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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
1 Renaissance
Non classifié
501
Piano & claviers
Piano Facile
176
Piano, Voix
91
Piano seul
62
Instruments en Do
24
Orgue
12
1 Piano, 4 mains
6
2 Pianos, 4 mains
6
Piano Trio: piano, violon, violoncelle
5
Accompagnement Piano
5
Piano, Voix et Guitare
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Clavecin
2
Orgue, Piano (duo)
1
Accordéon
1
1 Piano, 6 mains
1
+ 10 instrumentations
Retracter
Guitares
Guitare
93
Guitare notes et tablatures
68
Ukulele
18
Ensemble de guitares
15
2 Guitares (duo)
12
Ligne De Mélodie, (Paroles) et Accords
9
Mandoline
9
Paroles et Accords
7
4 Guitares (Quatuor)
3
Ukulele Baryton
1
3 Guitares (trio)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
119
Chorale SSATBB
65
Chorale SATTB
48
Chorale 3 parties
37
Chorale
22
Chorale SAATB A Cappella
19
Chorale 2 parties
15
Chorale TTBB
13
Chorale SSAATTBB
11
Chorale Unison
9
Chorale SATTBB, Clavier
8
Chorale SSAA
6
Voix haute
4
Voix seule
4
Pack Instrumental pour Chorale
4
Voix duo, Piano
1
Voix duo
1
+ 12 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
40
Flûte, Hautbois, Clarinette, Basson
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
27
Quatuor de Flûtes : 4 flûtes
23
Quatuor de Saxophones: 4 saxophones
23
2 Saxophones (duo)
23
2 Flûtes traversières (duo)
22
Ensemble de Clarinettes
19
Flûte traversière
18
Ensemble De Flûte à bec
18
Flûte traversière et Piano
17
Quatuor de Flûtes à bec
16
Clarinette et Piano
16
2 Clarinettes (duo)
15
Saxophone (partie séparée)
15
Clarinette (partie séparée)
15
Quintette de Clarinettes: 5 clarinettes
14
3 Saxophones (trio)
14
Quintette de Saxophone: 5 saxophones
13
Hautbois, Piano (duo)
13
Ensemble de Flûtes
10
Saxophone Alto et Piano
9
Flute (partie séparée)
8
2 Flûte à bec (duo)
8
Hautbois (partie séparée)
8
2 Hautbois (duo)
8
3 Clarinettes (trio)
8
Saxophone Tenor et Piano
7
Flûte, Hautbois (duo)
7
Trio de Flûtes: 3 flûtes
7
Quintette de Flûte : 5 flûtes
7
Saxophone Alto
7
Flûte, Clarinette (duo)
6
Clarinette, Basson (duo)
5
Clarinette
5
Hautbois
4
Flûte et Guitare
4
Flûte à bec Soprano, Piano
4
Hautbois, Basson (duo)
4
Ensemble de saxophones
3
Cor anglais, Piano
3
Flûte, Violoncelle
3
Flûte à bec Alto
3
Flûte à bec Soprano
3
Saxophone Baryton, Piano
3
Flûte à bec Alto, Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Hautbois, Basson et Piano
2
Flûte, Violon et Violoncelle
2
3 Flûtes à bec (trio)
2
Flûte, Trombone (duo)
2
Flûte, Hautbois, Piano (trio)
2
Hautbois, Clarinette (duo)
2
Ensemble de Hautbois
2
Cor Anglais
1
Hautbois, Flûte
1
Flûte, Violon, Piano
1
Saxophone et Guitare
1
Saxophone Soprano et Piano
1
2 Hautbois, Piano
1
Flûte, Violon
1
Clarinette, Contrebasse (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Cor anglais, Guitare (duo)
1
Clarinette, Guitare (duo)
1
Flute, harpe et violon
1
Clarinette, Trombone (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Cornemuse
1
Flûte, Trompette (duo)
1
2 Clarinettes, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec, Guitare (duo)
1
Flûte, Saxophone (duo)
1
Flûte à Bec
1
Clarinette, Tuba
1
5 Flûtes à bec
1
+ 72 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
101
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Trompette
12
Quatuor de cuivres: 4 trombones
12
Trompette, Trombone (duo)
11
Trompette, Piano
11
Trio de Cuivres
10
Ensemble de Trombones
10
Trombone et Piano
10
2 Trombones (duo)
10
2 Trompettes (duo)
9
Trompette (partie séparée)
8
Tuba et Piano
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Trombone (partie séparée)
8
Cor
8
Cor et Piano
8
2 Cors (duo)
7
Quatuor de Cuivres
7
Trombone
7
Tuba
6
Cor (partie séparée)
5
Ensemble de Trompettes
4
Quatuor de cuivres: 4 cors
4
Cor anglais, Piano
3
Tuba (partie séparée)
3
3 Trombones (trio)
3
Cor, Tuba (duo)
2
2 Euphoniums et 2 Tubas
2
2 Tubas (duo)
2
Trombone, Cor (duo)
2
Euphonium, Tuba (duo)
2
Trompette, Tuba (duo)
2
Cor Anglais
1
Cor, Violoncelle (duo)
1
Tuba et Orgue
1
Cor anglais, Guitare (duo)
1
Trombone, Orgue
1
+ 33 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
43
Violon
31
Violon et Piano
31
Violoncelle, Piano
23
2 Violons (duo)
21
2 Violoncelles (duo)
19
Alto, Piano
17
Violoncelle
17
Harpe
17
Trio à Cordes: violon, alto, violoncelle
15
Violon, Violoncelle (duo)
15
2 Altos (duo)
13
Violon, Alto (duo)
12
Violon (partie séparée)
11
Trio à cordes
11
Alto seul
10
Alto, Violoncelle (duo)
9
Contre Basse
6
Contrebasse, Piano (duo)
6
Alto (partie séparée)
5
2 Contrebasses (duo)
5
Contrebasse (partie séparée)
4
Quatuor à cordes: 4 violons
4
Violoncelle, Contrebasse (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Violoncelle (partie séparée)
3
4 Violoncelles
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à cordes: 3 violins
2
Quatuor à cordes : 4 altos
2
Trio à cordes: 3 altos
2
Trio à Cordes: 3 violoncelles
2
Violon, Guitare (duo)
1
2 Violons et Basse continue
1
Alto, Guitare (duo)
1
Flûte, Contrebasse (duo)
1
Violoncelle , Guitare (duo)
1
2 Altos, Piano
1
2 Violoncelles, Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
123
Orchestre d'harmonie
65
Orchestre à Cordes
42
Orchestre
11
Percussion (partie séparée)
10
Orchestre de chambre
5
Timbales (partie séparée)
4
Percussion
2
Marimba
2
Ensemble de Percussions
2
Cloches
1
Ensemble Jazz
1
+ 7 instrumentations
Retracter
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
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FORMATION MUSI…
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1 Renaissance
4 Violoncelles
Partitions à imprimer
3 partitions trouvées
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A Mighty Fortress is Our God by Luther for Cello Quartet
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4 Violoncelles
#
DÉBUTANT
#
Martin Luther
#
Ander
#
A Mighty Fortress is Our God b
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Woods Only, Arrangements
#
SheetMusicPlus
String Quartet Cello,String Quartet - Level 1 - SKU: A0.1135305 Composed by Martin Luther. Arranged by Ander. Baroque,Christmas,Religious,Renaissance,Sa...
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String Quartet Cello,String Quartet - Level 1 - SKU: A0.1135305 Composed by Martin Luther. Arranged by Ander. Baroque,Christmas,Religious,Renaissance,Sacred. 6 pages. Woods Only, Arrangements #735350. Published by Woods Only, Arrangements (A0.1135305). This easy arrangement for violoncello quartet has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$7.99
Give Me Your Hand for cello quartet
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4 Violoncelles
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Ruainn Dall O'Cathain
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Bill Alves
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Give Me Your Hand for cello qu
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Bill Alves
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SheetMusicPlus
Small Ensemble Cello - SKU: A0.963868 Composed by Ruainn Dall O'Cathain. Arranged by Bill Alves. Celtic,Renaissance,World. Score and parts. 8 pages. Bil...
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Small Ensemble Cello - SKU: A0.963868 Composed by Ruainn Dall O'Cathain. Arranged by Bill Alves. Celtic,Renaissance,World. Score and parts. 8 pages. Bill Alves #4627093. Published by Bill Alves (A0.963868). This is an arrangement for four cellos of one of the most beloved and poignant of Irish songs, by 17th-century harpist Ruainn Dall O'Cathain. The cello accompaniment is mostly pizzicato imitations of the Irish harp. Part 1 extends to B above tenor clef. All other parts are in bass clef.
$4.99
Solage: Le basile for Cello Quartet
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4 Violoncelles
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FACILE
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Solage
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James M
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Solage: Le basile for Cello Qu
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,H...
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String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859203. Published by jmsgu3 (A0.1266472). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
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