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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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21
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2
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2
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2
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2
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1
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Cor et Piano
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Cor
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Quatuor de cuivres: 4 trombones
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Ensemble de Cors
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Quatuor de Cuivres
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2 Trompettes, Clavier (piano ou orgue)
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Quatuor de cuivres: 4 trompettes
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Tuba et Piano
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Ensemble de Tubas
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
38
Violon et Piano
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Alto, Piano
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Violon
11
Violon, Violoncelle (duo)
10
Harpe
10
Violon, Alto (duo)
6
2 Violons (duo)
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Violoncelle (partie séparée)
5
2 Violoncelles (duo)
4
Alto seul
4
Trio à Cordes: violon, alto, violoncelle
3
Violoncelle
3
2 Altos (duo)
3
2 Harpes (duo)
2
Trio à Cordes: 2 violons, violoncelle
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Quatuor à cordes: 4 violons
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Alto (partie séparée)
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4 Violoncelles
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
29
Orchestre d'harmonie
26
Orchestre
22
Ensemble de cuivres
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12
Cloches
9
Orchestre de chambre
8
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Percussion
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Jazz combo
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Vous avez sélectionné:
The Way It Used To Be
Piano seul
Partitions à imprimer
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The Way It Used To Be
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.865956 By The Pet Shop Boys. By Bri…
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Piano Solo - Level 3 - Digital Download SKU: A0.865956 By The Pet Shop Boys. By Brian Higgins, Chris Lowe, Miranda Cooper, Neil Tennant, and Nick Coler. Arranged by Kevin P. Holt. Contemporary. Score. 5 pages. Kevin P. Holtg #4598127. Published by Kevin P. Holtg (A0.865956). A nice, no fuss arrangement of The Way It Used To Be by The Pet Shop Boys. Works just as good on Keyboards and Synths as it does on Piano. Have fun!The audio demo was made with a synth and a basic house drum pattern to show of the arrangements versatility.
$4.99
4.58 €
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Piano seul
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The Pet Shop Boys
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Kevin P
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The Way It Used To Be
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Kevin P. Holtg
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SheetMusicPlus
The Beatles - Yesterday - Piano Solo
Piano seul
Piano Solo - Intermediate - Digital Download By The Beatles. Arranged by Mario Stallb…
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Piano Solo - Intermediate - Digital Download By The Beatles. Arranged by Mario Stallbaumer. 2 pages. Published by Mario Stallbaumer
With this sheet music, you can play "Yesterday" by The Beatles on piano!<br> <br> It's a beautiful piano ballad arrangement with an intermediate difficulty level.<br> <br> The full melody is included in the piano part, so it makes for a perfect instrumental (piano solo) cover.<br> <br> Written by Paul McCartney (and officially credited to Lennon–McCartney), "Yesterday" was included on the Beatles' 1965 album "Help!" in the UK, and on their 1966 album "Yesterday and Today" in the US.<br> <br> The melancholic ballad became one of their biggest hits, topped the charts in the US, and was later inducted into the Grammy Hall of Fame.<br> <br> In 1999, it was voted the best song of the 20th century in a BBC poll, and the No. 1 pop song of all time by both MTV and the Rolling Stone magazine in 2000.<br> <br> It's also one of the most covered songs ever written, with over 2,000 recorded cover versions.<br> <br> Time for you to play it, too!<br> <br> Here are the full lyrics to "Yesterday" by the Beatles:<br> <br> Yesterday<br> All my troubles seemed so far away<br> Now it looks as though they're here to stay<br> Oh, I believe in yesterday<br> <br> Suddenly<br> I'm not half the man I used to be<br> There's a shadow hanging over me<br> Oh, yesterday came suddenly<br> <br> Why she had to go<br> I don't know, she wouldn't say<br> I said something wrong<br> Now I long for yesterday<br> <br> Yesterday<br> Love was such an easy game to play<br> Now I need a place to hide away<br> Oh, I believe in yesterday<br> <br> Why she had to go<br> I don't know, she wouldn't say<br> I said something wrong<br> Now I long for yesterday<br> <br> Yesterday<br> Love was such an easy game to play<br> Now I need a place to hide away<br> Oh, I believe in yesterday
$4.99
4.58 €
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Piano seul
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The Beatles
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Mario Stallbaumer
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The Beatles - Yesterday - Piano Solo
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Mario Stallbaumer
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SheetMusicPlus
The Bare Necessities
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1277927 Composed by Terry Gilkyson.…
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Piano Solo - Level 2 - Digital Download SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thomas Gunther Music Productions #869433. Published by Thomas Gunther Music Productions (A0.1277927). About the arrangement(See also (PopJazzKeys.com/The-Bare-Necessities)This is a relatively easy to play solo piano jazz arrangement of THE BAR NECESSITIES. The song is a traditional jazz tune made famous in the Walt Disney movie THE JUNGLE BOOK. The video and audio recording I posted here features me playing the short version of my arrangement. When played as written (with all the repeats) it is almost 4 minutes long.What's cool about this arrangement is that you can easily add a bass player and even an entire rhythm section while playing it the same way as you would in a solo performance!Who this arrangement is best suited forI think everyone who likes the song except perhaps advanced jazz pianists will have fun learning and playing this arrangement. I arranged this piece originally with my younger piano students in mind, who have smaller hands than most adults. That’s why there are no large intervals or big jumps in the left hand. Something generally found in ragtime and early jazz piano styles. This means that my arrangement is perfectly suited for pianists with smaller hands. Of course pianists with large hands (like myself) can play it too (ha-ha!).I think it is also a great piece for pianists who want to familiarize themselves with playing jazz piano. And since I wrote out every note and articulation, they can play along with the recording and hopefully pick up the traditional jazz feel along the way.Although the arrangement is not very difficult, it poses several challenges for the inexperienced pianist, as explained later.How I arranged itAs I already explained above, there are no large intervals or big jumps in the left hand to be found. Instead, I focused more on polyphonic arranging techniques, in both hands. I also used guide tones and inversions.The left hand imitates the accompaniment style of a traditional jazz guitar or banjo player with added half time bass figures that are typically played by a tuba or upright bass an octave lower. Tips for how to learn this arrangementWhen I teach this song to my students I strongly recommend to them to listen to the original version and my recording a lot, rather than explaining to them how swinging eighth notes and jazz articulation work. By the way, there are a few bars where you hear me playing straight eighths on the recording (as indicated in the sheet music). I decided to add articulations so that pianists who have not a lot of experience with playing jazz will find it easier to play it with the appropriate “touchâ€. It's a good idea to check those out.Should you not be familiar with playing polyphonic passages with one hand, you might want to practice very slowly at first and attempt to balance the different voices appropriately. Listening to the recording will also help with discovering dynamic possibilities. I didn’t want to clutter up the sheet music with dynamic markings, so listening to the recording is really the only way to figure out what dynamics I had in mind.
$4.99
4.58 €
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Piano seul
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the way, there are a few bars where you hear me playing straight eighths on the recording
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Terry Gilkyson
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Thomas Gunther
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The Bare Necessities
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Thomas Gunther Music Productions
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SheetMusicPlus
Pocket Piano Proficiency: the quickest way to understand and learn the skills you need
Piano seul
Piano Solo - Digital Download SKU: A0.1296630 Composed by Dr. Deborah Rambo Sinn, A…
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Piano Solo - Digital Download SKU: A0.1296630 Composed by Dr. Deborah Rambo Sinn, Author. Traditional. Score. 276 pages. Deborah Rambo Sinn at The Underground Conservatory #886807. Published by Deborah Rambo Sinn at The Underground Conservatory (A0.1296630). Finally, a piano skills book that you don't have to lug around! This 260+ page book fits on your phone or tablet and can be opened in any PDF reader, like Adobe Acrobat or forScore. Pocket Piano Proficiency: a revolutionary way to learn the skills you need offers basic piano skills in a new way. Author and veteran piano instructor Deborah Rambo Sinn wanted to find a solution for getting students to learn these solidly and efficiently–along with finding a way to combine this with developing excellent aural skills. Ultimately, she sought a way to quickly make these skills relevant to understanding larger concepts of music theory. Traditionally, it takes a long time of learning individual skills before a student can grasp how they all work together. Pocket Piano Proficiency flips this model, introducing tasks in chunks of like material. The circle of fifths appears from the first pages, demonstrating connections between keys from the start. The book’s pedagogical organization moves students from the easiest to more complex skills, allowing them to scaffold successfully from one chapter to the next. The eBook format allows for a new way of learning these skills that a black and white printed book does not afford. Each page contains several layers of helpful material that can be accessed by zooming in and out. Because only one level of information can be accessed at a time, students need to assimilate information from around the page to successfully complete each task (see video.) Additionally, the use of color cues for tasks further organizes each chapter. As an example, red is used for the simplest keys or most common concepts. Additionally, the use of color cues for tasks further organizes each chapter. As an example, red is used for the simplest keys or most common concepts.
$21.99
20.17 €
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Piano seul
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Dr
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Pocket Piano Proficiency: the quickest way to understand and learn the skills you need
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Deborah Rambo Sinn at The Underground Conservatory
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SheetMusicPlus
Pitcairn Local Anthem (The Royal Telephone/We From Pitcairn Island”) for Voice & Piano
Piano seul
Piano - Level 3 - Digital Download SKU: A0.1207336 By Keith Terrett. By Frederick M…
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Piano - Level 3 - Digital Download SKU: A0.1207336 By Keith Terrett. By Frederick M. Lehman. Arranged by Keith Terrett. Historic,Multicultural,Patriotic,Praise & Worship,Traditional,World. Score (Chords/Lyrics). 3 pages. Keith Terrett #805498. Published by Keith Terrett (A0.1207336). The Pitcairn Islands are a remote British colony in the South Pacific, famous for being the site where the mutineers from the HMS Bounty landed. The islands’ population have always been very small (currently numbering around 50), yet, aside from the official anthem of God Save the King (which is not heard often on the islands), there have been, and continue to be, many unofficial anthems in use in the colony.In Diana Jolliffe Belcher’s 1871 book “The Mutineers of the Bounty and their Decendants in Pitcairn and Norfolk Island†it is reported that a local poem by Rev. G. H. Nobbs was set to the tune “Rousseau’s Dream†(sheet music) and was considered by Pitcairners to be their anthem at the time. It is not known for how long this was considered as their anthem, however. Also, in 1856, several Pitcairners resettled on Norfolk Island as Pitcairn had become too small. The local anthem now in use on Norfolk Island, Come Ye Blessed, is also referred to as the “Pitcairn Anthemâ€, and more than likely was brought to the island by the Pitcairn settlers, suggesting that this anthem was in use on Pitcairn at that time, and is also heard on Pitcairn currently.Currently, the song “We From Pitcairn Island†(to the tune of the hymn “The Royal Telephoneâ€) is used as an unofficial anthem at gatherings and the like. The lyrics were written by Pitcairner Melva Evans with assistance from the local Seventh Day Adventist Pastor L. A. J. Webster in 1962 to be performed by the school children on board a visiting cruise ship, but the song became identified by residents as their unofficial anthem. Other songs, such as “The Goodbye Song†(written by Pitcairner Amelia Young), and the hymn “In The Sweet By and By†are considered unofficial “Pitcairn songs†at gatherings as well. (“Goodbye songsâ€, sung to ships as they leave the country, are a tradition in many Polynesian islands, and are part of the patriotic music of those countries.).
$4.99
4.58 €
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Piano seul
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Keith Terrett
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Keith Terrett
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Pitcairn Local Anthem
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Keith Terrett
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SheetMusicPlus
Favorite American Folk Songs, Hymns, and Spirituals of the 1880's Vol. II
Piano seul
Small Ensemble Harpsichord,Organ,Piano - Level 3 - Digital Download SKU: A0.913678 …
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Small Ensemble Harpsichord,Organ,Piano - Level 3 - Digital Download SKU: A0.913678 Arranged by Clay Boland, Jr. Folk,Traditional. Score and parts. 56 pages. BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 #6880017. Published by BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 (A0.913678). The piano scores used for the original sheet music of these folk songs, hymns, and spirituals of the 1800’s were purposely made simple in order to sell as many copies as possible. The idea being that if someone in every family could read the most basic piano score, then the rest of the family could gather around the piano (usually an inexpensive upright) and sing along in the days before records, cassette tapes, CD’s, Radio, Television, iPods, YouTube etc. Nowadays, the few people who can sight-read at the piano are more musically literate, often being able to read and play classical compositions by Bach, Handel, Scarlatti, Mozart, Haydn, and Beethoven. They, therefore, deserve more interesting and rewarding arrangements of these wonderful musical treasures of the 1800’s. Furthermore, since these arrangements for piano and voice can also be played as piano solos, the piano scores are designed to be of enjoyable musical interest on their own; that is, orchestrated for the piano as if they were sketches for an ensemble of instruments. These arrangements can also be considered theatrical improvisations on the original sheet music. Following the best improvisational guidelines, they are based on 1) the implications of the title; 2) the meaning and words of the lyrics; 3) the melody; & 4) the harmonic pattern. For example: Oh, Susanna! is obviously a humorous nonsense song and is therefore arranged to sound carefree, jaunty, and joyful. Also, since the singer refers to my banjo on my knee, the piano arrangement imitates the sound of a banjo as it is played for singing and dancing, strumming its rhythmic way through the simple harmonic changes. You can see and hear the music for most of these contemporary arrangements on Sheet Music Plus and some also on YouTube. And if you wish to play and/or sing along alone or with your friends or family, please do so. Happy time travel!!!
$26.00
23.85 €
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Piano seul
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Clay Boland, Jr
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Favorite American Folk Songs, Hymns, and Spirituals of the 1880's Vol. II
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BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623
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SheetMusicPlus
Numb
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1203048 By Isadar. By Isadar. 20th …
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Piano Solo - Level 3 - Digital Download SKU: A0.1203048 By Isadar. By Isadar. 20th Century,Contemporary,Jazz,New Age. Score. 7 pages. Mainya Music Publishing (BMI) #801732. Published by Mainya Music Publishing (BMI) (A0.1203048). Contains:Numb - taken from the Isadar solo piano collection, The Purple Heart (improvisational solo piano) (available soon on SMP) Sounds like: Keith Jarrett's Köln Concert, Bill Evans, Liz Story, George Winston, early Windham Hill solo piano artists Transcribed by:  David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording Album & Songbook review by:  Kathy Parsons (MainlyPiano.com):The Purple Heart is Isadar’s solo piano tribute and memorial to the people who lost their lives in the 9/11/01 tragedy. Recorded as a 56-minute improvisation on 12/25/02, the music is thoughtful, somber, and quite elegant. There are actually thirteen pieces on the CD, but they segue into each other, making it difficult to tell where one song ends and another begins. This is very definitely NOT a problem, as the album unfolds naturally and organically, asking questions, looking inward, and expressing shock and grief. However, this is not music about only despair or rage. I also hear hope and determination as well as quiet reverence - the strange mix of emotions we all felt during those dark days. Titles include From Cradle to Coffin, Bravery, Numb, New York Skyline, and Truth. Isadar has a wonderful way of wearing his heart on his musical sleeve, pouring deep emotion and heartfelt expression into his music. The music was recorded in one take, but rather than meandering all over the place, Isadar used recurring themes that make the work cohesive and consistent enough to hold together even after many listens. This is a very strong and passionate work, but it was recorded with a rather quiet voice which allows it to be very comfortable and soothing background music as well as evocative solo piano music for concentrated and focused listening. The Purple Heart Sheet Music Collection is a note-for-note solo piano transcription of Isadar’s 2003 memorial CD by the same name (transcribed by David Shenton). The recording and book are a tribute to those who died in the attacks of 9/11/2001. The music was recorded in one take and although there are thirteen titles, the pieces segue into each other, creating a seamless 56-minute improvisation. The book indicates where the various pieces begin and end, but can also be played as one long piece. Although the theme of the music is very somber and bleak, the music covers the broad range of emotions we all felt during that period - anger, sadness, hope, determination, resolve, fear, grief, etc. Although the recording is an improvisation, Isadar incorporates a recurring theme that holds the work together as a single entity. Some pieces are very slow while others are lively and even fast. All thirteen pieces are in C minor/Eb major, but the variety of moods and tempos keep the music evolving without becoming repetitious. When the recurring theme pops up, it’s like seeing an old friend!The difficulty in playing someone’s improvisation is that the creation of the music was spontaneous and free-flowing. It isn’t easy to read an improvisation and give the music that quality of freedom. Less advanced pianists might find this frustrating. The time signatures change frequently, but a competent pianist will have no trouble with that. As I was playing this book, I sensed that I was looking directly into Isadar’s heart and feeling what he was feeling as the music was being born - a very powerful experience! Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, featuring today's biggest names in solo piano music.
$5.99
5.49 €
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Piano seul
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Isadar
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Numb
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Mainya Music Publishing
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SheetMusicPlus
Major Scale Paper Keys, Fits on the keyboard and piano, For beginners
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.906751 Composed by Joy Gilmore, Hsi…
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Piano Solo - Level 1 - Digital Download SKU: A0.906751 Composed by Joy Gilmore, Hsin Hui Gilmore. Instructional. Score. 10 pages. Joyful Sound Music #3860577. Published by Joyful Sound Music (A0.906751). Teachers and Students, Thank you for downloading this chart. On the keys, there are two different types of numbers. The regular numbers, like 1 2 3 4 5, are for the right hand. The numbers with the circles, like 1 2 3 4 5, are for the left hand. (Sheet music plus don't have the special font to display this) About the (*) marking If the (*) is before a number like *1 or *1, it means that it is in the 1st octave of the scale. If the (*) is after a number like 1* or 1*, it means that it is in the last octave of the scale. The numbers with underline, it means that is the 2nd and the 3rd octave of the scale. The dotted lines indicate that you can attach two key scales together to make one longer scale. Because of the limitations of the paper setup, there are only three octaves on each key. The paper key might have a slightly difference on the key size. It is because different manufacture have their own different key sized width. This paper keys should fit most keyboards or piano. This paper scale keyboard can help piano beginners start lessons and helps make practice easier. However, it is NOT RECOMMENDED for long term use. How to Print This pdf is designed for two sided (duplex) printers. Both sides on the same paper supposed to be in up side down format. Make sure you enable the two sided print function. You should be able to have a paper scale for three octaves on both sides. If you used duplex printing and your printer didn’t line up the scales, please use hand feed. Because every printers have different settings. You just need to try it in a different ways a couple times. Materials: I used the card stock from Sam’s club. It is 110lb greeting card paper. It is the cheapest one on the market. It cost $7.98 for 275 sheets. All of the papers are laminated.
$2.99
2.74 €
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Piano seul
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Joy Gilmore, Hsin Hui Gilmore
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2
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Major Scale Paper Keys, Fits on the keyboard and piano, For beginners
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Joyful Sound Music
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SheetMusicPlus
The End Of The World
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1200229 By Skeeter Davis. By Arthur…
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Piano Solo - Level 4 - Digital Download SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Rock,Standards. Score. 6 pages. Timothy Stapay #799031. Published by Timothy Stapay (A0.1200229). An arrangement of The End Of The World, a song covered by many famous artists. includingThe Carpenters; thanks to the phenomenal singing of Karen Carpenter. The End of the World was written by composer Arthur Kent and lyricist Sylvia Dee, who often worked as a team.The Carpenters (officially known as Carpenters were an American vocal and instrumental duo consisting of siblings Karen (1950–1983) and Richard Carpenter (born 1946). They produced a distinctive soft musical style, combining Karen's contralto vocals with Richard's harmonizing, arranging, and composition skills. During their 14-year career, the Carpenters recorded 10 albums along with many singles and several television specials. Karen possessed a powerful singing voice, and close miking brought out many nuances in her performances. Richard arranged their music to take advantage of this, though Karen had a three-octave vocal range. Richard's work with Karen was influenced by the music of Les Paul, whose overdubbing of the voice of wife and musical partner Mary Ford allowed her to be used as both the lead and harmony vocals.[6] By multi-tracking, Richard was able to use Karen and himself for the harmonies to back Karen's lead. The overdubbed background harmonies were distinctive to the Carpenters, but it was the soulful, engaging sound of Karen's lead voice that made them so recognizable. Record executive Mike Curb said it was Karen's voice that took the Carpenters above straight pop music into pop rock.  She was known as a one take wonder and could deliver a strong performance on the first attempt.Richard Carpenter was the creative force behind the Carpenters' sound. An accomplished keyboard player, composer and arranger, music critic Daniel Levitin called him one of the most gifted arrangers to emerge in popular music. The duo's smooth harmonies were not in step with contemporary music, which was dominated by heavy rock. Instead, the Carpenters strove for a rich and melodic sound, along the same vein as the Beach Boys and the Mamas & the Papas, but with greater fullness and orchestration including frequent use of small string and horn sections and introspective lyrics centred around relationships. Richard also admired the musicianship and arranging skills of Frank Zappa, and the two briefly met backstage at the Billboard Forum in 1975.End Of The World: Lyrics:Why does the sun go on shining?Why does the sea rush to shore?Don't they know it's the end of the world?'Cause you don't love me any moreWhy do the birds go on singing?Why do the stars glow above?Don't they know it's the end of the world?It ended when I lost your love[Bridge]I wake up in the morning and I wonderWhy everything's the same as it wasI can't understand, no, I can't understandHow life goes on the way it doesWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you said goodbyeWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you
$6.99
6.41 €
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Piano seul
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Skeeter Davis
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Timothy Stapay
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The End Of The World
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Timothy Stapay
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SheetMusicPlus
Paper keys to help piano beginners
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.906750 Composed by Joy Gilmore, Hsi…
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Piano Solo - Level 1 - Digital Download SKU: A0.906750 Composed by Joy Gilmore, Hsin Hui Gilmore. Arranged by Joy Gilmore, Hsin Hui Gilmore. Instructional. Score. 10 pages. Joyful Sound Music #3860563. Published by Joyful Sound Music (A0.906750). Teachers and Students, Thank you for downloading this chart. This is specially designed for beginner students who is struggled recognizing the piano keys. This will help young students and adult beginners to find the keys on the keyboard. Please note that I am not the original creator of these paper keys. But I rearrange the design. On the keys, there are two different types of numbers. The regular numbers, like 1 2 3 4 5, are for the right hand. The numbers with the circles, like 1 2 3 4 5, are for the left hand. (Sorry, sheetmusicplus don't have font for this) On the blank keys, you can write down the finger numbers. This is good for the students learning songs at different positions. Like G position, F position, etc. The paper key might have a slightly difference on the key size. It is because different manufacture have their own different key sized width. This paper keys should fit most keyboards or piano. This paper keyboard can help piano beginners start lessons and helps make practice easier. However, it is NOT RECOMMENDED for long term use. How to Print This pdf is designed for two sided (duplex) printers. Both sides on the same paper supposed to be in up side down format. Make sure you enable the two sided print function. You should be able to have a paper scale for three octaves on both sides. If you used duplex printing and your printer didn’t line up the scales, please use hand feed. Because every printers have different settings. You just need to try it in a different ways a couple times. Materials: I used the card stock from Sam’s club. It is 110lb greeting card paper. It is the cheapest one on the market. It cost $7.98 for 275 sheets. All of the papers are laminated.
$1.99
1.83 €
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Piano seul
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Joy Gilmore, Hsin Hui Gilmore
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Joy Gilmore, Hsin Hui Gilmore
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Paper keys to help piano beginners
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Joyful Sound Music
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SheetMusicPlus
Away in a Manger
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.835644 Composed by James R. Murray,…
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Piano Solo - Level 4 - Digital Download SKU: A0.835644 Composed by James R. Murray, Johannes Brahms, and William J. Kirkpatrick. Arranged by Renee Hyche McKee. Children,Christian,Christmas,Concert. Score. 4 pages. Renee H. McKee #5995123. Published by Renee H. McKee (A0.835644). I never get tired of looking at the manger scene during the holidays and thinking about the way God chose to bring Himself into the world. The amazing story of Jesus’s mercy and forgiveness began for many of us in the songs of Christmas; I think Away in a Manger is the most innocent and tender of them all. Two melodies have been written for this song; I have used both tunes here, along with a touch of a famous lullaby you are certain to recognize! The double bar lines show where each Away in a Manger melody begins, and each section could be used as a tiny piece of music itself. As an entire piece it is beautiful as a Christmas-time prelude, offertory or a holiday recital piece for an advanced intermediate to advanced student. The simple lines of the melodies take turns being played by right and left hands with one instance of a hand crossing. A few fingerings are suggested in the various accompaniment patterns, and pedaling is left up to your sensitive ear. Large hands are not necessary to play this piece; a tender touch will make it glow. Allow the ending to linger...it will satisfy you and your listeners with a sense of peace.
$4.99
4.58 €
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Piano seul
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James R
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Renee Hyche McKee
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Away in a Manger
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Renee H. McKee
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SheetMusicPlus
Free As The Wind
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1466523 Composed by Hal Sharper and…
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Piano Solo - Level 3 - Digital Download SKU: A0.1466523 Composed by Hal Sharper and Jerry Goldsmith. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #1045091. Published by Timothy Stapay (A0.1466523). Free As The Wind was composed by Jerry Goldsmith, a very prolific composer of film scores. This is the main theme from the movie Papillon starring Steve McQueen and Dustin Hoffman.This arrangement is written for intermediate piano.Yesterday's world is a dream like a river that runs through my mind Made of fields and the white pebbled stream that I knew as a child Butterfly wings in the sun taught me all that I needed to see For they sang sang to my heart oh look at me look at me Free as the wind free as the wind that is the way you should be. Love was the dream of my life And I gave it the best I knew how So it always brings tears to my eyes when I think of it now Gone like the butterfly days And the boy that I once used to be But my heart still hears a voice Telling me look , look and you will see There's no regret that I feel For the bitter sweet taste of it all If you love there's a chance you may fly If you fall, well you fall Rather the butterfly life To have lived for a day and been free For my heart still hears a voice Telling me look and you will see.
$5.99
5.49 €
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Piano seul
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Hal Sharper and Jerry Goldsmith
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Timothy Stapay
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Free As The Wind
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Timothy Stapay
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SheetMusicPlus
There's A Small Hotel
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1291581 By Charlie Byrd. By Lorenz …
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Piano Solo - Level 4 - Digital Download SKU: A0.1291581 By Charlie Byrd. By Lorenz Hart and Richard Rodgers. Arranged by Jerome Gilmer. Broadway,Jazz,Musical/Show. Score. 3 pages. Jerome Gilmer Music #882205. Published by Jerome Gilmer Music (A0.1291581). A classy little swing tune about a real hotel in New Jersey that I have visited. It used to be where the Paul Whiteman Orchestra rehearsed new music before bringing it to New York. This version has the same bounce, but with some newer harmonization. Good for upper intermediate and advanced players.
$4.99
4.58 €
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Piano seul
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Charlie Byrd
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Jerome Gilmer
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There's A Small Hotel
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Jerome Gilmer Music
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SheetMusicPlus
THE MISSING LINK
Piano seul
Piano Solo - Digital Download SKU: A0.1012749 Composed by Monica Bergo. Contemporar…
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Piano Solo - Digital Download SKU: A0.1012749 Composed by Monica Bergo. Contemporary. Score. 9 pages. Moni Bergo #5743669. Published by Moni Bergo (A0.1012749). Music and song composed by me, dedicated to my sister dead THE MISSING LINK I often still get surprised looking for you between people in a gesture in an instant in an evasive shadow and I remain hooked between past and present a recurring sensation alone among people. Lying and pretending than inside me nothing is missing a pathetic clown always happy and smiley I write music and words to tame the fire inside me because only we know where this pain is taking us where are you? where are you? my sweet missing link you will come back to fill my mind I step back once again and I am limbing next to you hand in hand resigned, while the grey was oppressing for the two of us at every awakening a battle would start I pushed that moment back I didn't wanna be awake but you always protected me even from a cruel child my fearless sister so storng and independent you used to talk to me about guys and how to kiss them I used to blush and my heart beating fast I will look for and call my missing ring and you will answer with the same silence used to ask me if you were beautiful with that storng make up on you looked like a sad Pierrot tired of being avoided you were uncomofortable and people used to push you away many ignorant hypocrits looking like saints and again the two of us together in the open abyss me climbing up slowly but you remain behind I give you my hand but your destiny was written you fall down deep and far in that damned hell it will shine, it will shine my missing ring I will show it proudly to the people and you flew away in that boiling July the freeze inside my heart you, unconscous and paralyzed and for your last travel few hopeless people for the life she used to live it's better that she s gone but they know nothing about it about your unheard shout of my diamonds ring dropped in the mud freedom is a meaningless word oh you, bling and deaf butterfly your wings are now open you will fly, I will fly and I will delete the distance I will find my missing ring.. Monica Bergo
$5.00
4.59 €
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Piano seul
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Monica Bergo
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THE MISSING LINK
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Moni Bergo
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SheetMusicPlus
Jesus Shall Reign Where'er the Sun
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arr…
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Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
4.58 €
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Piano seul
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the Sun
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Paul Thurmond
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SheetMusicPlus
Rewrite The Stars
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.733642 By Zac Efron & Zendaya. By B…
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Piano Solo - Level 4 - Digital Download SKU: A0.733642 By Zac Efron & Zendaya. By Benj Pasek and Justin Paul. Arranged by Amy J. Snyder. Broadway. Score. 8 pages. Amy J. Snyder #6708849. Published by Amy J. Snyder (A0.733642). Rewrite the Stars from Disney's The Greatest Showman. An exciting song arranged for advanced intermediate piano in the key of C. (same arrangement also available in original key of Bb). Helpful fingering, LH arpeggios and RH melody with harmony in 3rds and 6th. Written by Benj Pasek and Justin Hall; arranged by Amy J. Snyder. Visit Amy at www.facebook.com/amyjsnyder7 If you enjoy this piece, check out Amy's other arrangements: Speechless, You Raise Me Up, When You Say Nothing At All, O Danny Boy, It Had To Be You, and more! Copyright © 2017 Breathelike Music, Pick In A Pinch Music and T C F Music Publishing, Inc. All Rights for Breathelike Music and Pick In A Pinch Music Administered Worldwide by Kobalt Songs Music Publishing All Rights Reserved Used by Permission
$5.50
5.04 €
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Piano seul
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Zac Efron & Zendaya
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Amy J
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arranged by Amy J
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Rewrite The Stars
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Amy J. Snyder
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SheetMusicPlus
Czerny's 110 Easy and Progressive Exercises Opus 453 Exercise 89-110 transcribed to KlavarScore (A5)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1135456 Composed by Carl Czerny. Ar…
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Piano Solo - Level 4 - Digital Download SKU: A0.1135456 Composed by Carl Czerny. Arranged by KlavarScore. 19th Century,Instructional,Romantic Period. Score. 25 pages. KlavarScore #735494. Published by KlavarScore (A0.1135456). Book 5, containing the exercises 89-110 from Carl Czerny's 110 Easy and Progressive Exercices as an addition to the free Klavarscore Beyer Piano Course (See www.klavarscore.org). This book in Half-Letter/A5 format can be sight-read from a tablet or e-book reader. It is also possible to print two pages on one Letter/A4 sheet in landscape orientation. In this book you will find links for free download of the audio files and KlavarScore Scrolling files, so you can play these pieces (with an appropriate app) from your cellphone, tablet or desktop PC. Perhaps not only for exercising, but also because it is such nice music to play and hear..... Books 1-4, also containing 22 exercises each are also available. By practicing the exercises found in this and the remaining 4 books of this series, the student will quickly discover how Czerny must have intended these to be much more than simple exercises. As exercises, Czerny would of course want them to be meticulously practiced, revisited and improved upon, but in doing so, students will find them to be very pleasurable pieces of music to play, even for the enjoyment of an audience. These books contain instructions in Czerny's own words. Translations of Czerny's words are included in the Prefaces or in some cases as footnotes after the exercises, regarding choosing a proper tempo, the proper playing of ornaments, etc., mostly taken from Czerny's Piano School, Opus 500. In this way, Czerny himself becomes the teacher to students in need of one. Carl Czerny (1791-1857) was an Austrian composer, teacher, and pianist of Czech origin whose vast musical production amounted to over a thousand works. His books of studies for the piano are still widely used in piano teaching. He was one of Beethoven's numerous pupils, Franz Liszt was his most famous pupil. Source: Wikipedia.
$2.49
2.28 €
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Piano seul
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practicing the exercises found in this and the remaining 4 books of this series, the student will quickly discover how Czerny must have intended these to be much more than simple exercises
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Carl Czerny
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KlavarScore
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Czerny's 110 Easy and Progressive Exercises Opus 453 Exercise 89-110 transcribed to KlavarScore
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KlavarScore
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SheetMusicPlus
Let Us Break Bread Together
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.828261 Composed by Anonymous. Arran…
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Piano Solo - Level 4 - Digital Download SKU: A0.828261 Composed by Anonymous. Arranged by Paul Thurmond. Christian,Gospel,Sacred,Spiritual. Score. 4 pages. Paul Thurmond #4969095. Published by Paul Thurmond (A0.828261). Tune: LET US BREAK BREADUse: Prelude, Offertory, CommunionThis song is an African-American spiritual. Some of the text may date back as far as the 18th century. Although it has been used in communion since at least the Civil War, that may not have been its original intent.I have heard lectures given by researchers who claim that many African-American spirituals contain coded messages, intended for slaves, about secret meetings, clandestine worship services, and escape plans. Some songs are even said to contain maps.The texts are innocuous on the surface, so as to not alert the slave owners. Some of the double meanings seem obvious in retrospect:When Israel was in Egypt land,Let My people go.Oppressed so hard they could not stand,Let My people go.And:Steal away, steal away, steal away to Jesus!Steal away, steal away home. I ain’t got long to stay here.In Let Us Break Bread Together, this curious line may have a double meaning:When I fall on my knees, with my face to the rising sunCommunion needn’t take place at daybreak, nor while facing east. The lyrics could be a pointer to a specific time and place for a prohibited meeting.Whatever its original meaning, this and many other African-American spirituals are now an important part of many worship traditions.
$4.99
4.58 €
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Piano seul
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Anonymous
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Paul Thurmond
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Let Us Break Bread Together
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Paul Thurmond
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SheetMusicPlus
Aphelion
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1205194 Composed by M.Y Owusu. Cont…
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Piano Solo - Level 3 - Digital Download SKU: A0.1205194 Composed by M.Y Owusu. Contemporary. Score. 3 pages. M.Y Owusu #803377. Published by M.Y Owusu (A0.1205194). Aphelion is one of my few pieces that's meant to tell a story and it's not incredibly specific, but here is the story of Aphelion. However, the definition of aphelion first is incredibly important.aphelion (noun):the point in the orbit of a planet, asteroid, or comet at which it is furthest from the sun.And it's very important to know the definition of its absolute antonym: perihelion.perihelion (noun):the point in the orbit of a planet, asteroid, or comet at which it is closest to the sun.These are terms used in astronomy to describe a celestial object's extreme distance from the sun. I'm using this to describe a relationship between two people. The type of relationship does not matter, it is simply just a relationship. However, you perceive it: platonic, romantic, etc.That is up to your interpretation.Aphelion follows the story of two people, with the start of the piece not actually being the aphelion, but however the perihelion, starting in D Major.It highlights their relationship as perfect, well-rounded, and flawless relationship. Some may call it a honeymoon era/phase or just the possible closest two people could be, i.e the perihelion.Then the two slowly drift away, with a shift to B Minor and D Minor. Issues, flaws, and problems that weren't there before begin to appear. These issues are quickly shoved under the rug, and the two pretend that they are nonexistent. The piece shifts back to D major incredibly quickly, however, there is a slight sense of uneasiness within the piece that I intended to create as it goes through this relationship that is clearly rocky, but it isn't being addressed because neither are choosing to communicate these issues.Then, the mysterious part hits very quickly, this is the aphelion. following a D Minor chord progression, then a shift into D minor itself. This part is where the relationship issues reach a boiling point, neither can stand the other and any attempt to resolve the issues is essentially useless. They stay in a toxic relationship. However, it's labeled as mysterious because the future is an absolute mystery to the two. They don't know what will happen. Then, one confronts the other, they choose to genuinely communicate.It's where the shift back to D Major occurs. They finally come to an understanding. At this point, they can choose to stay in the relationship, and work on the issues, or come to an understanding that it might not work from here, because a relationship takes two. There is a sense of peace, they are finally at peace with one another and their situation. Life can continue moving on, and the piece ends on an A Major chord. This is because A Major can be interpreted as one finally becoming content.That is the story that I intended to tell by writing Aphelion.
$5.00
4.59 €
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Piano seul
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M
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Aphelion
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M.Y Owusu
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SheetMusicPlus
Etude for the Sostenuto Pedal, Opus 55, by David Pentecost, played by Tatiana Stupak
Piano seul
Piano - Digital Download SKU: A0.1073111 Composed by David Pentecost. Baroque,Conte…
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Piano - Digital Download SKU: A0.1073111 Composed by David Pentecost. Baroque,Contemporary. Full Performance. Duration 108. Tatiana Stupak #6487395. Published by Tatiana Stupak (A0.1073111). A rare work, written specifically to make some use of the sostenuto (middle) pedal of a grand piano. Baroque style. It uses a similar note pattern to that used by Bach in the Fugue movement of his famous Toccata & Fugue in D Minor, BWV 565. (The piece still sounds well on pianos without a sostenuto pedal, but not quite with the same sound effect as on a grand piano). Played by Tatiana Stupak on the Steinway grand piano at the Pattihio Muinicipal Theatre, in Limassol, Cyprus. The sheet music can be found at S0.917043.
$1.99
1.83 €
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Piano seul
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David Pentecost
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Fugue in D Minor, BWV 565
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Etude for the Sostenuto Pedal, Opus 55, by David Pentecost, played by Tatiana Stupak
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Tatiana Stupak
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SheetMusicPlus
Two-way Flow
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.972756 Composed by Lorraine Milne. …
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Piano Solo - Level 1 - Digital Download SKU: A0.972756 Composed by Lorraine Milne. Children,Contemporary,Instructional,Standards. Score. 4 pages. Pucblished by Lorraine Milne #3222573. Published by Pucblished by Lorraine Milne (A0.972756). Two-way Flow is from a series of 24 piano pieces called The Emerging Pianist. It is for piano students ready to move from beginners’ stage and looking for something a little more challenging. There are two versions of Two-way Flow, an Abridged version (single page) and a Full version (double page). The Abridged version could also be used by more advanced pianists for sight-reading practice. The two sections of this piece are like a musical conversation. Section A (bars 1-8) are answered by Section B (bars 9-16). In the Full version, Section A is repeated (bars 17-24) with a different Section B answer (bars 25-32). The accompanying mp3 file is a demo version only.
$5.00
4.59 €
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Piano seul
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Lorraine Milne
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Two-way Flow
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Pucblished by Lorraine Milne
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SheetMusicPlus
Where We Used to Play
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1116258 By Spencer J Brewer. By Spe…
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Piano Solo - Level 3 - Digital Download SKU: A0.1116258 By Spencer J Brewer. By Spencer J Brewer. Arranged by Spencer J Brewer. Contemporary,Film/TV,New Age. Score. 5 pages. Spencer Brewer Music #717893. Published by Spencer Brewer Music (A0.1116258). One of my seven dream songs. In this I heard and myself as a child and others playing happily from afar, as if remembering what it was like to be that way once upon a time.
$4.99
4.58 €
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Piano seul
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Spencer J Brewer
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Spencer J Brewer
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Where We Used to Play
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Spencer Brewer Music
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SheetMusicPlus
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beeth…
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Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Published by Upstream Music (A0.933520). There are many more unfinished than completed compositions of Beethoven that have been preserved. ln these fragments one sees ideas for individual works. A large number of sketchbooks and sketches from the composer were preserved and are housed in libraries and private collections all over the globe. Some sketches are no more than brief experiments or short elaborated ideas, but there are also fragments preserved that nearly give us a complete picture of a composition. In the so-called Kafka sketchbook, which was published in 1970 in London, approximately 500 fragments of manuscripts were bundled that stem from 1786 - 1799. The Fantasia Sonata in D (deest 45) for piano forte in three parts, was hidden in the archives since 1792. This sonata of the young Beethoven, with striking similarities to the Moonlight sonata and the Pastorale has never been performed on stage. Young pianotalent Martin Oei played it for the first time in the Concertgebouw Amsterdam, October 21st, 2012. The large, over 1100 bars comprising torso now known as Fantasia Sonata in D from 1792, cannot be called a sketch anymore, although Beethoven has not completed the work and used many ideas in other, later works. The reconstruction of the sketches was done by the Dutch Beethoven musicologist and composer Cees Nieuwenhuizen. The piece was probably written in Bonn, three years before he started to write his first official piano sonata of a series of 32 sonatas. In November 1792 Beethoven went from Bonn to Vienna to study with the famous composer Joseph Haydn (1732–1809). Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched. Striking harmonies The re-using of previously drafted material is quite common in Beethoven's works. Apparently the material wasn't yet ripe enough at the time of its origination, or perhaps Beethoven changed his mind with regards to the new composition. This could very well be so regarding the torso from Kafka’s sketchbook that we now call the Piano Fantasia sonata in D. This piece contains 1100 bars of music, not taking into account the alternative bars. The piece is composed by Beethoven in 1792 - 1793 and was set up as a tripartite sonata in D with remarkable abnormalities in terms of form and content. There are striking harmonies that cannot be found in other works composed in that same period. It’s possible that the composer didn’t have the courage to publish it or that indeed the time was not yet ripe for it. Finally the composer let the draft go and never came back to it. Or did he? Thematic similarities We find phrases in several later works that share similarities with ideas and themes from Fantasia sonata in D. The first part of Fantasia sonata has the same theme as the trio of the third movement of Symphony no. 7 (in A Major Opus 92). Even the key and also the rhythm in 3/4 time are the same. This cannot be a coincidence. Similar mood and thematic parallels can be found in the Pastorale, the Sonata for piano no. 15 (Opus 28): it is striking that this piece is also composed in D and in 3/4 time. We find similar dramatic expression in the Sonata for piano no. I 7 in d minor Opus 31 no. 2. The second movement of the Fantasia sonata nearly has the same theme as the second movement of the Sonata for piano no. 23 in minor (the Appassionato Opus 57). Martin Oei, Daiel Wayenberg, Cees Nieuwenhuizen at The World Premiere in The Concertgebouw Beethoven begins the third movement of the Fantasia sonata with the main theme of the first movement, but now in e minor. lts appearance in minor is an entirely new idea. Nevertheless Beethoven doesn't elaborate the idea any further because it disappears after 29 bars. Now a new agitated theme starts in d minor, which was announced in the first movement, but now reappears in its complete.
$29.00
26.6 €
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Piano seul
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Ludwig van Beethoven, Cees Nieuwenhuizen
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Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven
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Upstream Music
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SheetMusicPlus
Song of the Volga Boatmen
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1407293 Composed by Russian Folk. A…
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Piano Solo - Level 3 - Digital Download SKU: A0.1407293 Composed by Russian Folk. Arranged by Paul Taylor. Folk,Historic,Multicultural,Standards,World. Score. 2 pages. Paul Taylor #989970. Published by Paul Taylor (A0.1407293). This popular work song from Russian folk history has been used to depict hard work in movies, cartoons and plays. Here it is presented for the early intermediate pianist. The sailors on the boat can be heard singing their song of work, very softly as the boat approaches the people on the land. As the boat gets closer, the dynamics increase in intensity and as the boat passes away, the dynamics decrease to reflect the passing of the ship. Some pedalling and phrasing suggestions are given as well.
$1.99
1.83 €
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Piano seul
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Russian Folk
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Paul Taylor
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Song of the Volga Boatmen
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Paul Taylor
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SheetMusicPlus
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