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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Old May Day
Non classifié
167
Piano & claviers
Piano seul
71
Piano, Voix
66
Piano, Voix et Guitare
8
Instruments en Do
5
Piano Facile
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue
2
Piano Trio: piano, violon, violoncelle
1
1 Piano, 4 mains
1
Orgue, Piano (duo)
1
Accompagnement Piano
1
+ 6 instrumentations
Retracter
Guitares
Guitare
5
Ligne De Mélodie, (Paroles) et Accords
1
Basse electrique
1
Piano, Guitare (duo)
1
Mandoline
1
Guitare notes et tablatures
1
Banjo
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
79
Chorale 2 parties
13
Chorale 3 parties
12
Chorale Unison
11
Voix duo, Piano
7
Chorale TTBB
5
Voix seule
4
Chorale SSAA
4
Voix Alto, Piano
2
Voix basse
1
Voix haute
1
Voix basse, Piano
1
Voix duo
1
+ 8 instrumentations
Retracter
Vents
Saxophone Tenor
18
Hautbois (partie séparée)
14
Clarinette
14
Saxophone Alto
14
Flûte traversière
13
Hautbois, Piano (duo)
12
2 Saxophones (duo)
10
Saxophone Alto et Piano
9
Clarinette et Piano
9
Flûte traversière et Piano
8
Saxophone Tenor et Piano
7
Saxophone, Clarinette (duo)
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Cor anglais, Piano
5
Quatuor de Saxophones: 4 saxophones
5
Quintette de Clarinettes: 5 clarinettes
4
2 Clarinettes (duo)
4
Clarinette, Violon (duo)
4
Ensemble de saxophones
4
Saxophone Soprano et Piano
4
Quintette de Saxophone: 5 saxophones
4
Flûte à bec Soprano, Piano
3
Flûte, Violon
3
Quatuor de Clarinettes: 4 clarinettes
3
Ensemble de Flûtes
3
Saxophone Baryton, Piano
3
2 Flûtes traversières (duo)
3
Flûte, Saxophone (duo)
2
2 Hautbois (duo)
2
Clarinette Basse, Piano
2
Flûte, Hautbois, Clarinette, Basson
2
Clarinette, Trompette (duo)
2
Ensemble de Clarinettes
2
Hautbois, Flûte
2
Hautbois, Clarinette (duo)
2
Flûte, Clarinette (duo)
2
Clarinette et Alto
2
Clarinette Basse
1
Flûte, Alto (duo)
1
Clarinette, Trombone (duo)
1
Hautbois, Basson (duo)
1
3 Clarinettes (trio)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Trompette (duo)
1
Quatuor de Flûtes à bec
1
2 Flûte à bec (duo)
1
Quatuor de Flûtes : 4 flûtes
1
+ 42 instrumentations
Retracter
Cuivres
Trompette
18
Quatuor de cuivres: 4 trombones
17
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trombone
14
Cor
10
Trombone et Piano
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette, Piano
5
Cor anglais, Piano
5
Trompette, Saxophone (duo)
4
Euphonium, Piano (duo)
4
Cor et Piano
4
Ensemble de Trombones
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
2 Trombones (duo)
3
Ensemble de Trompettes
2
Trompette, Trombone (duo)
2
2 Trompettes (duo)
2
Tuba et Piano
2
Quatuor de Cuivres
1
3 Trombones (trio)
1
Ensemble de Tubas
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 4 cors
1
Tuba
1
+ 20 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
26
Violoncelle
20
Violon
17
Violon et Piano
11
Alto seul
10
Alto, Piano
9
Violoncelle, Piano
6
Violon, Violoncelle (duo)
6
Trio à Cordes: violon, alto, violoncelle
6
Alto (partie séparée)
4
2 Violoncelles (duo)
3
Violon, Alto (duo)
3
Harpe
3
Trio à Cordes: 2 violons, violoncelle
2
2 Altos (duo)
2
Harpe, Voix
2
Contre Basse
1
2 Violons (duo)
1
Ensemble d'Altos
1
Alto, Violoncelle (duo)
1
Violon, Guitare (duo)
1
Harpe et Piano
1
4 Violoncelles
1
Quatuor à cordes: 4 violons
1
Ensemble de Violons
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
42
Orchestre
13
Cloches
7
Orchestre de chambre
6
Orchestre à Cordes
4
Ensemble de cuivres
3
Fanfare
2
Batterie
1
Marimba
1
Quintette de Cuivres: autres combinaisons
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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MANDOLINE
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Vous avez sélectionné:
Old May Day
Saxophone Tenor et Piano
Partitions à imprimer
7 partitions trouvées
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1
O Come All Ye Faithful for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Wade
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James M
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O Come All Ye Faithful for Ten
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548516 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jm...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548516 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388133. Published by jmsgu3 (A0.548516). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
15 Favourite Hymns for Thanksgiving and Harvest for Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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FACILE
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Musique Sacrée
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Various
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David McKeown
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15 Favourite Hymns for Thanksg
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.590378 Composed by Various. Arranged by David McKeown. Christian,Holiday,Praise & Worship,Sacred. Score and pa...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.590378 Composed by Various. Arranged by David McKeown. Christian,Holiday,Praise & Worship,Sacred. Score and part. 27 pages. David McKeown #6204565. Published by David McKeown (A0.590378). 15 Favourite Hymns for Thanksgiving and Harvest for Tenor Saxophone and Piano is a beautiful collection of well-known traditional Thanksgiving and Harvest hymns, carefully chosen to help you celebrate this special time of year with music. Each hymn is arranged for solo Tenor Saxophone and Piano. The file contains both the piano score and a separate part for the solo instrument.15 Favourite Hymns for Thanksgiving and Harvest are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 15 Favourite Hymns for Thanksgiving and Harvest useful for building reading, rhythmic and expressive skills.The hymns are in alphabetical order and are as follows…· All Things Bright and Beautiful, (The 29thMay)· Come Thou Fount of Every Blessing, (Nettleton)· Come, Ye Thankful People Come, (St George’s, Windsor)· Count Your Blessings, (Blessings)· For All the Blessings of the Year, (Oldbridge)· For the Beauty of the Earth, (Dix)· Now Thank We All Our God, (Nun Danket)· O Store Gud, (Trad. Swedish, also used for How Great Thou Art)· Praise God from Whom All Blessings Flow, (Old Hundredth)· Praise My Soul, the King of Heaven, (Laude Anima)· Praise to the Lord, the Almighty, (Lobe den Herren). Rejoice Today with One Accord, (Ein Feste Burg)· We Gather Together, (Kremser)· We Plough the Fields and Scatter, (Wir Pflügen)· When Morning Gilds the Skies, (Laudes Domini)There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
Balm in Gilead (Arrangements Lvl 1-3 for TENOR SAX + Written Accomp) HYMN
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Saxophone Tenor et Piano
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DÉBUTANT
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Black American Spiritual
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Dr Jerry Nelson
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Balm in Gilead
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Jerry Nelson
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.875041 Composed by Black American Spiritual. Arranged by Dr Jerry Nelson. Christian,Sacred,Spiritual. Score an...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.875041 Composed by Black American Spiritual. Arranged by Dr Jerry Nelson. Christian,Sacred,Spiritual. Score and part. 6 pages. Jerry Nelson #3691393. Published by Jerry Nelson (A0.875041). This lush arrangement recorded with the London Concert Orchestra,moves you gracefully from Challenge Level 1 thru 3 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this spirited Orchestral Accompaniment Track (#SO.432357). Time 3:51 Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Track. Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name). You may include a Title... or Genre (Ex: Style, specific Holiday, Musical Period).
$4.99
Bach: Wachet auf for Tenor Sax & Piano
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Saxophone Tenor et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Tenor Sax
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
We Will Rock You
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Rock
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Queen
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Fishel Pustilnik
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We Will Rock You
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F & N Enterprise
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.632786 By Queen. By Brian May. Arranged by Fishel ...
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.632786 By Queen. By Brian May. Arranged by Fishel Pustilnik. Rock. Score and parts. 4 pages. F & N Enterprise #3125727. Published by F & N Enterprise (A0.632786). An excellent arrangement of famous We Will Rock You by Queen for Tenor Sax and Piano (Jazz/Rock Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
The Show Must Go On
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Rock
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Queen
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Fishel Pustilnik
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The Show Must Go On
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F & N Enterprise
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.632651 By Queen. By Brian May, Freddie Mercury, Jo...
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.632651 By Queen. By Brian May, Freddie Mercury, John Deacon, and Roger Taylor. Arranged by Fishel Pustilnik. Rock. Score and parts. 11 pages. F & N Enterprise #3072151. Published by F & N Enterprise (A0.632651). An excellent arrangement of famous The Show Must Go On for Tenor Sax and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
Lambada
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Andreas Martin-Krause and Carl
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Fishel Pustilnik
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Pop Piano Paradise 
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Lambada
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F & N Enterprise
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.636265 Composed by Andreas Martin-Krause and Carlo...
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.636265 Composed by Andreas Martin-Krause and Carlos Eduardo De Jesus Gomes. Arranged by Fishel Pustilnik. Contemporary. Score and parts. 8 pages. F & N Enterprise #6345081. Published by F & N Enterprise (A0.636265). An excellent arrangement of the famous Song Lambadafor Tenor Sax and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/ZNzIp6K3MaYThe composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
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