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76
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108
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98
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98
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96
Clarinette
76
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71
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63
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52
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52
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51
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50
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42
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40
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31
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30
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29
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26
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25
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20
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19
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19
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17
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17
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17
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17
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15
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5
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79
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71
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57
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57
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48
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37
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25
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22
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18
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Cor Anglais
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44
Quintette à cordes: 2 violons, alto, violoncelle, basse
40
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34
Contrebasse (partie séparée)
33
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23
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Harpe
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2
Quintette à cordes: 2 violons, 2 altos, violoncelle
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2 Harpes (duo)
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4 Violoncelles
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Alto et Harpe
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Trio à cordes: 3 violins
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Orchestre d'harmonie
268
Ensemble Jazz
196
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104
Orchestre
104
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52
Jazz combo
36
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31
Cloches
30
Fanfare
20
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18
Batterie
17
Marimba
12
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11
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8
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AUTRES
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Solage: Le basile for Cello Quartet
4 Violoncelles
String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1266472 Co…
(+)
String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859203. Published by jmsgu3 (A0.1266472). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
30.26 €
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4 Violoncelles
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Solage
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James M
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Solage: Le basile for Cello Quartet
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jmsgu3
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SheetMusicPlus
J. Offenbach: Orpheus in the Underworld Overture for Cello Quartet
4 Violoncelles
String Quartet Cello,String Quartet - Level 3 - Digital Download SKU: A0.1310534 Co…
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String Quartet Cello,String Quartet - Level 3 - Digital Download SKU: A0.1310534 Composed by Jacques Offenbach. Arranged by Clara Obsidian. 19th Century,Romantic Period. 15 pages. Clara Obsidian #899596. Published by Clara Obsidian (A0.1310534). Orpheus in the Underworld, or Orpheus in Hell are English names for Orphée aux enfers, the comic opera written by Jacques Offenbach. The Overture, also known as the 'Can-can dance' or 'Infernal Galop', was popularized when groups like Moulin Rouge and the Folies Bergère adopted it as their dance set piece.A little fun fact! The overture was not actually writted by Offenbach! It is a giant collage of many themes, in which Jupiter's minuet and John Styx's song recur, and also including J'ai vu le Dieu Bacchus, the couplets Je suis Vénus, the Rondeau des métamorphoses, the Partons, partons section of the Act 2 finale, and the Act 4 galop. It was actually arranged by Austrian musician Carl Binder for the Opera's first production in 1860The arrangement for Cello Quartet features 4 parts that play equal importance to the music, with Ossia included for a variation of difficulty.Full Score and Parts---------------------.
$8.99
8.26 €
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4 Violoncelles
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Jacques Offenbach
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Clara Obsidian
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J. Offenbach: Orpheus in the Underworld Overture for Cello Quartet
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Clara Obsidian
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SheetMusicPlus
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