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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
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PIANO & CLAVIERS
Piano Quatuor: piano, violon, alto, violoncelle
52
Piano seul
32
Piano Trio: piano, violon, violoncelle
28
Orgue
23
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano Facile
4
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GUITARES
Piano, Guitare (duo)
7
Guitare
2
Guitare notes et tablatures
2
VOIX
Chorale SATB
6
VENTS
Flûte traversière et Piano
297
Clarinette et Piano
189
2 Saxophones (duo)
186
Hautbois, Piano (duo)
183
Saxophone Alto et Piano
157
Saxophone Soprano et Piano
147
2 Flûtes traversières (duo)
145
Saxophone Tenor et Piano
145
Saxophone Baryton, Piano
143
2 Clarinettes (duo)
117
Clarinette Basse, Piano
117
Cor anglais, Piano
99
Clarinette
88
2 Hautbois (duo)
58
Quatuor de Saxophones: 4 saxophones
35
3 Clarinettes (trio)
26
3 Saxophones (trio)
20
Ensemble de Flûtes
15
2 Cors Anglais Et Pianoforte
14
Trio de Flûtes: 3 flûtes
14
Hautbois, Basson (duo)
13
Clarinette, Violoncelle (duo)
12
Flûte, Violoncelle
12
Piccolo, Piano
12
Quatuor de Clarinettes: 4 clarinettes
9
Clarinette, Harpe (duo)
8
Hautbois, Harpe
8
Ensemble de Clarinettes
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Quatuor de Flûtes : 4 flûtes
6
Hautbois, Violoncelle
6
Flûte, Hautbois (duo)
4
Flûte traversière
4
Flûte, Alto (duo)
4
Ensemble de saxophones
3
Flûte à bec Alto, Piano
3
Saxophone et violoncelle
3
Flûte, Hautbois, Clarinette, Basson
3
Flûte, Clarinette (duo)
3
Flûte à Bec, Piano
3
Saxophone et Harpe
2
Flûte, Violon
2
Saxophone Alto
2
Saxophone, Basson (duo)
2
Saxophone Baryton
2
Clarinette Basse
2
Cor anglais et Harpe (duo)
2
Flûte, Violon et Violoncelle
2
Hautbois
1
Flûte à bec Soprano, Piano
1
Quintette de Saxophone: 5 saxophones
1
Clarinette, Violon (duo)
1
Saxophone et Piano
1
Flûte et Trio à cordes
1
Saxophone Soprano
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois et alto (duo)
1
2 Hautbois, Piano
1
Flûte, Basson et Piano
1
Flûte, Clarinette, Piano (trio)
1
Saxophone Tenor
1
2 Hautbois et Basson
1
2 Flûtes traversières, Piano
1
Clarinette, Basson (duo)
1
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CUIVRES
Euphonium, Piano (duo)
135
Trombone et Piano
115
Cor et Piano
114
Cor anglais, Piano
99
Trompette, Piano
83
2 Cors (duo)
60
Tuba et Piano
56
Trompette
44
2 Trombones (duo)
41
2 Trompettes (duo)
36
2 Euphoniums (duo)
36
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
2 Tubas (duo)
15
2 Cors Anglais Et Pianoforte
14
Cor, Violoncelle (duo)
5
Trio de Cuivres
5
Cor
5
3 Trombones (trio)
5
Trompette, Trombone (duo)
5
Ensemble de Trombones
4
Euphonium, Tuba (duo)
4
Tuba et Orgue
3
Quatuor de cuivres: 4 trombones
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Euphonium
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone basse et Piano
2
Tuba
2
Trombone, Tuba (duo)
2
Cor anglais et Harpe (duo)
2
Quatuor de cuivres: 4 cors
1
3 Cors (trio)
1
Trompette, Violoncelle (duo)
1
Trompette, Tuba (duo)
1
Trombone basse
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
275
Violon et Piano
180
Violoncelle, Piano
163
Alto, Piano
155
Trio à Cordes: violon, alto, violoncelle
96
2 Violoncelles (duo)
66
2 Violons (duo)
62
2 Altos (duo)
61
Violon, Violoncelle (duo)
22
2 Contrebasses (duo)
16
Alto, Violoncelle (duo)
15
Violon, Alto (duo)
14
Harpe, Flûte (duo)
14
Harpe
13
Violoncelle (partie séparée)
12
Harpe, Violon (duo)
8
Violoncelle
8
Violon
7
Trio à cordes
5
4 Violoncelles
4
Trio à Cordes: 3 violoncelles
4
Trio à Cordes: 2 violons, violoncelle
3
Violoncelle, Contrebasse (duo)
3
Harpe, Violoncelle (duo)
3
Quatuor à cordes : 4 altos
2
Alto et Harpe
2
Ensemble de Violoncelles
2
Alto seul
2
Alto (partie séparée)
1
Violoncelle, Orgue
1
Violon, Orgue
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 2 violons, alto
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
97
Ensemble de cuivres
23
Orchestre d'harmonie
13
Orchestre de chambre
9
Orchestre
8
Cloches
4
Vibraphone
1
Instrumentations suivantes
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AUTRES
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Ensemble de Flûtes
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Simon & Garfunkel: Bridge Over Troubled Water for Flute Choir
Ensemble de Flûtes
By Simon And Garfunkel. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 27 pages…
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By Simon And Garfunkel. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 27 pages. Published by jmsgu3 (H0.293325-97800). - Score,Set of Parts - - jmsgu3
$65.95
61.52 €
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Ensemble de Flûtes
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Simon And Garfunkel
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James M
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Simon & Garfunkel: Bridge Over Troubled Water for Flute Choir
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jmsgu3
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SheetMusicPlus
The Moody Blues: Nights In White Satin for Flute Choir
Ensemble de Flûtes
By The Moody Blues. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 14 pages. Pu…
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By The Moody Blues. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 14 pages. Published by jmsgu3 (H0.293851-589270). - Score,Set of Parts - - jmsgu3
$69.95
65.25 €
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Ensemble de Flûtes
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The Moody Blues
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James M
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The Moody Blues: Nights In White Satin for Flute Choir
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jmsgu3
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SheetMusicPlus
Bach: Jesu, Joy of Man's Desiring for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.548649 Composed by J. …
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.548649 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 34 pages. Jmsgu3 #3407871. Published by jmsgu3 (A0.548649). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for flute choir: piccolo, 3 flutes, alto flute, bass flute, double contrabass flute (optional) and cello (optional). Score: 19 pg. Parts: 2 pg. Duration with optional repeat: 7:36 Jesu, Joy of Manâs Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Manâs Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Manâs Desiring is customarily performed at weddings, and during major church seasons such as Easter and Christmas. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâs works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$49.95
46.6 €
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Ensemble de Flûtes
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J
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James M
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Bach: Jesu, Joy of Man's Desiring for Flute Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549191 Composed by Gio…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549191 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457115. Published by jmsgu3 (A0.549191). Giovanni Gabrieli: Jubilate Deo (Ch. 136) Instrumentation: 1 piccolo, 5 flutes, 1 alto flute, 1 bass flute, 1 cello (or contrabass flute) Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not at all difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations.
$47.95
44.73 €
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Ensemble de Flûtes
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136 for Flute Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics â or was rather the first to indicate them such as in his Sonata Pianâ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieliâs later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments â which calls Sinfonia â and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.73 €
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Ensemble de Flûtes
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics â or was rather the first to indicate them such as in his Sonata Pianâ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieliâs later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments â which calls Sinfonia â and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.73 €
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Ensemble de Flûtes
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549859 Composed by Joh…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives â in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâs works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
37.27 €
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Ensemble de Flûtes
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Flute Choir
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jmsgu3
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SheetMusicPlus
Bach: Brandenburg Concerto No. 3 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.549922 Composed by Joh…
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Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.549922 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Instructional,Standards. 136 pages. Jmsgu3 #4287833. Published by jmsgu3 (A0.549922). Bach: Brandenburg Concerto for arranged for flute choir. Instrumentation: 3 concert flutes, 3 alto flutes, 3 bass flutes, 1 cello (optional), 1 cembalo (optional)Score: 70 pages.
$49.95
46.6 €
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Ensemble de Flûtes
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Johann Sebastian Bach
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James M
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Bach: Brandenburg Concerto No. 3 for Flute Choir
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jmsgu3
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SheetMusicPlus
Mussorgsky: Night on Bald Mountain for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549955 Composed by Mod…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549955 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. Romantic Period,Standards. 227 pages. Jmsgu3 #4337561. Published by jmsgu3 (A0.549955). Score: 140 pages. Duration ca. 11:00. Instrumentation: 1 piccolo, 3 concert flutes, 2 alto flutes, 1 bass flute, 1 cello (optional). Piccolo part: 7 pages, Flute 1 part: 14 pages, Flute 2 part: 13 pages, Flute 3 part: 10 pages, Alto Flute 1 part: 10 pages, Alto Flute 2 part: 11 pages, Bass Flute part: 11 pages, Cello part: 11 pages.Mussorgsky's Night on Bald Mountain is significant for several reasons. Composed in 1867, it is a tone poem inspired by the Russian legend of nocturnal revels on St. John's Night, involving a witches' Sabbath on Bald Mountain near Kiev. The piece is known for its high drama, dark textures, and bold harmonies, which Mussorgsky's colleagues considered excitingly expressive and raw. The work was unpublished and unrevised at the time of the composer's death, and his colleagues, including Rimsky-Korsakov, later revised it. The composition remains a powerful representation of Russian folk tradition. It is associated with the pagan festivities of the midsummer Slavic holiday, making it a significant piece in the history of Russian classical music.The legend of the nocturnal revels on St. John's Night in June on a hill called Lysa Hora near Kiev is a prominent Slavic tale that inspired Modest Mussorgsky's Night on Bald Mountain. The legend tells of a demon, Chernobog, who leads the revels until a far-off church bell sounds disperse the Spirits of Darkness. This tale is associated with the pagan festivities of the midsummer Slavic holiday and is a significant part of Russian folklore and culture. Lysa Hora, meaning Bald Mountain or Barren Mountain, is a large wooded hill in the Ukrainian capital Kyiv, near the confluence of the Dnipro and Lybid' rivers, and is the traditional site of the witch gatherings in Slavic folklore. The legend's themes of darkness, supernatural gatherings, and the triumph of light have made it a compelling source of inspiration for various artistic works, including Mussorgsky's musical composition.
$58.95
54.99 €
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Ensemble de Flûtes
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Modest Petrovich Mussorgsky
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James M
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Mussorgsky: Night on Bald Mountain for Flute Choir
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jmsgu3
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SheetMusicPlus
Mouton: Christmas Motet for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.550372 Composed by Jea…
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Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.550372 Composed by Jean Mouton. Arranged by James M. Guthrie. Christmas,Concert,Renaissance,Sacred,Standards. 25 pages. Jmsgu3 #4616051. Published by jmsgu3 (A0.550372). A quadruple canon at the fifth. Duration: ca. 3:00, Score: 7 pages, Parts 2 pages each. Instrumentation: 3 concert flutes, 3 alto flutes, 2 bass flutes, 1 cello (optional).
$49.95
46.6 €
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Ensemble de Flûtes
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Jean Mouton
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James M
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Mouton: Christmas Motet for Flute Choir
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jmsgu3
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SheetMusicPlus
Scarlatti: Andante mosso for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.550385 Composed by Dom…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.550385 Composed by Domenico Scarlatti. Arranged by James M. Guthrie. Baroque,Concert,Easter,Sacred,Standards. 14 pages. Jmsgu3 #4626605. Published by jmsgu3 (A0.550385). Sonata 33 for Flute Choir - an unusually expressive, intricate, serious and meditative piece. Perfect for weddings, receptions, meditations, church services, recitals or recital encores.Score: 7 pages. Duration: ca 6:38. .
$29.95
27.94 €
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Ensemble de Flûtes
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Domenico Scarlatti
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James M
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Scarlatti: Andante mosso for Flute Choir
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jmsgu3
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SheetMusicPlus
Beethoven: Three Equali WoO 30 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.551802 Composed by Lud…
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Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.551802 Composed by Ludwig van Beethoven. Arranged by James Guthrie, ASCAP. Classical,Contemporary,Standards. 19 pages. Jmsgu3 #5722237. Published by jmsgu3 (A0.551802). Beethoven's Three Equali, WoO 30, are three short trombone pieces. They were composed in honor of All Souls' Day and gained historical significance when they were performed at Beethoven's funeral and the dedication of his tombstone. The pieces are notable for being written for four trombones, a relatively uncommon ensemble, and have become a staple of the modern trombone repertoire. The Three Equali were first performed at Linz Cathedral on November 2, 1812, and two of them were played at Beethoven's funeral on March 29, 1827, alternating with choral arrangements by Ignaz Seyfried. The pieces are significant due to their historical associations and unique instrumentation.
$29.95
27.94 €
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Ensemble de Flûtes
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Ludwig van Beethoven
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James Guthrie, ASCAP
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Beethoven: Three Equali WoO 30 for Flute Choir
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jmsgu3
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SheetMusicPlus
Saint-Saëns: Danse Macabre for Flute Choir
Ensemble de Flûtes
Composed by Camille Saint- Saens (1835-1921). Arranged by James M. Guthrie. Concert, …
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Composed by Camille Saint- Saens (1835-1921). Arranged by James M. Guthrie. Concert, Halloween, Instructional, Romantic Period, Standards. 95 pages. Jmsgu3 #4362853. Published by jmsgu3
$79.95
74.58 €
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Ensemble de Flûtes
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Camille Saint- Saens
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James M
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Saint-Saëns: Danse Macabre for Flute Choir
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jmsgu3
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for Flute Choir
Ensemble de Flûtes
Flute choir: 1piccolo, 4 concert flutes, 1 alto, 1 bass, 1 contrabass (optional) and…
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Flute choir: 1piccolo, 4 concert flutes, 1 alto, 1 bass, 1 contrabass (optional) and 1 cello (optional). - Intermediate - Digital Download Composed by Ludwig van Beethoven (1770-1827). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, European, Wedding, Recital. Score, Set of Parts. 103 pages. Published by jmsgu3
Beethoven Sonata Op. 49 No. 2 arranged for flute choir. Duration: ca: 10:15 Score: 60 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the flute choir.
$49.95
46.6 €
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Ensemble de Flûtes
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2 for Flute Choir
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jmsgu3
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SheetMusicPlus
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