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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
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DEEJAY
DIDGERIDOO
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EUPHONIUM
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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Character pieces
Non classifié
99
Piano & claviers
Piano seul
207
Piano Facile
15
Orgue
15
Piano, Voix
11
1 Piano, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano, Voix et Guitare
2
2 Pianos, 4 mains
1
+ 3 instrumentations
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Guitares
Guitare
18
Guitare notes et tablatures
3
4 Guitares (Quatuor)
1
Mandoline
1
Ukulele
1
Banjo
1
2 Guitares (duo)
1
+ 2 instrumentations
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Voix
Chorale SATB
18
Chorale Unison
2
Chorale 3 parties
1
Voix haute
1
Voix Baryton, Piano
1
Voix Soprano, Piano
1
Voix Tenor, Piano
1
+ 2 instrumentations
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Vents
Flûte traversière et Piano
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Clarinette et Piano
22
Hautbois, Piano (duo)
11
Saxophone Alto et Piano
11
Clarinette
10
2 Saxophones (duo)
9
Saxophone Soprano et Piano
8
2 Clarinettes (duo)
7
Quatuor de Saxophones: 4 saxophones
6
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Tenor et Piano
6
2 Hautbois (duo)
5
Flûte traversière
4
Cor anglais, Piano
4
Clarinette Basse, Piano
4
2 Flûtes traversières (duo)
4
Saxophone, Clarinette (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Saxophone Baryton, Piano
3
Ensemble de Clarinettes
3
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2
Flûte, Hautbois, Clarinette, Basson
2
Clarinette, Violon (duo)
2
Hautbois, Clarinette (duo)
2
Hautbois, Basson (duo)
2
3 Clarinettes (trio)
2
Flûte, Clarinette (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Hautbois, Clarinette (trio)
2
Hautbois, Flûte
1
Clarinette, Trompette (duo)
1
Clarinette et Alto
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Basson (duo)
1
Ensemble de saxophones
1
Flûte, Violon
1
Flûte, Hautbois, Basson
1
Flûte, Hautbois, Piano (trio)
1
Trio de Flûtes: 3 flûtes
1
Saxophone Alto
1
Flûte, Alto (duo)
1
Quintette de Flûte : 5 flûtes
1
+ 38 instrumentations
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Cuivres
Trombone et Piano
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Cor et Piano
7
Euphonium, Piano (duo)
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trompette
5
Cor anglais, Piano
4
2 Trombones (duo)
4
Quatuor de cuivres: 4 cors
3
Tuba et Piano
3
Trompette, Piano
3
Trompette, Saxophone (duo)
2
3 Trombones (trio)
2
2 Trompettes (duo)
2
Quatuor de cuivres: 4 trombones
2
3 Cors (trio)
1
Quatuor de cuivres: 4 trompettes
1
Cor, Violoncelle (duo)
1
Euphonium, Tuba (duo)
1
4 Tubas
1
Ensemble de Trombones
1
Trombone
1
Trompette, Trombone (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
3 Euphoniums
1
Tuba
1
Trombone, Orgue
1
+ 22 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
34
Violoncelle, Piano
31
Violon et Piano
26
Alto, Piano
12
Trio à Cordes: violon, alto, violoncelle
7
Harpe
6
Alto seul
5
2 Violons (duo)
4
Violon
3
2 Violoncelles (duo)
3
2 Altos (duo)
2
4 Violoncelles
2
Violoncelle
2
Quatuor à cordes: 4 violons
1
Violon, Violoncelle (duo)
1
Flûte, Contrebasse (duo)
1
Violon, Alto (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Contrebasse, Piano (duo)
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
+ 16 instrumentations
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Orchestre à Cordes
21
Orchestre
10
Orchestre d'harmonie
6
Ensemble de cuivres
3
Marimba
1
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
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CHORALE - CHAN…
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Character pieces
4 Violoncelles
Partitions à imprimer
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Rêverie
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4 Violoncelles
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FACILE
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Robert Schumann
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Wolfgang Birtel
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Rêverie
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Schott Music - Digital
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SheetMusicPlus
4 cellos - easy to intermediate - SKU: S9.Q11267 From 'Scenes from Childhood'. Composed by Robert Schumann. Arranged by Wolfgang Birtel. This edi...
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4 cellos - easy to intermediate - SKU: S9.Q11267 From 'Scenes from Childhood'. Composed by Robert Schumann. Arranged by Wolfgang Birtel. This edition: score and parts. Cello Library. Downloadable, Score and parts. Op. 15/7. Schott Music - Digital #Q11267. Published by Schott Music - Digital (S9.Q11267). The 19th century was not only the era of great forms, monumental symphonies and melodious sonatas, no, the Romantic composers proved to be versatile and highly imaginative on the field of little music pieces as well. Robert Schumann was a master of the character piece for his instrument, the piano. From thirty of such poetic miniatures, he selected thirteen in 1838 for his 'Scenes of Childhood', opus 15, the seventh, i.e. the one right in the middle, being 'Dreaming', the most famous among Schumann's compositions. It is a romantic gem the catchy melody of which will not get out of one's head. The beautiful setting contained in the present edition can be played also in a version for cello quartet for ensemble playing.
$15.99
Solage: Le basile for Cello Quartet
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4 Violoncelles
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FACILE
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Solage
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James M
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Solage: Le basile for Cello Qu
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,H...
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String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859203. Published by jmsgu3 (A0.1266472). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
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