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Piano seul
428
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284
1 Piano, 4 mains
105
Piano, Voix
84
Piano, Voix et Guitare
66
Accompagnement Piano
43
Piano Trio: piano, violon, violoncelle
35
Orgue
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Instruments en Do
15
2 Pianos, 4 mains
12
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11
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11
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6
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7
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VOIX
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6
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Chorale
1
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1
Chorale SSAB, Piano
1
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1
Voix Alto, Piano
1
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Quatuor de Clarinettes: 4 clarinettes
168
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149
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88
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79
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66
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65
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61
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59
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57
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56
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51
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49
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49
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47
Clarinette
47
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42
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37
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29
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22
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21
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21
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20
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20
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17
Cor anglais, Piano
17
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16
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13
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12
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12
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11
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10
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9
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8
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7
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5
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1
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1
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1
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1
Flûte, Hautbois, Basson
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1
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1
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Trompette (partie séparée)
55
Trompette
30
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
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24
Trombone et Piano
22
Cor et Piano
21
Trombone
21
2 Trompettes (duo)
20
Trompette, Piano
20
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17
Cor anglais, Piano
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Cor
16
Tuba et Piano
16
2 Cors (duo)
15
2 Tubas (duo)
12
Trombone (partie séparée)
12
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11
Tuba
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Quatuor de cuivres: 4 trombones
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Trio de Cuivres
9
2 Euphoniums (duo)
8
Quatuor de Cuivres
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3 Trompettes (trio)
5
2 Cors Anglais Et Pianoforte
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Euphonium, Piano (duo)
4
Quatuor de cuivres: 4 cors
4
Quatuor de cuivres: 4 trompettes
2
Trompette, Cor (duo)
2
3 Trombones (trio)
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4 Tubas
2
Euphonium, Tuba (duo)
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Cor, Violoncelle (duo)
1
Trompette, Tuba (duo)
1
Trombone, Orgue
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Trombone basse et Piano
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Cor (partie séparée)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Euphonium
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Trompette, Euphonium (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
196
Violon (partie séparée)
124
Violon et Piano
88
Violoncelle, Piano
78
Violon
62
Trio à Cordes: violon, alto, violoncelle
53
Alto, Piano
51
Violon, Violoncelle (duo)
47
2 Violoncelles (duo)
39
2 Violons (duo)
39
Trio à cordes: 3 violins
31
Violoncelle (partie séparée)
30
Harpe
25
Trio à Cordes: 3 violoncelles
24
Alto seul
22
Trio à Cordes: 2 violons, violoncelle
22
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
2 Altos (duo)
20
Violoncelle
17
Violon, Alto (duo)
13
2 Contrebasses (duo)
12
Alto, Violoncelle (duo)
12
Contre Basse
10
Violoncelle, Contrebasse (duo)
10
Contrebasse, Piano (duo)
9
Alto (partie séparée)
7
Violon, Guitare (duo)
6
Trio à cordes: 3 altos
6
4 Violoncelles
5
Quatuor à cordes: 4 violons
3
Alto, Orgue
3
Violoncelle, Orgue
3
4 Contrebasses
2
2 Harpes (duo)
2
Violon, Orgue
2
Trio à Cordes: 2 violons, alto
2
Harpe, Violoncelle (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
2 Violons, Piano
1
Violoncelle, Orchestre
1
Trio à cordes
1
Violoncelle , Guitare (duo)
1
Quatuor à cordes : 4 altos
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
371
Cloches
110
Orchestre à Cordes
81
Orchestre
37
Percussion (partie séparée)
35
Ensemble Jazz
31
Ensemble de cuivres
21
Ensemble de Percussions
14
Jazz combo
12
Fanfare
9
Orchestre de chambre
8
Batterie
6
Marimba
5
Xylophone, Piano
1
Xylophone
1
2 Xylophones
1
Ensemble d'École
1
Vibraphone
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AUTRES
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4 Violoncelles
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5 partitions trouvées
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1
Chorale Prelude Op.67 N.3 for Cello Quartet and Double Bass
4 Violoncelles
String Ensemble,String Quintet - Level 2 - Digital Download SKU: A0.963464 Composed…
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String Ensemble,String Quintet - Level 2 - Digital Download SKU: A0.963464 Composed by Max Reger. Arranged by Cristiano Vecchi. Christian,Concert,Contemporary,Romantic Period,Standards. Score and parts. 11 pages. Cristiano Vecchi #5720157. Published by Cristiano Vecchi (A0.963464). Aus tiefer Not schrei ich zu dir (Out of deep anguish I call to You):an intimate and sweet chorale prelude composed by Max Reger in five real parts.Duration: 2'50.Version for: four Cellos - Double Bass . Cellos 1&2 can be replaced by Violas 1&2 (extra parts included).SCORE and PARTS.MP3 also available on this website.Also available for Woodwind Quintet, Clarinet (or treble instrument) and String Quartet, String Quintet, Double Reed Quintet.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists
$4.99
4.58 €
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4 Violoncelles
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Max Reger
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Cristiano Vecchi
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Chorale Prelude Op.67 N.3 for Cello Quartet and Double Bass
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Cristiano Vecchi
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SheetMusicPlus
Hey Ya!
4 Violoncelles
String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.923593 By …
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String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.923593 By OutKast. By Andre Benjamin. Arranged by Tony Rogers. Contemporary. Score and parts. 15 pages. Tony Rogers #4756033. Published by Tony Rogers (A0.923593). This is a fast fun arrangement, with lots of percussion, and a 1,2,3 count in by all players, just like the original.Performed by the Austin Cello Choir Spring 2019For Beginning to Intermediate PlayersTop part is also included down an octave to play in first position.Cello 1 IntermediateCello 2 IntermediateCello 3 Beginner/IntermediateCello 4 Beginner/Intermediate
$18.99
17.44 €
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4 Violoncelles
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OutKast
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Tony Rogers
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Hey Ya!
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Tony Rogers
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SheetMusicPlus
Ave Maria in G Major for Cello Quartet
4 Violoncelles
String Quartet String Quartet - Level 2 - Digital Download SKU: A0.963518 Composed …
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String Quartet String Quartet - Level 2 - Digital Download SKU: A0.963518 Composed by Giuseppe Verdi. Arranged by Cristiano Vecchi. Christian,Concert,Instructional,Romantic Period,Standards. Score and parts. 18 pages. Cristiano Vecchi #6054539. Published by Cristiano Vecchi (A0.963518). Composed by Giuseppe Verdi and published in the Four Sacred Pieces (1898), this Ave Maria, built on the enigmatic scale proposed by Adolfo Crescentini, combines a religious mysteriousness with the vocal pleasantness of the Italian Maestro. Here the original choir work has been transposed in G Major to better fit the range of strings.SCORE and PARTS, including: Part 1 (Cello 1, Violin, Viola), Part 2 (Cello 2, Viola) , Part 3 (Cello 3), Part 4 (Cello 4). Among the possible ensembles: Vlc Vlc Vlc Vlc - Vla Vla Vlc Vlc - Vl Vla Vlc Vlc - Vla Vlc Vlc Vlc - Vln Vln Vln Vlc - Vl Vlc Vlc Vlc.MP3 also available on this website (duration: 3'43).My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists.
$6.33
5.81 €
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4 Violoncelles
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Giuseppe Verdi
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Cristiano Vecchi
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Ave Maria in G Major for Cello Quartet
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Cristiano Vecchi
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SheetMusicPlus
Scherzando for Cello Quartet
4 Violoncelles
String Ensemble Cello - Level 2 - Digital Download SKU: A0.932355 Composed by Alfre…
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String Ensemble Cello - Level 2 - Digital Download SKU: A0.932355 Composed by Alfred Pester. Arranged by Sam Araya. Romantic Period. 13 pages. Sam's Cello Studio #6746607. Published by Sam's Cello Studio (A0.932355). This is a fun piece for four beginning and intermediate cellists. Cellos 1 and 2 are in tenor clef while cellos 3 and 4 are in bass clef and don't require shifting. .
$4.99
4.58 €
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4 Violoncelles
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Alfred Pester
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Sam Araya
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Scherzando for Cello Quartet
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Sam's Cello Studio
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SheetMusicPlus
Solage: Le basile for Cello Quartet
4 Violoncelles
String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1266472 Co…
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String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859203. Published by jmsgu3 (A0.1266472). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
30.26 €
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4 Violoncelles
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Solage
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James M
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Solage: Le basile for Cello Quartet
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jmsgu3
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SheetMusicPlus
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