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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
reflections.
Non classifié
1 441
Piano & claviers
Piano seul
5 854
Piano, Voix
2 609
Piano Facile
210
Orgue
176
Piano, Voix et Guitare
107
1 Piano, 4 mains
63
Accordéon
34
Accompagnement Piano
24
Instruments en Do
21
2 Pianos, 4 mains
19
Piano Trio: piano, violon, violoncelle
17
Piano grosses notes
13
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Piano (duo)
2
Clavecin
1
Piano (partie séparée)
1
+ 13 instrumentations
Retracter
Guitares
Guitare
66
Guitare notes et tablatures
59
Ligne De Mélodie, (Paroles) et Accords
13
Paroles et Accords
10
Ukulele
9
Mandoline
5
Piano, Guitare (duo)
4
2 Guitares (duo)
4
4 Guitares (Quatuor)
3
Basse electrique
3
Dulcimer
2
3 Guitares (trio)
2
Ensemble de guitares
1
Banjo
1
Guitare Pedal Steel
1
Mandoline, Guitare (duo)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
1 369
Chorale Unison
357
Chorale 3 parties
185
Chorale 2 parties
163
Voix Soprano, Piano
86
Voix Alto, Piano
84
Voix Tenor, Piano
79
Voix duo, Piano
60
Chorale SSAA
37
Chorale TTBB
37
Voix duo
13
Voix Baryton, Piano
7
Voix seule
6
Chorale SSAATTBB
4
Voix moyenne, Piano
4
Voix haute
4
Chorale SSATTB
3
Chorale
2
Voix basse
2
Voix Tenor
2
Voix Mezzo-Soprano, Piano
2
Voix Soprano
1
Chorale SSAB a cappella
1
Voix Moyenne
1
Voix basse, Piano
1
Pack Instrumental pour Chorale
1
+ 21 instrumentations
Retracter
Vents
Flûte traversière et Piano
213
Hautbois, Piano (duo)
160
Clarinette et Piano
98
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
68
Quatuor de Saxophones: 4 saxophones
56
Saxophone Alto et Piano
53
Flûte traversière
51
2 Saxophones (duo)
45
Flûte, Hautbois, Clarinette, Basson
41
2 Flûtes traversières (duo)
39
Clarinette
36
Saxophone Alto
35
Saxophone Tenor et Piano
32
Quatuor de Flûtes : 4 flûtes
28
Quatuor de Clarinettes: 4 clarinettes
27
Saxophone Soprano et Piano
25
2 Clarinettes (duo)
22
Quintette de Saxophone: 5 saxophones
19
Hautbois
18
Saxophone Tenor
18
Cor anglais, Piano
16
Ensemble de Clarinettes
16
Clarinette (partie séparée)
16
Ensemble de Flûtes
14
Flûte, Clarinette (duo)
14
Hautbois (partie séparée)
13
Saxophone (partie séparée)
13
2 Hautbois (duo)
12
Flûte à Bec
12
Saxophone
11
Saxophone Soprano
10
Saxophone Baryton, Piano
10
3 Saxophones (trio)
9
Flûte, Clarinette, Piano (trio)
8
Saxophone, Clarinette (duo)
8
Flûte, Violoncelle, Piano (trio)
8
Flûte, Violoncelle
8
Clarinette, Violoncelle (duo)
8
Trio de Flûtes: 3 flûtes
7
Clarinette, Basson (duo)
7
Hautbois, Flûte
7
Hautbois, Basson (duo)
6
Clarinette, Harpe (duo)
6
2 Flûtes traversières, Piano
6
Saxophone Baryton
6
Clarinette, Violon (duo)
6
Flûte, Violon
5
Quintette de Clarinettes: 5 clarinettes
5
Flute (partie séparée)
5
Clarinette et Alto
4
Ocarina
4
2 Clarinettes, Piano
4
3 Clarinettes (trio)
4
Ensemble de saxophones
4
Hautbois, Violoncelle
4
Hautbois, Clarinette (duo)
4
Clarinette, Trompette (duo)
4
Flûte, Hautbois, Piano (trio)
3
Flûte, Clarinette et Basson
3
Flûte, Basson et Piano
3
Flûte, Trompette (duo)
3
Quintette de Flûte : 5 flûtes
3
Flûte, Violon, Piano
3
Clarinette, trompette et piano
3
Clarinette Basse, Piano
3
Flûte, Alto et Piano
3
Flûte et Guitare
3
Flûte, Violon et Violoncelle
3
Flûte, Alto (duo)
3
Flûte, Hautbois, Basson
3
Saxophone et Harpe
2
Flûte, Saxophone (duo)
2
Hautbois et alto (duo)
2
Flûte, Trombone (duo)
2
Flûte, Violon, Violoncelle et Piano
2
Flûte, trombone et piano
2
Hautbois, Orgue
2
2 Flûte à bec (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte à bec Soprano
2
Hautbois, Harpe
1
Hautbois, Clarinette et Piano (Trio)
1
Saxophone et Orgue
1
Cornemuse
1
5 Flûtes à bec
1
Flute, harpe et violon
1
Flûte, Hautbois (duo)
1
2 Harmonicas
1
Flûte traversière, Orgue (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone et Guitare
1
Hautbois, violon (duo)
1
2 Flûtes traversières, Harpe
1
+ 88 instrumentations
Retracter
Cuivres
Trompette, Piano
60
Trombone et Piano
51
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
51
Trompette
40
Cor et Piano
40
Trombone
33
Cor
26
Tuba et Piano
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Trombone (partie séparée)
19
Tuba
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
17
Cor anglais, Piano
16
2 Trompettes (duo)
15
2 Trombones (duo)
13
Quatuor de Cuivres
12
Euphonium, Piano (duo)
12
Trompette (partie séparée)
10
2 Cors (duo)
9
Tuba (partie séparée)
8
Cor (partie séparée)
7
Quatuor de cuivres: 4 trombones
6
Trompette, Saxophone (duo)
6
Trompette, Cor (duo)
6
Cor, Violoncelle (duo)
5
Trompette, Trombone (duo)
5
Trio de Cuivres
4
2 Euphoniums et 2 Tubas
4
Quatuor de cuivres: 4 trompettes
4
Quatuor de cuivres: 4 cors
4
Euphonium
3
Trompette, Violoncelle et Piano
3
Trombone basse et Piano
3
Ensemble de Trombones
3
2 Tubas (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Bass Clef Instruments
1
Trompette, violon (duo)
1
Tuba et Orgue
1
Trombone basse
1
Cor et Harpe
1
3 Trombones (trio)
1
Trombone, Tuba (duo)
1
Trombone, Orgue
1
Ensemble de Cors
1
+ 40 instrumentations
Retracter
Cordes
Violon et Piano
244
Quatuor à cordes: 2 violons, alto, violoncelle
164
Violoncelle, Piano
125
Harpe
74
Alto, Piano
72
Violon
54
Violoncelle
40
2 Violons (duo)
31
Alto seul
29
Trio à Cordes: violon, alto, violoncelle
22
Violon, Violoncelle (duo)
19
2 Violoncelles (duo)
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Contrebasse, Piano (duo)
15
Harpe, Flûte (duo)
12
Contre Basse
12
Violon (partie séparée)
12
2 Altos (duo)
11
Alto (partie séparée)
11
2 Harpes (duo)
10
Piano Trio: Violon, Alto, Piano
8
Violon, Alto (duo)
8
Alto, Violoncelle (duo)
6
Trio à Cordes: 2 violons, violoncelle
5
Harpe, Violoncelle (duo)
5
4 Violoncelles
5
Violon, Guitare (duo)
4
Quatuor à cordes: 4 violons
4
Harpe, Violon (duo)
4
Violon, Clarinette, Piano (trio)
3
Contrebasse (partie séparée)
3
Violon, Basson (duo)
3
Alto et Basson
3
Violoncelle (partie séparée)
3
Alto et Harpe
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 violins
2
2 Contrebasses (duo)
2
Harpe, Trombone (duo)
2
4 Contrebasses
1
Violon, Trompette et Piano
1
Alto, Guitare (duo)
1
Quatuor à cordes : 4 altos
1
Violoncelle , Guitare (duo)
1
3 Harpes
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Orchestre
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
723
Cloches
121
Orchestre
103
Orchestre à Cordes
86
Orchestre de chambre
46
Ensemble de cuivres
34
Ensemble Jazz
21
Percussion (partie séparée)
10
Jazz combo
8
Timbales (partie séparée)
4
Ensemble de Percussions
4
Fanfare
4
Marimba
3
Xylophone, Piano
2
Percussion
2
Batterie
2
Vibraphone
1
Vibraphone et Marimba
1
Conga
1
+ 14 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
reflections.
4 Violoncelles
Partitions à imprimer
5 partitions trouvées
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1
O Come All Ye Faithful (String Quartet): Three Violins and Cello
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4 Violoncelles
#
INTERMÉDIAIRE
#
John Francis Wade
#
John A
#
O Come All Ye Faithful
#
John A. Dempsey
#
SheetMusicPlus
String Quartet Cello,String Quartet,Violin - Level 3 - SKU: A0.524617 Composed by John Francis Wade. Arranged by John A. Dempsey. Christian,Christmas,Ho...
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String Quartet Cello,String Quartet,Violin - Level 3 - SKU: A0.524617 Composed by John Francis Wade. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 20 pages. John A. Dempsey #6078241. Published by John A. Dempsey (A0.524617). O Come Let Us Adore Him - Christ the Lord. Â This arrangement of a beloved Christmas carol is a holiday kaleidoscope of praise and worship: it includes additional themes, variation and varied rhythms and moods, both peaceful and elated, and all reflective of the celebration of the Nativity. Â With incidental music by Anton Dvorak, this string quartet for three violins and cello is recommended for Christmas plays, pageants and programs as well as holiday recitals, Christmas concerts, traditional church services and other seasonal worship events. Â Suggested worship uses: prelude, postlude, offertory, interlude, Christmas play overture, silent prayer accompaniment and special music. Â 16 pages of music (that includes the score and separate two-page parts for violin 1, violin 2, violin 3 and cello). Â Key: D major.
$11.99
Christmas Medley (What Child is This / Away in a Manger): Quartet for Two Violins and Two Cellos
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4 Violoncelles
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INTERMÉDIAIRE
#
Noël
#
James R
#
John A
#
Christmas Medley
#
John A. Dempsey
#
SheetMusicPlus
String Quartet Cello,String Quartet,Violin - Level 3 - SKU: A0.524578 Composed by James R. Murray. Arranged by John A. Dempsey. Christian,Christmas,Holi...
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String Quartet Cello,String Quartet,Violin - Level 3 - SKU: A0.524578 Composed by James R. Murray. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. 24 pages. John A. Dempsey #6035887. Published by John A. Dempsey (A0.524578). A medley of two Christmas carols, this triumphant string quartet for two violins and two cellos is graced with both quiet, prayerful moments of reflection and joyful bursts of praise. Â Mood, tempo and time signature changes add to the dramatic impact of the music as a worship experience. Â It's a sweeping musical journey that celebrates the miracle of Jesus' birth. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture and special music. Â 20 pages of music (that includes the score, separate two-page parts for violin 2, cello 1 and cello 2 and a three-page part for violin 1). Â Key: E minor.
$12.99
Solage: Plusers gens voy for Cello Quartet
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4 Violoncelles
#
FACILE
#
Solage
#
James M
#
Solage: Plusers gens voy for C
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet - Level 2 - SKU: A0.1269026 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,H...
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String Quartet Cello,String Quartet - Level 2 - SKU: A0.1269026 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 6 pages. Jmsgu3 #861560. Published by jmsgu3 (A0.1269026). Plusers gens voy is a song composed by the late 14th-century French composer Solage. The song is written for four voices: tenor, contra tenor, cantus, and triplum. The lyrics of the song are Plusers gens voy qui leur pensee / A leur dame ne sont pas nee / Car ele est de si grant beaute / Que nus ne la puet veoir sans faille which translates to More people have seen in their thoughts / That they were not born for their lady / For she is of such great beauty / That no one can see her without failing.The overall message of Plusers gens voy is a declaration of love and admiration for a lady of great beauty. The lyrics suggest that the lady is so beautiful that it is impossible for anyone to see her without failing. The song is a tribute to the lady's beauty and is likely a reflection of the composer's feelings towards her. The song is a beautiful example of medieval French music and poetry and is still performed and studied today.
$24.95
Solage: Plusers gens voy for Viola Duo & Cello Duo
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4 Violoncelles
#
FACILE
#
Solage
#
James M
#
Solage: Plusers gens voy for V
#
jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola - Level 2 - SKU: A0.1268000 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Festival,Histori...
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String Quartet Cello,String Quartet,Viola - Level 2 - SKU: A0.1268000 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Festival,Historic,Medieval,Wedding. 6 pages. Jmsgu3 #860398. Published by jmsgu3 (A0.1268000). Plusers gens voy is a song composed by the late 14th-century French composer Solage. The song is written for four voices: tenor, contra tenor, cantus, and triplum. The lyrics of the song are Plusers gens voy qui leur pensee / A leur dame ne sont pas nee / Car ele est de si grant beaute / Que nus ne la puet veoir sans faille which translates to More people have seen in their thoughts / That they were not born for their lady / For she is of such great beauty / That no one can see her without failing.The overall message of Plusers gens voy is a declaration of love and admiration for a lady of great beauty. The lyrics suggest that the lady is so beautiful that it is impossible for anyone to see her without failing. The song is a tribute to the lady's beauty and is likely a reflection of the composer's feelings towards her. The song is a beautiful example of medieval French music and poetry and is still performed and studied today.
$32.95
Solage: Le basile for Cello Quartet
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4 Violoncelles
#
FACILE
#
Solage
#
James M
#
Solage: Le basile for Cello Qu
#
jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,H...
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String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859203. Published by jmsgu3 (A0.1266472). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
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