Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
First Time
Non classifié
2 281
Piano & claviers
Piano, Voix
2 453
Piano seul
1 184
Piano, Voix et Guitare
282
Piano Facile
237
Instruments en Do
91
Orgue
72
Piano Trio: piano, violon, violoncelle
50
Accompagnement Piano
36
Accordéon
31
1 Piano, 4 mains
27
2 Pianos, 4 mains
18
Piano grosses notes
12
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Quatuor: piano, 2 violons, violoncelle
5
Orgue, Trompette (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano (partie séparée)
2
Clavecin
1
2 Pianos, 8 mains
1
+ 14 instrumentations
Retracter
Guitares
Guitare
131
Guitare notes et tablatures
116
Ligne De Mélodie, (Paroles) et Accords
60
Ukulele
26
2 Guitares (duo)
20
Paroles et Accords
14
4 Guitares (Quatuor)
13
Basse electrique
11
Mandoline
8
Piano, Guitare (duo)
7
3 Guitares (trio)
5
Banjo
5
Guitare (partie séparée)
4
Mandoline, Guitare (duo)
4
Ensemble de guitares
3
Dulcimer
2
2 Ukuleles
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
1 181
Chorale 3 parties
135
Chorale 2 parties
88
Chorale Unison
48
Chorale SSAA
44
Chorale TTBB
44
Voix seule
20
Voix Soprano, Piano
18
Pack Instrumental pour Chorale
12
Voix duo, Piano
11
Voix duo
10
Voix moyenne, Piano
8
Voix Baryton, Piano
6
Voix haute
6
Voix Tenor, Piano
5
Voix Alto, Piano
3
Chorale
3
Voix Tenor
2
Voix Soprano, Orchestre
1
Voix Mezzo-Soprano, Piano
1
Voix basse, Piano
1
+ 16 instrumentations
Retracter
Vents
2 Saxophones (duo)
242
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
210
Flûte traversière et Piano
179
Quintette de Saxophone: 5 saxophones
126
Clarinette et Piano
124
Quatuor de Saxophones: 4 saxophones
119
Saxophone, Clarinette (duo)
117
2 Clarinettes (duo)
117
Hautbois, Piano (duo)
114
2 Flûtes traversières (duo)
111
Saxophone Alto et Piano
98
Clarinette
95
Flûte, Hautbois, Clarinette, Basson
91
Quatuor de Clarinettes: 4 clarinettes
81
Clarinette, Violon (duo)
80
Ensemble de saxophones
80
Clarinette, Trompette (duo)
68
Flûte traversière
65
Saxophone Soprano et Piano
65
Saxophone Alto
65
Saxophone Tenor et Piano
62
Flûte, Clarinette (duo)
58
Ensemble de Clarinettes
51
2 Hautbois (duo)
49
Flûte, Violon
44
Clarinette et Alto
43
Hautbois, Clarinette (duo)
41
Saxophone Baryton, Piano
41
Hautbois, Basson (duo)
41
Flûte, Saxophone (duo)
40
Hautbois (partie séparée)
39
Ensemble de Flûtes
39
Quatuor de Flûtes : 4 flûtes
39
Saxophone Tenor
38
Hautbois, Flûte
35
Cor anglais, Piano
34
Flûte, Trompette (duo)
32
Saxophone (partie séparée)
29
Flûte, Alto (duo)
28
Clarinette Basse, Piano
28
3 Saxophones (trio)
23
Quintette de Clarinettes: 5 clarinettes
20
Quintette de Flûte : 5 flûtes
19
Trio de Flûtes: 3 flûtes
15
2 Flûte à bec (duo)
15
Flûte à bec Soprano
14
Flûte, Violon, Piano
13
3 Clarinettes (trio)
11
Flûte et Guitare
10
Clarinette, Basson (duo)
9
Quatuor de Flûtes à bec
7
Hautbois, Clarinette, Basson (trio d'anches)
6
Flute (partie séparée)
6
Piccolo, Piano
6
Flûte, Clarinette et Basson
6
Flûte à Bec
5
Clarinette, Violoncelle (duo)
5
Flûte, Hautbois, Clarinette (trio)
5
Flûte, Violon et Violoncelle
4
Cor Anglais
4
Ocarina
4
3 Flûtes à bec (trio)
4
Hautbois, Violoncelle
3
Flûte à bec Soprano, Piano
3
Flûte à bec Alto
3
Flûte à bec Alto, Basse continue
3
Flûte à Bec, Piano
3
Clarinette, Guitare (duo)
3
Flûte, Hautbois, Basson
3
Flûte à bec Tenor
3
Flûte, Violoncelle
3
Saxophone et Orgue
2
Hautbois et alto (duo)
2
Ensemble à vent
2
Flûte irlandaise
2
Flûte, Basson et Piano
2
Clarinette (partie séparée)
2
Flûte traversière, Basse continue
2
2 Flûtes traversières, Piano
2
Flûte traversière, Orgue (duo)
2
2 Clarinettes, Piano
2
Hautbois, Guitare (duo)
2
Hautbois, violon (duo)
2
Flûte, Hautbois (duo)
2
Ensemble De Flûte à bec
2
Flûte, Hautbois, Piano (trio)
1
Clarinette, Contrebasse (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Alto, Piano
1
Instruments en Mib
1
Saxophone et Piano
1
Clarinette, Alto et Piano (trio)
1
Ensemble de Hautbois
1
5 Flûtes à bec
1
Saxophone et Guitare
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Harpe (duo)
1
2 Saxophones, Piano
1
+ 93 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
288
Quatuor de Cuivres : 2 trompettes, trombone, tuba
158
Ensemble de Trompettes
92
Trombone et Piano
89
Trompette, Saxophone (duo)
82
Trompette, Piano
71
Trompette
70
Cor et Piano
66
2 Trombones (duo)
58
2 Trompettes (duo)
57
Euphonium, Piano (duo)
53
Trompette, Trombone (duo)
46
Cor anglais, Piano
34
Trombone
32
Ensemble de Trombones
31
Quatuor de Cuivres: 2 trompettes, Cor, trombone
31
Quatuor de Cuivres
27
Cor
27
Trompette (partie séparée)
21
Quatuor de cuivres: 4 trombones
16
Tuba et Piano
15
Quatuor de cuivres: 4 cors
14
Tuba
12
Trombone (partie séparée)
11
2 Cors (duo)
8
Ensemble de Cors
7
Quatuor de cuivres: 4 trompettes
7
3 Trombones (trio)
6
Cor Anglais
4
2 Tubas (duo)
4
3 Trompettes (trio)
3
Tuba (partie séparée)
3
Tuba et Orgue
3
Trompette, Cor (duo)
3
2 Euphoniums et 2 Tubas
3
Cor (partie séparée)
3
2 Trompettes, Clavier (piano ou orgue)
2
4 Tubas
2
Trio de Cuivres
1
2 Trombones, Piano
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Ensemble de Tubas
1
3 Cors (trio)
1
Trombone basse
1
3 Tubas (trio)
1
Instruments en Sib
1
Bass Clef Instruments
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Cor (duo)
1
Trombone basse et Piano
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
510
Violon et Piano
205
Violon
132
Alto, Piano
130
Violoncelle, Piano
128
Violon, Violoncelle (duo)
104
2 Violons (duo)
81
Trio à Cordes: violon, alto, violoncelle
75
Violoncelle
74
Harpe
60
2 Violoncelles (duo)
59
Violon, Alto (duo)
59
2 Altos (duo)
50
Trio à Cordes: 2 violons, violoncelle
36
Alto seul
31
Quintette à cordes: 2 violons, alto, violoncelle, basse
26
Violon (partie séparée)
19
Alto (partie séparée)
16
Ensemble de Violons
16
Ensemble d'Altos
14
4 Violoncelles
12
Trio à cordes: 3 violins
10
Contre Basse
10
2 Harpes (duo)
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
10
Contrebasse (partie séparée)
8
Trio à Cordes: 3 violoncelles
8
Violon, Guitare (duo)
6
Contrebasse, Piano (duo)
6
Quatuor à cordes: 4 violons
5
Alto, Violoncelle (duo)
4
Violoncelle (partie séparée)
4
Piano Trio: Violon, Alto, Piano
3
Quatuor à cordes : 4 altos
3
Trio à cordes: 3 altos
3
Alto, Guitare (duo)
2
Harpe, Trombone (duo)
2
Violoncelle, Contrebasse (duo)
2
Harpe, Flûte (duo)
2
Violon, Basson (duo)
2
Harpe, Voix
2
Trio à Cordes: 2 violons, alto
2
Violoncelle, Orchestre
2
Violon, Clarinette, Piano (trio)
1
Trio à cordes
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
4 Contrebasses
1
4 Harpes
1
Violon, Violoncelle, Clarinette
1
Flûte, Contrebasse (duo)
1
2 Violons, Piano
1
Harpe, Violon (duo)
1
3 Harpes
1
Alto et Basson
1
Autoharp
1
Ensemble de Violoncelles
1
+ 51 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
681
Orchestre à Cordes
268
Orchestre
262
Ensemble de cuivres
118
Ensemble Jazz
65
Orchestre de chambre
56
Cloches
44
Jazz combo
29
Ensemble de Percussions
12
Batterie
9
Fanfare
8
Batterie (partie séparée)
4
Marimba
4
Percussion (partie séparée)
3
2 Xylophones
2
Percussion
2
Vibraphone
1
Orchestre, Violon
1
Quintette de Cuivres: autres combinaisons
1
Xylophone
1
2 Marimbas
1
Piano et Orchestre
1
+ 17 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
12
Librairie Musicale
1
Matériel de Musique
498
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
First Time
4 Violoncelles
Partitions à imprimer
12 partitions trouvées
<
1
Every Breath You Take
#
4 Violoncelles
#
INTERMÉDIAIRE
#
Rock
#
The Police
#
Inacio Saldanha
#
Every Breath You Take
#
Inacio Saldanha
#
SheetMusicPlus
String Quartet Cello,String Quartet - Level 3 - SKU: A0.798078 By The Police. By Sting. Arranged by Inacio Saldanha. Pop,Rock. Score and parts. 17 pages...
(+)
String Quartet Cello,String Quartet - Level 3 - SKU: A0.798078 By The Police. By Sting. Arranged by Inacio Saldanha. Pop,Rock. Score and parts. 17 pages. Inacio Saldanha #4846349. Published by Inacio Saldanha (A0.798078). Every Breath You Take is a song by the English rock band the Police from their album Synchronicity (1983). Written by Sting, the single was the biggest US and UK hit of 1983, topping the Billboard Hot 100 singles chart for eight weeks (the band's only No. 1 hit on that chart), and the UK Singles Chart for four weeks. It also topped the Billboard Top Tracks chart for nine weeks.At the 26th Annual Grammy Awards the song was nominated for three Grammy Awards, including Song of the Year, Best Pop Performance by a Duo or Group with Vocals, and Record of the Year, winning in the first two categories. For the song, Sting received the 1983 Ivor Novello award for Best Song Musically and Lyrically from the British Academy of Songwriters, Composers and Authors.The song is considered to be both the Police's and Sting's signature song, and in 2010 was estimated to generate between a quarter and a third of Sting's music publishing income. In the 1983 Rolling Stone critics' and readers' poll, it was voted Song of the Year. In the US, it was the best-selling single of 1983 and fifth-best-selling single of the decade. Billboard ranked it as the No. 1 song for 1983.In May 2019, Every Breath You Take was recognized by BMI as being the most played song in radio history. With nearly 15 million radio plays, Sting received a BMI Award at a ceremony held at the Beverly Wilshire Hotel in Beverly Hills to mark it being the Most Performed Song in BMI’s catalogue, a distinction previously held since 1999 by Mann and Weill’s You've Lost That Lovin' Feelin'. BMI President and CEO Mike O’Neill stated: For the first time in 22 years, BMI has a new top song in our repertoire with Sting’s timeless hit ‘Every Breath You Take,’ a remarkable achievement that solidifies its place in songwriting history.The song ranked No. 84 on the Rolling Stone list of the 500 Greatest Songs of All Time and is included in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. It also ranked number 25 on Billboard's Hot 100 All-Time Top Songs. In 2008, Q magazine named it among the top 10 British Songs of the 1980s. In 2015, the song was voted by the British public as the nation's favourite 1980s number one in a UK-wide poll for ITV.Arranged for Violoncelo Quartet. Key of A major. Intermediate. Audio file made from midi engine.
$14.99
Hark! The Herald Angels Sing! for Cello Quartet
#
4 Violoncelles
#
FACILE
#
Musique Sacrée
#
Felix Bartholdy Mendelssohn, S
#
Michele Galvagno
#
Hark! The Herald Angels Sing!
#
Artistic Score Engraving di Galvagno Michele
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.841364 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged by Michele Galv...
(+)
Choral Choir (SATB) - Level 2 - SKU: A0.841364 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged by Michele Galvagno. Christian,Christmas,Praise & Worship,Sacred. Octavo. 18 pages. Artistic Score Engraving di Galvagno Michele #6098157. Published by Artistic Score Engraving di Galvagno Michele (A0.841364). This year's Christmas publication choice fell on a song very dear to me: Hark! The herald angels sing. The text, inspired by Luke’s Gospel (2:14), appears for the first time in a collection of Christmas carols called Hymns and Sacred Poems in 1739, jointly written by Charles Wesley (1707-1788 ) and George Whitefield (1714-1770), two of the founding members of the Methodist movement.The version we know today is the one adapted by William H. Cummings (1831-1915) from the section Vaterland, in deinen Gauen of the Festgesang zum Gutenbergfest, WoO 9, by Felix Mendelssohn-Bartholdy (1809-1847). The story, however, is more complex and articulated than that.The original version of the text, written by Wesley, bearing the title Hymn for Christmas-Day, had received only slow and solemn music for its verses, music now almost completely discarded. Also, his original opening lines were Hark! How all the welkin rings / Glory to the King of Kings .The version that has been passed to us is the result of alterations made by different hands, especially those of Whitefield, who changed the initial couplet into the one we know today.In 1840-one hundred years after the publication of Hymns and sacred Poems-Mendelssohn composed a cantata commemorating Johann Gutenberg’s invention of movable-type printing. The English musician William H. Cummings finally adapted Mendelssohn’s music around 1855 in order to fit the music to the verses and give it its present look.In this edition we propose the version that every listener expects to hear when reading the title on the programme and, immediately after, one of the few original versions that have reached us in their entirety, that is the one set to music by Samuel Arnold (1740-1802) and available today in The British Minstrel, and Musical and Literary Miscellany, vol. 3, published in 1843.The proposed instrumentations are those of the classical string quartet and the cello quartet. Both variants are very simple to perform and are certainly suitable for small string ensembles formed in musical schools. In the cello quartet version, the only relatively complex part is that of the first cello, which should be left to the teacher or to a student able to play up to the 7th position without excessive troubles.I hope this music can bring you the serenity that made me prepare it.
$4.95
Kyrie (Durante) (Violoncello Quartet)
#
4 Violoncelles
#
INTERMÉDIAIRE
#
Francesco Durante
#
Regis Bookshar
#
Kyrie
#
Regis Bookshar
#
SheetMusicPlus
String Quartet Cello,String Quartet - Level 3 - SKU: A0.1092498 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred....
(+)
String Quartet Cello,String Quartet - Level 3 - SKU: A0.1092498 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696590. Published by Regis Bookshar (A0.1092498). Kyrie - by Francesco Durante; Violoncello Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Violoncello Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide students with the opportunity to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Violoncello Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (String Quartet - 2 Violins, 2 Cellos)
#
4 Violoncelles
#
INTERMÉDIAIRE
#
Francesco Durante
#
Regis Bookshar
#
Kyrie
#
Regis Bookshar
#
SheetMusicPlus
String Quartet Cello,String Quartet,Violin - Level 3 - SKU: A0.1092481 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,...
(+)
String Quartet Cello,String Quartet,Violin - Level 3 - SKU: A0.1092481 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696572. Published by Regis Bookshar (A0.1092481). Kyrie - by Francesco Durante; String Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a String Quartet, consisting of 2 Violins, and 2 Violoncellos. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide students with the opportunity to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a String Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Danny Boy (Londonderry Air) - intermediate/advanced cello quartet (four cellos)
#
4 Violoncelles
#
INTERMÉDIAIRE
#
Folklorique/Traditionel
#
Traditional Irish Melody
#
Yellow Cello Music
#
Danny Boy
#
Yellow Cello Music
#
SheetMusicPlus
Cello quartet, four cellos - Intermediate - Digital Download Composed by Traditional Irish Melody. Arranged by Yellow Cello Music. European, Old- time...
(+)
Cello quartet, four cellos - Intermediate - Digital Download Composed by Traditional Irish Melody. Arranged by Yellow Cello Music. European, Old- time. Score, Set of Parts. 6 pages. Published by Yellow Cello Music
One of the most beautiful songs ever written! All of the parts are very interesting, with lots of moving lines in the accompaniment. Cello 1 has the solo.
Cello 1 - tenor and treble clef, into thumb position
Cello 2 - bass clef only, up to fourth position
Cello 3 - bass clef only, up to third position
Cello 4 - bass clef only, first position only. Suitable for an advanced beginner with good counting skills (each part is rhythmically independent from the other parts)
Includes full score and all parts
$2.99
Love On Top
#
4 Violoncelles
#
INTERMÉDIAIRE/AVANCÉ
#
Soul/R&B
#
Beyonce
#
Jen Mathers
#
Love On Top
#
Jen Mathers
#
SheetMusicPlus
String Quartet Cello,String Quartet,Violin - Level 4 - SKU: A0.1175276 By Beyonce. By Beyonce Knowles, Shea Taylor, and Terius Nash. Arranged by Jen Mat...
(+)
String Quartet Cello,String Quartet,Violin - Level 4 - SKU: A0.1175276 By Beyonce. By Beyonce Knowles, Shea Taylor, and Terius Nash. Arranged by Jen Mathers. Hip-Hop,Pop,R & B. Score and parts. 16 pages. Jen Mathers #775430. Published by Jen Mathers (A0.1175276). ARRANGED FOR MODIFIED STRING QUARTET with 3 violins + cello. The linked video is played by a cello, with the first violin part mostly played one octave lower. Otherwise the arrangement is identical to the string quartet version sold here. (The audio sample includes the accurate string quartet voicing).STANDARD STRING QUARTET version also available: Â https://www.sheetmusicplus.com/title//21803482?aff_id=712331A fun, funky song great for weddings, receptions, and parties. The second half of the song repeats the chorus four times but modulates up a half-step each time, requiring musicians to pay close attention to the quick key changes!My string arrangements are true to the original song, with minimal bowings and only minor adjustments to pop melodies to facilitate playing and sightreading. Parts are error-free, tested and enjoyed by professional musicians at weddings and private events.
$17.99
The Entertainer by Joplin - Cello Quartet (Full Score and Parts)
#
4 Violoncelles
#
INTERMÉDIAIRE
#
Ragtime
#
Scott Joplin
#
César Madeira
#
The Entertainer by Joplin - Ce
#
Sheet Music To Play Editions
#
SheetMusicPlus
String Quartet Cello,String Quartet - Level 3 - SKU: A0.1179821 Composed by Scott Joplin. Arranged by César Madeira. 20th Century,Children,Film/TV,Mu...
(+)
String Quartet Cello,String Quartet - Level 3 - SKU: A0.1179821 Composed by Scott Joplin. Arranged by César Madeira. 20th Century,Children,Film/TV,Multicultural,Ragtime,World. 10 pages. Sheet Music To Play Editions #779770. Published by Sheet Music To Play Editions (A0.1179821). The Entertainer by Scott Joplin for Violoncello Quartet. With Full Score and Individual Parts. Enjoy it!Scott Joplin (c. 1868 - 1917) was an American composer and pianist. Joplin achieved fame for his ragtime compositions and was dubbed the King of Ragtime. During his brief career, he wrote over 100 original ragtime pieces, one ragtime ballet, and two operas. One of his first and most popular pieces, the Maple Leaf Rag, became ragtime's first and most influential hit, and has been recognized as the archetypal rag.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$12.99
O Jesulein süss by Bach for Cello Quartet
#
4 Violoncelles
#
DÉBUTANT
#
Classique
#
Johann Sebastian Bach
#
ANDERSSON
#
O Jesulein süss by Bach f
#
Woods Only, Arrangements
#
SheetMusicPlus
String Quartet Cello,String Quartet - Level 1 - SKU: A0.1093742 Composed by Johann Sebastian Bach. Arranged by ANDERSSON. Baroque,Christmas,Easter,Sacre...
(+)
String Quartet Cello,String Quartet - Level 1 - SKU: A0.1093742 Composed by Johann Sebastian Bach. Arranged by ANDERSSON. Baroque,Christmas,Easter,Sacred,Wedding. 6 pages. Woods Only, Arrangements #697821. Published by Woods Only, Arrangements (A0.1093742). This easy arrangement for violoncello quartet has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. Recommended for performance in reverently Christian and liturgical ceremonies such as Good Friday and Christmas time. It also serves as a study for Baroque sacred song. The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering.
$7.99
Solage: Le basile for Cello Quartet
#
4 Violoncelles
#
FACILE
#
Solage
#
James M
#
Solage: Le basile for Cello Qu
#
jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,H...
(+)
String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859203. Published by jmsgu3 (A0.1266472). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
La Cumparsita (tango) - intermediate Cello Quartet (score and parts)
#
4 Violoncelles
#
INTERMÉDIAIRE
#
Tango
#
Contemporain
#
Gerardo Matos Rodrígu
#
Francesco Leone
#
La Cumparsita
#
Glissato Edizioni Musicali
#
SheetMusicPlus
Composed by Gerardo Matos Rodríguez. Arranged by Francesco Leone. 20th Century,Traditional. 20 pages. Glissato Edizioni Musicali #818642. Publi...
(+)
Composed by Gerardo Matos Rodríguez. Arranged by Francesco Leone. 20th Century,Traditional. 20 pages. Glissato Edizioni Musicali #818642. Published by Glissato Edizioni Musicali
ello Quartet (four Cellos) score and parts "La Cumparsita". Intermediate level. Duration 3.00 min (+-).
"La cumparsita" (little street procession, a grammatical diminutive of la comparsa) is a tango written in 1916 by the Uruguayan musician Gerardo Matos Rodrguez, with lyrics by Pascual Contursi and Enrique Pedro Maroni . It is among the most famous and recognizable tangos of all time. Roberto Firpo, director and pianist of the orchestra that premiered the song, added parts of his tangos "La gaucha Manuela" and "Curda completa" to Matos' carnival march ("La cumparsita"), resulting in "La cumparsita" as it is currently known. "La cumparsita" was first played in public in the old Caf La Giralda in Montevideo, Uruguay. The Tango Museum of Montevideo stands currently on that historic spot.
$15.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
First Time
