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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
jmsgu3
Non classifié
968
Piano & claviers
Piano Quatuor: piano, violon, alto, violoncelle
53
Piano seul
32
Piano Trio: piano, violon, violoncelle
28
Orgue
26
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Piano Facile
3
+ 1 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
7
Guitare notes et tablatures
2
Guitare
2
3 Guitares (trio)
1
Voix
Chorale SATB
6
Vents
Flûte traversière et Piano
300
Clarinette et Piano
220
2 Saxophones (duo)
186
Hautbois, Piano (duo)
185
Saxophone Alto et Piano
159
Saxophone Soprano et Piano
149
Saxophone Tenor et Piano
147
Saxophone Baryton, Piano
146
2 Flûtes traversières (duo)
145
Clarinette Basse, Piano
118
2 Clarinettes (duo)
117
Cor anglais, Piano
100
Clarinette
60
2 Hautbois (duo)
58
Quatuor de Saxophones: 4 saxophones
44
3 Saxophones (trio)
28
3 Clarinettes (trio)
27
Quatuor de Clarinettes: 4 clarinettes
16
Ensemble de Flûtes
15
2 Cors Anglais Et Pianoforte
14
Trio de Flûtes: 3 flûtes
14
Hautbois, Basson (duo)
13
Clarinette, Violoncelle (duo)
13
Flûte, Violoncelle
12
Piccolo, Piano
12
Hautbois, Harpe
8
Clarinette, Harpe (duo)
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Ensemble de Clarinettes
7
Hautbois, Violoncelle
6
Quatuor de Flûtes : 4 flûtes
6
Flûte traversière
5
Flûte, Alto (duo)
4
Flûte, Hautbois (duo)
4
Ensemble de saxophones
4
Flûte à bec Alto, Piano
3
Flûte, Hautbois, Clarinette, Basson
3
Flûte, Clarinette (duo)
3
Saxophone et violoncelle
3
Flûte à Bec, Piano
3
Quintette de Saxophone: 5 saxophones
2
Clarinette Basse
2
Cor anglais et Harpe (duo)
2
Saxophone et Harpe
2
Flûte, Violon
2
Saxophone Baryton
2
Saxophone, Basson (duo)
2
Flûte, Violon et Violoncelle
2
Saxophone Alto
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Basson et Piano
1
Clarinette, Violon (duo)
1
2 Hautbois, Piano
1
2 Flûtes traversières, Piano
1
2 Hautbois et Basson
1
Hautbois et alto (duo)
1
Flûte à bec Soprano, Piano
1
Saxophone Soprano
1
Flûte et Trio à cordes
1
Saxophone et Piano
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Basson (duo)
1
Saxophone Tenor
1
+ 60 instrumentations
Retracter
Cuivres
Euphonium, Piano (duo)
135
Cor et Piano
115
Trombone et Piano
115
Cor anglais, Piano
100
Trompette, Piano
83
2 Cors (duo)
60
Tuba et Piano
56
Trompette
44
2 Trombones (duo)
41
2 Trompettes (duo)
36
2 Euphoniums (duo)
36
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
2 Tubas (duo)
15
2 Cors Anglais Et Pianoforte
14
Trompette, Trombone (duo)
6
Cor, Violoncelle (duo)
6
Trio de Cuivres
5
3 Trombones (trio)
5
Cor
5
Ensemble de Trombones
4
Euphonium, Tuba (duo)
4
Quatuor de cuivres: 4 trombones
3
Tuba et Orgue
3
Trombone basse et Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trombone, Tuba (duo)
2
Trombone, violoncelle (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Tuba
2
Cor anglais et Harpe (duo)
2
Euphonium
2
3 Cors (trio)
1
Trompette, Tuba (duo)
1
Trompette, Violoncelle (duo)
1
Trombone basse
1
Quatuor de cuivres: 4 cors
1
+ 31 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
309
Violon et Piano
179
Violoncelle, Piano
165
Alto, Piano
156
Trio à Cordes: violon, alto, violoncelle
96
2 Violoncelles (duo)
68
2 Violons (duo)
62
2 Altos (duo)
61
Violon, Violoncelle (duo)
22
Violoncelle
20
2 Contrebasses (duo)
16
Alto, Violoncelle (duo)
15
Harpe, Flûte (duo)
14
Violon, Alto (duo)
14
Harpe
13
Harpe, Violon (duo)
8
Violon
7
Trio à cordes
5
4 Violoncelles
4
Trio à Cordes: 3 violoncelles
4
Violoncelle, Contrebasse (duo)
3
Harpe, Violoncelle (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Alto et Harpe
2
Alto seul
2
Ensemble de Violoncelles
2
Quatuor à cordes : 4 altos
2
Contrebasse, Piano (duo)
1
Alto (partie séparée)
1
Violon, Orgue
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orgue
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
118
Ensemble de cuivres
25
Orchestre d'harmonie
14
Orchestre de chambre
9
Orchestre
8
Cloches
4
Vibraphone
1
+ 2 instrumentations
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
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FORMATION M…
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HARMONICA
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LIVRES
LUTH, THEOR…
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VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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ORGUE
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jmsgu3
Ensemble de Clarinettes
Partitions à imprimer
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Bach: Jesu, Joy of Man's Desiring for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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J
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James M
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Bach: Jesu, Joy of Man's Desir
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.548650 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.548650 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 32 pages. Jmsgu3 #3407883. Published by jmsgu3 (A0.548650). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for the clarinet choir.1 Eb Clarinet3 Bb Clarinets1 Alto Clarinet1 Bass Clarinet1 Contrabass ClarinetScore: 18 pg. Parts: 2 pg. Duration: 5:00 with optional repeat. Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings and during major church seasons such as Easter and Christmas. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, the St. John Passion and certainly the Christmas Oratorio are the most noteworthy.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV.
$49.95
Gabrieli: Jubilate Deo Ch. 136 for Clarinet Choir
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Ensemble de Clarinettes
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FACILE
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 2 - SKU: A0.549193 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. ...
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Woodwind Ensemble Clarinet - Level 2 - SKU: A0.549193 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457489. Published by jmsgu3 (A0.549193). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 1 Eb Clarinet, 5 Bb Clarinets, 1 alto clarinet, 2 bass clarinets
$29.95
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Mouton: Christmas Motet for Clarinet Choir
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Ensemble de Clarinettes
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FACILE
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Noël
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Jean Mouton
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James M
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Mouton: Christmas Motet for Cl
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 2 - SKU: A0.550373 Composed by Jean Mouton. Arranged by James M. Guthrie. Christmas,Concert,Renaissance,Sacred,Standa...
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Woodwind Ensemble Clarinet - Level 2 - SKU: A0.550373 Composed by Jean Mouton. Arranged by James M. Guthrie. Christmas,Concert,Renaissance,Sacred,Standards. 25 pages. Jmsgu3 #4616085. Published by jmsgu3 (A0.550373). Nesciens mater virgo virum. A quadruple canon at the fifth. Duration: ca. 3:00. Score: 7 pages, parts 2 pagegs each. Instrumentation: 6 Bb clarinets, 1 alto clarinet, 1 bass clarinet, 1 contrabass clarinet (optional).
$49.95
Scarlatti: Andante mosso for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Domenico Scarlatti
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James M
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Scarlatti: Andante mosso for C
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.550386 Composed by Domenico Scarlatti. Arranged by James M. Guthrie. Baroque,Concert,Easter,Sacred,Standards. 14 p...
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Woodwind Ensemble - Level 3 - SKU: A0.550386 Composed by Domenico Scarlatti. Arranged by James M. Guthrie. Baroque,Concert,Easter,Sacred,Standards. 14 pages. Jmsgu3 #4626789. Published by jmsgu3 (A0.550386). Sonata 33 for Clarinet Choir - an unusually expressive, intricate, serious and meditative piece. Perfect for weddings, receptions, meditations, recitals or recital encores.Score: 7 pages. Duration: ca 6:38. Instrumentation: 4 Bb Clarinets, 2 Alto Clarinets, 1 Bass Clarinet.
$29.95
Beethoven: Three Equali WoO 30 for Clarinet Choir
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Ensemble de Clarinettes
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FACILE
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Classique
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Ludwig van Beethoven
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James Guthrie, ASCAP
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Beethoven: Three Equali WoO 30
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 2 - SKU: A0.551800 Composed by Ludwig van Beethoven. Arranged by James Guthrie, ASCAP. Christian,Classical,Concert,Co...
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Woodwind Ensemble Clarinet - Level 2 - SKU: A0.551800 Composed by Ludwig van Beethoven. Arranged by James Guthrie, ASCAP. Christian,Classical,Concert,Contemporary,Standards. 19 pages. Jmsgu3 #5722107. Published by jmsgu3 (A0.551800). Three Equali, WoO 30. Score: 9 pages, duration: ca. 4:15Commissioned in 1812 by Franz Xaver Glöggl, Stadtkapellmeister of Linz. Intended as tower music for All Souls' Day, they were first performed at the Old Linz Cathedral on 2 November 1812. Equals 1 & 3 were performed at Beethoven's funeral on 29 March 1827.Originally scored for trombone quartet
$29.95
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