Here's how to play "How Deep Is Your Love" by the Bee Gees on piano!

With this sheet music, you can play "How Deep Is Your Love" in an accurate piano arrangement which is not too hard to play, and sounds fantastic!

The full melody is included in the piano part, so it makes for a great instrumental (piano solo) version.

You can also get this arrangement with a system for the singer, as well as the full lyrics & chords on my publisher page:
https://www.sheetmusicplus.com/publishers/mario-stallbaumer/10808

"How Deep Is Your Love" is one of the most famous songs by the Bee Gees (besides "Stayin' Alive" and "Night Fever").
It was released in 1977 as a single, and also appeared on the soundtrack of the film "Saturday Night Fever" (starring John Travolta) in the same year.

"How Deep Is Your Love" is listed on Billboard's All Time Top 100, as well as on Rolling Stone's list of the 500 Greatest Songs of All Time.

It's certainly one of the greatest pop ballads to play on piano - with this piano sheet music, you can play it too!

If you like this arrangement, please consider leaving a review - it would mean a lot to me.

Here are the full lyrics to the Bee Gees' "How Deep Is Your Love":

I know your eyes in the morning sun
I feel you touch me in the pouring rain
And the moment that you wander far from me
I want to feel you in my arms again
And you come to me on a summer breeze
Keep me warm in your love, then you softly leave
And it's me you need to show
How deep is your love, how deep is your love
How deep is your love?
I really mean to learn
'Cause we're living in a world of fools
Breaking us down when they all should let us be
We belong to you and me
I believe in you
You know the door to my very soul
You're the light in my deepest, darkest hour
You're my savior when I fall
And you may not think I care for you
When you know down inside that I really do
And it's me you need to show
How deep is your love, how deep is your love
How deep is your love?
I really mean to learn
'Cause we're living in a world of fools
Breaking us down when they all should let us be
We belong to you and me
And you come to me on a summer breeze
Keep me warm in your love, then you softly leave
And it's me you need to show
How deep is your love, how deep is your love
How deep is your love?
I really mean to learn
'Cause we're living in a world of fools
Breaking us down when they all should let us be
We belong to you and me

Here's how to play "Candle in the Wind" by Elton John on piano!

With this piano sheet music, you get an accurate arrangement of "Candle in the Wind" (1973 version) which is not too hard to play, and sounds fantastic.

The whole melody is included in the piano part, so it makes for a wonderful instrumental (piano solo) version.

"Candle in the Wind" was written in 1973 by Elton John and Bernie Taupin in memory of Marilyn Monroe, who had passed away 11 years earlier.

Elton John famously performed a rewritten version of the song in 1997 for Princess Diana (after her death in a car crash). It became known as "Candle in the Wind 1997" or "Goodbye England's Rose" after the first line of the new lyrics.

This sheet music is an arrangement of the original 1973 version of "Candle in the Wind", as it was included on Elton John's album "Goodbye Yellow Brick Road".

Here are the full lyrics to Elton John's "Candle in the Wind":

Goodbye Norma Jean
Though I never knew you at all
You had the grace to hold yourself
While those around you crawled
They crawled out of the woodwork
And they whispered into your brain
They set you on the treadmill
And they made you change your name

And it seems to me you lived your life
Like a candle in the wind
Never knowing who to cling to
When the rain set in
And I would have liked to have known you
But I was just a kid
Your candle burned out long before
Your legend ever did

Loneliness was tough
The toughest role you ever played
Hollywood created a superstar
And pain was the price you paid
Even when you died
Oh the press still hounded you
All the papers had to say
Was that Marilyn was found in the nude

And it seems to me you lived your life
Like a candle in the wind
Never knowing who to cling to
When the rain set in
And I would have liked to have known you
But I was just a kid
Your candle burned out long before
Your legend ever did

Goodbye Norma Jean
Though I never knew you at all
You had the grace to hold yourself
While those around you crawled

Goodbye Norma Jean
From the young man in the 22nd row
Who sees you as something more than sexual
More than just our Marilyn Monroe

And it seems to me you lived your life
Like a candle in the wind
Never knowing who to cling to
When the rain set in
And I would have liked to have known you
But I was just a kid
Your candle burned out long before
Your legend ever did

Your candle burned out long before
Your legend ever did

Juan Mar�a Solare: Numbered Places (eleven piano pieces)



01 - One Way Flight to... (2:50)

02 - Twopenny Loaf [USA] (3:45)

03 - Three Bridges [UK] (2:25)

04 - Four Oaks [USA] (3:00)

05 - Five Pointz [NYC] (3:45)

06 - Six Mile Bottom [UK] (2:40)

07 - Seven Kings [UK] (5:10)

08 - Eight Streets [USA] (5:55)

09 - Nine Elms [UK] (2:50)

10 - Ten Ten Road [NC, USA] (3:25)

11 - Eleven Lands [UK] (3:30)



Totaltime: 39:15

Numbered Places * piano * music by Juan Mar�a Solare



The cycle Numbered Places startsfrom a simple idea: the piece nr. 1 would have a title that begins with theword One, the piece nr. 2 a titlethat begins with the word Two and soon up to an arbitrary number (in this case, eleven).



For everything to have more cohesion, English names of different places orregions in either USA or (mainly) UK were used.



In its own way, Numbered Placesis therefore a conceptual album - alreadyfrom the point of view of titles.



Also musically, this world of sound has cohesion: instrumental piano music,neoclassical aesthetics (a somewhat broad concept that encompasses composerssuch as Erik Satie or Ludovico Einaudi), a certain simplicity in its surface.



Let us briefly comment each of the titles:



- One WayFlight to ...: The imaginary journey starts here. Each person will completethe sentence with the destiny of their choice.

- TwopennyLoaf: This is a neighborhood (and geographically a cape) in the city ofGloucester, Essex County, Massachusetts, USA. It is believed to have gotten itsname because it is shaped like a (bread) loaf that at the time cost twopennies.

- ThreeBridges: It is a city somewhere between London and Brighton, and a nodalpoint where trains typically split. Musically, the most minimalistic of all thecycle.

- Four Oaks:There are numerous places so named, both in England and the US, and possibly inother countries. I can imagine that there were actually four oak trees planted near.

- FivePointz: Neighborhood in Queens, New York. A graffiti mecca that wasdemolished in 2014 to build expensive buildings. And yes, it is spelled with zin this case.

- Six MileBottom: Is a hamlet near Cambridge in England. The hamlet derives its namefrom its distance from the start of Newmarket Racecourse and because it lies ina valley bottom. There is no public transport. The old train station, closed in1967 for lack of use, is now a private residence.

- SevenKings: It is a neighborhood in Ilford, East London. The earliest recordeduse of the name is as Sevekyngg or Sevekyngges in 1285, possibly meaning'settlement of the family or followers of a man called Seofoca'

- EightStreets: it is a (very sought-after) neighborhood located in the heart ofthe historic South End of the city of Boston, Massachusetts, USA.

- Nine Elms:a district of South West London. Nine Elms Lane was named around the year 1645,from a row of elm trees bordering the road.

- Ten TenRoad: it is a place -actually the main road- in the town of Apex, NorthCarolina, USA.

- ElevenLands: this place is mentioned in an old legal report from around 1782 asexisting in North London ("a place called Eleven Lands, containing fiveacres of arable, formerly Cosby's, beonging to a farm in the said parish ofBletcheley...", in " Acollection of the Reports of Cases, the Statutes, and Ecclesiastical Laws,relating to Tithes", volume 3). It has certainly changed its name.Musically, this last piece has a certain tango aura.





Why eleven pieces and not more? The truth is that - incredibly as it mayseem - I didn't find any place called "Twelve" something. Yes thereare such names in other languages, but I wanted to keep some consistency. Thereare also pubs or bars called Twelvewhatever, but since they are not sponsoring my music, I had no motivation togive them free advertising at the moment.



This album was released in early 2020 on Spotify, iTunes and allother online platforms through the label BlissRecordings in London (part of frtyfve).Find your favorite service here: https://frtyfve.lnk.to/NPVol1



There are alsovideos of several pieces of this album. They are in the following playlist:

https://www.youtube.com/playlist?list=PL70vQeCRYmkp3vEdIkdnjJyiU1aZ_u7HA

Here's how to play "Just the Way You Are" by Billy Joel on piano!

With this sheet music, you get a playable piano arrangement of "Just the Way You Are" which sounds beautiful.

The full melody is included in the piano part, so it makes for a wonderful instrumental (piano solo) cover.

"Just the Way You Are" is a song from Billy Joel's 1977 album "The Stranger", and served as the album's lead single. It became his first top 10 hit in the US, and won two Grammy Awards ("Record of the Year" and "Song of the Year") in 1977!

It's certainly one of the greatest and most iconic love songs from the 70s - with this piano sheet music, you can play it in the most beautiful way!

If you like this arrangement, please consider leaving a review - it would mean a lot.

Here are the full lyrics to Billy Joel's "Just the Way You Are":


[Verse 1]
Don't go changing to try and please me
You never let me down before
Don't imagine you're too familiar
And I don't see you anymore

[Refrain 1]
I would not leave you in times of trouble
We never could have come this far
I took the good times, I'll take the bad times
I'll take you just the way you are

[Verse 2]
Don't go trying some new fashion
Don't change the color of your hair
You always have my unspoken passion
Although I might not seem to care

[Refrain 2]
I don't want clever conversation
I never want to work that hard
I just want someone that I can talk to
I want you just the way you are

[Bridge]
I need to know that you will always be
The same old someone that I knew
What will it take till you believe in me
The way that I believe in you

[Refrain 3]
I said I love you and that's forever
And this I promise from the heart
I could not love you any better
I love you just the way you are

[Refrain 2]
I don't want clever conversation
I never want to work that hard
I just want someone that I can talk to
I want you just the way you are

Contains:
"En Face Du Miroir (Facing The Mirror)"
- taken from the Isadar solo piano complete collection, "Red" (also available on SMP)

Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists

Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording

Album & Songbook Review by: Kathy Parsons

Red is pianist/composer Isadar?s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar?s best piano pieces; O Christmas, Isadar?s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.

I have been reviewing and thoroughly enjoying Isadar?s releases since his second piano album, 1999?s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar?s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.

Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar?s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.

Red opens with ?Broken Valentine,? a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. ?The Man Who Broke My Heart? is energetic and in constant swirling motion - also very free and from deep within. ?The Stairwell? is darker and much more mysterious, overflowing with Isadar?s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute ?Letting Go,? a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! ?En Face Du Miroir (Facing the Mirror)? is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with ?Blood ... Thicker Than Water,? again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.

Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!

Isadar?s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar?s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.

Isadar is an amazing pianist with a style all his own, so this isn?t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.

Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9?x12? format with a stapled binding.

If you enjoy listening to Isadar?s music, I?m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!

The songs with their key signatures and the number of pages is listed below:

Broken Valentine - C minor (3 flats) - 4 pages
Red - A minor (0 sharps or flats) - 5 pages
The Man Who Broke My Heart - A minor - 6 pages
The Stairwell - F# minor (3 sharps) - 7 pages
Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages
En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages
Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages

Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...

Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.

For more information, visit his website at: http://www.isadar.com

And what would a ?generic? Shakespeare comedy include? Certainly it would center around a pair of young lovers, probably kept apart either by social circumstances or obstructionist parents. There would probably be an important situation involving mistaken identity or some other intrigue, moments of both decorum and revelry, plus some comic relief along the way, something like Peter Quince and the ?rude mechanicals? in Midsummer Night?s Dream, or Dogberry and his bumbling constables in Much Ado About Nothing.) And the whole thing would likely be capped off by a wedding.

So here is a little suite which looks back beyond the great examples of incidental music by Grieg (Peer Gynt), Mendelssohn (Midsummer Night?s Dream) or Bizet (L?Arl�sienne), all the way back to Henry Purcell?s Ayres for the Theatre, published in 1697. It features a blend of 17th century forms and contrapuntal textures with 21st century ?wrong note? harmonies and changing meters in a diverting and accessible audience pleaser. Performance time is about 14 minutes.

The accompanying audio file gives you the first halves (roughly) of the first (Sinfonye) and last (Wedding March) movements. Yes, I know the Wedding March is in 3/4 time. Please don?t write to complain.