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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Non classifié
2 625
Piano & claviers
Piano seul
1 313
Piano Facile
577
Piano, Voix
409
Instruments en Do
386
Piano, Voix et Guitare
367
Orgue
267
1 Piano, 4 mains
39
2 Pianos, 4 mains
31
Piano Trio: piano, violon, violoncelle
30
Accordéon
16
Orgue, Piano (duo)
15
Accompagnement Piano
9
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Clavecin
4
Piano grosses notes
4
Clavier
2
Orgue, Trompette (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano (partie séparée)
1
+ 15 instrumentations
Retracter
Guitares
Guitare
108
Ligne De Mélodie, (Paroles) et Accords
69
Guitare notes et tablatures
59
Ukulele
21
Basse electrique
11
4 Guitares (Quatuor)
4
2 Guitares (duo)
4
Piano, Guitare (duo)
4
Banjo
3
Mandoline
3
Dulcimer
2
Guitare (partie séparée)
2
2 Ukuleles
2
Paroles et Accords
2
Ensemble de guitares
1
3 Guitares (trio)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
935
Chorale 3 parties
248
Chorale 2 parties
148
Voix Alto, Piano
69
Chorale TTBB
69
Voix Soprano, Piano
63
Chorale Unison
59
Voix Tenor, Piano
53
Chorale SSAA
49
Voix haute
15
Soli, choeur mixte et accompagnement
10
Voix duo, Piano
10
Voix duo
8
Voix seule
6
Voix basse, Piano
6
Voix Baryton, Piano
5
Chorale SSAATTBB
4
Chorale SSATB
4
Voix Soprano
3
Chorale
2
Chorale SATBB
2
Voix Mezzo-Soprano, Piano
2
Chorale SSAB a cappella
1
Voix moyenne, Piano
1
Chorale SATTBB A Cappella
1
Chorale SSATTB
1
+ 21 instrumentations
Retracter
Vents
2 Saxophones (duo)
271
Flûte traversière et Piano
234
Hautbois, Piano (duo)
158
Clarinette et Piano
151
Flûte, Hautbois, Clarinette, Basson
148
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
143
Quatuor de Saxophones: 4 saxophones
134
Quintette de Saxophone: 5 saxophones
130
2 Flûtes traversières (duo)
125
Flûte traversière
122
Clarinette
121
Saxophone Alto et Piano
109
2 Clarinettes (duo)
106
Saxophone Alto
86
Saxophone, Clarinette (duo)
75
Quintette de Clarinettes: 5 clarinettes
74
Quatuor de Clarinettes: 4 clarinettes
65
Saxophone Tenor
64
Saxophone Tenor et Piano
63
Saxophone Soprano et Piano
62
2 Hautbois (duo)
56
Saxophone (partie séparée)
53
Hautbois (partie séparée)
51
Clarinette, Violon (duo)
46
Saxophone Baryton, Piano
45
Hautbois, Basson (duo)
44
Quatuor de Flûtes : 4 flûtes
41
3 Saxophones (trio)
38
Flûte, Clarinette (duo)
37
Clarinette, Trompette (duo)
36
Hautbois
35
3 Clarinettes (trio)
29
Hautbois, Clarinette (duo)
29
Hautbois, Flûte
28
Ensemble de Clarinettes
27
Flûte à bec Soprano
25
Saxophone Baryton
25
Clarinette et Alto
25
Saxophone Soprano
25
Flûte, Saxophone (duo)
24
Flûte, Violon
22
Cor Anglais
22
2 Flûte à bec (duo)
21
Saxophone
18
Hautbois, Violoncelle
18
Quintette de Flûte : 5 flûtes
17
Flûte, Violoncelle
17
Flûte, Alto (duo)
16
Ensemble de Flûtes
16
Clarinette, Violoncelle (duo)
15
Trio de Flûtes: 3 flûtes
15
Flûte à Bec
15
Cor anglais, Piano
15
Flûte, Trompette (duo)
15
Flûte, Clarinette et Basson
12
Flûte à bec Alto
12
Clarinette Basse, Piano
12
Flûte à bec Tenor
10
Clarinette, Basson (duo)
10
Flûte, Hautbois, Clarinette (trio)
8
Clarinette Basse
8
Hautbois, Clarinette, Basson (trio d'anches)
7
Flute, harpe et violon
7
Ensemble de saxophones
6
Clarinette (partie séparée)
4
Flûte, Violon, Piano
4
Clarinette, Violoncelle, Piano (trio)
4
Quatuor de Flûtes à bec
4
Flûte, Hautbois, Basson
4
Flûte, Basson et Piano
3
Hautbois, Violon, Piano
3
Flûte, Alto et Piano
3
Flute (partie séparée)
3
Saxophone et Orgue
3
Piccolo
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Violoncelle, Piano (trio)
2
Flûte traversière, Orgue (duo)
2
2 Saxophones, Piano
2
Flûte, Clarinette, Piano (trio)
2
Flûte traversière, Basse continue
2
Flûte à bec Soprano, Piano
2
Flûte, Harpe et Violoncelle
2
2 Flûtes traversières, Piano
1
2 Cors Anglais Et Pianoforte
1
3 Flûtes à bec (trio)
1
Clarinette, Guitare (duo)
1
Flûte, alto et harpe
1
Saxophone et Guitare
1
Flûte et Guitare
1
Hautbois, Harpe
1
2 Clarinettes, Basson
1
Ensemble De Flûte à bec
1
Flûte, Clarinette, Violon (trio)
1
Piccolo, Piano
1
Saxophone et Piano
1
Saxophone et Harpe
1
Clarinette, Basson, Piano (trio)
1
Cor anglais et Harpe (duo)
1
Clarinette, Orgue
1
+ 95 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
187
Trompette, Piano
110
Trompette
101
Cor et Piano
98
Trombone et Piano
98
Trombone
82
Cor
73
Tuba et Piano
64
Tuba
63
2 Trombones (duo)
60
2 Trompettes (duo)
59
Trompette, Saxophone (duo)
55
Quatuor de Cuivres: 2 trompettes, Cor, trombone
45
Quatuor de Cuivres : 2 trompettes, trombone, tuba
42
Trompette, Trombone (duo)
32
2 Cors (duo)
30
Quatuor de Cuivres
25
Cor Anglais
22
2 Tubas (duo)
16
2 Euphoniums et 2 Tubas
15
Cor anglais, Piano
15
4 Tubas
14
Euphonium, Piano (duo)
14
Trompette (partie séparée)
13
3 Trombones (trio)
12
Euphonium
10
Ensemble de Trompettes
10
Cor, Violoncelle (duo)
9
Trio de Cuivres
9
Quatuor de cuivres: 4 trombones
9
Trombone (partie séparée)
8
Ensemble de Trombones
7
Quatuor de cuivres: 4 cors
6
Trompette, Violoncelle (duo)
6
Trompette, Cor (duo)
4
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Cor (partie séparée)
3
Trompette, Basson (duo)
3
2 Euphoniums (duo)
3
Tuba (partie séparée)
2
Trombone, Tuba (duo)
2
Euphonium, Tuba (duo)
2
Tuba et Orgue
2
3 Trompettes (trio)
2
Quatuor de cuivres: 4 trompettes
2
Cor et Basson (duo)
1
Trombone basse et Piano
1
2 Cors Anglais Et Pianoforte
1
Bass Clef Instruments
1
Ensemble de Tubas
1
Trombone, Orgue
1
Trompette et Guitare
1
Ensemble de Cors
1
Trompette, Harpe
1
4 Euphoniums
1
Cor anglais et Harpe (duo)
1
Trombone, Violon (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trombone basse
1
2 Cors, Piano
1
+ 55 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
449
Violon et Piano
219
Alto, Piano
158
Violoncelle, Piano
153
Violon
143
Harpe
137
Violoncelle
128
2 Violons (duo)
101
Alto seul
88
Violon, Violoncelle (duo)
78
2 Violoncelles (duo)
64
Quintette à cordes: 2 violons, alto, violoncelle, basse
61
Trio à Cordes: violon, alto, violoncelle
59
Contre Basse
57
Contrebasse, Piano (duo)
53
2 Altos (duo)
46
Violon, Alto (duo)
41
Trio à Cordes: 2 violons, violoncelle
19
Alto (partie séparée)
19
Harpe, Voix
18
Violon (partie séparée)
14
Violon, Basson (duo)
13
2 Contrebasses (duo)
12
Alto, Violoncelle (duo)
12
Harpe, Flûte (duo)
9
Alto et Basson
9
Piano Trio: Violon, Alto, Piano
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
4 Violoncelles
5
Harpe, Violon, Violoncelle
4
Violon, Guitare (duo)
4
Contrebasse (partie séparée)
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Trio à cordes: 3 violins
3
Trio à Cordes: 3 violoncelles
3
Quatuor à cordes: 4 violons
3
Violoncelle, Contrebasse (duo)
2
2 Violoncelles, Piano
2
Harpe, Violon (duo)
2
Violon, Violoncelle, Clarinette
2
Violoncelle , Guitare (duo)
2
2 Harpes (duo)
2
Harpe, Violoncelle (duo)
2
2 Violons, Piano
1
Alto et Harpe
1
Violon, Clarinette, Piano (trio)
1
Alto, Guitare (duo)
1
Flûte, Contrebasse (duo)
1
Violoncelle, Orgue
1
Violon, Orgue
1
Alto, Orgue
1
Violoncelle (partie séparée)
1
4 Contrebasses
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 altos
1
Trio à Cordes: 2 violons, alto
1
+ 51 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
548
Orchestre à Cordes
161
Ensemble de cuivres
117
Ensemble Jazz
111
Orchestre
108
Cloches
55
Orchestre de chambre
50
Marimba
33
Ensemble de Percussions
17
Fanfare
13
Jazz combo
13
Xylophone
12
Xylophone, Piano
9
Batterie
9
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Vibraphone
5
Percussion
3
Percussion (partie séparée)
2
Batterie (partie séparée)
2
Piano et Orchestre
1
2 Marimbas
1
Orchestre, Violon
1
Big band
1
Ensemble d'École
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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VIOLON
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : TECHNIQUES
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4 Violoncelles
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1
Gluck Melody for Cello and Cello Quartet
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4 Violoncelles
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Christoph Gluck
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Paul Wood
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Gluck Melody for Cello and Cel
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MyMusicScores.com
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 4 - SKU: A0.736777 Composed by Christoph Gluck. Arranged by Paul Wood. Baroque. Score and parts. 10 pages. M...
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String Quartet Cello,String Quartet - Level 4 - SKU: A0.736777 Composed by Christoph Gluck. Arranged by Paul Wood. Baroque. Score and parts. 10 pages. MyMusicScores.com #6058657. Published by MyMusicScores.com (A0.736777). Orfeo ed Euridice was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa.The opera is the most popular of Gluck's works and was one of the most influential on subsequent German operas.The beautiful melody comes from act 2 of the opera and is played as a flute solo. Here is an arrangement for cello and quartet/ensemble. The Bass part is optional.The PDF file contains the score and all instrumental parts.
$9.99
Kyrie (Durante) (Violoncello Quartet)
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4 Violoncelles
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INTERMÉDIAIRE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
#
SheetMusicPlus
String Quartet Cello,String Quartet - Level 3 - SKU: A0.1092498 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred....
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String Quartet Cello,String Quartet - Level 3 - SKU: A0.1092498 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696590. Published by Regis Bookshar (A0.1092498). Kyrie - by Francesco Durante; Violoncello Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Violoncello Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide students with the opportunity to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Violoncello Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (String Quartet - 2 Violins, 2 Cellos)
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4 Violoncelles
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INTERMÉDIAIRE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
#
SheetMusicPlus
String Quartet Cello,String Quartet,Violin - Level 3 - SKU: A0.1092481 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,...
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String Quartet Cello,String Quartet,Violin - Level 3 - SKU: A0.1092481 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696572. Published by Regis Bookshar (A0.1092481). Kyrie - by Francesco Durante; String Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a String Quartet, consisting of 2 Violins, and 2 Violoncellos. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide students with the opportunity to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a String Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Ave Maria, Op. 41 for Four Cellos
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4 Violoncelles
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wilhelm Fitzenhagen
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Ave Maria, Op. 41 for Four Cel
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RÄ“sFacta Editions
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 4 - SKU: A0.1314351 Composed by Wilhelm Fitzenhagen. 19th Century,Chamber,Classical,Romantic Period. 16 page...
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String Quartet Cello,String Quartet - Level 4 - SKU: A0.1314351 Composed by Wilhelm Fitzenhagen. 19th Century,Chamber,Classical,Romantic Period. 16 pages. RÄ“sFacta Editions #903096. Published by RÄ“sFacta Editions (A0.1314351). German composer and cellist, Wilhelm Fitzenhagen's AVE MARIA, Op. 41 is a musical setting of the traditional Catholic prayer Ave Maria, which is based on the Hail Mary, a salutation to the Virgin Mary. Fitzenhagen's arrangement is scored for four cellos, making it a beautiful and intimate chamber music work for cello quartet. In Ave Maria, Fitzenhagen skillfully adapts the melody of the prayer for the cello ensemble, allowing each cello to express different facets of the music. The four cellos blend harmoniously to create a rich and sonorous texture, which is well-suited to the devotional nature of the prayer. Fitzenhagen's arrangement is known for its lyrical and expressive qualities, which allow the performers to convey a deep sense of reverence and spirituality.
$15.00
Solage: Le basile for Cello Quartet
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4 Violoncelles
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FACILE
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Solage
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James M
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Solage: Le basile for Cello Qu
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,H...
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String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859203. Published by jmsgu3 (A0.1266472). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
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