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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
lyrics.
Non classifié
1 411
Piano & claviers
Piano Facile
6 544
Piano seul
726
Piano, Voix
676
Piano, Voix et Guitare
487
Instruments en Do
447
Accordéon
40
Accompagnement Piano
34
Piano Trio: piano, violon, violoncelle
18
1 Piano, 4 mains
13
Orgue
6
2 Pianos, 4 mains
6
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Accordéons
1
Orgue, Piano (duo)
1
+ 10 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
3 439
Paroles et Accords
1 644
Guitare notes et tablatures
1 438
Ukulele
172
Guitare
34
Dulcimer
14
Mandoline
6
2 Dulcimers (duo)
4
Basse electrique
3
2 Guitares (duo)
3
Piano, Guitare (duo)
2
3 Guitares (trio)
2
Banjo
2
2 Ukuleles
1
Ensemble de guitares
1
4 Guitares (Quatuor)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
354
Chorale 2 parties
308
Chorale 3 parties
192
Chorale TTBB
110
Voix duo, Piano
98
Chorale Unison
79
Voix duo
62
Chorale SSAA
44
Voix seule
34
Voix Soprano, Piano
16
Voix Tenor, Piano
15
Voix Alto, Piano
12
Voix basse, Piano
10
Voix haute
6
Voix Baryton, Piano
2
Voix basse
1
Voix Tenor
1
Voix moyenne, Piano
1
Chorale SSATTB
1
+ 14 instrumentations
Retracter
Vents
Saxophone Alto
129
Flûte traversière
127
Saxophone Tenor
89
Clarinette
83
Hautbois (partie séparée)
82
Saxophone (partie séparée)
74
Flûte traversière et Piano
73
Hautbois, Piano (duo)
65
Clarinette et Piano
64
Ocarina
62
Quatuor de Saxophones: 4 saxophones
54
Saxophone Alto et Piano
51
Flûte, Hautbois, Clarinette, Basson
48
2 Saxophones (duo)
37
Saxophone Tenor et Piano
28
Saxophone Soprano et Piano
27
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
Saxophone Soprano
22
2 Flûtes traversières (duo)
22
Quatuor de Flûtes : 4 flûtes
17
Saxophone Baryton, Piano
17
2 Clarinettes (duo)
17
Quintette de Saxophone: 5 saxophones
15
Quatuor de Clarinettes: 4 clarinettes
14
Cor anglais, Piano
14
Hautbois
13
3 Saxophones (trio)
12
2 Hautbois (duo)
11
Harmonica
10
Flûte et Guitare
9
Quatuor de Flûtes à bec
8
Flûte, Clarinette (duo)
8
Clarinette Basse, Piano
8
Flûte, Violon, Piano
7
3 Clarinettes (trio)
7
Flûte à bec Soprano
7
Flûte, Violon
6
Saxophone, Clarinette (duo)
6
Flûte à bec Alto
5
3 Flûtes à bec (trio)
5
Clarinette, Violon (duo)
4
Trio de Flûtes: 3 flûtes
4
Quintette de Clarinettes: 5 clarinettes
4
Hautbois, Clarinette (duo)
4
Flûte, Violoncelle
3
Clarinette, Violoncelle (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Hautbois, Violoncelle
3
5 Flûtes à bec
3
Flûte, Clarinette et Basson
3
Cornemuse
3
Hautbois, Basson (duo)
2
Clarinette et Alto
2
Hautbois, Flûte
2
Flûte irlandaise
2
Flûte, Saxophone (duo)
2
Flûte à bec Soprano, Piano
2
Clarinette, Basson (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte et Trio à cordes
1
Quintette de Flûte : 5 flûtes
1
Flûte, Trompette (duo)
1
Saxophone Baryton
1
Ensemble de Flûtes
1
Ensemble De Flûte à bec
1
Ensemble de saxophones
1
Flûte à bec Alto, Piano
1
Ensemble de Clarinettes
1
2 Flûte à bec (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
+ 65 instrumentations
Retracter
Cuivres
Trompette
130
Trombone
95
Cor
62
Tuba
55
Trombone et Piano
53
Trompette, Piano
50
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
44
Cor et Piano
35
Tuba et Piano
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
2 Trompettes (duo)
18
Euphonium, Piano (duo)
15
Quatuor de Cuivres
14
Cor anglais, Piano
14
2 Trombones (duo)
12
2 Cors (duo)
9
Euphonium
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Trompette, Trombone (duo)
6
Trompette, Cor (duo)
6
Trompette, Saxophone (duo)
5
Trompette (partie séparée)
4
Quatuor de cuivres: 4 trombones
4
Trio de Cuivres
4
2 Tubas (duo)
4
3 Trombones (trio)
4
Quatuor de cuivres: 4 cors
3
Quatuor de cuivres: 4 trompettes
2
Trompette, Violoncelle (duo)
2
Ensemble de Cors
2
Trombone, violoncelle (duo)
2
3 Trompettes (trio)
2
Cor, Violoncelle (duo)
2
3 Tubas (trio)
1
4 Tubas
1
Trombone basse
1
+ 31 instrumentations
Retracter
Cordes
Violon
229
Violoncelle
139
Quatuor à cordes: 2 violons, alto, violoncelle
96
Violon et Piano
89
Alto seul
72
Violoncelle, Piano
63
Alto, Piano
53
2 Violons (duo)
44
Contre Basse
42
Contrebasse, Piano (duo)
27
Trio à Cordes: violon, alto, violoncelle
23
Violon, Violoncelle (duo)
23
Trio à Cordes: 2 violons, violoncelle
21
Alto (partie séparée)
21
2 Violoncelles (duo)
20
Harpe
19
Violon, Guitare (duo)
16
2 Altos (duo)
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Violon, Alto (duo)
12
4 Violoncelles
6
Alto, Violoncelle (duo)
4
Harpe, Flûte (duo)
3
2 Harpes (duo)
3
Trio à Cordes: 2 violons, alto
3
Trio à Cordes: 3 violoncelles
2
Piano Trio: Violon, Alto, Piano
2
2 Contrebasses (duo)
2
Quatuor à cordes : 4 altos
2
Trio à cordes: 3 violins
2
Autoharp
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto, Guitare (duo)
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
66
Cloches
45
Orchestre de chambre
25
Ensemble Jazz
24
Batterie
20
Orchestre à Cordes
15
Orchestre
12
Ensemble de cuivres
11
Jazz combo
6
Xylophone, Piano
2
Fanfare
1
Xylophone
1
+ 7 instrumentations
Retracter
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ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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HAUTBOIS
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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COMEDIES MUSICALES -…
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FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
TANGO
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Note4Piano
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4 Violoncelles
Partitions à imprimer
6 partitions trouvées
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1
Solage: Plusers gens voy for Cello Quartet
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4 Violoncelles
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FACILE
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Solage
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James M
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Solage: Plusers gens voy for C
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 2 - SKU: A0.1269026 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,H...
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String Quartet Cello,String Quartet - Level 2 - SKU: A0.1269026 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 6 pages. Jmsgu3 #861560. Published by jmsgu3 (A0.1269026). Plusers gens voy is a song composed by the late 14th-century French composer Solage. The song is written for four voices: tenor, contra tenor, cantus, and triplum. The lyrics of the song are Plusers gens voy qui leur pensee / A leur dame ne sont pas nee / Car ele est de si grant beaute / Que nus ne la puet veoir sans faille which translates to More people have seen in their thoughts / That they were not born for their lady / For she is of such great beauty / That no one can see her without failing.The overall message of Plusers gens voy is a declaration of love and admiration for a lady of great beauty. The lyrics suggest that the lady is so beautiful that it is impossible for anyone to see her without failing. The song is a tribute to the lady's beauty and is likely a reflection of the composer's feelings towards her. The song is a beautiful example of medieval French music and poetry and is still performed and studied today.
$24.95
Solage: Plusers gens voy for Viola Duo & Cello Duo
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4 Violoncelles
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FACILE
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Solage
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James M
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Solage: Plusers gens voy for V
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola - Level 2 - SKU: A0.1268000 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Festival,Histori...
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String Quartet Cello,String Quartet,Viola - Level 2 - SKU: A0.1268000 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Festival,Historic,Medieval,Wedding. 6 pages. Jmsgu3 #860398. Published by jmsgu3 (A0.1268000). Plusers gens voy is a song composed by the late 14th-century French composer Solage. The song is written for four voices: tenor, contra tenor, cantus, and triplum. The lyrics of the song are Plusers gens voy qui leur pensee / A leur dame ne sont pas nee / Car ele est de si grant beaute / Que nus ne la puet veoir sans faille which translates to More people have seen in their thoughts / That they were not born for their lady / For she is of such great beauty / That no one can see her without failing.The overall message of Plusers gens voy is a declaration of love and admiration for a lady of great beauty. The lyrics suggest that the lady is so beautiful that it is impossible for anyone to see her without failing. The song is a tribute to the lady's beauty and is likely a reflection of the composer's feelings towards her. The song is a beautiful example of medieval French music and poetry and is still performed and studied today.
$32.95
Solage: Le basile for Cello Quartet
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4 Violoncelles
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FACILE
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Solage
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James M
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Solage: Le basile for Cello Qu
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,H...
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String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859203. Published by jmsgu3 (A0.1266472). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
Eternal Father, Strong to Save — for Cello Quartet
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4 Violoncelles
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FACILE
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John Bacchus Dykes
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Michele Galvagno
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Eternal Father, Strong to Save
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 2 - SKU: A0.1112594 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,A Cappella,Ch...
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String Quartet Cello,String Quartet - Level 2 - SKU: A0.1112594 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,A Cappella,Christian,Patriotic,Sacred. 14 pages. Artistic Score Engraving di Galvagno Michele #714602. Published by Artistic Score Engraving di Galvagno Michele (A0.1112594). Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, and was first written in 1860 by William Whiting (1825—1878), an Anglican churchman from Winchester. According to his recount, Whiting grew up near the ocean and, at the age of thirty-five, had felt his life spared by God when a violent storm nearly claimed the ship he was travelling on. This instilled in him a belief in God's command over the rage and calm of the sea. The music associated with it was written by John B. Dykes (1823—1876), another Anglican clergymen and composer of the music for nearly three hundred hymns. This edition comes in several arrangements for multiple ensembles. At the moment of the first edition it contains the original choir version (with the 1861 lyrics), a voice and piano version, and arrangements for string, cello, trombone, horn, woodwind, brass, and saxophone quartets. The cello, trombone, and horn quartet versions are slightly more elaborated. Additional versions will be created upon request, contact me to know more. This arrangement is dedicated to Martin Smith.
$5.50
I Left My Heart In San Francisco
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4 Violoncelles
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FACILE
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Jazz
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Tony Bennett
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Josef STASTNY
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I Left My Heart In San Francis
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Josef STASTNY
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 2 - SKU: A0.743499 By Tony Bennett. By George Cory. Arranged by Josef STASTNY. Jazz. Score and parts. 7 page...
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String Quartet Cello,String Quartet - Level 2 - SKU: A0.743499 By Tony Bennett. By George Cory. Arranged by Josef STASTNY. Jazz. Score and parts. 7 pages. Josef STASTNY #3881271. Published by Josef STASTNY (A0.743499). I Left My Heart in San Francisco is a popular song, written in the fall of 1953 in Brooklyn, New York, with music by George Cory (1920–1978) and lyrics by Douglass Cross (1920–1975) and best known as the signature song of Tony Bennett. This song should be a part of any string quartet repertoire.
$12.99
Fascination (Gypsy Waltz) for Cello Quartet (score and parts)
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4 Violoncelles
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FACILE
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Contemporain
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Fermo Dante Marchetti
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Francesco Leone
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Fascination
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Glissato Edizioni Musicali
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SheetMusicPlus
Composed by Fermo Dante Marchetti. Arranged by Francesco Leone. 20th Century,Standards. 16 pages. Glissato Edizioni Musicali #818643. Published by Gli...
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Composed by Fermo Dante Marchetti. Arranged by Francesco Leone. 20th Century,Standards. 16 pages. Glissato Edizioni Musicali #818643. Published by Glissato Edizioni Musicali
Cello Quartet score and parts of "Fascination" (four Cellos) intermediate level. Duration 3.00 min (+-).
"Fascination" is a popular waltz song with music (1904) by Fermo Dante Marchetti and lyrics (1905) by Maurice de Fraudy.It was first published in Hamburg (Anton J. Benjamin) and Paris (dition F. D. Marchetti) in 1904 in a version for piano solo ('Valse Tzigane'). As a song with de Fraudy's words, it was first performed by the French music-hall singer Paulette Darty, in 1905, and published the same year.With its English lyrics, by Dick Manning, "Fascination" was recorded by diverse artists including: Dick Jacobs, Nat King Cole and David Carroll, all of whose versions made the charts. In 1957, two of the more popular recordings of "Fascination" were released, Dinah Shore went to number 15 on the Billboard Most Played By Jockeys chart,while a recording by Jane Morgan was released by Kapp Records as catalog number 191, which proved to become her signature song
$15.99
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lyrics.
