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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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XYLOPHONE
The Power of the One
Non classifié
1 250
Piano & claviers
Piano seul
378
Piano, Voix
235
Piano Facile
138
Accompagnement Piano
77
Piano, Voix et Guitare
72
Instruments en Do
54
Orgue
26
1 Piano, 4 mains
11
2 Pianos, 4 mains
6
Piano Trio: piano, violon, violoncelle
5
Piano (partie séparée)
5
Piano grosses notes
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Trompette (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Accordéon
2
2 Pianos, 8 mains
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
32
Guitare
25
Basse electrique
16
Ukulele
10
Guitare (partie séparée)
9
Ligne De Mélodie, (Paroles) et Accords
5
Paroles et Accords
3
2 Guitares (duo)
3
4 Guitares (Quatuor)
2
Ukulele Baryton
2
Piano, Guitare (duo)
2
Mandoline
1
Dulcimer
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
358
Chorale 3 parties
94
Chorale 2 parties
87
Chorale TTBB
57
Chorale SSAA
36
Voix Tenor, Piano
21
Voix Soprano, Piano
21
Voix duo, Piano
19
Chorale Unison
14
Voix Alto, Piano
8
Voix Baryton, Piano
7
Pack Instrumental pour Chorale
7
Voix Tenor
4
Chorale SSAATTBB
3
Voix duo
2
Voix basse, Piano
2
Voix haute
2
Voix basse
1
Chorale SSATTB
1
Voix seule
1
Soli, choeur mixte et accompagnement
1
Voix Soprano
1
+ 17 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
90
Saxophone Alto et Piano
86
Saxophone (partie séparée)
81
Saxophone Alto
67
Clarinette et Piano
52
Saxophone Tenor et Piano
51
Quintette de Saxophone: 5 saxophones
51
2 Saxophones (duo)
50
Saxophone Soprano et Piano
35
Hautbois, Piano (duo)
33
Flûte traversière et Piano
32
Saxophone Tenor
32
Flûte, Hautbois, Clarinette, Basson
32
Saxophone Baryton, Piano
28
Saxophone
26
Clarinette
25
Flûte traversière
21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
2 Flûtes traversières (duo)
15
Hautbois (partie séparée)
14
Quatuor de Flûtes : 4 flûtes
13
Quatuor de Clarinettes: 4 clarinettes
11
2 Clarinettes (duo)
10
3 Saxophones (trio)
10
Saxophone Soprano
9
Flute (partie séparée)
9
Harmonica
9
Flûte, Clarinette (duo)
9
Ensemble de Flûtes
8
Ensemble de Clarinettes
8
Ensemble de saxophones
8
Cor anglais, Piano
7
Hautbois
6
Quintette de Clarinettes: 5 clarinettes
6
Saxophone et Orgue
6
Quintette de Flûte : 5 flûtes
6
Clarinette (partie séparée)
5
Saxophone, Clarinette (duo)
5
Saxophone Baryton
5
3 Clarinettes (trio)
5
Clarinette, Trompette (duo)
4
Clarinette, Violon (duo)
4
2 Hautbois (duo)
4
2 Flûte à bec (duo)
4
Clarinette Basse, Piano
4
Hautbois, Clarinette (duo)
3
Clarinette et Alto
3
Quatuor de Flûtes à bec
3
Flûte et Guitare
3
Flûte, Hautbois (duo)
2
Flûte, Violon et Violoncelle
2
Flûte, Alto (duo)
2
Flûte à bec Soprano
2
Flûte, Trombone (duo)
2
Clarinette, Trombone (duo)
2
Trio de Flûtes: 3 flûtes
2
Flûte, Saxophone (duo)
2
Flûte, Hautbois, Basson
1
Flûte à bec Alto
1
Flûte, Clarinette et Basson
1
Hautbois, Basson et Piano
1
Clarinette Basse
1
Hautbois, Basson (duo)
1
Hautbois, Flûte
1
5 Flûtes à bec
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone et Guitare
1
Ensemble de Hautbois
1
Flûte à Bec
1
+ 64 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
136
Trombone et Piano
93
Trombone
81
Quatuor de Cuivres : 2 trompettes, trombone, tuba
75
Trombone (partie séparée)
70
Quatuor de Cuivres
41
Trompette, Piano
35
Quatuor de Cuivres: 2 trompettes, Cor, trombone
33
Trompette (partie séparée)
29
Trompette
28
Cor et Piano
23
2 Trombones (duo)
20
Tuba
14
Cor
14
Tuba et Piano
13
Trompette, Trombone (duo)
13
Ensemble de Trombones
11
Euphonium, Piano (duo)
8
Cor anglais, Piano
7
Quatuor de cuivres: 4 trombones
6
Cor (partie séparée)
6
Tuba (partie séparée)
5
2 Trompettes (duo)
4
Ensemble de Trompettes
4
Trompette, Saxophone (duo)
4
2 Cors (duo)
4
2 Tubas (duo)
4
Trompette, Cor (duo)
4
Trombone, Orgue
4
3 Trombones (trio)
3
Ensemble de Cors
3
4 Tubas
2
Trombone, Tuba (duo)
2
Quatuor de cuivres: 4 cors
2
Trombone basse et Piano
1
2 Euphoniums et 2 Tubas
1
3 Euphoniums
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Trompettes (trio)
1
Trombone basse
1
+ 36 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
86
Violon et Piano
76
Violoncelle, Piano
52
Violoncelle
39
Alto, Piano
34
Violon
27
Violon, Violoncelle (duo)
22
Harpe
17
Alto seul
15
2 Violoncelles (duo)
14
Contrebasse, Piano (duo)
12
2 Violons (duo)
11
Violon (partie séparée)
11
Contre Basse
11
Trio à Cordes: 2 violons, violoncelle
9
Trio à Cordes: violon, alto, violoncelle
9
Contrebasse (partie séparée)
9
Alto (partie séparée)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
2 Contrebasses (duo)
6
Violon, Alto (duo)
6
2 Altos (duo)
5
Harpe, Voix
5
Piano Trio: Violon, Alto, Piano
3
Alto, Violoncelle (duo)
2
Quatuor à cordes: 4 violons
2
Violoncelle (partie séparée)
2
2 Harpes (duo)
2
4 Violoncelles
2
Trio à Cordes: 2 violons, alto
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violon, Clarinette, Piano (trio)
1
2 Violoncelles, Piano
1
Quatuor à cordes : 4 altos
1
Violon, Guitare (duo)
1
Harpe, Flûte (duo)
1
Trio à cordes: 3 altos
1
Trio à Cordes: 3 violoncelles
1
+ 33 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
656
Orchestre
112
Orchestre à Cordes
77
Fanfare
56
Ensemble Jazz
35
Orchestre de chambre
28
Cloches
25
Ensemble de cuivres
20
Jazz combo
14
Ensemble de Percussions
7
Batterie (partie séparée)
7
Percussion (partie séparée)
5
Batterie
4
Instrumentation Flexible
2
Piano et Orchestre
1
Vibraphone
1
Xylophone, Piano
1
+ 12 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
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Vous avez sélectionné:
The Power of the One
4 Violoncelles
Partitions à imprimer
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A Mighty Fortress is Our God by Luther for Cello Quartet
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4 Violoncelles
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DÉBUTANT
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Martin Luther
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Ander
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A Mighty Fortress is Our God b
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Woods Only, Arrangements
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 1 - SKU: A0.1135305 Composed by Martin Luther. Arranged by Ander. Baroque,Christmas,Religious,Renaissance,Sa...
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String Quartet Cello,String Quartet - Level 1 - SKU: A0.1135305 Composed by Martin Luther. Arranged by Ander. Baroque,Christmas,Religious,Renaissance,Sacred. 6 pages. Woods Only, Arrangements #735350. Published by Woods Only, Arrangements (A0.1135305). This easy arrangement for violoncello quartet has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$7.99
Solage: Le basile for Cello Quartet
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4 Violoncelles
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FACILE
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Solage
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James M
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Solage: Le basile for Cello Qu
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,H...
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String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859203. Published by jmsgu3 (A0.1266472). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
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The Power of the One
