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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
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FILM - TV
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Note4Piano
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Non classifié
10191
PIANO & CLAVIERS
Piano, Voix et Guitare
8527
Piano, Voix
8175
Piano Facile
829
Piano seul
409
Instruments en Do
213
Accompagnement Piano
153
Piano grosses notes
138
Orgue
47
Ligne De Mélodie, Piano
30
1 Piano, 4 mains
10
Accordéon, Voix
5
Orgue, Piano (duo)
4
Piano Trio: piano, violon, violoncelle
4
2 Pianos, 4 mains
4
Clavecin
3
Piano (partie séparée)
2
Accordéon
1
Orgue, Trompette (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Voix
1
Ensemble d'Accordéons
1
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
1693
Guitare notes et tablatures
772
Ukulele
158
Guitare
41
Paroles et Accords
40
Basse electrique
39
Banjo
4
2 Guitares (duo)
4
Guitare (partie séparée)
4
Mandoline
3
Guitare Tab, Voix, Basse, Batterie
3
Dulcimer
2
Piano, Guitare (duo)
2
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
Ensemble de guitares
1
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VOIX
Chorale SATB
1390
Chorale 3 parties
602
Chorale TTBB
541
Voix duo, Piano
538
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530
Chorale SSAA
340
Voix duo
326
Chorale Unison
200
Voix Soprano, Piano
181
Voix Baryton, Piano
172
Voix seule
172
Voix haute
83
Voix moyenne, Piano
62
Voix Alto, Piano
52
Voix basse, Piano
50
Voix Tenor, Piano
44
Voix Mezzo-Soprano, Piano
25
Voix, Guitare
24
Voix Tenor
19
Voix Baryton
19
Voix basse
15
Voix Soprano
12
Chorale SSAATTBB
12
Soli, choeur mixte et accompagnement
10
Chorale
10
Chorale SSAB a cappella
9
Chorale SSATBB
7
Chorale SSAB, Piano
4
Chorale SSATB
4
Chorale SSATTB
4
Chorale SATTB
2
Voix Soprano, Orchestre
1
Chorale SATBB
1
Chorale SSAATB
1
Voix Moyenne
1
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VENTS
Quatuor de Saxophones: 4 saxophones
164
Saxophone Alto et Piano
100
2 Saxophones (duo)
92
Quintette de Saxophone: 5 saxophones
90
Saxophone (partie séparée)
84
Saxophone
80
Saxophone Tenor et Piano
67
Flûte, Hautbois, Clarinette, Basson
58
Quatuor de Clarinettes: 4 clarinettes
57
Flûte traversière et Piano
50
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
50
3 Saxophones (trio)
49
Saxophone Soprano et Piano
48
Clarinette et Piano
48
Saxophone Alto
41
Saxophone Baryton, Piano
34
Hautbois, Piano (duo)
34
2 Clarinettes (duo)
32
Ensemble de saxophones
29
Saxophone Tenor
28
2 Flûtes traversières, Piano
26
3 Clarinettes (trio)
26
Quintette de Clarinettes: 5 clarinettes
24
Ensemble de Clarinettes
23
Flûte traversière
23
Clarinette
22
2 Flûtes traversières (duo)
21
Quatuor de Flûtes : 4 flûtes
20
Hautbois (partie séparée)
17
Ensemble de Flûtes
16
Flûte, Clarinette (duo)
14
Trio de Flûtes: 3 flûtes
12
Cor anglais, Piano
11
Flûte et Guitare
11
2 Flûte à bec (duo)
10
Instruments en Mib
8
Saxophone, Clarinette (duo)
8
Clarinette Basse, Piano
8
Quintette de Flûte : 5 flûtes
7
Quatuor de Flûtes à bec
7
Hautbois, Basson (duo)
7
Clarinette, Guitare (duo)
7
Flute (partie séparée)
6
2 Hautbois (duo)
6
Saxophone Soprano
6
Harmonica
6
Cor anglais, Guitare (duo)
6
Clarinette, Basson (duo)
5
Flûte, Hautbois, Clarinette (trio)
5
Clarinette, Violon (duo)
5
Flûte à Bec
5
Flûte à bec Tenor
4
Flûte, Saxophone (duo)
4
Saxophone et Harpe
3
Ensemble De Flûte à bec
3
Hautbois, Clarinette (duo)
3
Saxophone et Guitare
3
Clarinette (partie séparée)
3
3 Flûtes à bec (trio)
3
Clarinette, Trompette (duo)
3
Flûte, Violon
3
Saxophone Baryton
2
Cor Anglais
2
Flûte à bec Alto, Piano
2
Flûte, Hautbois, Basson
2
Hautbois
2
Flûte à bec Alto
2
Hautbois, Flûte
2
5 Flûtes à bec
2
Flûte, Hautbois (duo)
2
Clarinette et Alto
2
Flûte à bec Soprano, Piano
2
Flûte à bec Soprano
2
Clarinette, Violoncelle (duo)
2
Clarinette, Harpe (duo)
2
Flûte, Trompette (duo)
2
Flûte, Violoncelle
2
Clarinette, Trombone (duo)
2
Flûte, Violoncelle, Piano (trio)
1
Ensemble de Hautbois
1
Piccolo
1
Flûte, Violon, Piano
1
Flûte, Clarinette, Piano (trio)
1
Piccolo, Piano
1
Hautbois, Violoncelle
1
Hautbois, Guitare (duo)
1
Flûte irlandaise
1
Flûte, Alto (duo)
1
Ensemble à vent
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violon et Violoncelle
1
3 Hautbois
1
Flute, harpe et violon
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte à bec, Guitare (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
188
Quatuor de Cuivres : 2 trompettes, trombone, tuba
116
Trombone et Piano
105
Trombone
72
Trombone (partie séparée)
55
Trompette (partie séparée)
45
Quatuor de Cuivres: 2 trompettes, Cor, trombone
36
Trompette
35
Quatuor de cuivres: 4 trombones
32
2 Trombones (duo)
28
Trompette, Piano
27
Trompette, Trombone (duo)
22
Ensemble de Trombones
22
Cor et Piano
22
Quatuor de Cuivres
18
Cor
16
Euphonium, Piano (duo)
15
2 Trompettes (duo)
14
Tuba
13
Tuba et Piano
11
Cor anglais, Piano
11
Quatuor de cuivres: 4 cors
10
3 Trombones (trio)
9
2 Cors (duo)
9
Bass Clef Instruments
8
Instruments en Sib
8
Ensemble de Cors
6
Trombone, Cor (duo)
6
Trio de Cuivres
6
Cor anglais, Guitare (duo)
6
Trompette, Cor (duo)
5
2 Euphoniums et 2 Tubas
5
3 Cors (trio)
4
Trompette, Saxophone (duo)
4
Ensemble de Trompettes
4
Tuba et Orgue
4
3 Tubas (trio)
4
Trompette, Trombone, Piano
4
Trombone, Violon (duo)
2
Cor Anglais
2
Trompette, Violoncelle (duo)
2
Euphonium, Tuba (duo)
2
3 Trompettes (trio)
2
Euphonium
2
Trombone basse et Piano
2
2 Tubas (duo)
2
4 Tubas
2
Quatuor de cuivres: 4 trompettes
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Euphoniums
1
Tuba (partie séparée)
1
Trombone basse
1
Trompette, Tuba (duo)
1
Cor (partie séparée)
1
Clarinette, Cor (duo)
1
Trombone, Orgue
1
Ensemble de Tubas
1
Trombone, Tuba (duo)
1
Cor, Tuba (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
188
Violon et Piano
76
Harpe
73
Violoncelle, Piano
52
Alto, Piano
52
Violon
46
Trio à Cordes: violon, alto, violoncelle
46
Violon, Violoncelle (duo)
32
Harpe, Voix
31
Quintette à cordes: 2 violons, alto, violoncelle, basse
30
Violoncelle
25
Harpe, Flûte (duo)
20
2 Violons (duo)
17
Contrebasse, Piano (duo)
14
Violon, Alto (duo)
11
Alto seul
11
2 Violoncelles (duo)
11
Contre Basse
11
2 Altos (duo)
9
Contrebasse (partie séparée)
8
4 Violoncelles
7
Alto (partie séparée)
7
Trio à cordes
6
Trio à Cordes: 2 violons, violoncelle
6
Violon (partie séparée)
5
Trio à cordes: 3 violins
5
Violon, Guitare (duo)
5
2 Harpes (duo)
5
Alto, Violoncelle (duo)
4
Harpe, Trombone (duo)
4
Quatuor à cordes : 4 altos
4
Quatuor à cordes: 4 violons
4
Trio à cordes: 3 altos
4
Harpe, Violon (duo)
3
Violoncelle , Guitare (duo)
3
Trio à Cordes: 3 violoncelles
3
Ensemble d'Altos
2
Harpe, Violoncelle (duo)
2
Alto, Guitare (duo)
2
Ensemble de Violons
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle, Contrebasse (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle (partie séparée)
1
Violoncelle, Orchestre
1
Ensemble de Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violon, Violoncelle
1
Violon, Basson (duo)
1
Alto et Harpe
1
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PERCUSSIONS & ORCHESTRES
Orchestre
355
Orchestre d'harmonie
336
Ensemble Jazz
244
Orchestre à Cordes
93
Orchestre de chambre
91
Ensemble de cuivres
71
Jazz combo
42
Cloches
30
Ensemble de Percussions
23
2 Xylophones
17
Fanfare
9
Batterie
9
Vibraphone
3
Xylophone, Piano
3
Marimba
3
Xylophone
3
Percussion (partie séparée)
1
Batterie (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
Quintette à Vent
1
Piano et Orchestre
1
Big band
1
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AUTRES
Formation musicale - Solfège
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1
Christmas Song Collection (for Cello Quartet) - BOOK ONE
4 Violoncelles
By MARCOS LUIZ MENDES FEITOSA. By Lewis Redner, Traditional French, Traditional Welsh, …
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By MARCOS LUIZ MENDES FEITOSA. By Lewis Redner, Traditional French, Traditional Welsh, Franz Xaver Gruber, and James Ramsey Murray (1841-1904). Arranged by MARCOS LUIZ MENDES FEITOSA. Christmas, Multicultural, Praise and Worship, Sacred, Traditional, World. Score and parts. 47 pages. Published by Marcos Luiz Mendes Feitosa
In this special Christmas book, the best known and most traditional Christmas songs are gathered here: Jingle Bells, We Wish You A Merry Christmas, Adeste Fideles, Joy To The World and Hark The Herald Angels Sing, which were adapted for Cello Quartet, they makes us travel through this time of celebration, joy and harmony between peoples and makes us feel the true spirit of Christmas! This product was created by a member of ArrangeMe, Hal Leonard?s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$24.50
22.23 €
#
4 Violoncelles
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MARCOS LUIZ MENDES FEITOSA
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MARCOS LUIZ MENDES FEITOSA
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Christmas Song Collection
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Marcos Luiz Mendes Feitosa
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SheetMusicPlus
Ode to Joy by Beethoven for Cello Quartet
4 Violoncelles
String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1174153 Co…
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String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1174153 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #774318. Published by Woods Only, Arrangements (A0.1174153). This arrangement adapted for violoncello quartet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$7.99
7.25 €
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4 Violoncelles
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Cello Quartet
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Woods Only, Arrangements
#
SheetMusicPlus
Solage: Plusers gens voy for Cello Quartet
4 Violoncelles
String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1269026 Co…
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String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1269026 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 6 pages. Jmsgu3 #861560. Published by jmsgu3 (A0.1269026). Plusers gens voy is a song composed by the late 14th-century French composer Solage. The song is written for four voices: tenor, contra tenor, cantus, and triplum. The lyrics of the song are Plusers gens voy qui leur pensee / A leur dame ne sont pas nee / Car ele est de si grant beaute / Que nus ne la puet veoir sans faille which translates to More people have seen in their thoughts / That they were not born for their lady / For she is of such great beauty / That no one can see her without failing.The overall message of Plusers gens voy is a declaration of love and admiration for a lady of great beauty. The lyrics suggest that the lady is so beautiful that it is impossible for anyone to see her without failing. The song is a tribute to the lady's beauty and is likely a reflection of the composer's feelings towards her. The song is a beautiful example of medieval French music and poetry and is still performed and studied today.
$24.95
22.64 €
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4 Violoncelles
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Solage
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James M
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Solage: Plusers gens voy for Cello Quartet
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jmsgu3
#
SheetMusicPlus
Solage: Plusers gens voy for Viola Duo & Cello Duo
4 Violoncelles
String Quartet Cello,String Quartet,Viola - Level 2 - Digital Download SKU: A0.1268000
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String Quartet Cello,String Quartet,Viola - Level 2 - Digital Download SKU: A0.1268000 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Festival,Historic,Medieval,Wedding. 6 pages. Jmsgu3 #860398. Published by jmsgu3 (A0.1268000). Plusers gens voy is a song composed by the late 14th-century French composer Solage. The song is written for four voices: tenor, contra tenor, cantus, and triplum. The lyrics of the song are Plusers gens voy qui leur pensee / A leur dame ne sont pas nee / Car ele est de si grant beaute / Que nus ne la puet veoir sans faille which translates to More people have seen in their thoughts / That they were not born for their lady / For she is of such great beauty / That no one can see her without failing.The overall message of Plusers gens voy is a declaration of love and admiration for a lady of great beauty. The lyrics suggest that the lady is so beautiful that it is impossible for anyone to see her without failing. The song is a tribute to the lady's beauty and is likely a reflection of the composer's feelings towards her. The song is a beautiful example of medieval French music and poetry and is still performed and studied today.
$32.95
29.9 €
#
4 Violoncelles
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Solage
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James M
#
Solage: Plusers gens voy for Viola Duo & Cello Duo
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jmsgu3
#
SheetMusicPlus
Solage: Le basile for Cello Quartet
4 Violoncelles
String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1266472 Co…
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String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859203. Published by jmsgu3 (A0.1266472). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
29.9 €
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4 Violoncelles
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Solage
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James M
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Solage: Le basile for Cello Quartet
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jmsgu3
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SheetMusicPlus
M. Paradis: Sicilienne for Cello Quartet
4 Violoncelles
String Quartet Cello,String Quartet - Level 4 - Digital Download SKU: A0.1472117 Co…
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String Quartet Cello,String Quartet - Level 4 - Digital Download SKU: A0.1472117 Composed by Maria Theresia von Paradis. Arranged by Clara Obsidian. 19th Century,Classical,Folk. 8 pages. Clara Obsidian #1049816. Published by Clara Obsidian (A0.1472117). Sicilienne, originally written for Violin and Piano by female composer Maria Theresia von Paradis (1759 – 1824), is arguably one of her most renowned works. With its elegant melody and gently lilting chords - typical of the Sicilian dance form, that is passed around all 4 voices of the quartet, the arrangment will surely please the hearts.Interestingly, the attribution of this work to Paradis is uncertain, with many having noted of its similarities to Weber's Romanze from Violin Sonata Op.10, No.1.Arranged for Cello Quartet of Intermediate - Early Advanced LevelFull Score and Parts -----------------------------------------------.
$5.99
5.44 €
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4 Violoncelles
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Maria Theresia von Paradis
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Clara Obsidian
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M. Paradis: Sicilienne for Cello Quartet
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Clara Obsidian
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SheetMusicPlus
Eternal Father, Strong to Save — for Cello Quartet
4 Violoncelles
String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1112594 Co…
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String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1112594 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,A Cappella,Christian,Patriotic,Sacred. 14 pages. Artistic Score Engraving di Galvagno Michele #714602. Published by Artistic Score Engraving di Galvagno Michele (A0.1112594). Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, and was first written in 1860 by William Whiting (1825—1878), an Anglican churchman from Winchester. According to his recount, Whiting grew up near the ocean and, at the age of thirty-five, had felt his life spared by God when a violent storm nearly claimed the ship he was travelling on. This instilled in him a belief in God's command over the rage and calm of the sea. The music associated with it was written by John B. Dykes (1823—1876), another Anglican clergymen and composer of the music for nearly three hundred hymns. This edition comes in several arrangements for multiple ensembles. At the moment of the first edition it contains the original choir version (with the 1861 lyrics), a voice and piano version, and arrangements for string, cello, trombone, horn, woodwind, brass, and saxophone quartets. The cello, trombone, and horn quartet versions are slightly more elaborated. Additional versions will be created upon request, contact me to know more. This arrangement is dedicated to Martin Smith.
$5.50
4.99 €
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4 Violoncelles
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John Bacchus Dykes
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Michele Galvagno
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Eternal Father, Strong to Save — for Cello Quartet
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
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