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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It's Not Over
Non classifié
894
Piano & claviers
Piano seul
456
Piano, Voix
257
Piano Facile
188
Piano, Voix et Guitare
118
Piano grosses notes
116
Instruments en Do
39
Orgue
16
Piano Trio: piano, violon, violoncelle
10
1 Piano, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accompagnement Piano
2
Accordéon
2
2 Pianos, 8 mains
1
Orgue, Piano (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano (partie séparée)
1
Ensemble d'Accordéons
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
119
Guitare
75
Ukulele
18
2 Guitares (duo)
17
Basse electrique
16
Ligne De Mélodie, (Paroles) et Accords
14
4 Guitares (Quatuor)
5
Banjo
5
Paroles et Accords
4
Dulcimer
4
2 Ukuleles
3
Piano, Guitare (duo)
2
Guitare (partie séparée)
2
Mandoline
1
3 Guitares (trio)
1
Guitare, Violon, Violoncelle (trio)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
135
Chorale 3 parties
39
Chorale SSAA
35
Chorale 2 parties
35
Voix Alto, Piano
26
Voix Soprano, Piano
26
Chorale TTBB
23
Voix Tenor, Piano
17
Voix Baryton, Piano
17
Chorale Unison
8
Voix duo, Piano
5
Voix haute
5
Voix moyenne, Piano
4
Voix basse, Piano
2
Voix Tenor
2
Voix seule
1
Voix Mezzo-Soprano, Piano
1
+ 12 instrumentations
Retracter
Vents
Flûte traversière et Piano
81
Quatuor de Saxophones: 4 saxophones
80
Clarinette et Piano
79
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
67
2 Saxophones (duo)
66
Saxophone Alto et Piano
57
Flûte, Hautbois, Clarinette, Basson
55
Ensemble de saxophones
54
Clarinette
52
Quintette de Saxophone: 5 saxophones
48
Hautbois, Piano (duo)
48
Saxophone Tenor et Piano
46
Saxophone Soprano et Piano
46
2 Flûtes traversières (duo)
44
Saxophone Baryton, Piano
42
Flûte traversière
36
Hautbois (partie séparée)
35
Saxophone Alto
32
Saxophone (partie séparée)
31
Saxophone Tenor
28
2 Clarinettes (duo)
26
Cor anglais, Piano
19
2 Hautbois (duo)
17
Clarinette Basse, Piano
17
Quatuor de Clarinettes: 4 clarinettes
15
Quatuor de Flûtes : 4 flûtes
15
Ensemble de Clarinettes
15
Flûte, Clarinette (duo)
13
Saxophone Soprano
12
Ensemble de Flûtes
11
Saxophone Baryton
10
Flûte à bec Soprano
9
Harmonica
8
Flûte et Guitare
8
Hautbois
8
Saxophone, Clarinette (duo)
6
Flute (partie séparée)
5
Clarinette, Basson (duo)
5
Clarinette, Trompette (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
Clarinette, Violon (duo)
4
Hautbois, Clarinette (duo)
4
Clarinette, Guitare (duo)
4
3 Clarinettes (trio)
3
Hautbois, Basson (duo)
3
Clarinette et Alto
2
Flûte, Trompette (duo)
2
Flûte, Hautbois (duo)
2
Ocarina
2
3 Saxophones (trio)
2
Flûte, Alto (duo)
2
Flûte à bec Soprano, Piano
2
Flûte irlandaise
2
Piccolo, Piano
2
Flûte, Hautbois, Basson
1
Flûte, Violoncelle
1
Hautbois, Violoncelle
1
Clarinette, Harpe (duo)
1
2 Flûtes à bec, Guitare
1
Flûte, Saxophone (duo)
1
Quintette de Flûte : 5 flûtes
1
2 Saxophones, Piano
1
Saxophone et Orgue
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Basson et Piano
1
Trio de Flûtes: 3 flûtes
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Cor anglais et Harpe (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Alto, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Quatuor de Flûtes à bec
1
Hautbois, Harpe
1
Flûte, Violon
1
+ 69 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
106
Quatuor de Cuivres: 2 trompettes, Cor, trombone
52
Trompette
49
Trombone et Piano
46
Quatuor de Cuivres : 2 trompettes, trombone, tuba
39
Cor et Piano
39
Trompette, Piano
37
Tuba et Piano
29
Tuba
24
Euphonium, Piano (duo)
24
Trombone
23
Cor
23
2 Trompettes (duo)
21
Cor anglais, Piano
19
Quatuor de cuivres: 4 trombones
17
2 Cors (duo)
16
Quatuor de Cuivres
15
2 Trombones (duo)
14
Trompette, Trombone (duo)
12
Trompette (partie séparée)
10
2 Tubas (duo)
8
Ensemble de Trompettes
8
Ensemble de Trombones
8
Trombone (partie séparée)
5
Trompette, Cor (duo)
5
Ensemble de Cors
3
Quatuor de cuivres: 4 cors
2
Trompette, Tuba (duo)
2
Trombone, Cor (duo)
2
Cor, Tuba (duo)
2
Trompette, Saxophone (duo)
1
Tuba (partie séparée)
1
Trompette, Euphonium (duo)
1
Cor, Violoncelle (duo)
1
3 Trombones (trio)
1
2 Euphoniums et 2 Tubas
1
Cor (partie séparée)
1
Ensemble de Tubas
1
Cor anglais et Harpe (duo)
1
Quatuor de cuivres: 4 trompettes
1
Bass Clef Instruments
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
173
Violon
65
Alto, Piano
64
Violon et Piano
61
Violoncelle
58
Violoncelle, Piano
49
Violon, Violoncelle (duo)
44
2 Violons (duo)
37
Quintette à cordes: 2 violons, alto, violoncelle, basse
31
2 Violoncelles (duo)
28
Trio à Cordes: violon, alto, violoncelle
27
Alto seul
26
Harpe
24
Contre Basse
19
Trio à Cordes: 2 violons, violoncelle
18
2 Altos (duo)
17
Contrebasse, Piano (duo)
16
Violon, Alto (duo)
16
2 Contrebasses (duo)
8
4 Violoncelles
8
2 Harpes (duo)
6
Harpe, Flûte (duo)
6
Alto (partie séparée)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Contrebasse (partie séparée)
2
Ensemble d'Altos
2
Alto, Violoncelle (duo)
2
Quatuor à cordes : 4 altos
2
Trio à Cordes: 3 violoncelles
2
Ensemble de Violons
2
Violoncelle , Guitare (duo)
1
Violon (partie séparée)
1
Violoncelle, Orgue
1
Violon, Guitare (duo)
1
Harpe, Voix
1
Violoncelle, Contrebasse (duo)
1
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes: 4 violons
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre
83
Orchestre d'harmonie
74
Ensemble Jazz
49
Orchestre à Cordes
39
Orchestre de chambre
26
Ensemble de cuivres
25
Jazz combo
19
Cloches
14
Ensemble de Percussions
9
Fanfare
3
Ensemble d'École
3
Batterie
3
Quintette de Cuivres: autres combinaisons
2
Batterie (partie séparée)
1
Marimba
1
Piano et Orchestre
1
+ 11 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Vous avez sélectionné:
It's Not Over
4 Violoncelles
Partitions à imprimer
8 partitions trouvées
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1
J. Offenbach: Orpheus in the Underworld Overture for Cello Quartet
4 Violoncelles
String Quartet Cello,String Quartet - Level 3 - Digital Download SKU: A0.1310534 Co…
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String Quartet Cello,String Quartet - Level 3 - Digital Download SKU: A0.1310534 Composed by Jacques Offenbach. Arranged by Clara Obsidian. 19th Century,Romantic Period. 15 pages. Clara Obsidian #899596. Published by Clara Obsidian (A0.1310534). Orpheus in the Underworld, or Orpheus in Hell are English names for Orphée aux enfers, the comic opera written by Jacques Offenbach. The Overture, also known as the 'Can-can dance' or 'Infernal Galop', was popularized when groups like Moulin Rouge and the Folies Bergère adopted it as their dance set piece.A little fun fact! The overture was not actually writted by Offenbach! It is a giant collage of many themes, in which Jupiter's minuet and John Styx's song recur, and also including J'ai vu le Dieu Bacchus, the couplets Je suis Vénus, the Rondeau des métamorphoses, the Partons, partons section of the Act 2 finale, and the Act 4 galop. It was actually arranged by Austrian musician Carl Binder for the Opera's first production in 1860The arrangement for Cello Quartet features 4 parts that play equal importance to the music, with Ossia included for a variation of difficulty.Full Score and Parts---------------------.
$8.99
8.29 €
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4 Violoncelles
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Jacques Offenbach
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Clara Obsidian
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J. Offenbach: Orpheus in the Underworld Overture for Cello Quartet
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Clara Obsidian
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SheetMusicPlus
Solage: Le basile for Cello Quartet
4 Violoncelles
String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1266472 Co…
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String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859203. Published by jmsgu3 (A0.1266472). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
30.38 €
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4 Violoncelles
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Solage
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James M
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Solage: Le basile for Cello Quartet
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jmsgu3
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SheetMusicPlus
Eternal Father, Strong to Save — for Cello Quartet
4 Violoncelles
String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1112594 Co…
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String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1112594 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,A Cappella,Christian,Patriotic,Sacred. 14 pages. Artistic Score Engraving di Galvagno Michele #714602. Published by Artistic Score Engraving di Galvagno Michele (A0.1112594). Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, and was first written in 1860 by William Whiting (1825—1878), an Anglican churchman from Winchester. According to his recount, Whiting grew up near the ocean and, at the age of thirty-five, had felt his life spared by God when a violent storm nearly claimed the ship he was travelling on. This instilled in him a belief in God's command over the rage and calm of the sea. The music associated with it was written by John B. Dykes (1823—1876), another Anglican clergymen and composer of the music for nearly three hundred hymns. This edition comes in several arrangements for multiple ensembles. At the moment of the first edition it contains the original choir version (with the 1861 lyrics), a voice and piano version, and arrangements for string, cello, trombone, horn, woodwind, brass, and saxophone quartets. The cello, trombone, and horn quartet versions are slightly more elaborated. Additional versions will be created upon request, contact me to know more. This arrangement is dedicated to Martin Smith.
$5.50
5.07 €
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4 Violoncelles
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John Bacchus Dykes
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Michele Galvagno
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Eternal Father, Strong to Save — for Cello Quartet
#
Artistic Score Engraving di Galvagno Michele
#
SheetMusicPlus
Kyrie (Durante) (Violoncello Quartet)
4 Violoncelles
String Quartet Cello,String Quartet - Level 3 - Digital Download SKU: A0.1092498 Co…
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String Quartet Cello,String Quartet - Level 3 - Digital Download SKU: A0.1092498 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696590. Published by Regis Bookshar (A0.1092498). Kyrie - by Francesco Durante; Violoncello Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Violoncello Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide students with the opportunity to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Violoncello Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
9.22 €
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4 Violoncelles
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Kyrie (Durante) (String Quartet - 2 Violins, 2 Cellos)
4 Violoncelles
String Quartet Cello,String Quartet,Violin - Level 3 - Digital Download SKU: A0.1092481…
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String Quartet Cello,String Quartet,Violin - Level 3 - Digital Download SKU: A0.1092481 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696572. Published by Regis Bookshar (A0.1092481). Kyrie - by Francesco Durante; String Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a String Quartet, consisting of 2 Violins, and 2 Violoncellos. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide students with the opportunity to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a String Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
9.22 €
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4 Violoncelles
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Solage: Plusers gens voy for Cello Quartet
4 Violoncelles
String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1269026 Co…
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String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1269026 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 6 pages. Jmsgu3 #861560. Published by jmsgu3 (A0.1269026). Plusers gens voy is a song composed by the late 14th-century French composer Solage. The song is written for four voices: tenor, contra tenor, cantus, and triplum. The lyrics of the song are Plusers gens voy qui leur pensee / A leur dame ne sont pas nee / Car ele est de si grant beaute / Que nus ne la puet veoir sans faille which translates to More people have seen in their thoughts / That they were not born for their lady / For she is of such great beauty / That no one can see her without failing.The overall message of Plusers gens voy is a declaration of love and admiration for a lady of great beauty. The lyrics suggest that the lady is so beautiful that it is impossible for anyone to see her without failing. The song is a tribute to the lady's beauty and is likely a reflection of the composer's feelings towards her. The song is a beautiful example of medieval French music and poetry and is still performed and studied today.
$24.95
23 €
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4 Violoncelles
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Solage
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James M
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Solage: Plusers gens voy for Cello Quartet
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jmsgu3
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SheetMusicPlus
Solage: Plusers gens voy for Viola Duo & Cello Duo
4 Violoncelles
String Quartet Cello,String Quartet,Viola - Level 2 - Digital Download SKU: A0.1268000
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String Quartet Cello,String Quartet,Viola - Level 2 - Digital Download SKU: A0.1268000 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Festival,Historic,Medieval,Wedding. 6 pages. Jmsgu3 #860398. Published by jmsgu3 (A0.1268000). Plusers gens voy is a song composed by the late 14th-century French composer Solage. The song is written for four voices: tenor, contra tenor, cantus, and triplum. The lyrics of the song are Plusers gens voy qui leur pensee / A leur dame ne sont pas nee / Car ele est de si grant beaute / Que nus ne la puet veoir sans faille which translates to More people have seen in their thoughts / That they were not born for their lady / For she is of such great beauty / That no one can see her without failing.The overall message of Plusers gens voy is a declaration of love and admiration for a lady of great beauty. The lyrics suggest that the lady is so beautiful that it is impossible for anyone to see her without failing. The song is a tribute to the lady's beauty and is likely a reflection of the composer's feelings towards her. The song is a beautiful example of medieval French music and poetry and is still performed and studied today.
$32.95
30.38 €
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4 Violoncelles
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Solage
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James M
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Solage: Plusers gens voy for Viola Duo & Cello Duo
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jmsgu3
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SheetMusicPlus
Shenandoah (Cello Quartet)
4 Violoncelles
String Quartet Cello,String Quartet - Level 5 - Digital Download SKU: A0.726183 Com…
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String Quartet Cello,String Quartet - Level 5 - Digital Download SKU: A0.726183 Composed by Traditional Sea Chanty. Arranged by Joel Jacklich (ASCAP). Folk. Score and parts. 5 pages. Joel Jacklich #6691115. Published by Joel Jacklich (A0.726183). The traditional American sea chanty Shenandoah is here arranged by Joel Jacklich (A.S.C.A.P.) for cello quartet. It covers the entire gamut of the cello range from the open C2 to high positions (tenor clef, going to F5 in Vc. 1, albeit, in slow half note accompaniment, and to C5 in Vc. 2, while playing the melody). Once the high notes are mastered, it is a delight for the audience, and a sure crowd pleaser.
$12.99
11.98 €
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4 Violoncelles
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Traditional Sea Chanty
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Joel Jacklich (ASCAP)
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Shenandoah
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Joel Jacklich
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SheetMusicPlus
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