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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Our Voice
Non classifié
5 321
Piano & claviers
Piano, Voix
9 524
Piano, Voix et Guitare
6 826
Piano seul
1 186
Piano Facile
536
Accompagnement Piano
222
Instruments en Do
154
Piano grosses notes
117
Orgue
51
Ligne De Mélodie, Piano
16
1 Piano, 4 mains
14
Piano Trio: piano, violon, violoncelle
10
2 Pianos, 4 mains
5
Accordéon, Voix
4
Accordéon
4
Clavecin
2
Orgue, Piano (duo)
2
Orgue, Voix
2
Ensemble d'Accordéons
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Trompette (duo)
1
+ 15 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
1 294
Guitare notes et tablatures
523
Ukulele
132
Guitare
60
Basse electrique
36
Paroles et Accords
10
4 Guitares (Quatuor)
7
2 Guitares (duo)
7
Dulcimer
3
Mandoline
3
Banjo
1
Ensemble de guitares
1
Piano, Guitare (duo)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
2 028
Chorale 3 parties
683
Chorale 2 parties
596
Chorale TTBB
570
Pack Instrumental pour Chorale
566
Voix duo, Piano
498
Voix seule
442
Chorale SSAA
415
Chorale Unison
229
Voix Soprano, Piano
196
Voix duo
190
Voix Alto, Piano
145
Voix Baryton, Piano
136
Voix haute
134
Voix Tenor, Piano
127
Voix Tenor
46
Voix moyenne, Piano
41
Voix basse, Piano
41
Voix Soprano
29
Chorale
21
Voix, Guitare
19
Voix Mezzo-Soprano, Piano
14
Chorale SSAATTBB
6
Chorale SSATB
5
Voix Soprano, Orchestre
3
Chorale SSATTB
3
Voix haute, Piano
2
Chorale SSAATB
2
Chorale SSAB, Piano
2
Voix basse
2
Soli, choeur mixte et accompagnement
1
Voix et basse continue
1
Chorale SATTB
1
+ 28 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
81
Saxophone
79
Clarinette et Piano
70
Flûte traversière
68
Quatuor de Saxophones: 4 saxophones
67
Flûte, Hautbois, Clarinette, Basson
66
Clarinette
63
Flûte traversière et Piano
58
Hautbois, Piano (duo)
57
Quintette de Saxophone: 5 saxophones
47
Quatuor de Clarinettes: 4 clarinettes
46
2 Saxophones (duo)
35
Saxophone Alto et Piano
30
2 Flûtes traversières, Piano
29
2 Flûtes traversières (duo)
29
Quatuor de Flûtes : 4 flûtes
27
Saxophone (partie séparée)
24
Saxophone Alto
19
Hautbois
18
Clarinette, Harpe (duo)
18
Saxophone Baryton, Piano
17
Saxophone Soprano et Piano
17
Hautbois (partie séparée)
17
Saxophone Tenor
16
Saxophone Tenor et Piano
16
2 Clarinettes (duo)
16
Quintette de Clarinettes: 5 clarinettes
15
Ensemble de Clarinettes
15
3 Saxophones (trio)
13
Trio de Flûtes: 3 flûtes
11
Flûte, Clarinette (duo)
10
2 Hautbois (duo)
10
Ensemble de Flûtes
9
Flute (partie séparée)
9
Instruments en Mib
9
Quintette de Flûte : 5 flûtes
9
3 Clarinettes (trio)
7
Quatuor de Flûtes à bec
6
Cor anglais, Piano
6
Saxophone Soprano
5
Hautbois, Basson (duo)
5
Flûte à Bec
5
Clarinette, Violon (duo)
5
Flûte et Guitare
5
Clarinette, Guitare (duo)
4
Ensemble de saxophones
4
2 Flûte à bec (duo)
4
Flûte, Clarinette et Basson
4
Clarinette Basse, Piano
4
Flûte, Hautbois, Basson
4
Flûte, Hautbois, Clarinette (trio)
4
Clarinette, Basson (duo)
3
Flûte, Alto (duo)
3
Clarinette, Violoncelle (duo)
3
Harmonica
3
Flûte, Alto et Piano
3
Flûte, Violoncelle
3
Saxophone, Clarinette (duo)
3
Flûte, Violon
3
Flûte à bec Tenor
3
Hautbois, Violoncelle
3
Flûte, Clarinette, Piano (trio)
3
Cor anglais, Guitare (duo)
2
Flûte, Basson et Piano
2
Clarinette, Trompette (duo)
2
Hautbois, Clarinette (duo)
2
Flûte, Violoncelle, Piano (trio)
2
Saxophone Baryton
2
Flûte, Violon, Piano
2
2 Clarinettes, Piano
2
3 Flûtes à bec (trio)
2
Piccolo, Piano
1
5 Flûtes à bec
1
Hautbois, Flûte
1
Ensemble à vent
1
Hautbois, Harpe
1
Clarinette (partie séparée)
1
Hautbois, Guitare (duo)
1
Clarinette, Basson, Piano (trio)
1
Flûte, Trompette (duo)
1
Cor Anglais
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Alto et Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Soprano, Piano
1
Flûte irlandaise
1
Ensemble de Hautbois
1
Piccolo
1
Flûte, Hautbois (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette et Alto
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Saxophone (duo)
1
+ 88 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
93
Trompette
68
Trompette, Piano
51
Quatuor de Cuivres : 2 trompettes, trombone, tuba
47
Trombone
47
Trombone et Piano
46
Cor et Piano
42
Cor
37
Tuba et Piano
33
Tuba
28
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
2 Trompettes (duo)
14
2 Trombones (duo)
14
Euphonium, Piano (duo)
13
Quatuor de Cuivres
12
Trompette (partie séparée)
11
Quatuor de cuivres: 4 trombones
10
Bass Clef Instruments
9
Instruments en Sib
9
2 Cors (duo)
8
Quatuor de cuivres: 4 cors
6
Ensemble de Trombones
6
Trombone (partie séparée)
6
Cor anglais, Piano
6
Trompette, Trombone (duo)
6
Trompette, Cor (duo)
3
Trompette, Violoncelle (duo)
3
Ensemble de Cors
3
2 Tubas (duo)
3
Tuba et Orgue
2
Cor anglais, Guitare (duo)
2
Trompette, Saxophone (duo)
2
Trombone, Cor (duo)
2
Ensemble de Trompettes
2
Euphonium
1
3 Trombones (trio)
1
2 Euphoniums (duo)
1
3 Cors (trio)
1
Ensemble de Tubas
1
Cor Anglais
1
Trombone, Tuba (duo)
1
3 Tubas (trio)
1
Trio de Cuivres
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor (partie séparée)
1
Trombone basse
1
2 Euphoniums et 2 Tubas
1
+ 42 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
255
Violon et Piano
94
Harpe
84
Harpe, Violon (duo)
80
Alto, Piano
64
Violon
58
Violoncelle, Piano
57
Harpe, Flûte (duo)
54
Trio à Cordes: violon, alto, violoncelle
41
Violoncelle
38
Quintette à cordes: 2 violons, alto, violoncelle, basse
38
Contrebasse, Piano (duo)
36
Violon, Violoncelle (duo)
31
Alto seul
30
Contre Basse
28
Harpe, Voix
25
2 Violons (duo)
18
2 Altos (duo)
14
2 Violoncelles (duo)
12
Trio à Cordes: 2 violons, violoncelle
12
Violon (partie séparée)
11
Violon, Alto (duo)
11
Alto (partie séparée)
6
Contrebasse (partie séparée)
5
Piano Trio: Violon, Alto, Piano
5
4 Violoncelles
4
Alto, Violoncelle (duo)
4
2 Contrebasses (duo)
3
Trio à Cordes: 3 violoncelles
3
Violon, Guitare (duo)
3
Violoncelle , Guitare (duo)
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Violon, Basson (duo)
3
Quatuor à cordes : 4 altos
3
Violoncelle (partie séparée)
2
Violoncelle, Contrebasse (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto, Guitare (duo)
2
Violon, Clarinette, Piano (trio)
2
Trio à cordes: 3 violins
2
2 Altos, Piano
1
Quatuor à cordes: 4 violons
1
Alto et Basson
1
Harpe, Violon, Violoncelle
1
4 Contrebasses
1
2 Violons, Piano
1
Violoncelle, Orchestre
1
3 Harpes
1
Ensemble de Violoncelles
1
3 Contrebasses
1
Trio à cordes: 3 altos
1
2 Harpes (duo)
1
+ 47 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
246
Orchestre
144
Orchestre à Cordes
95
Ensemble Jazz
60
Ensemble de cuivres
57
Orchestre de chambre
42
Cloches
25
Jazz combo
21
Ensemble de Percussions
12
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Fanfare
8
Piano et Orchestre
6
Batterie
5
Marimba
3
Xylophone, Piano
3
2 Xylophones
3
Voix Mezzo-Soprano, Orchestre
2
Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
Xylophone
1
Voix et Orchestre
1
Quintette à Vent
1
Percussion (partie séparée)
1
+ 18 instrumentations
Retracter
Autres
Formation musicale - Solfège
183
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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TUBA
UKULELE
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XYLOPHONE
style (tous)
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
Our Voice
4 Violoncelles
Partitions à imprimer
4 partitions trouvées
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Audivi vocem de coelo "I heard a voice coming from Heaven" for cello quartet
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4 Violoncelles
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INTERMÉDIAIRE
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Thomas Tallis
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Michael O
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8 pages
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Audivi vocem de coelo "I
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Michael O. Shaw
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SheetMusicPlus
String Ensemble Cello - Level 3 - SKU: A0.877056 Composed by Thomas Tallis (c. 1505-1585). Arranged by Michael O. Shaw. Christian,Renaissance,Sacred. Sc...
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String Ensemble Cello - Level 3 - SKU: A0.877056 Composed by Thomas Tallis (c. 1505-1585). Arranged by Michael O. Shaw. Christian,Renaissance,Sacred. Score and parts. 8 pages. Michael O. Shaw #4596481. Published by Michael O. Shaw (A0.877056). Audivi vocem de coelo, I heard a Voice Coming from Heaven for Cello QuartetWritten approximately in 1550, this Renaissance sacred motet as originally written for four voices. This adaption/arrangement capitalizes on the richly textured work of Thomas Tallis and re-voiced for cello quartet. A great piece for intermediate ensembles playing in performance, recitals, or for fun! 1st and 2nd cellos are written in Tenor clef. Duration is 2:30. Score and parts; 8 pages. Comments: https://www.facebook.com/michael.shaw.3150 .
$13.00
Solage: Le basile for Cello Quartet
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4 Violoncelles
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FACILE
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Solage
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James M
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Solage: Le basile for Cello Qu
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,H...
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String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859203. Published by jmsgu3 (A0.1266472). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
Solage: Plusers gens voy for Cello Quartet
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4 Violoncelles
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FACILE
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Solage
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James M
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Solage: Plusers gens voy for C
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet - Level 2 - SKU: A0.1269026 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,H...
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String Quartet Cello,String Quartet - Level 2 - SKU: A0.1269026 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 6 pages. Jmsgu3 #861560. Published by jmsgu3 (A0.1269026). Plusers gens voy is a song composed by the late 14th-century French composer Solage. The song is written for four voices: tenor, contra tenor, cantus, and triplum. The lyrics of the song are Plusers gens voy qui leur pensee / A leur dame ne sont pas nee / Car ele est de si grant beaute / Que nus ne la puet veoir sans faille which translates to More people have seen in their thoughts / That they were not born for their lady / For she is of such great beauty / That no one can see her without failing.The overall message of Plusers gens voy is a declaration of love and admiration for a lady of great beauty. The lyrics suggest that the lady is so beautiful that it is impossible for anyone to see her without failing. The song is a tribute to the lady's beauty and is likely a reflection of the composer's feelings towards her. The song is a beautiful example of medieval French music and poetry and is still performed and studied today.
$24.95
Solage: Plusers gens voy for Viola Duo & Cello Duo
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4 Violoncelles
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FACILE
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Solage
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James M
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Solage: Plusers gens voy for V
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola - Level 2 - SKU: A0.1268000 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Festival,Histori...
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String Quartet Cello,String Quartet,Viola - Level 2 - SKU: A0.1268000 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Festival,Historic,Medieval,Wedding. 6 pages. Jmsgu3 #860398. Published by jmsgu3 (A0.1268000). Plusers gens voy is a song composed by the late 14th-century French composer Solage. The song is written for four voices: tenor, contra tenor, cantus, and triplum. The lyrics of the song are Plusers gens voy qui leur pensee / A leur dame ne sont pas nee / Car ele est de si grant beaute / Que nus ne la puet veoir sans faille which translates to More people have seen in their thoughts / That they were not born for their lady / For she is of such great beauty / That no one can see her without failing.The overall message of Plusers gens voy is a declaration of love and admiration for a lady of great beauty. The lyrics suggest that the lady is so beautiful that it is impossible for anyone to see her without failing. The song is a tribute to the lady's beauty and is likely a reflection of the composer's feelings towards her. The song is a beautiful example of medieval French music and poetry and is still performed and studied today.
$32.95
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