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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Music of Asia
Non classifié
198
Piano & claviers
Piano seul
209
Orgue
60
Accordéon
34
Piano, Voix et Guitare
31
Piano, Voix
26
Piano Facile
17
2 Pianos, 4 mains
8
1 Piano, 4 mains
5
Piano Trio: piano, violon, violoncelle
4
Instruments en Do
2
Accompagnement Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 8 mains
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
32
Guitare
19
2 Guitares (duo)
10
Basse electrique
7
Ligne De Mélodie, (Paroles) et Accords
5
Paroles et Accords
5
Ukulele
3
Ukulele Baryton
2
4 Guitares (Quatuor)
2
3 Guitares (trio)
1
Piano, Guitare (duo)
1
Mandoline
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
41
Chorale 2 parties
26
Chorale 3 parties
13
Voix duo, Piano
9
Chorale Unison
8
Voix duo
8
Chorale TTBB
4
Chorale
3
Voix haute
2
Voix moyenne, Piano
1
Voix basse, Piano
1
Voix Soprano, Piano
1
Chorale SSAA
1
Voix seule
1
+ 9 instrumentations
Retracter
Vents
Flûte traversière et Piano
19
Quatuor de Clarinettes: 4 clarinettes
16
Clarinette (partie séparée)
13
Clarinette et Piano
12
Saxophone (partie séparée)
11
Flûte traversière
11
Quatuor de Saxophones: 4 saxophones
11
Quatuor de Flûtes : 4 flûtes
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Hautbois, Piano (duo)
7
2 Saxophones (duo)
7
Flûte, Hautbois, Clarinette, Basson
6
2 Flûtes traversières (duo)
6
Ensemble de Flûtes
6
Ensemble de Clarinettes
6
Quintette de Saxophone: 5 saxophones
6
Flute (partie séparée)
4
2 Flûte à bec (duo)
4
Quatuor de Flûtes à bec
4
3 Saxophones (trio)
3
3 Clarinettes (trio)
3
Hautbois
3
Flûte, Clarinette (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Saxophone Tenor et Piano
3
Ensemble de saxophones
3
Saxophone Alto et Piano
3
Saxophone Soprano et Piano
2
Hautbois (partie séparée)
2
Cor anglais, Piano
2
Saxophone Baryton, Piano
2
Flûte à Bec
2
5 Flûtes à bec
2
2 Clarinettes (duo)
2
3 Flûtes à bec (trio)
2
Trio de Flûtes: 3 flûtes
1
Quintette de Flûte : 5 flûtes
1
Flûte, Violoncelle
1
Flûte traversière, Orgue (duo)
1
Ensemble De Flûte à bec
1
Flûte, Saxophone (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone et Orgue
1
Flûte, Clarinette et Basson
1
Flûte, Basson et Piano
1
Flûte à bec Alto
1
Clarinette
1
Flûte, Harpe et Violoncelle
1
2 Hautbois (duo)
1
2 Flûtes traversières, Piano
1
Clarinette Basse
1
Clarinette Basse, Piano
1
Flûte irlandaise
1
Saxophone Alto
1
Flûte traversière, Orchestre
1
Piccolo
1
Flûte et Guitare
1
Saxophone Tenor
1
Clarinette, Basson (duo)
1
Flûte à bec Soprano
1
+ 55 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Trombone (partie séparée)
13
Cor (partie séparée)
6
Trompette (partie séparée)
6
Tuba
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trombone et Piano
5
Trompette
4
Cor et Piano
2
Quatuor de Cuivres
2
4 Tubas
2
Ensemble de Trompettes
2
Trompette, Piano
2
Cor anglais, Piano
2
Cor
2
Quatuor de cuivres: 4 trombones
2
Euphonium, Piano (duo)
2
Tuba (partie séparée)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Cors
1
Trombone
1
Ensemble de Trombones
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone basse et Piano
1
Quatuor de cuivres: 4 trompettes
1
3 Trompettes (trio)
1
2 Trompettes (duo)
1
2 Cors (duo)
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
65
Violon et Piano
30
Harpe
19
Violoncelle, Piano
15
Trio à Cordes: violon, alto, violoncelle
13
Violon
9
Violon, Violoncelle (duo)
7
Violon (partie séparée)
6
Violoncelle
6
2 Violons (duo)
5
2 Violoncelles (duo)
4
4 Violoncelles
4
Alto, Piano
4
Trio à cordes: 3 violins
3
Alto seul
3
Contrebasse (partie séparée)
3
Violoncelle (partie séparée)
2
Trio à Cordes: 2 violons, violoncelle
2
2 Altos (duo)
2
Quatuor à cordes : 4 altos
1
2 Harpes (duo)
1
Alto (partie séparée)
1
Trio à cordes: 3 altos
1
Harpe, Flûte (duo)
1
Trio à Cordes: 2 violons, alto
1
Trio à Cordes: 3 violoncelles
1
Contre Basse
1
Quatuor à cordes: 4 violons
1
Alto, Violoncelle (duo)
1
Contrebasse, Piano (duo)
1
Violon, Alto (duo)
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
126
Orchestre à Cordes
58
Orchestre
33
Batterie
19
Ensemble Jazz
6
Cloches
5
Orchestre de chambre
4
Percussion (partie séparée)
4
Ensemble de cuivres
3
Percussion
3
Timbales (partie séparée)
3
Marimba
2
Ensemble de Percussions
2
Batterie (partie séparée)
1
Piano et Orchestre
1
+ 10 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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Vous avez sélectionné:
Music of Asia
Saxophone Tenor et Piano
Partitions à imprimer
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Bach: Wachet auf for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Tenor Sax
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Moonlight Sonata by Beethoven for Tenor Sax
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Saxophone Tenor et Piano
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1156943 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic ...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.1156943 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #757287. Published by Woods Only, Arrangements (A0.1156943). This arrangement adapted for tenor saxophone and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$1.99
The Wedding Album, for Solo Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Film Walt Disney
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Various
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David McKeown
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The Wedding Album, for Solo Te
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.587623 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Scor...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.587623 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594681. Published by David McKeown (A0.587623). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Tenor Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
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