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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Man There Is
Non classifié
354
Piano & claviers
Piano seul
95
Piano, Voix
41
Piano Facile
40
Piano, Voix et Guitare
16
Orgue
10
Instruments en Do
9
1 Piano, 4 mains
5
Accompagnement Piano
3
Piano Trio: piano, violon, violoncelle
3
2 Pianos, 4 mains
3
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2
Piano Quatuor: piano, 2 violons, violoncelle
2
+ 7 instrumentations
Retracter
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Guitare notes et tablatures
24
Guitare
16
Mandoline
7
Basse electrique
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2 Guitares (duo)
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Banjo
2
3 Guitares (trio)
2
Dulcimer
1
4 Guitares (Quatuor)
1
+ 6 instrumentations
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Chorale SATB
70
Chorale 3 parties
40
Chorale 2 parties
39
Chorale TTBB
13
Chorale Unison
13
Chorale SSAA
7
Voix duo
6
Voix duo, Piano
4
Voix Baryton, Piano
1
Voix basse, Piano
1
Voix seule
1
Chorale SSATTB
1
Voix Tenor
1
Voix haute
1
+ 9 instrumentations
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2 Saxophones (duo)
95
2 Clarinettes (duo)
55
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42
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40
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38
2 Flûtes traversières (duo)
37
Hautbois, Piano (duo)
34
2 Flûte à bec (duo)
34
Saxophone Alto et Piano
30
Clarinette, Violon (duo)
29
Quatuor de Saxophones: 4 saxophones
26
Flûte traversière
24
Saxophone Alto
24
Saxophone Tenor et Piano
23
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23
3 Saxophones (trio)
20
2 Hautbois (duo)
19
Flûte, Clarinette (duo)
19
Saxophone Soprano et Piano
19
Clarinette
18
Saxophone Tenor
17
Hautbois, Basson (duo)
16
Flûte, Violon
16
Clarinette et Alto
15
Hautbois, Clarinette (duo)
15
Cor anglais, Piano
15
Flûte, Saxophone (duo)
15
Flûte, Alto (duo)
13
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13
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12
Flûte, Trompette (duo)
10
Quatuor de Clarinettes: 4 clarinettes
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Flûte, Hautbois, Clarinette, Basson
10
Quatuor de Flûtes : 4 flûtes
9
Saxophone Soprano
8
Clarinette Basse, Piano
8
Saxophone (partie séparée)
8
Clarinette, Trombone (duo)
7
Hautbois
7
Hautbois, Clarinette, Basson (trio d'anches)
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Hautbois (partie séparée)
6
Flûte, Hautbois, Clarinette (trio)
6
Quatuor de Flûtes à bec
4
Hautbois, violon (duo)
4
Saxophone Baryton
4
Flûte, Hautbois (duo)
4
Flûte et Guitare
3
Trio de Flûtes: 3 flûtes
3
3 Clarinettes (trio)
3
3 Flûtes à bec (trio)
3
Clarinette, Guitare (duo)
2
Ensemble de Clarinettes
2
Quintette de Saxophone: 5 saxophones
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Flûte à bec Soprano, Piano
2
Flûte à bec Tenor
2
Flûte, Clarinette, Piano (trio)
2
Flûte à bec Soprano
2
Cor Anglais
1
Clarinette, Violoncelle (duo)
1
Ensemble de Flûtes
1
Quintette de Clarinettes: 5 clarinettes
1
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1
Flûte à bec Alto, Piano
1
5 Flûtes à bec
1
Flûte à Bec, Piano
1
Cor anglais, Guitare (duo)
1
Flûte irlandaise
1
Piccolo, Piano
1
2 Flûtes traversières, Piano
1
Flûte, Violoncelle
1
+ 66 instrumentations
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Cuivres
2 Trombones (duo)
28
Trompette, Saxophone (duo)
28
Trompette
26
2 Trompettes (duo)
25
Trombone et Piano
24
Trombone
19
Trompette, Piano
18
Trompette, Trombone (duo)
18
Cor anglais, Piano
15
Cor et Piano
14
Euphonium, Piano (duo)
11
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Tuba et Piano
10
2 Euphoniums (duo)
8
Cor
7
Tuba
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trompette (partie séparée)
2
3 Trompettes (trio)
2
Trompette, Trombone, Piano
1
Cor Anglais
1
Ensemble de Trompettes
1
Cor anglais, Guitare (duo)
1
2 Tubas (duo)
1
Trombone, Orgue
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 4 cors
1
Ensemble de Cors
1
2 Cors (duo)
1
Quatuor de cuivres: 4 trombones
1
+ 26 instrumentations
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42
Quatuor à cordes: 2 violons, alto, violoncelle
40
Violon
32
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32
Violoncelle
29
Violoncelle, Piano
29
Alto, Piano
28
Harpe
24
2 Violons (duo)
23
Violon, Alto (duo)
19
2 Altos (duo)
19
Trio à Cordes: violon, alto, violoncelle
18
2 Violoncelles (duo)
15
Alto seul
14
Contrebasse, Piano (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Trio à cordes: 3 violins
4
Alto, Violoncelle (duo)
3
2 Harpes (duo)
3
Alto (partie séparée)
3
2 Violons, Piano
3
Quatuor à cordes: 4 violons
3
Contre Basse
2
4 Violoncelles
2
Quatuor à cordes : 4 altos
2
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 2 violons, alto
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à cordes: 3 altos
1
Violon, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
+ 26 instrumentations
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Cloches
35
Orchestre d'harmonie
25
Orchestre à Cordes
16
Orchestre
12
Ensemble Jazz
10
Ensemble de cuivres
7
Ensemble de Percussions
5
Fanfare
4
Jazz combo
3
Orchestre de chambre
2
Ensemble d'École
1
Bongos
1
Marimba
1
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<
1
Moonlight Sonata by Beethoven for Cello Quartet
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4 Violoncelles
#
FACILE
#
Classique
#
Ludwig van Beethoven
#
Ander
#
Moonlight Sonata by Beethoven
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Woods Only, Arrangements
#
SheetMusicPlus
String Quartet Cello,String Quartet - Level 2 - SKU: A0.1173855 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,M...
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String Quartet Cello,String Quartet - Level 2 - SKU: A0.1173855 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #774008. Published by Woods Only, Arrangements (A0.1173855). This arrangement adapted for violoncello quartet was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice.Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$7.99
Solage: Le basile for Cello Quartet
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4 Violoncelles
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FACILE
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Solage
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James M
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Solage: Le basile for Cello Qu
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,H...
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String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859203. Published by jmsgu3 (A0.1266472). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
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