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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Lyrics also by the composer
Non classifié
217
Piano & claviers
Piano, Voix
87
Piano seul
37
Instruments en Do
19
Piano Facile
18
Piano, Voix et Guitare
17
Piano Quatuor: piano, violon, alto, violoncelle
2
1 Piano, 4 mains
2
Orgue
1
+ 3 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
36
Guitare
7
Guitare notes et tablatures
3
Mandoline, Guitare (duo)
1
Ukulele
1
Piano, Guitare (duo)
1
Mandoline
1
+ 2 instrumentations
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Voix
Chorale SATB
31
Chorale 3 parties
21
Voix Alto, Piano
9
Chorale 2 parties
6
Chorale TTBB
6
Voix haute
6
Chorale Unison
4
Voix Mezzo-Soprano, Piano
3
Voix moyenne, Piano
3
Chorale SSAA
2
Voix Baryton, Piano
1
Voix basse
1
Voix Soprano, Piano
1
+ 8 instrumentations
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Vents
Ensemble de saxophones
27
Quintette de Saxophone: 5 saxophones
27
Flûte traversière et Piano
19
Saxophone Alto et Piano
15
Saxophone Tenor et Piano
14
Clarinette et Piano
14
Hautbois, Piano (duo)
13
Saxophone Soprano et Piano
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Saxophone Baryton, Piano
11
Clarinette
9
Quatuor de Saxophones: 4 saxophones
9
Cor anglais, Piano
8
Ensemble de Clarinettes
6
Clarinette Basse, Piano
6
Saxophone Tenor
5
Quintette de Flûte : 5 flûtes
5
3 Saxophones (trio)
5
Ensemble de Flûtes
4
Saxophone Alto
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone (partie séparée)
3
Flûte traversière
3
3 Clarinettes (trio)
3
Ocarina
2
Quatuor de Flûtes à bec
2
Flûte, Hautbois, Clarinette, Basson
2
Trio de Flûtes: 3 flûtes
2
Flûte à bec Alto
1
2 Clarinettes (duo)
1
Flûte à bec Soprano, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Piccolo, Piano
1
Quatuor de Flûtes : 4 flûtes
1
Flûte à bec Soprano
1
Harmonica
1
Flûte, Violon, Violoncelle et Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Ensemble de Hautbois
1
2 Flûtes traversières (duo)
1
2 Saxophones (duo)
1
+ 36 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Cor et Piano
13
Trompette
12
Trombone et Piano
12
Euphonium, Piano (duo)
11
Cor anglais, Piano
8
Ensemble de Trompettes
5
Ensemble de Trombones
5
Trombone
4
Trompette, Piano
3
Tuba et Piano
2
2 Trompettes (duo)
1
Quatuor de Cuivres
1
Quatuor de cuivres: 4 trombones
1
3 Trombones (trio)
1
+ 12 instrumentations
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Cordes
Violon et Piano
15
Alto, Piano
13
Quatuor à cordes: 2 violons, alto, violoncelle
10
Violoncelle, Piano
9
Trio à Cordes: violon, alto, violoncelle
7
Violon
6
Ensemble de Violons
4
Violon, Guitare (duo)
3
Ensemble d'Altos
2
Violoncelle
2
Contrebasse, Piano (duo)
1
Alto, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, violoncelle
1
4 Violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 11 instrumentations
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Orchestre & Percussions
Orchestre
10
Ensemble de cuivres
7
Orchestre d'harmonie
6
Orchestre à Cordes
4
Jazz combo
3
Ensemble Jazz
2
+ 1 instrumentations
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Autres
Formation musicale - Solfège
6
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ACCORDEON
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AUTRES INST…
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COR ANGLAIS
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EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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LIVRES
LUTH, THEOR…
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MARIMBA
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
Lyrics also by the composer
4 Violoncelles
Partitions à imprimer
1 partition trouvée
Solage: Le basile for Cello Quartet
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4 Violoncelles
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FACILE
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Solage
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James M
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Solage: Le basile for Cello Qu
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,H...
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String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859203. Published by jmsgu3 (A0.1266472). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
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Lyrics also by the composer
