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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
In Two
Non classifié
1 248
Piano & claviers
Piano seul
422
Piano Facile
280
Orgue
117
Piano, Voix
115
Instruments en Do
98
Piano, Voix et Guitare
64
1 Piano, 4 mains
45
Accompagnement Piano
41
2 Pianos, 4 mains
22
Accordéon
12
Piano Quatuor: piano, 2 violons, violoncelle
9
Clavier
7
Piano Trio: piano, violon, violoncelle
5
Orgue, Piano (duo)
3
Orgue, Trompette (duo)
1
1 Piano, 6 mains
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
81
Guitare
33
Ligne De Mélodie, (Paroles) et Accords
33
2 Guitares (duo)
30
Ukulele
18
Basse electrique
7
3 Guitares (trio)
6
Mandoline
6
2 Dulcimers (duo)
5
Dulcimer
5
4 Guitares (Quatuor)
4
2 Ukuleles
3
Paroles et Accords
2
2 Mandolines (duo)
1
Luth
1
+ 10 instrumentations
Retracter
Voix
Chorale 2 parties
333
Chorale SATB
252
Chorale 3 parties
150
Chorale Unison
73
Chorale TTBB
46
Voix duo, Piano
46
Voix duo
33
Chorale SSAA
21
Chorale
7
Voix seule
2
Voix basse, Piano
2
Voix Alto, Piano
2
Voix Baryton, Piano
2
Chorale SSATTB
1
Voix basse
1
Voix haute
1
+ 11 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
333
2 Saxophones (duo)
178
2 Clarinettes (duo)
141
Flûte traversière et Piano
135
Flûte traversière
135
Clarinette et Piano
78
Quatuor de Saxophones: 4 saxophones
75
2 Flûte à bec (duo)
64
Flûte, Hautbois, Clarinette, Basson
50
Hautbois, Piano (duo)
47
Flûte, Clarinette (duo)
47
3 Clarinettes (trio)
47
Saxophone Soprano et Piano
45
Saxophone Tenor et Piano
45
Saxophone Alto et Piano
42
2 Hautbois (duo)
42
Quatuor de Clarinettes: 4 clarinettes
34
Saxophone Alto
30
Saxophone Tenor
26
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Hautbois, Basson (duo)
24
Clarinette
23
3 Saxophones (trio)
23
Saxophone, Clarinette (duo)
21
Quatuor de Flûtes : 4 flûtes
21
Cor anglais, Piano
19
Trio de Flûtes: 3 flûtes
19
Clarinette, Violon (duo)
17
Hautbois, Violoncelle
15
Quatuor de Flûtes à bec
14
Clarinette, Trompette (duo)
14
Clarinette, Violoncelle (duo)
14
Flûte et Guitare
13
Flûte, Violoncelle
13
Clarinette, Basson (duo)
13
Saxophone Baryton, Piano
11
Saxophone (partie séparée)
11
Hautbois, Clarinette (duo)
11
Ensemble De Flûte à bec
10
Hautbois, Flûte
9
Flûte, Alto (duo)
9
Flûte, Violon
8
Clarinette et Alto
8
Saxophone Soprano
8
3 Flûtes à bec (trio)
6
Flûte à Bec
6
Flûte, Trompette (duo)
6
Flûte, Saxophone (duo)
6
Ensemble de Flûtes
6
2 Flûtes traversières, Piano
6
Hautbois (partie séparée)
6
Clarinette Basse, Piano
6
Ensemble de Clarinettes
5
Flûte à bec Soprano
5
5 Flûtes à bec
5
Clarinette, Guitare (duo)
4
2 Saxophones, Piano
4
Flûte à bec Soprano, Piano
4
2 Cors Anglais Et Pianoforte
4
Flûte, Violon, Piano
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Quintette de Saxophone: 5 saxophones
2
Flûte et Trio à cordes
2
Flûte, Violon et Violoncelle
2
Flûte, Hautbois, Clarinette (trio)
2
Hautbois, violon (duo)
2
Clarinette, Trombone (duo)
2
Hautbois et alto (duo)
2
Flûte irlandaise
2
Clarinette, Contrebasse (duo)
2
Flûte, Hautbois (duo)
2
Flûte à bec Tenor
2
2 Clarinettes, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
2 Clarinettes, Basson
1
Cor anglais et Harpe (duo)
1
Ensemble de saxophones
1
Flûte, Basson et Piano
1
Flûte, Clarinette, Piano (trio)
1
Saxophone, Basson (duo)
1
Piccolo, Piano
1
Hautbois, trombone (duo)
1
Flûte, Clarinette et Basson
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à bec Alto, Basse continue
1
Saxophone et violoncelle
1
Cor anglais, Guitare (duo)
1
Hautbois, Guitare (duo)
1
Flûte à Bec, Piano
1
Quintette de Flûte : 5 flûtes
1
Flûte, Hautbois, Basson
1
Flûte traversière, Basse continue
1
Flûte, Trombone (duo)
1
+ 88 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
147
2 Trombones (duo)
81
2 Trompettes (duo)
80
Trombone et Piano
52
Trompette, Piano
45
Trompette, Trombone (duo)
39
Quatuor de Cuivres : 2 trompettes, trombone, tuba
36
Cor et Piano
29
Trompette
24
Quatuor de Cuivres: 2 trompettes, Cor, trombone
22
Euphonium, Piano (duo)
20
Cor anglais, Piano
19
2 Cors (duo)
19
Quatuor de cuivres: 2 trompettes, 2 trombones
18
2 Euphoniums (duo)
16
Trompette, Cor (duo)
15
Trompette, Saxophone (duo)
15
Tuba et Piano
11
2 Tubas (duo)
8
Cor, Violoncelle (duo)
8
Quatuor de Cuivres
8
Trompette, Basson (duo)
6
Trompette, Violoncelle (duo)
5
Trombone
5
2 Trompettes, Clavier (piano ou orgue)
4
2 Cors Anglais Et Pianoforte
4
Quatuor de cuivres: 4 trombones
4
Trombone, Orgue
3
Euphonium, Tuba (duo)
3
3 Trombones (trio)
3
Quatuor de cuivres: 4 cors
2
Trio de Cuivres
2
Tuba
2
Trompette et Guitare
2
3 Cors (trio)
2
Cor
2
Ensemble de Trombones
1
Ensemble de Trompettes
1
Cor anglais et Harpe (duo)
1
3 Tubas (trio)
1
Quatuor de cuivres: 4 trompettes
1
Cor et Basson (duo)
1
Clarinette, Cor (duo)
1
Trompette, Tuba (duo)
1
Trompette (partie séparée)
1
Trombone basse
1
Cor anglais, Guitare (duo)
1
Euphonium
1
+ 43 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
144
2 Violons (duo)
125
Harpe
124
Violon et Piano
116
Violon
95
2 Violoncelles (duo)
93
2 Altos (duo)
73
Violon, Violoncelle (duo)
68
Violoncelle, Piano
56
Trio à Cordes: violon, alto, violoncelle
52
Alto, Piano
52
Violoncelle
28
Trio à Cordes: 2 violons, violoncelle
27
Violon, Alto (duo)
26
2 Harpes (duo)
16
Alto, Violoncelle (duo)
16
2 Contrebasses (duo)
12
Piano Trio: Violon, Alto, Piano
11
Violon, Basson (duo)
10
Contrebasse, Piano (duo)
10
Violon, Guitare (duo)
10
Alto seul
10
Alto et Basson
10
Harpe, Violon (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
2 Violons, Piano
7
Trio à Cordes: 2 violons, alto
6
4 Violoncelles
4
Quatuor à cordes: 4 violons
3
Alto, Guitare (duo)
3
Violoncelle, Contrebasse (duo)
3
Alto et Harpe
2
Harpe, Violoncelle (duo)
2
Harpe, Voix
2
2 Violoncelles, Piano
2
Violoncelle, Basse continue
2
Trio à cordes: 3 violins
2
Harpe, Flûte (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle , Guitare (duo)
1
Flûte, Contrebasse (duo)
1
Violon (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Alto (partie séparée)
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Cloches
119
Orchestre d'harmonie
111
Orchestre à Cordes
69
Ensemble de cuivres
62
Ensemble Jazz
14
Orchestre
14
Ensemble de Percussions
9
Orchestre de chambre
5
Jazz combo
5
Fanfare
4
Xylophone, Piano
3
Percussion
3
Xylophone
2
2 Xylophones
2
Quintette de Cuivres: autres combinaisons
2
Vibraphone
2
Batterie
2
Ensemble d'École
1
Marimba
1
Percussion (partie séparée)
1
+ 15 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
In Two
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4 Violoncelles
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1
Three Blind Mice for Cello Quartet (version two)
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4 Violoncelles
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FACILE
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Traditional
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David Burndrett
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Three Blind Mice for Cello Qua
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David Burndrett
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SheetMusicPlus
Small Ensemble Cello - Level 2 - SKU: A0.1162582 Composed by Traditional. Arranged by David Burndrett. Classical,Jazz. Score and parts. 7 pages. David B...
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Small Ensemble Cello - Level 2 - SKU: A0.1162582 Composed by Traditional. Arranged by David Burndrett. Classical,Jazz. Score and parts. 7 pages. David Burndrett #762957. Published by David Burndrett (A0.1162582). This is an arrangement of Three Blind Mice that starts in a classical style, then develops into a jazzy section! This works well as concert piece or just for fun! Download includes the score and all of the parts.
$6.95
Hark! The Herald Angels Sing! for Cello Quartet
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4 Violoncelles
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FACILE
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Musique Sacrée
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Felix Bartholdy Mendelssohn, S
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Michele Galvagno
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Hark! The Herald Angels Sing!
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.841364 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged by Michele Galv...
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Choral Choir (SATB) - Level 2 - SKU: A0.841364 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged by Michele Galvagno. Christian,Christmas,Praise & Worship,Sacred. Octavo. 18 pages. Artistic Score Engraving di Galvagno Michele #6098157. Published by Artistic Score Engraving di Galvagno Michele (A0.841364). This year's Christmas publication choice fell on a song very dear to me: Hark! The herald angels sing. The text, inspired by Luke’s Gospel (2:14), appears for the first time in a collection of Christmas carols called Hymns and Sacred Poems in 1739, jointly written by Charles Wesley (1707-1788 ) and George Whitefield (1714-1770), two of the founding members of the Methodist movement.The version we know today is the one adapted by William H. Cummings (1831-1915) from the section Vaterland, in deinen Gauen of the Festgesang zum Gutenbergfest, WoO 9, by Felix Mendelssohn-Bartholdy (1809-1847). The story, however, is more complex and articulated than that.The original version of the text, written by Wesley, bearing the title Hymn for Christmas-Day, had received only slow and solemn music for its verses, music now almost completely discarded. Also, his original opening lines were Hark! How all the welkin rings / Glory to the King of Kings .The version that has been passed to us is the result of alterations made by different hands, especially those of Whitefield, who changed the initial couplet into the one we know today.In 1840-one hundred years after the publication of Hymns and sacred Poems-Mendelssohn composed a cantata commemorating Johann Gutenberg’s invention of movable-type printing. The English musician William H. Cummings finally adapted Mendelssohn’s music around 1855 in order to fit the music to the verses and give it its present look.In this edition we propose the version that every listener expects to hear when reading the title on the programme and, immediately after, one of the few original versions that have reached us in their entirety, that is the one set to music by Samuel Arnold (1740-1802) and available today in The British Minstrel, and Musical and Literary Miscellany, vol. 3, published in 1843.The proposed instrumentations are those of the classical string quartet and the cello quartet. Both variants are very simple to perform and are certainly suitable for small string ensembles formed in musical schools. In the cello quartet version, the only relatively complex part is that of the first cello, which should be left to the teacher or to a student able to play up to the 7th position without excessive troubles.I hope this music can bring you the serenity that made me prepare it.
$4.95
Solage: Le basile for Cello Quartet
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4 Violoncelles
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FACILE
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Solage
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James M
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Solage: Le basile for Cello Qu
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,H...
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String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859203. Published by jmsgu3 (A0.1266472). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.ÂÂ
$32.95
Fascination (Gypsy Waltz) for Cello Quartet (score and parts)
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4 Violoncelles
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FACILE
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Contemporain
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Fermo Dante Marchetti
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Francesco Leone
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Fascination
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Glissato Edizioni Musicali
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SheetMusicPlus
Composed by Fermo Dante Marchetti. Arranged by Francesco Leone. 20th Century,Standards. 16 pages. Glissato Edizioni Musicali #818643. Published by Gli...
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Composed by Fermo Dante Marchetti. Arranged by Francesco Leone. 20th Century,Standards. 16 pages. Glissato Edizioni Musicali #818643. Published by Glissato Edizioni Musicali
Cello Quartet score and parts of "Fascination" (four Cellos) intermediate level. Duration 3.00 min (+-).
"Fascination" is a popular waltz song with music (1904) by Fermo Dante Marchetti and lyrics (1905) by Maurice de Féraudy.It was first published in Hamburg (Anton J. Benjamin) and Paris (Édition F. D. Marchetti) in 1904 in a version for piano solo ('Valse Tzigane'). As a song with de Féraudy's words, it was first performed by the French music-hall singer Paulette Darty, in 1905, and published the same year.With its English lyrics, by Dick Manning, "Fascination" was recorded by diverse artists including: Dick Jacobs, Nat King Cole and David Carroll, all of whose versions made the charts. In 1957, two of the more popular recordings of "Fascination" were released, Dinah Shore went to number 15 on the Billboard Most Played By Jockeys chart,while a recording by Jane Morgan was released by Kapp Records as catalog number 191, which proved to become her signature song
$15.99
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In Two
