Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
There Are Days
Non classifié
195
Piano & claviers
Piano seul
50
Piano, Voix et Guitare
38
Piano, Voix
26
Orgue
20
Piano grosses notes
17
Piano Facile
14
Instruments en Do
6
1 Piano, 4 mains
5
Clavecin
1
Accompagnement Piano
1
+ 5 instrumentations
Retracter
Guitares
Guitare
46
Guitare notes et tablatures
37
Basse electrique
5
Ukulele
1
Ensemble de guitares
1
Dulcimer
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
28
Chorale 3 parties
14
Chorale 2 parties
10
Voix duo, Piano
5
Chorale Unison
2
Chorale TTBB
1
Voix basse, Piano
1
Chorale SSAATTBB
1
Voix Alto, Piano
1
Voix Baryton, Piano
1
Chorale SSAA
1
+ 6 instrumentations
Retracter
Vents
2 Saxophones (duo)
129
2 Clarinettes (duo)
72
2 Flûtes traversières (duo)
48
Saxophone, Clarinette (duo)
46
Clarinette, Violon (duo)
44
Clarinette, Trompette (duo)
42
2 Flûte à bec (duo)
31
Flûte, Violon
26
Hautbois, Clarinette (duo)
25
Flûte, Clarinette (duo)
25
Hautbois, Basson (duo)
25
Flûte, Saxophone (duo)
24
2 Hautbois (duo)
24
Flûte, Alto (duo)
24
Clarinette et Alto
22
Flûte, Trompette (duo)
16
Flûte, Hautbois (duo)
13
Hautbois, violon (duo)
12
Hautbois, Flûte
10
Saxophone Alto et Piano
9
Saxophone Soprano et Piano
7
Clarinette, Trombone (duo)
6
Flûte traversière et Piano
5
Saxophone Tenor et Piano
5
Clarinette et Piano
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Quatuor de Saxophones: 4 saxophones
4
Hautbois, Piano (duo)
4
Saxophone Baryton, Piano
3
Clarinette
3
Ensemble de Flûtes
3
Flûte, Hautbois, Clarinette, Basson
3
Ensemble de Clarinettes
2
Flûte à Bec
2
Quatuor de Flûtes à bec
1
Cor anglais, Piano
1
Clarinette, Basson (duo)
1
Flûte et Guitare
1
Flûte traversière
1
2 Cors Anglais Et Pianoforte
1
Clarinette Basse, Piano
1
Flûte à bec Soprano
1
3 Flûtes à bec (trio)
1
Hautbois
1
+ 39 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
32
2 Trombones (duo)
32
2 Trompettes (duo)
32
Trompette, Trombone (duo)
24
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
2 Euphoniums (duo)
8
Trombone et Piano
7
Cor et Piano
4
Trompette, Piano
4
Trompette
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Tuba et Piano
2
Euphonium, Piano (duo)
2
Tuba
2
Cor anglais, Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Clarinette, Cor (duo)
1
4 Tubas
1
2 Cors Anglais Et Pianoforte
1
Cor
1
Trompette, Tuba (duo)
1
Trombone
1
Ensemble de Trompettes
1
+ 18 instrumentations
Retracter
Cordes
Violon, Alto (duo)
28
Violon, Violoncelle (duo)
26
2 Altos (duo)
25
2 Violons (duo)
24
2 Violoncelles (duo)
22
Harpe
18
Quatuor à cordes: 2 violons, alto, violoncelle
12
Alto, Piano
9
Violoncelle, Piano
7
Violon et Piano
7
Harpe, Voix
4
Trio à Cordes: violon, alto, violoncelle
2
Alto seul
2
Violoncelle
2
Alto, Violoncelle (duo)
1
Violon
1
Trio à Cordes: 3 violoncelles
1
Contrebasse, Piano (duo)
1
Contre Basse
1
2 Violons, Piano
1
4 Contrebasses
1
Trio à cordes: 3 violins
1
+ 17 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
33
Orchestre à Cordes
14
Orchestre
9
Ensemble de cuivres
8
Jazz combo
6
Orchestre de chambre
3
Batterie
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Cloches
2
Fanfare
2
Ensemble Jazz
1
Piano et Orchestre
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Play-along
Idées Cadeaux Partitions
Les artistes les plus consultés du mois de novembre
Artistes Francophones
1 - Charles Aznavour
2 - Edith Piaf
3 - Mylene Farmer
4 - Maurane
5 - Michel Legrand
6 - Eddy Mitchell
7 - Françoise Hardy
8 - Barbara
9 - Francis Cabrel
10 - Jacques Brel
11 - Emma Daumas
12 - Georges Brassens
13 - Céline Dion
14 - Yann Tiersen
15 - William Sheller
Liste complète Francophone
Artistes Internationaux
1 - John Williams
2 - The Beatles
3 - Astor Piazzolla
4 - Jean Sibelius
5 - Camille Saint-Saens
6 - Dan Coates
7 - George Gershwin
8 - Mark Hayes
9 - Leonard Bernstein
10 - Andrew Lloyd Webber
11 - Bela Bartok
12 - John Rutter
13 - Lloyd Larson
14 - Scott Joplin
15 - Maurice Ravel
16 - Jérôme Naulais
17 - Taylor Swift
18 - Ralph Vaughan Williams
19 - Irving Berlin
20 - Gustav Holst
21 - Erik Satie
22 - Miles Davis
23 - Sergei Rachmaninoff
24 - Dmitri Shostakovich
25 - Benjamin Britten
Liste complète Internationale
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
9
Librairie Musicale
0
Matériel de Musique
10
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
There Are Days
Saxophone Alto et Piano
Partitions à imprimer
9 partitions trouvées
<
1
(there's No Place Like) Home For The Holidays
#
Saxophone Alto et Piano
#
FACILE
#
Noël
#
Perry Como
#
Stephen DeCesare
#
(there's No Place Like) Home F
#
Exultet Music
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.630729 By Perry Como. By Robert Allen. Arranged by Stephen DeCesare. Christmas,Jazz. Score and part. 10 pages. ...
(+)
Alto Saxophone,Piano - Level 2 - SKU: A0.630729 By Perry Como. By Robert Allen. Arranged by Stephen DeCesare. Christmas,Jazz. Score and part. 10 pages. Exultet Music #6473199. Published by Exultet Music (A0.630729). The popular song, commonly associated with the Christmas and holiday season which was recorded by Perry Como, has been freshly arranged for an Alto Saxophone solo with Piano accompaniment. Accessible for any school or concert program.
$4.99
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
#
Saxophone Alto et Piano
#
AVANCÉ
#
Classique
#
Contemporain
#
Nikolay Andreyevich Rimsky-Kor
#
James M
#
Korsakov: Flight of the Bumble
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
(+)
Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Five Ragtime Solos by Scott Joplin for Alto Saxophone and Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Ragtime
#
Scott Joplin
#
David McKeown
#
Five Ragtime Solos by Scott Jo
#
David McKeown
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1118286 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 page...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.1118286 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. David McKeown #719804. Published by David McKeown (A0.1118286). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Alto Saxophone with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Trumpet Voluntary, (Prince of Denmark's March), for Solo Alto Saxophone and Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Jeremiah Clarke
#
David McKeown
#
Trumpet Voluntary,
#
David McKeown
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.587590 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding....
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.587590 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4367400. Published by David McKeown (A0.587590). The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. This full version is arranged as a Solo for Alto Saxophone and Piano; the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The single pdf file contains both the score and the solo instrumental part. Musicians at an intermediate level and above will find this ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamics.The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Children's Song Medley (treble Eb instrument solo)
#
Saxophone Alto et Piano
#
DÉBUTANT
#
Traditional
#
Sandra Zylstra
#
Children's Song Medley
#
sandra dee zylstra
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - SKU: A0.712060 Composed by Traditional. Arranged by Sandra Zylstra. Children,Contest,Festival,Folk,Traditional. Score a...
(+)
Alto Saxophone,Piano - Level 1 - SKU: A0.712060 Composed by Traditional. Arranged by Sandra Zylstra. Children,Contest,Festival,Folk,Traditional. Score and part. 7 pages. Sandra dee zylstra #558765. Published by sandra dee zylstra (A0.712060). Do you remember all these songs from your childhood days? There are several children's songs tucked into this fun arrangement! This piece is arranged for a beginner treble Eb instrument solo with piano accompaniment and separate instrument part. (Approximately 2 minutes, 6 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/ .
$3.75
Schubert: Moment Musicaux for Alto Sax & Piano
#
Saxophone Alto et Piano
#
FACILE
#
Classique
#
Franz Schubert
#
James M
#
Schubert: Moment Musicaux for
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549015 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standard...
(+)
Alto Saxophone,Piano - Level 2 - SKU: A0.549015 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447439. Published by jmsgu3 (A0.549015). Alto Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
Alto Sax - "And Can It Be?" Theme and Variations
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Lyrics: Charles Wesley, Music:
#
Dan Cutchen
#
Alto Sax - "And Can It Be
#
Dan Cutchen Music
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
Handel: Largo from Xerxes for Alto Sax & Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
George Frideric Handel
#
James M
#
Handel: Largo from Xerxes for
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549383 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Weddin...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.549383 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492297. Published by jmsgu3 (A0.549383). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
<
1
There Are Days
