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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Com
Non classifié
210 892
Piano & claviers
Piano seul
268 478
Piano, Voix et Guitare
154 839
Piano, Voix
113 915
Piano Facile
70 435
Orgue
16 261
Instruments en Do
13 712
Piano grosses notes
10 023
1 Piano, 4 mains
7 954
Accordéon
6 451
Accompagnement Piano
5 713
Piano Trio: piano, violon, violoncelle
2 231
Piano (partie séparée)
1 724
2 Pianos, 4 mains
1 476
Ligne De Mélodie, Piano
564
Piano Quatuor: piano, violon, alto, violoncelle
561
Piano Quintette: piano, 2 violons, alto, violoncelle
542
Piano Quatuor: piano, 2 violons, violoncelle
476
Orgue, Trompette (duo)
429
Orgue, Piano (duo)
382
Clavecin
292
1 Piano, 6 mains
240
Accordéon, Voix
217
Clavier
168
Instrument seul et Orgue
165
2 Pianos, 8 mains
94
2 Accordéons
78
Ensemble d'Accordéons
56
Orgue, Voix
47
2 Orgues (duo)
30
Tous Les Instruments
23
Fake Book
16
Accordéon, Piano
13
Accordéon, Corde(s)
12
Accordéon et Orchestre
8
Piano Quintette: piano, violon, alto, violoncelle, contre basse
6
Ensemble de Pianos
6
Orgue et Orchestre
5
Concertina
3
3 Pianos
2
Piano Trio: Instruments de chambre mixtes
2
+ 35 instrumentations
Retracter
Guitares
Guitare notes et tablatures
79 494
Ligne De Mélodie, (Paroles) et Accords
50 514
Guitare
29 947
Paroles et Accords
24 260
Ukulele
18 834
Basse electrique
13 343
2 Guitares (duo)
2 261
Guitare (partie séparée)
2 141
Banjo
1 567
Mandoline
1 343
4 Guitares (Quatuor)
1 058
Dulcimer
931
Piano, Guitare (duo)
908
Ensemble de guitares
713
3 Guitares (trio)
524
Basse électrique (partie séparée)
415
Ukulele Baryton
326
Partitions De Groupes
280
Guitare Pedal Steel
210
Ensemble de Ukulélés
207
Dobro
92
2 Dulcimers (duo)
83
Mandoline, Piano (duo)
79
Mandoline, Guitare (duo)
65
Guitare Tab, Voix, Basse, Batterie
40
Guitare, Violon, Violoncelle (trio)
40
2 Ukuleles
31
3 Dulcimers (trio)
21
Guitare, Flûte, Clarinette
18
Orchestre à Plectres
16
Guitare, Orchestre
12
2 Mandolines (duo)
11
Guitare, Quatuor à cordes
11
Cithare
8
Luth
7
Bouzouki
5
2 Guitares et Orchestre
4
2 Guitares et Piano
2
Guitare, Harpe
2
2 Guitares, Clarinette (trio)
1
+ 35 instrumentations
Retracter
Voix
Chorale SATB
68 098
Chorale 3 parties
27 449
Pack Instrumental pour Chorale
19 899
Chorale 2 parties
15 987
Chorale TTBB
13 375
Voix seule
9 130
Chorale
8 739
Chorale SSAA
6 988
Chorale Unison
6 279
Voix duo, Piano
3 663
Voix haute
2 146
Voix duo
1 547
Voix Soprano, Piano
1 467
Voix Tenor, Piano
848
Voix basse, Piano
799
Voix Alto, Piano
796
Voix Baryton, Piano
596
Voix, Guitare
407
Voix moyenne, Piano
395
Chorale SSATB
332
Voix Moyenne
247
Chorale SSAATTBB
238
Voix Mezzo-Soprano, Piano
195
Chorale SSATTB
160
Voix Tenor
141
Chorale SSATBB
125
Soli, choeur mixte et accompagnement
106
Chorale SATTB
93
Chorale SSAB a cappella
83
Voix Soprano
82
Voix haute, Piano
63
Chorale SSAB, Piano
62
Chorale, Orgue
59
Voix et basse continue
55
Chorale SSAATB
53
Voix basse
51
Voix d'Enfants
43
Chorale SAATB A Cappella
32
Chorale SATBB
25
Male Voice
25
Voix Baryton
19
Chorale, Orchestre
13
Chorale SATTBB, Clavier
11
Chorale SSAATB A Cappella
10
Voix duo, Orgue
10
Voix Soprano, Orchestre
9
Chorale SATTBB A Cappella
6
Voix (avec Boîtes d'Accords)
4
Paroles Seulement
3
Voix d'Enfants, Piano
2
+ 45 instrumentations
Retracter
Vents
Saxophone (partie séparée)
26 513
Flûte traversière
22 680
Clarinette
20 320
Saxophone
18 238
Clarinette (partie séparée)
14 985
Flûte traversière et Piano
14 253
Saxophone Alto
13 052
Saxophone Tenor
11 413
Quatuor de Saxophones: 4 saxophones
11 324
Clarinette et Piano
10 299
Saxophone Alto et Piano
7 845
Hautbois, Piano (duo)
7 614
2 Saxophones (duo)
7 493
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7 395
Flute (partie séparée)
7 113
Flûte, Hautbois, Clarinette, Basson
6 620
2 Flûtes traversières (duo)
6 416
Hautbois (partie séparée)
6 341
Quatuor de Clarinettes: 4 clarinettes
5 957
Saxophone Tenor et Piano
5 657
2 Clarinettes (duo)
5 452
Quatuor de Flûtes : 4 flûtes
3 451
Saxophone Soprano et Piano
3 360
Quintette de Saxophone: 5 saxophones
2 906
Hautbois
2 661
3 Saxophones (trio)
2 563
Flûte à Bec
2 456
3 Clarinettes (trio)
2 456
Flûte, Clarinette (duo)
2 070
Flûte et Guitare
2 065
Ensemble de Clarinettes
1 933
Trio de Flûtes: 3 flûtes
1 925
Ensemble de Flûtes
1 578
Saxophone Baryton, Piano
1 513
Quintette de Clarinettes: 5 clarinettes
1 413
Saxophone Soprano
1 412
Ensemble de saxophones
1 395
Instruments en Mib
1 296
2 Hautbois (duo)
1 292
2 Flûte à bec (duo)
1 269
Cor anglais, Piano
1 173
Hautbois, Basson (duo)
1 067
Harmonica
1 055
Quatuor de Flûtes à bec
997
Flûte, Violon
913
Ocarina
902
Clarinette, Violon (duo)
855
Flûte à bec Soprano
811
Hautbois, Clarinette (duo)
804
Clarinette Basse, Piano
730
Flûte, Clarinette et Basson
712
Flûte, Hautbois, Clarinette (trio)
695
Saxophone, Clarinette (duo)
674
Flûte, Violon, Piano
656
Clarinette, Basson (duo)
582
Flûte, Violoncelle
555
Flûte à bec Alto
542
Flûte, Hautbois, Basson
535
3 Flûtes à bec (trio)
513
Clarinette, Guitare (duo)
511
Flûte, Hautbois (duo)
508
Hautbois, Clarinette, Basson (trio d'anches)
505
Quintette de Flûte : 5 flûtes
432
Piccolo
426
Clarinette Basse
410
Saxophone Baryton
401
Hautbois, Flûte
392
Cor Anglais
373
Clarinette, Violoncelle (duo)
371
Flûte à bec Soprano, Piano
371
Flûte, Clarinette, Piano (trio)
364
Clarinette, Trompette (duo)
351
Flûte à bec Alto, Piano
348
Flûte, Trompette (duo)
339
Flûte, Alto (duo)
333
Piccolo, Piano
330
Flûte, Violoncelle, Piano (trio)
315
Flûte, Violon et Violoncelle
313
Clarinette et Alto
306
5 Flûtes à bec
281
Flûte à Bec, Piano
276
2 Saxophones, Piano
274
Flûte à bec Tenor
272
Flûte, Saxophone (duo)
271
2 Flûtes traversières, Piano
268
Clarinette, Harpe (duo)
263
Ensemble De Flûte à bec
256
Hautbois, Violoncelle
245
Saxophone et Guitare
243
3 Hautbois
235
Hautbois, violon (duo)
219
Saxophone et Piano
209
2 Clarinettes, Piano
206
Flûte, Trombone (duo)
181
Flûte, Basson et Piano
175
Hautbois, Guitare (duo)
135
Clarinette, Violoncelle, Piano (trio)
132
Flûte, Hautbois, Piano (trio)
130
Flûte, Hautbois, Violon
124
Flûte irlandaise
121
Clarinette, Trombone (duo)
119
Flûte, Clarinette, Violon (trio)
113
Saxophone, Violon (duo)
110
Cor anglais, Guitare (duo)
103
Hautbois, Trompette (duo)
102
2 Clarinettes, Basson
101
Ensemble à vent
100
Cornemuse
93
4 Hautbois
87
Flûte à bec, Guitare (duo)
85
Flûte, Alto et Piano
81
Flûte, Harpe et Violoncelle
79
Flute, harpe et violon
78
Hautbois et alto (duo)
77
Flûte traversière, Orgue (duo)
77
Clarinette, Basson, Piano (trio)
76
Flûte, Clarinette, Cor, Basson (Quartet)
73
Flûte et Trio à cordes
68
Saxophone et Orgue
63
Flûte, Violon, Violoncelle et Piano
63
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
63
Flûte à bec Alto, Basse continue
55
Saxophone, Basson (duo)
49
Hautbois, trombone (duo)
48
Hautbois, Harpe
46
Flûte et Quatuor à Cordes
45
Flûte, Tuba (duo)
45
Clarinette, Alto et Piano (trio)
45
Harmonica, Piano
45
Saxophone et Harpe
44
Quintette de Clarinette: Clarinette, Quatuor à Cordes
39
Flûte traversière, Basse continue
38
Flûte, alto et harpe
37
2 Cors Anglais Et Pianoforte
36
Saxophone et violoncelle
34
Flûte, trombone et piano
33
Hautbois, Basson et Piano
32
Flûte, Violoncelle, Guitare
31
Flûte traversière, Orchestre
31
Clarinette, Tuba
30
Flûte, Violon, Guitare
29
Hautbois, Violoncelle et Piano
28
2 Flûtes à bec, Piano
28
Hautbois, Violin, Alto et Violoncelle (Quatuor)
27
Clarinette, Orgue
25
Flute, Cor (duo)
25
Clarinette, trompette et piano
25
Clarinette, Orchestre
24
2 Hautbois, Piano
22
Hautbois, Violon, Piano
19
Flûte, Alto et Violoncelle
19
Hautbois, Clarinette et Piano (Trio)
16
Clarinette, Contrebasse (duo)
16
Cor anglais et Harpe (duo)
15
Saxophone et Orchestre
15
2 Flûtes traversières, Guitare
14
Ensemble de Hautbois
14
2 Harmonicas
11
Flûte à bec Soprano, Basse continue
11
Hautbois, Orgue
10
2 Hautbois et Cor anglais
10
Flûte à bec, Harpe
10
2 Flûtes traversières, Harpe
10
Clarinette, Quatuor à cordes et Piano
9
2 Hautbois et Basson
9
Saxophone, Tuba (duo)
9
Flûte de Pan
8
Hautbois et Orchestre
7
Flûte, Guitare, Piano
7
2 Flûtes, 2 Clarinettes (Quatuor)
7
2 Flûtes, Basse continue
6
Melodica
5
Hautbois, Quatuor à cordes
4
Clarinette, Saxophone, Piano
3
Hautbois, Clarinette, Basson et Piano
3
2 Flûtes à bec, Guitare
2
3 Flûtes à bec, Piano
2
2 clarinettes, 2 bassons
2
Flute, alto, violoncelle et guitare
1
2 Hautbois, 2 Cors et 2 Bassons
1
+ 175 instrumentations
Retracter
Cuivres
Trompette
18 717
Trombone (partie séparée)
18 496
Trompette (partie séparée)
18 010
Trombone
15 513
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10 430
Cor
8 796
Trompette, Piano
7 331
Cor (partie séparée)
6 820
Trombone et Piano
6 118
Tuba (partie séparée)
4 974
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4 492
Cor et Piano
4 478
2 Trompettes (duo)
3 197
Tuba
3 160
2 Trombones (duo)
2 742
Quatuor de Cuivres
2 255
Tuba et Piano
2 159
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1 862
Bass Clef Instruments
1 823
Quatuor de cuivres: 4 trombones
1 472
Trompette, Trombone (duo)
1 458
Euphonium, Piano (duo)
1 306
Euphonium
1 268
Instruments en Sib
1 234
2 Cors (duo)
1 204
Cor anglais, Piano
1 173
Quatuor de cuivres: 4 cors
1 044
2 Euphoniums et 2 Tubas
1 036
Trio de Cuivres
718
4 Tubas
654
Trompette, Saxophone (duo)
651
Trompette, Cor (duo)
566
Ensemble de Trombones
502
3 Trombones (trio)
490
3 Trompettes (trio)
402
Tuba ou Euphonium ou Saxhorn
381
Cor Anglais
373
Cornet A Pistons
368
2 Tubas (duo)
366
Quatuor de cuivres: 4 trompettes
310
Instruments en Fa
303
Ensemble de Cors
282
Trombone basse et Piano
281
Ensemble de Trompettes
272
Trompette, Tuba (duo)
245
Trombone, Tuba (duo)
231
Tuba et Orgue
157
2 Trompettes, Clavier (piano ou orgue)
153
Euphonium, Tuba (duo)
147
Trombone, violoncelle (duo)
140
Trompette, violon (duo)
135
Trombone, Cor (duo)
126
Trombone basse
123
Trompette, Basson (duo)
119
Cor, Violoncelle (duo)
118
Cor, Tuba (duo)
117
Quatuor de cuivres: 2 trompettes, 2 trombones
114
3 Cors (trio)
108
Cor anglais, Guitare (duo)
103
Trombone, Violon (duo)
93
Trompette, Violoncelle (duo)
88
Ensemble de Tubas
84
Euphonium (partie séparée)
83
2 Euphoniums (duo)
81
Trombone, Orgue
62
Cor et Harpe
56
Trompette, Trombone, Piano
50
Cor et Basson (duo)
49
Trompette, Violoncelle et Piano
45
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
43
2 Trombones, Piano
42
Trompette, Harpe
39
Trompette et Guitare
37
2 Cors Anglais Et Pianoforte
36
Clarinette, Cor (duo)
35
3 Tubas (trio)
31
Trombone, Alto (duo)
28
Cor et Orgue
22
4 Euphoniums
20
Cor, Trompette, Trombone (trio)
20
Trompette, Orchestre
19
Bugle
18
2 Cors, Piano
18
Cornet et Piano
17
Cor anglais et Harpe (duo)
15
3 Euphoniums
15
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
14
Cor, Orchestre
10
Trompette, Euphonium (duo)
8
Trombone et orchestre
8
Cor, Violoncelle et Piano
7
Euphonium Ou Saxhorn Et Piano
5
G Instruments
4
Saxhorn basse ou Euphonium ou Tuba et Piano
3
Cornet et orchestre
2
+ 90 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
33 581
Violon
23 514
Violon et Piano
19 176
Violoncelle
15 590
Alto seul
12 971
Violoncelle, Piano
12 133
Violon (partie séparée)
10 216
Harpe
9 019
Alto, Piano
8 930
2 Violons (duo)
6 170
Violon, Violoncelle (duo)
5 850
Contrebasse (partie séparée)
5 089
Trio à Cordes: violon, alto, violoncelle
4 653
2 Violoncelles (duo)
4 353
Alto (partie séparée)
3 466
Violoncelle (partie séparée)
3 294
Violon, Alto (duo)
2 692
Contre Basse
2 420
2 Altos (duo)
2 124
Quintette à cordes: 2 violons, alto, violoncelle, basse
2 117
Contrebasse, Piano (duo)
1 790
Trio à Cordes: 2 violons, violoncelle
1 780
Alto, Violoncelle (duo)
1 427
4 Violoncelles
1 123
Trio à cordes: 3 violins
1 014
Violon, Guitare (duo)
911
Trio à cordes
880
Piano Trio: Violon, Alto, Piano
817
Harpe, Flûte (duo)
726
Trio à Cordes: 3 violoncelles
710
Violoncelle , Guitare (duo)
681
2 Harpes (duo)
639
Quatuor à cordes: 4 violons
530
Harpe, Violon (duo)
411
Trio à Cordes: 2 violons, alto
367
Alto, Guitare (duo)
362
Trio à cordes: 3 altos
357
2 Contrebasses (duo)
354
2 Violons, Piano
347
Quatuor à cordes : 4 altos
346
Violoncelle, Contrebasse (duo)
326
Violon, Basson (duo)
257
Alto et Basson
167
Quintette à cordes: 2 violons, 2 altos, violoncelle
163
Harpe, Violoncelle (duo)
128
2 Violoncelles, Piano
119
Harpe et Piano
107
Violon, Clarinette, Piano (trio)
105
Harpe, Voix
96
Quintette à cordes : 2 violons, alto et 2 violoncelles
95
Ensemble de Violoncelles
93
Harpe (partie séparée)
90
Violon, Orgue
81
Violoncelle, Orgue
75
2 Altos, Piano
72
Alto et Harpe
72
Violoncelle, Orchestre
68
4 Contrebasses
66
Flûte, Contrebasse (duo)
60
Violon, Basse continue
55
Harpe, Violon, Violoncelle
48
Ensemble de Violons
48
3 Contrebasses
43
Violoncelle, Basse continue
41
2 Violons et Basse continue
39
3 Harpes
34
Violon, Tuba (duo)
32
Ensemble d'Altos
31
Harpe et mandoline
24
Autoharp
21
Alto et orchestre
19
Alto, Orgue
16
Violon, Contrebasse (duo)
16
Violon, Violoncelle, Clarinette
16
Violoncelle et Marimba
15
Harpe, Trombone (duo)
15
Violon, Trompette et Piano
14
4 Harpes
12
Harpe, Orchestre
9
Harpe et Orgue
8
5 Harpes
6
Harpe, Quatuor à cordes
6
Ensemble de Contre basses
3
Violon, Clarinette et Guitare
3
+ 79 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
77 069
Orchestre
20 984
Orchestre à Cordes
19 328
Fanfare
17 443
Ensemble Jazz
16 961
Batterie
12 806
Percussion (partie séparée)
9 158
Cloches
6 577
Ensemble de cuivres
5 670
Orchestre de chambre
3 612
Percussion
3 170
Batterie (partie séparée)
2 658
Jazz combo
2 528
Timbales (partie séparée)
2 283
Ensemble de Percussions
1 557
Marimba
708
Timbales
544
Xylophone
524
Vibraphone
454
Quintette à Vent
310
Instrumentation Flexible
282
Caisse Claire
189
Xylophone, Piano
156
Piano et Orchestre
144
Quatuor à Vent : 4 instruments à vents
120
Vibraphone (partie séparée)
96
Orchestre, Violon
71
Big band
69
2 Xylophones
63
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
61
Quintette de Cuivres: autres combinaisons
41
Xylophone (partie séparée)
35
Vibraphone et Marimba
33
Batterie-Fanfare
32
Vibraphone, Piano
29
Orchestre Symphonique
27
Ensemble d'École
25
2 Marimbas
24
3 Marimbas
18
Trio à Vent: 3 instruments à vents
18
Marimba, Piano (duo)
17
Marimba et Orgue
13
Xylophone ou Marimba ou Vibraphone
12
Voix et Orchestre
11
3 Percussions
11
2 Percussions
8
Bongos
7
2 Caisses Claires (duo)
6
Conga
4
Mariachi
4
Cajon
4
Marimba ou Xylophone et Piano
3
Bodhran
3
4 Percussions
2
Voix Mezzo-Soprano, Orchestre
2
Marimba, Saxophone (duo)
1
Caisse Claire, Piano
1
+ 52 instrumentations
Retracter
Autres
Formation musicale - Solfège
421
Théorie de la musique
53
Papeterie
33
Eveil Musical
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
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TRI ET FILTRES
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Saxophone Alto et Piano
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Fauré: Élégie Op. 24 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.549727 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Peri...
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Alto Saxophone,Piano - Level 4 - SKU: A0.549727 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531403. Published by jmsgu3 (A0.549727). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
COME, YE THANKFUL PEOPLE, COME (Duet – Alto Sax and Piano/Score and Parts)
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Saxophone Alto et Piano
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Gospel Spirituel
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Musique Sacrée
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George Job Elvey
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Gary Lanier
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COME, YE THANKFUL PEOPLE, COME
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The Lanier Company
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SheetMusicPlus
Composed by George Job Elvey (1816-1893). Arranged by Gary Lanier. Christian, Contemporary Christian, Gospel, General Worship. Individual Part, Score. 10 pages....
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Composed by George Job Elvey (1816-1893). Arranged by Gary Lanier. Christian, Contemporary Christian, Gospel, General Worship. Individual Part, Score. 10 pages. Published by The Lanier Company (S0.74483). - Individual Part,Score - Christian,Contemporary Christian,Gospel,General Worship - The Lanier Company
$6.99
JESUS, I COME (Duet – Alto Sax & Piano with Parts)
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Saxophone Alto et Piano
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Gospel Spirituel
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Musique Sacrée
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GEORGE C
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Gary Lanier
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JESUS, I COME
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The Lanier Company
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SheetMusicPlus
Composed by GEORGE C. STEBBINS. Arranged by Gary Lanier. Christian, Contemporary Christian, Gospel, Praise & Worship, General Worship. Score, Solo Part. 12 page...
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Composed by GEORGE C. STEBBINS. Arranged by Gary Lanier. Christian, Contemporary Christian, Gospel, Praise & Worship, General Worship. Score, Solo Part. 12 pages. Published by The Lanier Company (S0.115043). - Score,Solo Part - Christian,Contemporary Christian,Gospel,Praise & Worship,General Worship - The Lanier Company
$5.99
Gary Lanier: COME, CHRISTIANS, JOIN TO SING (Duet – Alto Sax & Piano with Parts)
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Saxophone Alto et Piano
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Musique Sacrée
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Trad
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Gary Lanier
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Gary Lanier: COME, CHRISTIANS,
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The Lanier Company
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SheetMusicPlus
Composed by Trad. Spanish Melody. Arranged by Gary Lanier. Christian, Contemporary Christian, Sacred, Praise & Worship, General Worship. Score, Solo Part. 8 pag...
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Composed by Trad. Spanish Melody. Arranged by Gary Lanier. Christian, Contemporary Christian, Sacred, Praise & Worship, General Worship. Score, Solo Part. 8 pages. Published by The Lanier Company (S0.95839). - Score,Solo Part - Christian,Contemporary Christian,Sacred,Praise & Worship,General Worship - The Lanier Company
$6.99
THE MASTER HATH COME (Duet – Alto Sax and Piano/Score and Parts)
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Saxophone Alto et Piano
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Gospel Spirituel
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Musique Sacrée
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Traditional Welsh Melody
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Gary Lanier
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THE MASTER HATH COME
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The Lanier Company
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SheetMusicPlus
Composed by Traditional Welsh Melody. Arranged by Gary Lanier. Christian, Contemporary Christian, Gospel, Praise & Worship, General Worship. Individual Part, Sc...
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Composed by Traditional Welsh Melody. Arranged by Gary Lanier. Christian, Contemporary Christian, Gospel, Praise & Worship, General Worship. Individual Part, Score. 11 pages. Published by The Lanier Company (S0.70969). - Individual Part,Score - Christian,Contemporary Christian,Gospel,Praise & Worship,General Worship - The Lanier Company
$6.99
O Come, O Come Emmanuel - Alto Sax Solo with Piano Accompaniment
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Musique Sacrée
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Traditional
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Christopher R
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O Come, O Come Emmanuel - Alto
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Christopher Brown
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SheetMusicPlus
Composed by Traditional (Anonymous). Arranged by Christopher R. Brown. Christian, Christmas, Gospel, Sacred. Score and part. 11 pages. Christopher Bro...
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Composed by Traditional (Anonymous). Arranged by Christopher R. Brown. Christian, Christmas, Gospel, Sacred. Score and part. 11 pages. Christopher Brown #4853925. Published by Christopher Brown
The musically mysterious Christmas hymn \"O Come, O Come Emmanuel\" arranged as an instrumental solo with piano accompaniment. A great addition to Christmas programs or recitals.
$6.99
O Come, All Ye Faithful (treble Eb instrument duet, parts only)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Noël
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Wade's Cantus Diversi
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Sandra Zylstra
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O Come, All Ye Faithful
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sandra dee zylstra
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.712529 Composed by Wade's Cantus Diversi. Arranged by Sandra Zylstra....
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.712529 Composed by Wade's Cantus Diversi. Arranged by Sandra Zylstra. Christian,Christmas,Sacred. Score and parts. 6 pages. Sandra dee zylstra #6078167. Published by sandra dee zylstra (A0.712529). O come, all ye faithful. Joyful and triumphant…. This is a Christmas carol sung around the world. The hymn tune is Adeste Fideles which has been attributed to various composers during the 1700's. This intermediate arrangement is a treble Eb instrument duet part and would make a great prelude on Christmas morning! There are separate instrument duet parts available for treble C, bass C, treble Bb, treble Eb, and treble F instruments. (Approximately 4 minutes, 3 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$3.00
O Come, All Ye Faithful (treble Eb instrument duet)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Noël
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Wade's Cantus Diversi
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Sandra Zylstra
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O Come, All Ye Faithful
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sandra dee zylstra
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.712523 Composed by Wade's Cantus Diversi. Arranged by Sandra Zylstra....
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.712523 Composed by Wade's Cantus Diversi. Arranged by Sandra Zylstra. Christian,Christmas,Sacred. Score and parts. 10 pages. Sandra dee zylstra #6078187. Published by sandra dee zylstra (A0.712523). O come, all ye faithful. Joyful and triumphant…. This is a Christmas carol sung around the world. The hymn tune is Adeste Fideles which has been attributed to various composers during the 1700's. This intermediate arrangement for treble Eb instrument and piano accompaniment and a separate instrument part would make a great prelude on Christmas morning! (Approximately 4 minutes, 9 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/ .
$4.75
Come, Christians Join To Sing (treble Eb instrument solo)
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Traditional Spanish Melody
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Sandra Zylstra
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Come, Christians Join To Sing
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sandra dee zylstra
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.712070 Composed by Traditional Spanish Melody. Arranged by Sandra Zylstra. Christian,Praise & Worship,Sacred. S...
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Alto Saxophone,Piano - Level 4 - SKU: A0.712070 Composed by Traditional Spanish Melody. Arranged by Sandra Zylstra. Christian,Praise & Worship,Sacred. Score and part. 6 pages. Sandra dee zylstra #566395. Published by sandra dee zylstra (A0.712070). Come, Christians join to sing, alleluia to our King... Come join in and sing praises to Christ the King with this delightful arrangement for instrument solo with piano accompaniment! This piece is arranged as a late intermediate treble Eb instrument solo with piano accompaniment with piano accompaniment. (Approximately 2 minutes & 30 seconds, 5 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$3.75
Come, Thou Fount of Every Blessing (treble Eb instrument solo)
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Folktune
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Sandra Zylstra
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Come, Thou Fount of Every Bles
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sandra dee zylstra
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.711912 Composed by Folktune. Arranged by Sandra Zylstra. Christian,Praise & Worship,Sacred. Score and part. 6 p...
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Alto Saxophone,Piano - Level 4 - SKU: A0.711912 Composed by Folktune. Arranged by Sandra Zylstra. Christian,Praise & Worship,Sacred. Score and part. 6 pages. Sandra dee zylstra #11319. Published by sandra dee zylstra (A0.711912). This hymn text was written by Robert Robinson who was a troubled youth who later became a Christian. Come, thou fount of every blessing; tune my heart to sing thy grace…We should always be aware of the blessings God puts in our lives. This piece is arranged as a late intermediate treble Eb instrument solo with piano accompaniment and separate instrument part. (Approximately 2 minutes, 5 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/ .
$3.50
Sullivan: The Lost Chord for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for A
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Alto Saxophone,Piano - Level 4 - SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494751. Published by jmsgu3 (A0.549443). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord Winds The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
O Come All Ye Faithful for Alto Sax & Piano
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Saxophone Alto et Piano
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DÉBUTANT
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Wade
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James M
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O Come All Ye Faithful for Alt
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.548508 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jms...
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Alto Saxophone,Piano - Level 1 - SKU: A0.548508 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388099. Published by jmsgu3 (A0.548508). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages. Part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
Come, Thou Fount of Every Blessing (Jupiter) - Solo Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Gustav Holst / John Wyeth
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Garrett Breeze
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Come, Thou Fount of Every Bles
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Lagom Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.723282 Composed by Gustav Holst / John Wyeth. Arranged by Garrett Breeze. Christian,Concert,Contemporary,Gradua...
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Alto Saxophone,Piano - Level 3 - SKU: A0.723282 Composed by Gustav Holst / John Wyeth. Arranged by Garrett Breeze. Christian,Concert,Contemporary,Graduation,Sacred. Score and part. 11 pages. Lagom Music #6083315. Published by Lagom Music (A0.723282). This beautiful solo arrangement is one of composer Garrett Breeze’s most memorable works as it seamlessly weaves together two of England’s most beloved hymn tunes: Nettleton and Thaxted. Nettleton is most commonly heard today as the tune for the popular hymn Come, Thou Fount of Every Blessing. Thaxted has a prominent place in classical repertoire as the focal point of Gustav Holst’s Jupiter from The Planets. Suitable for church services, weddings, graduations, and recitals.Visit https://garrettbreeze.com to read my blog and discover new music!
$5.99
Ode to Joy by Beethoven for Alto Sax
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Saxophone Alto et Piano
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DÉBUTANT
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Al
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Woods Only, Arrangements
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.1160398 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Perio...
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Alto Saxophone,Piano - Level 1 - SKU: A0.1160398 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760681. Published by Woods Only, Arrangements (A0.1160398). This arrangement adapted for alto saxophone and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
Comptine D'un Autre Été: L'après-Midi
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Saxophone Alto et Piano
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FACILE
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Yann Tiersen
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Harry Walker
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Comptine D'un Autre Ét&
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SCORE EDITIONS
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1473823 By Yann Tiersen. By Yann Tiersen. Arranged by Harry Walker. 21st Century,Chamber,Contest,Festival,Film/...
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Alto Saxophone,Piano - Level 2 - SKU: A0.1473823 By Yann Tiersen. By Yann Tiersen. Arranged by Harry Walker. 21st Century,Chamber,Contest,Festival,Film/TV,Wedding. Score and part. 9 pages. SCORE EDITIONS #1051542. Published by SCORE EDITIONS (A0.1473823). Comptine d'un autre été: L'après-midi is one of the most iconic pieces by French composer Yann Tiersen known for its poetic simplicity and melancholic melody. This piece was originally composed for the film Amélie (2001), a work that received worldwide acclaim for both its cinematography and soundtrack. In this version, the composition was arranged for Alto Saxophone and Piano by Harry Walker.
$5.99
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Pe...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co.
$24.95
Come Vorrei
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Contemporain
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Ricchi E Poveri
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Fishel Pustilnik
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Come Vorrei
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F & N Enterprise
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.635827 By Ricchi E Poveri. By Christiano Minellono...
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.635827 By Ricchi E Poveri. By Christiano Minellono and Dario Farina. Arranged by Fishel Pustilnik. Contemporary. Score and parts. 8 pages. F & N Enterprise #5884975. Published by F & N Enterprise (A0.635827). An excellent arrangement of the famous Song Come Vorrei for Alto Sax and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/2CsQo3Mbm2U The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
LORD, I'M COMING HOME (for Alto Sax and Piano with Score/Part)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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William J
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Gary Lanier
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LORD, I'M COMING HOME
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The Lanier Company
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.617577 Composed by William J. Kirkpatrick. Arranged by Gary Lanier. Sacred. Score and part. 13 pages. The Lanie...
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Alto Saxophone,Piano - Level 3 - SKU: A0.617577 Composed by William J. Kirkpatrick. Arranged by Gary Lanier. Sacred. Score and part. 13 pages. The Lanier Company #5789257. Published by The Lanier Company (A0.617577). LORD, I'M COMING HOME is an arrangement by Gary Lanier for Alto Sax and Piano of one of our most cherished Hymns. The theme is one of resolve to return to the Lord. This emotionally packed arrangement is perfect for Church or any gathering where hymns of testimony are desired. The score, including cover and instrumental part is 13 pages long.
$6.99
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