Originally a poem written by Thomas Moore in 1805, "The Last Rose of Summer" is based upon the Irish traditional tune of "Aislean an Oigfear", or "The Young Man's Dream."



Sigismond Thalberg was one of the most famous and most successful piano composers of the 19th century. During the 1830s and the 1840s his style was a major force in European piano-playing.[57] He was greatly in fashion and was imitated by others.[58] In 1852, Wilhelm von Lenz wrote:

'The piano playing of the present day, to tell the truth, consists only of Thalberg simple, Thalberg amended, and Thalberg exaggerated; scratch what is written for the piano, and you will find Thalberg.'

Ten years later, in 1862, a London correspondent of the Revue et gazette musicale wrote:

'Nobody in fact has been so much imitated; his manner has been parodied, exaggerated, twisted, tortured, and it may have happened more than once to all of us to curse this Thalbergian school'.
Expressions like "exaggerated", "twisted" and "tortured" indicate that some contemporaries were starting to feel jaded of his style. It was at this time when Thalberg's career as composer and as virtuoso came to an end.

In the late 19th century, Thalberg's fame had come to depend on his association with a single piano technique, the 'three-hand effect'. Carl Friedrich Weitzmann, in his Geschichte des Klavierspiels (1879), wrote about this.

'His bravura pieces, fantasies on melodies from Rossini's Mosè and La donna del lago, on motifs from Bellini's Norma and on Russian folk-songs, became extraordinarily popular through his own, brilliant execution; however, they treat their subjects always in one and the same way, [namely] ... to let the tones of a melody be played in the medium octave of the keyboard now by the thumb of the right, now of the left hand, while the rest of the fingers are executing arpeggios filling the whole range of the keyboard.'

With this sheet music, you can play "Sweet Home Alabama" on piano!

It's a challenging, but playable piano arrangement for experienced players.
With this sheet music, "Sweet Home Alabama" will sound amazing on piano!

The full melody is included in the piano part, so it makes for a perfect instrumental (piano solo) cover.

"Sweet Home Alabama" was first released in 1974 on "Second Helping", the second album by American Southern rock band Lynyrd Skynyrd.

Written as a response to Neil Young's songs "Southern Man" and "Alabama" (which were about racism and slavery in the American South), there later was some controversy about the song's lyrics.
However, Young called the song a "great record", and was critical of his own songs.
Lynyrd Skynyrd's lead vocalist Ronnie Van Zant, on the other hand, repeatedly performed wearing a Neil Young t-shirt.

Without a doubt, "Sweet Home Alabama" is Lynyrd Skynyrd's biggest hit, a prime example of Southern rock, and an everlasting classic.

The song appeared in countless films, from "8 Mile" to the 2010 animated film "Despicable Me".

It's also an amazing song to play on the piano!

Here are the full lyrics to "Sweet Home Alabama":

[Verse 1]
Big wheels keep on turnin'
Carry me home to see my kin
Singin' songs about the southland
I miss Alabamy once again
And I think it's a sin, yes

[Verse 2]
Well I heard Mr. Young sing about her (Southern man)
Well, I heard ol' Neil put her down
Well, I hope Neil Young will remember
A Southern man don't need him around, anyhow

[Chorus]
Sweet home Alabama
Where the skies are so blue
Sweet home Alabama
Lord, I'm coming home to you

[Verse 3]
In Birmingham they love the governor (Boo! Boo! Boo!)
Now we all did what we could do
Now Watergate does not bother me
Does your conscience bother you?
Tell the truth

[Chorus]
Sweet home Alabama
Where the skies are so blue
Sweet home Alabama
Lord, I'm coming home to you
Here I come, Alabama

[Verse 4]
Now Muscle Shoals has got the Swampers
And they've been known to pick a song or two (Yes, they do)
Lord they get me off so much
They pick me up when I'm feeling blue
Now how 'bout you?

[Chorus]
Sweet home Alabama
Where the skies are so blue
Sweet home Alabama
Lord, I'm coming home to you

Thalberg (1812-1871) was a renowned piano virtuoso and composer. His technical specialty, since widely imitated, was to play a central melody with the thumb of either hand and surrounding it with brilliant arpeggios and arabesques.

Sigismond Thalberg was one of the most famous and most successful piano composers of the 19th century. During the 1830s and the 1840s his style was a major force in European piano-playing. He was greatly in fashion and was imitated by others. In 1852, Wilhelm von Lenz wrote:

'The piano playing of the present day, to tell the truth, consists only of Thalberg simple, Thalberg amended, and Thalberg exaggerated; scratch what is written for the piano, and you will find Thalberg.'

Ten years later, in 1862, a London correspondent of the Revue et gazette musicale wrote:

'Nobody in fact has been so much imitated; his manner has been parodied, exaggerated, twisted, tortured, and it may have happened more than once to all of us to curse this Thalbergian school'.

Expressions like "exaggerated", "twisted" and "tortured" indicate that some contemporaries were starting to feel jaded of his style. It was at this time when Thalberg's career as composer and as virtuoso came to an end.

In the late 19th century, Thalberg's fame had come to depend on his association with a single piano technique, the 'three-hand effect'. Carl Friedrich Weitzmann, in his Geschichte des Klavierspiels (1879), wrote about this.

'His bravura pieces, fantasies on melodies from Rossini's Mosè and La donna del lago, on motifs from Bellini's Norma and on Russian folk-songs, became extraordinarily popular through his own, brilliant execution; however, they treat their subjects always in one and the same way, [namely] ... to let the tones of a melody be played in the medium octave of the keyboard now by the thumb of the right, now of the left hand, while the rest of the fingers are executing arpeggios filling the whole range of the keyboard'.

Thalberg (1812-1871) was a renowned piano virtuoso and composer. His technical specialty, since widely imitated, was to play a central melody with the thumb of either hand and surrounding it with brilliant arpeggios and arabesques.

Sigismond Thalberg was one of the most famous and most successful piano composers of the 19th century. During the 1830s and the 1840s his style was a major force in European piano-playing. He was greatly in fashion and was imitated by others. In 1852, Wilhelm von Lenz wrote:

'The piano playing of the present day, to tell the truth, consists only of Thalberg simple, Thalberg amended, and Thalberg exaggerated; scratch what is written for the piano, and you will find Thalberg.'

Ten years later, in 1862, a London correspondent of the Revue et gazette musicale wrote:

'Nobody in fact has been so much imitated; his manner has been parodied, exaggerated, twisted, tortured, and it may have happened more than once to all of us to curse this Thalbergian school'.
Expressions like "exaggerated", "twisted" and "tortured" indicate that some contemporaries were starting to feel jaded of his style. It was at this time when Thalberg's career as composer and as virtuoso came to an end.

In the late 19th century, Thalberg's fame had come to depend on his association with a single piano technique, the 'three-hand effect'. Carl Friedrich Weitzmann, in his Geschichte des Klavierspiels (1879), wrote about this.

'His bravura pieces, fantasies on melodies from Rossini's Mosè and La donna del lago, on motifs from Bellini's Norma and on Russian folk-songs, became extraordinarily popular through his own, brilliant execution; however, they treat their subjects always in one and the same way, [namely] ... to let the tones of a melody be played in the medium octave of the keyboard now by the thumb of the right, now of the left hand, while the rest of the fingers are executing arpeggios filling the whole range of the keyboard'.

Here's how to play "Best Part of Me" by Ed Sheeran (feat. YEBBA) on piano!

With this piano sheet music, you can learn how to play "Best Part of Me" on piano.
It's an accurate piano arragement of the whole piece which is quite easy to play, and sounds amazing!

The whole melody is included in the piano part, so it makes for a great instrumental (piano solo) version.

"Best Part of Me" is a beautiful, romantic pop ballad. It starts very softly and builds up to an emotional chorus. The whole song sounds just wonderful on piano!

The song was released in July 2019 as the fourth single from Ed Sheeran's 4th studio album "No.6 Collaborations Project".

Here are the full lyrics to "Best Part of Me" by Ed Sheeran:

My lungs are black, my heart is pure
My hands are scarred from nights before
And my hair is thinnin', falling out
Of all the wrong places
I am a little insecure
My eyes are crossed, but they're still blue
I bite my nails and tell the truth
I go from thin to overweight
Day to day it fluctuates
My skin is inked, but faded too
But she loves me, she loves me
Why the hell she love me
When she could have anyone else?
Oh you love me, you love me
Why the hell do you love me?
'Cause I don't even love myself
Baby, the best part of me is you
And lately everything's making sense too
Oh baby, I'm so in love with you
I overthink and still forget
I lose my phone and place my bets
And I never catch the train on time
Always thirty minutes behind
Your worries ain't seen nothin' yet
But you love me, you love me
Why the hell you love me so
When you could have anyone else?
Yeah yeah, he loves me, he loves me
And I bet he never lets me go
And shows me how to love myself
'Cause, baby, the best part of me is you, woah
Lately everything's making sense too
Baby, I'm so in love with you
(With you)
Baby, the best part of me is you, woah
Lately everything's making sense too
Oh baby, I'm so in love with you (Ooh)
Baby, I'm so in love with you, yeah, yeah
Oh baby, I'm so in love with you