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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Cha-cha time
Non classifié
6 178
Piano & claviers
Piano seul
25 107
Accordéon
2 249
Piano, Voix
1 693
Piano Facile
1 450
Piano, Voix et Guitare
563
Instruments en Do
289
Orgue
196
Accompagnement Piano
178
1 Piano, 4 mains
135
Piano Trio: piano, violon, violoncelle
87
Piano grosses notes
66
Piano (partie séparée)
44
2 Pianos, 4 mains
31
Piano Quatuor: piano, violon, alto, violoncelle
20
Piano Quatuor: piano, 2 violons, violoncelle
16
Piano Quintette: piano, 2 violons, alto, violoncelle
12
Clavecin
10
Orgue, Piano (duo)
6
1 Piano, 6 mains
6
2 Accordéons
1
Accordéon et Orchestre
1
Orgue, Trompette (duo)
1
2 Pianos, 8 mains
1
Accordéon, Voix
1
+ 19 instrumentations
Retracter
Guitares
Guitare
4 443
Basse electrique
3 380
Guitare notes et tablatures
1 205
Ukulele
215
Ligne De Mélodie, (Paroles) et Accords
114
Guitare (partie séparée)
81
Paroles et Accords
57
2 Guitares (duo)
37
Piano, Guitare (duo)
17
Mandoline
16
4 Guitares (Quatuor)
15
Dulcimer
11
Banjo
10
3 Guitares (trio)
7
Basse électrique (partie séparée)
4
Guitare, Flûte, Clarinette
2
Ensemble de guitares
2
Mandoline, Piano (duo)
1
Ukulele Baryton
1
Guitare, Violon, Violoncelle (trio)
1
Partitions De Groupes
1
2 Mandolines (duo)
1
2 Ukuleles
1
+ 18 instrumentations
Retracter
Voix
Voix seule
5 743
Chorale SATB
1 210
Chorale 3 parties
417
Chorale 2 parties
282
Chorale TTBB
229
Chorale SSAA
171
Chorale Unison
136
Voix duo, Piano
83
Voix Tenor, Piano
65
Voix Soprano, Piano
63
Voix duo
44
Voix Alto, Piano
44
Voix Baryton, Piano
34
Voix haute
16
Chorale
14
Voix Tenor
9
Chorale SSAATTBB
7
Voix basse, Piano
7
Pack Instrumental pour Chorale
5
Voix moyenne, Piano
4
Voix Soprano
3
Male Voice
2
Voix Mezzo-Soprano, Piano
2
Chorale SATTBB A Cappella
2
Voix, Guitare
1
Voix basse
1
Chorale SATBB
1
+ 22 instrumentations
Retracter
Vents
Saxophone
16 621
Flûte traversière
7 861
Clarinette
7 298
Saxophone Alto
1 557
Saxophone Tenor
1 448
Flûte à Bec
1 205
Hautbois
839
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
650
Quatuor de Saxophones: 4 saxophones
635
Saxophone Soprano
619
2 Saxophones (duo)
616
Flûte traversière et Piano
577
Flûte, Hautbois, Clarinette, Basson
543
Clarinette et Piano
531
Hautbois, Piano (duo)
442
Quintette de Saxophone: 5 saxophones
437
Saxophone Alto et Piano
384
Saxophone (partie séparée)
379
2 Flûtes traversières (duo)
343
2 Clarinettes (duo)
269
Saxophone Tenor et Piano
259
Saxophone Soprano et Piano
252
Quatuor de Clarinettes: 4 clarinettes
221
2 Hautbois (duo)
170
Saxophone Baryton, Piano
154
2 Flûte à bec (duo)
145
Hautbois (partie séparée)
145
3 Saxophones (trio)
137
Flûte, Clarinette (duo)
136
Saxophone, Clarinette (duo)
133
Ensemble de saxophones
132
Clarinette, Violon (duo)
118
Hautbois, Clarinette (duo)
117
Quatuor de Flûtes : 4 flûtes
116
Ensemble de Clarinettes
104
Hautbois, Basson (duo)
101
Clarinette, Trompette (duo)
87
Flûte irlandaise
80
3 Clarinettes (trio)
80
Cor anglais, Piano
79
Flûte, Violon
66
Ensemble de Flûtes
61
Clarinette et Alto
61
Quintette de Clarinettes: 5 clarinettes
59
Flûte, Alto (duo)
57
Hautbois, Flûte
55
Flûte à bec Soprano
54
Clarinette Basse, Piano
54
Clarinette, Basson (duo)
54
Flute (partie séparée)
52
Flûte, Clarinette et Basson
52
Saxophone Baryton
52
Clarinette (partie séparée)
52
Trio de Flûtes: 3 flûtes
49
Flûte, Saxophone (duo)
48
Flûte, Hautbois (duo)
44
Flûte, Trompette (duo)
43
Clarinette, Violoncelle (duo)
42
Flûte, Violoncelle
42
Flûte et Guitare
39
Hautbois, Violoncelle
37
Hautbois, Clarinette, Basson (trio d'anches)
35
Quintette de Flûte : 5 flûtes
35
Cor Anglais
32
Flûte, Hautbois, Clarinette (trio)
32
Flûte, Hautbois, Basson
30
Quatuor de Flûtes à bec
27
Flûte, Violon, Piano
26
Flûte à bec Alto
23
Ensemble De Flûte à bec
20
Hautbois, violon (duo)
17
Clarinette, Guitare (duo)
16
Flûte, Hautbois, Piano (trio)
15
5 Flûtes à bec
15
Hautbois et alto (duo)
15
Flûte, Clarinette, Cor, Basson (Quartet)
14
Flûte, Violoncelle, Piano (trio)
12
2 Flûtes traversières, Piano
10
3 Flûtes à bec (trio)
9
Clarinette, Violoncelle, Piano (trio)
9
Piccolo, Piano
9
Harmonica
8
Flûte, Alto et Piano
8
Flûte à bec Alto, Piano
8
Piccolo
7
Flûte à bec Soprano, Piano
6
2 Cors Anglais Et Pianoforte
6
2 Clarinettes, Piano
6
Clarinette, Trombone (duo)
6
Flûte, Clarinette, Piano (trio)
5
Clarinette Basse
5
Flûte, Violon et Violoncelle
5
Clarinette, Tuba
4
Hautbois, trombone (duo)
4
Clarinette, Contrebasse (duo)
4
Instruments en Mib
4
Flûte, Basson et Piano
3
Clarinette, Basson, Piano (trio)
3
Flûte, Violon, Violoncelle et Piano
3
Flûte à bec Tenor
3
Hautbois, Clarinette et Piano (Trio)
3
2 Saxophones, Piano
3
Flûte, Tuba (duo)
3
Flûte, Trombone (duo)
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Hautbois, Basson et Piano
2
Cor anglais, Guitare (duo)
2
3 Hautbois
2
Clarinette, Alto et Piano (trio)
2
Flûte à Bec, Piano
2
2 Hautbois, Piano
2
Saxophone et Orgue
2
Ocarina
2
Saxophone et Guitare
2
Flûte et Trio à cordes
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flute, harpe et violon
1
Cornemuse
1
Hautbois, Trompette (duo)
1
Flûte, Violon, Guitare
1
Clarinette, Harpe (duo)
1
Flûte à bec, Guitare (duo)
1
Ensemble à vent
1
Hautbois, Guitare (duo)
1
Hautbois, Violon, Piano
1
Cor anglais et Harpe (duo)
1
+ 121 instrumentations
Retracter
Cuivres
Trompette
6 423
Trombone
5 976
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
693
Cor
687
Tuba
478
Trompette, Piano
417
Euphonium
391
Trombone et Piano
366
Cor et Piano
318
Quatuor de Cuivres : 2 trompettes, trombone, tuba
314
Trombone (partie séparée)
229
Tuba et Piano
227
Trompette (partie séparée)
187
2 Trompettes (duo)
182
2 Trombones (duo)
171
Quatuor de Cuivres: 2 trompettes, Cor, trombone
153
Quatuor de Cuivres
144
Trompette, Trombone (duo)
121
2 Cors (duo)
105
Trompette, Saxophone (duo)
102
Cor anglais, Piano
79
Euphonium, Piano (duo)
73
Ensemble de Trompettes
71
2 Tubas (duo)
57
Cor (partie séparée)
45
Ensemble de Trombones
40
Tuba (partie séparée)
39
Cor Anglais
32
Trompette, Cor (duo)
32
Quatuor de cuivres: 4 trombones
31
Quatuor de cuivres: 4 cors
23
Cor, Violoncelle (duo)
19
Trio de Cuivres
18
Quatuor de cuivres: 4 trompettes
16
3 Trombones (trio)
16
Trompette, Violoncelle (duo)
14
Ensemble de Cors
14
Trombone basse et Piano
12
Trompette, Tuba (duo)
11
Trompette, Basson (duo)
11
Trombone, Cor (duo)
11
Trombone basse
11
2 Euphoniums et 2 Tubas
10
4 Tubas
9
Cor et Basson (duo)
8
Tuba et Orgue
8
3 Trompettes (trio)
7
2 Cors Anglais Et Pianoforte
6
Cor, Tuba (duo)
6
3 Tubas (trio)
5
Trombone, Tuba (duo)
3
Instruments en Sib
3
2 Trompettes, Clavier (piano ou orgue)
3
Tuba ou Euphonium ou Saxhorn
3
3 Cors (trio)
2
Cor anglais, Guitare (duo)
2
2 Euphoniums (duo)
2
Trombone, Orgue
2
Bass Clef Instruments
2
Trombone, Violon (duo)
2
Euphonium, Tuba (duo)
2
Trompette, violon (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
2 Cors, Piano
1
3 Euphoniums
1
Trompette, Euphonium (duo)
1
Ensemble de Tubas
1
Trompette et Guitare
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Cor et Harpe
1
Cor anglais et Harpe (duo)
1
+ 66 instrumentations
Retracter
Cordes
Violon
4 860
Violoncelle
3 139
Alto seul
2 537
Quatuor à cordes: 2 violons, alto, violoncelle
1 709
Violon et Piano
679
Violon, Violoncelle (duo)
582
Violoncelle, Piano
508
Alto, Piano
493
Trio à Cordes: violon, alto, violoncelle
406
Contre Basse
379
Quintette à cordes: 2 violons, alto, violoncelle, basse
370
2 Violons (duo)
256
Harpe
246
Violon, Alto (duo)
202
2 Violoncelles (duo)
194
Contrebasse, Piano (duo)
185
2 Altos (duo)
168
Trio à Cordes: 2 violons, violoncelle
119
Alto, Violoncelle (duo)
72
Contrebasse (partie séparée)
55
2 Contrebasses (duo)
53
Alto (partie séparée)
49
4 Violoncelles
42
Violon (partie séparée)
37
Trio à Cordes: 3 violoncelles
36
Violon, Basson (duo)
36
Quintette à cordes: 2 violons, 2 altos, violoncelle
33
Trio à cordes: 3 violins
29
Piano Trio: Violon, Alto, Piano
27
Quintette à cordes : 2 violons, alto et 2 violoncelles
26
2 Harpes (duo)
25
2 Violons, Piano
23
Quatuor à cordes : 4 altos
20
Alto et Basson
19
Ensemble de Violons
19
Ensemble d'Altos
18
Quatuor à cordes: 4 violons
15
Violon, Guitare (duo)
15
Trio à Cordes: 2 violons, alto
14
Violoncelle, Contrebasse (duo)
13
Trio à cordes: 3 altos
12
Violoncelle , Guitare (duo)
10
Harpe, Flûte (duo)
9
Violoncelle (partie séparée)
6
Flûte, Contrebasse (duo)
5
Harpe, Violon (duo)
4
2 Violoncelles, Piano
4
Ensemble de Violoncelles
4
2 Altos, Piano
3
4 Harpes
3
Violon, Violoncelle, Clarinette
3
Violon, Clarinette, Piano (trio)
3
Violon, Tuba (duo)
3
Alto, Guitare (duo)
3
Harpe, Violon, Violoncelle
3
Violoncelle, Basse continue
2
Harpe, Voix
2
Harpe, Violoncelle (duo)
2
Harpe et mandoline
1
4 Contrebasses
1
Violoncelle, Orgue
1
Violoncelle, Orchestre
1
Harpe, Trombone (duo)
1
Alto et Harpe
1
+ 59 instrumentations
Retracter
Orchestre & Percussions
Batterie
5 884
Orchestre d'harmonie
1 454
Orchestre
1 402
Orchestre à Cordes
495
Ensemble Jazz
440
Orchestre de chambre
280
Fanfare
268
Ensemble de cuivres
199
Cloches
173
Percussion
154
Jazz combo
58
Batterie (partie séparée)
44
Ensemble de Percussions
42
Percussion (partie séparée)
38
Marimba
28
Xylophone
18
Xylophone, Piano
17
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
14
Vibraphone
8
Ensemble d'École
5
Timbales (partie séparée)
4
2 Xylophones
3
Quintette de Cuivres: autres combinaisons
2
Caisse Claire
2
Piano et Orchestre
1
Instrumentation Flexible
1
Quintette à Vent
1
Vibraphone (partie séparée)
1
+ 23 instrumentations
Retracter
Autres
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CLAIRON
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CLAVECIN
CLOCHES
CONTREBASSE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
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Cha-cha time
Voix Soprano, Piano
Partitions à imprimer
63 partitions trouvées
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51
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Chansons de Verlaine
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Voix Soprano, Piano
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AVANCÉ
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John Casken
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Chansons de Verlaine
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Dura...
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Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
$19.99
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Three Songs
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Dominique Le Gendre
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Three Songs
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - intermediate to advanced - SKU: S9.Q585120 For soprano and piano. Composed by Dominique Le Gendre. Federico garcÃa l...
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Soprano voice and piano - intermediate to advanced - SKU: S9.Q585120 For soprano and piano. Composed by Dominique Le Gendre. Federico garcÃa lorca - flamenco - love - nature - shakespeare - water. Downloadable, Score. Duration 5'. Schott Music - Digital #Q585120. Published by Schott Music - Digital (S9.Q585120). English â?¢ Spanish.Four Arms, Two Necks is a setting of a 17th century anonymous poem. The timelessness of the words in the love poem struck me and I set it to music, later dedicating the song to two friends, Anda and Bill Winters, in celebration of a wedding anniversary. Orpheus is from William Shakespeareâ??s play The Life of King Henry VIII. Between 1996-2000, I composed and produced the music for audio recordings of all 38 Shakespeare plays in the Complete Arkangel Shakespeare collection. This song from the play was originally written for lute accompaniment and I later arranged the lute part for piano. Agua, Dónde Vas? is a setting of a poem by Federico GarcÃa Lorca. In 1998, I visited Barcelona to renew with a dear friend, Lucia from an illustrious family of flamenco musicians and dancers. We had met in 1985 when I first visited Granada and was hanging out in the flamenco tablaoâ??s of the Albaicin and Granada proper. Through Lucia I got a glimpse of a world in which Lorcaâ??s poetry vibrated daily and as casually as the music, songs and rhythms that peppered and punctuated conversations, discussions, exchanges of opinions, mealtimes in homes and bars and the precious moments of just hanging out. © 2023 Dominique Le Gendre.
$5.99
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Bach / Gounod Ave Maria in C major ? soprano sheet music with piano accompaniment
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Classique
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Charles Francois Gounod and Jo
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Benzaiten Editions
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Bach / Gounod Ave Maria in C m
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Benzaiten Editions
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289515 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289515 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880252. Published by Benzaiten Editions (A0.1289515). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in C major â?¢ soprano sheet music with piano accompaniment The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:â?? Soprano voice | piano accompanimentâ?? Alto voice | piano accompanimentâ?? Tenor voice | piano accompanimentâ?? Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
Bach / Gounod Ave Maria in A flat major [Ab] ? soprano sheet music with piano accompaniment
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Classique
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Charles Francois Gounod and Jo
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Benzaiten Editions
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Bach / Gounod Ave Maria in A f
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Benzaiten Editions
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289541 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289541 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880277. Published by Benzaiten Editions (A0.1289541). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in A flat major [Ab] â?¢ soprano sheet music with piano accompaniment The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Â Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:â?? Soprano voice | piano accompanimentâ?? Alto voice | piano accompanimentâ?? Tenor voice | piano accompanimentâ?? Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
Bach / Gounod Ave Maria in B flat major [Bb] ? soprano sheet music with piano accompaniment
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Classique
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Charles Francois Gounod and Jo
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Benzaiten Editions
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Bach / Gounod Ave Maria in B f
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Benzaiten Editions
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289499 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289499 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880247. Published by Benzaiten Editions (A0.1289499). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in B flat major [Bb] â?¢ soprano sheet music with piano accompaniment The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:â?? Soprano voice | piano accompanimentâ?? Alto voice | piano accompanimentâ?? Tenor voice | piano accompanimentâ?? Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
Bach / Gounod Ave Maria in C sharp major [C#] ? soprano sheet music with piano accompaniment
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Classique
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Charles Francois Gounod and Jo
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Benzaiten Editions
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Bach / Gounod Ave Maria in C s
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Benzaiten Editions
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289517 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289517 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880254. Published by Benzaiten Editions (A0.1289517). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in C sharp major [C#] â?¢ soprano sheet music with piano accompaniment The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:â?? Soprano voice | piano accompanimentâ?? Alto voice | piano accompanimentâ?? Tenor voice | piano accompanimentâ?? Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
Bach / Gounod Ave Maria in F sharp major [F#] ? soprano sheet music with piano accompaniment
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Classique
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Charles Francois Gounod and Jo
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Benzaiten Editions
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Bach / Gounod Ave Maria in F s
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Benzaiten Editions
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289536 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289536 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880272. Published by Benzaiten Editions (A0.1289536). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in F sharp major [F#] â?¢ soprano sheet music with piano accompaniment The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Â Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:â?? Soprano voice | piano accompanimentâ?? Alto voice | piano accompanimentâ?? Tenor voice | piano accompanimentâ?? Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
Bach / Gounod Ave Maria in C major • soprano sheet music with piano accompaniment and chords
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Charles Francois Gounod and Jo
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Benzaiten Editions
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Bach / Gounod Ave Maria in C m
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Benzaiten Editions
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289516 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289516 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880253. Published by Benzaiten Editions (A0.1289516). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in C major • soprano sheet music with piano accompaniment and chords The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:→ Soprano voice | piano accompaniment→ Alto voice | piano accompaniment→ Tenor voice | piano accompaniment→ Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
Bach / Gounod Ave Maria in Bb major [Bb] • soprano sheet music with piano accompaniment and chords
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Charles Francois Gounod and Jo
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Benzaiten Editions
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Bach / Gounod Ave Maria in Bb
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Benzaiten Editions
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289500 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1289500 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880248. Published by Benzaiten Editions (A0.1289500). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in B flat major [Bb] • soprano sheet music with piano accompaniment and chords The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire.  Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:→ Soprano voice | piano accompaniment→ Alto voice | piano accompaniment→ Tenor voice | piano accompaniment→ Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.
$1.99
La Périchole's Tipsy Waltz (A quel diner)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Jacques Offenbach
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Scott S
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La Périchole's Tipsy Wa
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Scott S. Stewart
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.955879 Composed by Jacques Offenbach. Arranged by Scott S. Stewart. Broadway,Musical/Show,Opera,Romantic Pe...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.955879 Composed by Jacques Offenbach. Arranged by Scott S. Stewart. Broadway,Musical/Show,Opera,Romantic Period. 3 pages. Scott S. Stewart #6622323. Published by Scott S. Stewart (A0.955879). The Tipsy Waltz (Ah! quel diner!) by Jacques Offenbach, from this operetta La Périchole, is a favorite comedic scene that is played for laughs. It has become a favored, character piece on many a mezzo-soprano’s rep list. Alone it stands on its own as a masterful, humorous tour de force. The new English text has been updated and expanded to give more depth of character; and the accompaniment enhanced to provide more color and substance to the musical background. This new arrangement is scored for mezzo-soprano with piano accompaniment. Performance time: 1:45+
$12.99
Civility
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #611066...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
Due liriche (CM 2015)
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Voix Soprano, Piano
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Carmelo Mantione
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Ossi di seppia collections
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Due liriche
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Carmelo Mantione
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.1012954 Composed by Carmelo Mantione. 20th Century,Contemporary,Standards,World. 16 pages. Carmelo Mantione #5899699....
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Soprano voice,Vocal Solo - SKU: A0.1012954 Composed by Carmelo Mantione. 20th Century,Contemporary,Standards,World. 16 pages. Carmelo Mantione #5899699. Published by Carmelo Mantione (A0.1012954). These two pieces are based on texts by the great twentieth century poet Eugenio Montale, from Le occasioni and Ossi di seppia collections. The first Non recidere forbice tries to evoke the drama of the text through a melodic line with an articulate profile characterized by taglient intervallari jumps, and a harmony often scarce as thin and desolate is sometimes the poetic text. Antico sono ubriacato della voce is the second text, more extensive, on which the other lyric develops, characterized by the presence of an almost continuous rhythmic movement in the piano part in order to make the one, incessant and deep, of the waters of the sea , protagonist of this poetic song. There are numerous madrigalisms and musical devices designed to underline the expressive climate of each single text expression while trying to maintain a basic unity for the whole composition.
$3.99
Schwips-lied (The Tipsy Polka)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Scott S
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Schwips-lied
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Scott S. Stewart
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.955877 Composed by Johann Strauss Jr. Arranged by Scott S. Stewart. Broadway,Musical/Show,Opera,Romantic Pe...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.955877 Composed by Johann Strauss Jr. Arranged by Scott S. Stewart. Broadway,Musical/Show,Opera,Romantic Period. 7 pages. Scott S. Stewart #6622319. Published by Scott S. Stewart (A0.955877). The Schwips-Lied ('Tipsy Song') is actually the 'Annen-Polka' (an orchestral polka originally composed by Johann Strauss, ‘Sohn,’ in 1852) with a vocal part added above, inserted in his 1883 operetta, Eine Nacht in Venedig (One Night in Venice). It is sung by a proper Victorian-era woman who finds herself slightly drunk. This arrangement of The Schwips-lied is a masterful, humorous, musical tour de force. The new English text has been updated and expanded to give more depth of character (the girl who wants to be naughty, but still be nice looking for a long drawn out kiss), complete with an extended cadenza. This new arrangement is scored for soprano with piano accompaniment. Performance time: 2:30+
$12.99
24 Italian Songs and Arias for 21st-Century Singers, No. 8 Gia il sole dal gange
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Voix Soprano, Piano
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DÉBUTANT
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Judith Cloud
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24 Italian Songs and Arias for
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Judith Cloud
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - SKU: A0.981208 Composed by Judith Cloud. Contemporary,Standards. 4 pages. Judith Cloud #6686593. Published by Judit...
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Soprano voice,Vocal Solo - Level 1 - SKU: A0.981208 Composed by Judith Cloud. Contemporary,Standards. 4 pages. Judith Cloud #6686593. Published by Judith Cloud (A0.981208). 24 Italian Songs and Arias for 21st-Century Singers, No. 8 Gia il sole dal gange The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
24 Italian Songs and Arias for 21st-Century Singers, No. 7 Le violette
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Judith Cloud
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24 Italian Songs and Arias for
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Judith Cloud
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.981207 Composed by Judith Cloud. Contemporary,Standards. 7 pages. Judith Cloud #6686591. Published by Judit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.981207 Composed by Judith Cloud. Contemporary,Standards. 7 pages. Judith Cloud #6686591. Published by Judith Cloud (A0.981207). 24 Italian Songs and Arias for 21st-Century Singers, No. 7 Le violette The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
24 Italian Songs and Arias for 21st-Century Singers, No. 20 Nel cor più non mi sento
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Judith Cloud
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24 Italian Songs and Arias for
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Judith Cloud
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.981211 Composed by Judith Cloud. Contemporary. 4 pages. Judith Cloud #6686601. Published by Judith Cloud (A...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.981211 Composed by Judith Cloud. Contemporary. 4 pages. Judith Cloud #6686601. Published by Judith Cloud (A0.981211). 24 Italian Songs and Arias for 21st-Century Singers, No. 20 Nel cor più non mi sento The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
24 Italian Songs and Arias for 21st-Century Singers, No. 24 Intorno al ido mio
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Judith Cloud
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24 Italian Songs and Arias for
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Judith Cloud
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.981213 Composed by Judith Cloud. Contemporary,Standards. 5 pages. Judith Cloud #6686605. Published by Judit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.981213 Composed by Judith Cloud. Contemporary,Standards. 5 pages. Judith Cloud #6686605. Published by Judith Cloud (A0.981213). 24 Italian Songs and Arias for 21st-Century Singers, No. 24 Intorno al ido mio The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
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