrangement has been artistically crafted to provide a unique accompaniment that creatively enhances the melody line played by the right hand. Lyrics are included for sing-along enjoyment.All notes for this arrangement are within the two octaves adjoining Middle C. The LEFT HAND plays from low C to Middle C. The RIGHT HAND plays from Middle C to high C.  This arrangement is ideal for introducing classic Christian songs to piano students. It is a great addition to the supplementary repertoire for students after they have mastered the basics of music notation and note reading. This arrangement is also great for sight-reading practice and perfect for small keyboards.  Requiring only two octaves, it provides the opportunity for additional practice and enjoyment even when a full-sized keyboard is not available. This arrangement is one of the 20 songs in the collection titled 20 Easy Christian Classics, BOOK 2 (Two Octave, Early-Intermediate Piano Solos). Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$2.99
2.75 €
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Piano seul
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Sharon Wilson
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Sharon Wilson
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The Gospel Train
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Sharon Wilson
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SheetMusicPlus
Jesus Is Coming Again (Two Octave, Early-Intermediate Piano Solo)
Piano seul
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1386652 By Sharon Wilson. By…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1386652 By Sharon Wilson. By George E. Lee and Jessie E. Strout. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Praise & Worship,Sacred. Score. 2 pages. Sharon Wilson #970534. Published by Sharon Wilson (A0.1386652). This early-intermediate piano solo arrangement has been artistically crafted to provide a unique accompaniment that creatively enhances the melody line played by the right hand. Lyrics are included for sing-along enjoyment.All notes for this arrangement are within the two octaves adjoining Middle C. The LEFT HAND plays from low C to Middle C. The RIGHT HAND plays from Middle C to high C.  This arrangement is ideal for introducing classic Christian songs to piano students. It is a great addition to the supplementary repertoire for students after they have mastered the basics of music notation and note reading. This arrangement is also great for sight-reading practice and perfect for small keyboards.  Requiring only two octaves, it provides the opportunity for additional practice and enjoyment even when a full-sized keyboard is not available. This arrangement is one of the 20 songs in the collection titled 20 Easy Christian Classics, BOOK 2 (Two Octave, Early-Intermediate Piano Solos). Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicKeywords: Lift Up the Trumpet, Second Advent, Heaven, worship music, praise and worship songs, hymns of hope and courage, easy hymn arrangements.
$2.99
2.75 €
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Piano seul
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Sharon Wilson
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Sharon Wilson
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Jesus Is Coming Again
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Sharon Wilson
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SheetMusicPlus
I Surrender All (Two Octave, Early-Intermediate Piano Solo)
Piano seul
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1386648 By Sharon Wilson. By…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1386648 By Sharon Wilson. By Judson Van DeVenter and Winfield S. Weeden. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Religious,Sacred. Score. 2 pages. Sharon Wilson #970530. Published by Sharon Wilson (A0.1386648). This early-intermediate piano solo arrangement has been artistically crafted to provide a unique accompaniment that creatively enhances the melody line played by the right hand. Lyrics are included for sing-along enjoyment.All notes for this arrangement are within the two octaves adjoining Middle C. The LEFT HAND plays from low C to Middle C. The RIGHT HAND plays from Middle C to high C.  This arrangement is ideal for introducing classic Christian songs to piano students. It is a great addition to the supplementary repertoire for students after they have mastered the basics of music notation and note reading. This arrangement is also great for sight-reading practice and perfect for small keyboards.  Requiring only two octaves, it provides the opportunity for additional practice and enjoyment even when a full-sized keyboard is not available. This arrangement is one of the 20 songs in the collection titled 20 Easy Christian Classics, BOOK 2 (Two Octave, Early-Intermediate Piano Solos). Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$2.99
2.75 €
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Piano seul
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Sharon Wilson
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Sharon Wilson
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I Surrender All
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Sharon Wilson
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SheetMusicPlus
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