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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Nothing From Nothing
Non classifié
153
Piano & claviers
Piano seul
165
Piano, Voix et Guitare
77
Piano, Voix
49
Piano Facile
36
Instruments en Do
16
Piano grosses notes
6
Orgue, Piano (duo)
4
1 Piano, 4 mains
3
Piano (partie séparée)
2
Orgue
2
Accordéon
1
Accompagnement Piano
1
Fake Book
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 9 instrumentations
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Guitares
Guitare notes et tablatures
27
Ligne De Mélodie, (Paroles) et Accords
17
Basse electrique
10
Ukulele
10
Guitare
6
Guitare (partie séparée)
4
3 Guitares (trio)
2
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
2
Paroles et Accords
1
+ 5 instrumentations
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Voix
Chorale SATB
65
Chorale 3 parties
15
Chorale TTBB
15
Chorale SSAA
12
Chorale 2 parties
7
Voix haute
5
Chorale Unison
4
Voix Tenor
2
Voix basse
1
Voix Alto, Piano
1
Voix duo
1
Voix Mezzo-Soprano, Piano
1
Voix Soprano, Piano
1
+ 8 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Quatuor de Saxophones: 4 saxophones
15
Saxophone (partie séparée)
14
Flûte, Hautbois, Clarinette, Basson
9
Saxophone Alto et Piano
9
Hautbois, Piano (duo)
7
Clarinette et Piano
6
Quatuor de Flûtes : 4 flûtes
6
Quatuor de Clarinettes: 4 clarinettes
6
2 Saxophones (duo)
6
Flûte traversière et Piano
6
3 Saxophones (trio)
5
Saxophone Tenor et Piano
5
2 Flûtes traversières (duo)
5
Ensemble de Flûtes
5
Quintette de Saxophone: 5 saxophones
4
Hautbois (partie séparée)
3
Saxophone Alto
3
2 Flûte à bec (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Clarinette
2
3 Clarinettes (trio)
2
Saxophone Soprano et Piano
2
Flûte traversière
2
Cor anglais, Piano
2
2 Clarinettes (duo)
2
Flûte à Bec
2
Trio de Flûtes: 3 flûtes
2
Flute (partie séparée)
1
Clarinette, Basson (duo)
1
Instruments en Mib
1
Saxophone Tenor
1
5 Flûtes à bec
1
Flûte et Guitare
1
Saxophone Baryton, Piano
1
Quatuor de Flûtes à bec
1
3 Flûtes à bec (trio)
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Soprano
1
Flûte irlandaise
1
Ensemble de Clarinettes
1
Quintette de Flûte : 5 flûtes
1
+ 38 instrumentations
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Cuivres
Trombone (partie séparée)
13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Trompette (partie séparée)
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Cor et Piano
4
Tuba
4
Trompette
4
Trombone et Piano
4
Quatuor de Cuivres
4
Trombone
2
Euphonium, Piano (duo)
2
Quatuor de cuivres: 4 trombones
2
Cor anglais, Piano
2
Bass Clef Instruments
1
Ensemble de Tubas
1
4 Tubas
1
Trompette, Piano
1
2 Trombones (duo)
1
2 Trompettes (duo)
1
Cor
1
Ensemble de Trompettes
1
Instruments en Fa
1
Cor et Harpe
1
Cor (partie séparée)
1
Trompette, Euphonium (duo)
1
Instruments en Sib
1
Ensemble de Cors
1
Tuba (partie séparée)
1
Quatuor de cuivres: 4 trompettes
1
+ 24 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
43
Harpe
9
Violon, Violoncelle (duo)
8
Alto, Piano
8
2 Violoncelles (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
Violon et Piano
6
Violon
6
Violoncelle
4
Violoncelle, Piano
4
Alto seul
4
Alto (partie séparée)
3
Alto, Violoncelle (duo)
3
Violon, Alto (duo)
3
Contrebasse (partie séparée)
3
Contre Basse
2
Violon (partie séparée)
2
4 Violoncelles
2
2 Violons (duo)
2
Trio à Cordes: violon, alto, violoncelle
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
2 Altos (duo)
1
Alto et Harpe
1
Trio à cordes: 3 violins
1
Harpe, Flûte (duo)
1
Trio à Cordes: 3 violoncelles
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
+ 24 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
39
Orchestre à Cordes
33
Ensemble Jazz
28
Ensemble de cuivres
21
Orchestre
20
Jazz combo
5
Batterie
4
Orchestre de chambre
3
Batterie (partie séparée)
2
Marimba
2
Piano et Orchestre
1
Vibraphone
1
+ 7 instrumentations
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ACCORDEON
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AUTRES INST…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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Nothing From Nothing
4 Violoncelles
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Solage: Le basile for Cello Quartet
4 Violoncelles
String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1266472 Co…
(+)
String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859203. Published by jmsgu3 (A0.1266472). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
30.32 €
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4 Violoncelles
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Solage
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James M
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Solage: Le basile for Cello Quartet
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jmsgu3
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SheetMusicPlus
Moonlight Sonata by Beethoven for Cello Quartet
4 Violoncelles
String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1173855 Co…
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String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1173855 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #774008. Published by Woods Only, Arrangements (A0.1173855). This arrangement adapted for violoncello quartet was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice.Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$7.99
7.35 €
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4 Violoncelles
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven for Cello Quartet
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Woods Only, Arrangements
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SheetMusicPlus
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