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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
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DEEJAY
DIDGERIDOO
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FLUTE A BEC
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FORMATION MUSI…
GUITARE
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HARMONICA
HARPE
HAUTBOIS
LIVRES
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MANDOLINE
MARIMBA
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ORCHESTRE
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SAXOPHONE
SYNTHETISEUR
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415
PIANO & CLAVIERS
Piano seul
882
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143
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119
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22
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14
Orgue
12
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4
1 Piano, 4 mains
4
Piano (partie séparée)
2
2 Pianos, 4 mains
2
Accordéon
1
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Guitare
104
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42
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10
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8
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4
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2
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2
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1
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1
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1
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1
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1
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Voix seule
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17
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6
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4
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4
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3
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Voix Alto, Piano
1
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1
Voix duo
1
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VENTS
Clarinette
111
Quatuor de Saxophones: 4 saxophones
72
Flûte traversière
70
Hautbois
64
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
41
2 Saxophones (duo)
35
Quintette de Saxophone: 5 saxophones
34
Flûte, Hautbois, Clarinette, Basson
33
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29
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28
2 Flûtes traversières (duo)
28
Saxophone (partie séparée)
25
Saxophone Alto
23
Clarinette et Piano
23
Hautbois, Piano (duo)
20
Quatuor de Clarinettes: 4 clarinettes
19
Saxophone Tenor
18
Hautbois (partie séparée)
16
Saxophone Alto et Piano
16
2 Clarinettes (duo)
16
Quintette de Clarinettes: 5 clarinettes
15
Saxophone Tenor et Piano
14
Ensemble de saxophones
13
Saxophone Soprano et Piano
12
Saxophone Baryton, Piano
12
Hautbois, Clarinette, Basson (trio d'anches)
10
Saxophone
9
Quatuor de Flûtes : 4 flûtes
8
Flûte à Bec
8
2 Hautbois (duo)
8
Saxophone Soprano
7
Quintette de Flûte : 5 flûtes
7
2 Flûte à bec (duo)
7
Saxophone Baryton
6
Ensemble de Clarinettes
6
Flûte, Clarinette (duo)
6
Saxophone, Clarinette (duo)
5
Ensemble de Flûtes
5
Hautbois, Clarinette (duo)
5
Cor anglais, Piano
4
Clarinette (partie séparée)
4
Hautbois, Flûte
4
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4
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4
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3
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3
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2
Flûte, Trompette (duo)
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2
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2
Flûte à bec Alto, Piano
2
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2
Cor Anglais
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Clarinette, Trompette (duo)
2
Flûte à bec Alto
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Harmonica
1
Quatuor de Flûtes à bec
1
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1
Flûte, Alto (duo)
1
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Clarinette, Violoncelle, Piano (trio)
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1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
68
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Trompette
28
Ensemble de Trompettes
18
Cor
18
Cor et Piano
16
Trombone et Piano
15
Trombone (partie séparée)
13
Trompette (partie séparée)
13
Quatuor de Cuivres
12
Trompette, Piano
12
Tuba
11
Trombone
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Tuba et Piano
8
2 Trombones (duo)
8
Euphonium, Piano (duo)
7
2 Trompettes (duo)
6
Euphonium
5
Trompette, Saxophone (duo)
4
Cor anglais, Piano
4
Quatuor de cuivres: 4 cors
4
Ensemble de Trombones
4
Quatuor de cuivres: 4 trombones
3
Trompette, Trombone (duo)
3
Trio de Cuivres
2
Cor (partie séparée)
2
2 Cors (duo)
2
Cor Anglais
2
Bass Clef Instruments
2
Ensemble de Cors
1
4 Tubas
1
Instruments en Sib
1
2 Tubas (duo)
1
Trombone basse
1
Ensemble de Tubas
1
Tuba (partie séparée)
1
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CORDES
Violoncelle, Piano
37
Violoncelle
27
Alto seul
26
Alto, Piano
24
2 Violoncelles (duo)
15
Harpe
13
Violoncelle (partie séparée)
12
Contre Basse
11
2 Altos (duo)
8
Alto, Violoncelle (duo)
5
Trio à Cordes: 3 violoncelles
4
Alto (partie séparée)
3
Quatuor à cordes : 4 altos
3
Contrebasse, Piano (duo)
3
4 Violoncelles
2
Contrebasse (partie séparée)
2
Ensemble d'Altos
1
2 Violoncelles, Piano
1
4 Contrebasses
1
Harpe, Voix
1
Ensemble de Violoncelles
1
Trio à cordes: 3 altos
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
50
Orchestre
26
Ensemble de cuivres
23
Orchestre à Cordes
21
Ensemble Jazz
19
Fanfare
13
Orchestre de chambre
7
Ensemble de Percussions
7
Marimba
6
Batterie (partie séparée)
5
Percussion (partie séparée)
4
Jazz combo
3
Xylophone, Piano
2
Batterie
2
Percussion
1
2 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Cloches
1
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AUTRES
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No Time to Die - Violin
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'Promenade' from Pictures at an Exhibition - easy arrangement for cello quartet
4 Violoncelles
Small Ensemble Bassoon,Cello,Double Bass - Level 2 - Digital Download SKU: A0.887013
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Small Ensemble Bassoon,Cello,Double Bass - Level 2 - Digital Download SKU: A0.887013 Composed by Modest Petrovich Mussorgsky. Arranged by James Brady. 20th Century,Romantic Period,Standards. Score and parts. 7 pages. James Brady Music #5709911. Published by James Brady Music (A0.887013). This arrangement of the opening of Mussorgsky's best-known work is ideally suited as an opening or closing statement piece for a group of 4 early-intermediate cellos (or basses, with one with a C extension) or other bass clef instruments. It stays true to the original piece with adaptations in range for developing players and an adapted ending better suited for standalone performance. The estimated duration of the performance is 1m 30s.Pictures at an Exhibition is a suite of pieces for piano based on pictures by Mussorgsky's friend Viktor Hartmann, who died suddenly in 1873, aged 39. A memorial exhibition of Hartmann's works was staged in St. Petersburg the following year, and Mussorgsky's suite depicts walk around it, viewing 10 pictures in total. In addition to the pieces inspired by individual pictures, the suite contains several variations of the 'Promenade' theme, which depicts Mussorgsky roving through the exhibition, now leisurely, now briskly in order to come close to a picture that had attracted his attention, and at times sadly, thinking of his departed friend. (Vladimir Stasov).Ranges have been reduced to accommodate young or developing players. The 1st part goes no higher than F4, and the bass part no lower than C2. The melody is mainly in the 1st part, with passages in the 2nd and 3rd parts from time to time, but as the texture of Mussorgksy's composition is almost exclusively homophonic, all parts have equal importance. I have inserted additional dynamics and accents to aid phrasing, and adapted the ending to suit a standalone performance.For more arrangements for developing ensembles, see:https://www.sheetmusicplus.com/publishers/james-brady-music-sheet-music/3006312
$7.99
7.39 €
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4 Violoncelles
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Modest Petrovich Mussorgsky
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James Brady
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'Promenade' from Pictures at an Exhibition - easy arrangement for cello quartet
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James Brady Music
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SheetMusicPlus
Solage: Le basile for Cello Quartet
4 Violoncelles
String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1266472 Co…
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String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859203. Published by jmsgu3 (A0.1266472). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
30.47 €
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4 Violoncelles
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Solage
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James M
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Solage: Le basile for Cello Quartet
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jmsgu3
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SheetMusicPlus
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