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3257
PIANO & CLAVIERS
Piano, Voix
16271
Piano seul
5194
Piano Facile
1418
Orgue
193
Piano, Voix et Guitare
148
Piano Trio: piano, violon, violoncelle
114
Instruments en Do
110
1 Piano, 4 mains
105
Accompagnement Piano
89
2 Pianos, 4 mains
76
Piano Quatuor: piano, violon, alto, violoncelle
51
Piano Quintette: piano, 2 violons, alto, violoncelle
28
Piano Quatuor: piano, 2 violons, violoncelle
14
Orgue, Piano (duo)
7
Clavier
6
Piano grosses notes
4
Orgue, Trompette (duo)
4
1 Piano, 6 mains
3
2 Pianos, 8 mains
3
Accordéon
2
Piano (partie séparée)
1
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GUITARES
Guitare
188
Guitare notes et tablatures
126
2 Guitares (duo)
71
Piano, Guitare (duo)
27
Ukulele
21
Ligne De Mélodie, (Paroles) et Accords
21
Basse electrique
12
4 Guitares (Quatuor)
9
Guitare, Violon, Violoncelle (trio)
6
Mandoline
4
3 Guitares (trio)
4
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3
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2
2 Ukuleles
1
Ukulele Baryton
1
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VOIX
Chorale SATB
357
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132
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97
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78
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56
Voix duo, Piano
41
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40
Voix Soprano, Piano
37
Chorale Unison
29
Voix Tenor, Piano
28
Voix duo
27
Voix Baryton, Piano
21
Voix basse, Piano
20
Voix haute
19
Voix moyenne, Piano
15
Voix Alto, Piano
12
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5
Voix basse
4
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2
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1
Chorale SSAATTBB
1
Voix Mezzo-Soprano, Piano
1
Voix Soprano
1
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VENTS
Flûte traversière et Piano
1333
Clarinette et Piano
790
Hautbois, Piano (duo)
569
Saxophone Alto et Piano
508
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
367
Quatuor de Saxophones: 4 saxophones
278
Saxophone Tenor et Piano
277
Saxophone Soprano et Piano
264
2 Saxophones (duo)
223
Quatuor de Clarinettes: 4 clarinettes
195
Flûte, Hautbois, Clarinette, Basson
194
Clarinette
182
2 Flûtes traversières (duo)
171
Quintette de Saxophone: 5 saxophones
142
Flûte traversière
134
Cor anglais, Piano
120
Quatuor de Flûtes : 4 flûtes
114
2 Clarinettes (duo)
114
Saxophone Baryton, Piano
107
Saxophone Alto
93
Hautbois (partie séparée)
79
Flûte et Guitare
73
3 Saxophones (trio)
71
Ensemble de Clarinettes
67
Clarinette Basse, Piano
62
Saxophone Tenor
52
Flûte, Clarinette (duo)
51
Ensemble de saxophones
47
Clarinette, Guitare (duo)
47
2 Hautbois (duo)
46
Quatuor de Flûtes à bec
39
3 Clarinettes (trio)
39
Ensemble de Flûtes
38
Saxophone (partie séparée)
38
2 Flûte à bec (duo)
34
Flûte, Violon, Piano
32
Quintette de Clarinettes: 5 clarinettes
31
Flûte à bec Soprano
29
Hautbois
28
5 Flûtes à bec
27
Trio de Flûtes: 3 flûtes
26
Clarinette, Basson (duo)
23
Saxophone Soprano
22
Saxophone Baryton
21
Clarinette, Violon (duo)
20
Flûte, Hautbois, Clarinette (trio)
18
Flûte à bec Alto
18
2 Clarinettes, Piano
17
Flûte, Hautbois, Piano (trio)
17
Hautbois, Basson (duo)
17
2 Flûtes traversières, Piano
17
Flûte, Violoncelle, Piano (trio)
16
Flûte, Clarinette, Piano (trio)
15
Flûte à Bec
15
Clarinette, Violoncelle, Piano (trio)
15
Saxophone, Clarinette (duo)
14
Hautbois, Clarinette, Basson (trio d'anches)
14
Flûte, Clarinette et Basson
13
Hautbois, Guitare (duo)
13
Quintette de Flûte : 5 flûtes
13
Flûte, Violon
12
Hautbois, Clarinette (duo)
12
Flûte, Violoncelle
12
Flûte, Hautbois (duo)
11
Piccolo, Piano
10
Piccolo
9
Cor Anglais
9
3 Flûtes à bec (trio)
9
Saxophone et Piano
9
Flûte, Alto et Piano
8
Flûte, Hautbois, Basson
8
Clarinette, Violoncelle (duo)
7
Flûte, trombone et piano
7
Hautbois, Violoncelle
7
Clarinette et Alto
7
Flûte, Saxophone (duo)
6
Flûte à bec Soprano, Piano
6
Flûte à Bec, Piano
6
Clarinette, Trompette (duo)
6
2 Saxophones, Piano
6
Flûte, Basson et Piano
6
Saxophone
6
Flûte à bec Alto, Piano
5
Clarinette, trompette et piano
5
Flûte à bec Tenor
5
Clarinette, Trombone (duo)
5
Ensemble De Flûte à bec
5
Clarinette, Basson, Piano (trio)
4
Flûte, Violon, Violoncelle et Piano
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Hautbois, Harpe
4
Clarinette Basse
3
Flûte, Trompette (duo)
3
Ocarina
3
Flûte, Trombone (duo)
3
Saxophone et Harpe
3
Flute (partie séparée)
3
2 Clarinettes, Basson
3
Cor anglais, Guitare (duo)
3
Saxophone et Orgue
3
Flûte, Alto (duo)
3
Clarinette, Harpe (duo)
3
2 Cors Anglais Et Pianoforte
2
Hautbois, Flûte
2
Flûte traversière, Orgue (duo)
2
Clarinette, Alto et Piano (trio)
2
Flûte, Violon et Violoncelle
2
Saxophone et Guitare
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flute, harpe et violon
1
Flûte irlandaise
1
Flûte à bec, Guitare (duo)
1
Flûte, Violoncelle, Guitare
1
Hautbois, violon (duo)
1
4 Hautbois
1
Clarinette, Orgue
1
Flûte et Trio à cordes
1
Harmonica
1
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CUIVRES
Trombone et Piano
455
Trompette, Piano
419
Cor et Piano
350
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
247
Tuba et Piano
190
Trompette
186
Quatuor de Cuivres : 2 trompettes, trombone, tuba
147
Euphonium, Piano (duo)
132
Cor anglais, Piano
120
Cor
118
Trombone
98
Tuba
90
Quatuor de Cuivres: 2 trompettes, Cor, trombone
78
2 Trompettes (duo)
69
2 Trombones (duo)
57
Quatuor de Cuivres
52
2 Cors (duo)
43
Quatuor de cuivres: 4 trombones
32
Trompette, Trombone (duo)
31
Ensemble de Trombones
27
Quatuor de cuivres: 4 cors
20
Trompette, Cor (duo)
20
Tuba et Orgue
18
Ensemble de Trompettes
16
Quatuor de cuivres: 4 trompettes
15
2 Tubas (duo)
15
Trombone basse et Piano
11
4 Tubas
10
3 Trombones (trio)
10
Cor Anglais
9
Euphonium
9
Trombone basse
8
Ensemble de Cors
8
Cor, Violoncelle (duo)
7
Trio de Cuivres
7
Trompette, Saxophone (duo)
7
Trompette (partie séparée)
6
Trompette, Violoncelle et Piano
6
Trombone, Cor (duo)
6
Euphonium, Tuba (duo)
6
3 Trompettes (trio)
5
3 Cors (trio)
5
Trompette, Basson (duo)
5
Trompette, Trombone, Piano
5
3 Tubas (trio)
5
Cor et Basson (duo)
5
Cor, Tuba (duo)
4
Trompette, Violoncelle (duo)
3
Trompette et Guitare
3
Cor anglais, Guitare (duo)
3
Cor et Harpe
3
2 Cors Anglais Et Pianoforte
2
Trombone, Orgue
2
Trombone et orchestre
2
Trompette, Orchestre
1
Cornet et orchestre
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor, Violoncelle et Piano
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Euphoniums (duo)
1
Trompette, Tuba (duo)
1
Trompette, Harpe
1
Ensemble de Tubas
1
Instrumentations suivantes
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CORDES
Violon et Piano
1507
Violoncelle, Piano
1164
Quatuor à cordes: 2 violons, alto, violoncelle
742
Alto, Piano
627
Violon
190
Contrebasse, Piano (duo)
175
Violoncelle
160
2 Violons (duo)
132
Violon, Violoncelle (duo)
118
Trio à Cordes: violon, alto, violoncelle
114
Alto seul
101
Quintette à cordes: 2 violons, alto, violoncelle, basse
99
2 Violoncelles (duo)
93
Harpe
84
Contre Basse
76
2 Altos (duo)
67
Violon, Guitare (duo)
59
4 Violoncelles
57
Violon, Alto (duo)
52
Violoncelle , Guitare (duo)
31
Alto, Guitare (duo)
31
Trio à Cordes: 2 violons, violoncelle
29
Alto (partie séparée)
27
2 Harpes (duo)
25
Alto, Violoncelle (duo)
23
Piano Trio: Violon, Alto, Piano
21
Quatuor à cordes: 4 violons
20
Trio à cordes: 3 violins
18
Quatuor à cordes : 4 altos
18
2 Contrebasses (duo)
16
Trio à Cordes: 3 violoncelles
16
Harpe, Violon (duo)
15
Trio à cordes: 3 altos
15
Trio à Cordes: 2 violons, alto
10
Violon, Basson (duo)
9
2 Violons, Piano
9
Alto et Basson
8
Harpe, Flûte (duo)
7
4 Contrebasses
5
Ensemble de Violons
5
Harpe, Trombone (duo)
4
2 Violoncelles, Piano
4
Violoncelle, Orgue
3
Ensemble de Violoncelles
3
Harpe, Violoncelle (duo)
3
Violon, Clarinette, Piano (trio)
3
Violoncelle, Contrebasse (duo)
3
Alto, Orgue
2
Harpe et Piano
2
Violon (partie séparée)
2
Ensemble d'Altos
2
Violoncelle, Orchestre
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Flûte, Contrebasse (duo)
1
Harpe, Quatuor à cordes
1
Harpe, Violon, Violoncelle
1
Harpe, Voix
1
Alto et Harpe
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
334
Orchestre d'harmonie
286
Orchestre
211
Orchestre de chambre
187
Ensemble de cuivres
123
Ensemble Jazz
44
Xylophone, Piano
19
Cloches
15
Ensemble de Percussions
10
Marimba
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Xylophone
5
Marimba, Piano (duo)
2
Quintette de Cuivres: autres combinaisons
2
Vibraphone (partie séparée)
2
Jazz combo
2
Quatuor à Vent : 4 instruments à vents
1
2 Xylophones
1
Ensemble d'École
1
Orchestre, Violon
1
Piano et Orchestre
1
Fanfare
1
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AUTRES
Formation musicale - Solfège
45
Vous avez sélectionné:
Ian A Romantic
Voix Soprano, Piano
Partitions à imprimer
37 partitions trouvées
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Kindness (high voice solo with piano)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.907126 Composed by Em…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.907126 Composed by Emily Wood. Concert,Contemporary,Wedding. 6 pages. Emily Sue Wood #4292555. Published by Emily Sue Wood (A0.907126). I admire you for your kindness. This song may be interpreted as a romantic love song or a song honoring someone inspirational. Vocal pitch ranges from the A sharp below middle C to the A sharp above treble C. Original music and text. About two minutes long, written in 2018. (My Facebook page: Music by Emily Wood; eswoodmusic@gmail.com).
$4.99
4.56 €
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Voix Soprano, Piano
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Emily Wood
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eswoodmusic@gmail.com).
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Kindness
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Emily Sue Wood
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SheetMusicPlus
"Eulalie," for Soprano and Piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.834331 Composed by St…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.834331 Composed by Steven Shade. 20th Century,Romantic Period. 12 pages. Steve Shade #3240751. Published by Steve Shade (A0.834331). Eulalie is a poem written by Edgar Allan Poe. I have set it to a song for Soprano Voice and Piano. Due to the content of the poem, this piece allows the vocalist to get a chance to work on both expressive and dramatic singing. The vocalist gets a moment to truly shine during a mini cadenza. Although not the soloist, the pianist has interludes that will showoff the player's expressive abilities. Although not technically difficult, this piece does demand a fairly large range from the vocalist. This song would be a good expressive piece to add to a recital. Contents: Cover page, program notes, Eulalie poem in its entirety, full scoreSoprano Range: C4-Bb5Difficulty: Intermediate/Early AdvancedDuration: About 3 minutes
$1.99
1.82 €
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Voix Soprano, Piano
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Steven Shade
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"Eulalie," for Soprano and Piano
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Steve Shade
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SheetMusicPlus
A Night-Piece for Mezzo-Soprano and Piano after Wordsworth
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939663 Composed by Ri…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939663 Composed by Richard St. Clair. 20th Century. 9 pages. Richard St. Clair #3000385. Published by Richard St. Clair (A0.939663). A modern-day romantic style setting of William Wordsworth's 1798 poem, A Night-Piece for mezzo-soprano with piano accompaniment. Duration about 5 minutes. The style is mostly tonal but with some nontraditional harmonies. The attached MP3 Audio Clip is computer-generated.Lyrics:A NIGHT-PIECEby William Wordsworth THE sky is overcast With a continuous cloud of texture close, Heavy and wan, all whitened by the Moon, Which through that veil is indistinctly seen, A dull, contracted circle, yielding light So feebly spread, that not a shadow falls, Chequering the ground--from rock, plant, tree, or tower. At length a pleasant instantaneous gleam Startles the pensive traveller while he treads His lonesome path, with unobserving eye 10 Bent earthwards; he looks up--the clouds are split Asunder,--and above his head he sees The clear Moon, and the glory of the heavens. There, in a black-blue vault she sails along, Followed by multitudes of stars, that, small And sharp, and bright, along the dark abyss Drive as she drives: how fast they wheel away, Yet vanish not!--the wind is in the tree, But they are silent;--still they roll along Immeasurably distant; and the vault, 20 Built round by those white clouds, enormous clouds, Still deepens its unfathomable depth. At length the Vision closes; and the mind, Not undisturbed by the delight it feels, Which slowly settles into peaceful calm, Is left to muse upon the solemn scene. 1798.
$10.00
9.14 €
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Voix Soprano, Piano
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Richard St
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A Night-Piece for Mezzo-Soprano and Piano after Wordsworth
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Richard St. Clair
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SheetMusicPlus
Kindertodtenlieder (2020) for soprano and piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869653 Composed by Th…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869653 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. 68 pages. Thomas Oboe Lee #5751651. Published by Thomas Oboe Lee (A0.869653). I am not a huge fan of Mahler's music but his Kindertotenlieder is a cultural gem! I inadvertently discovered that the poet Friedrich Rückert who penned Kindertodtenlieder (yes, with a d ... LOL!) wrote 400-plus of these KTL poems after his two youngest children died of scarlet fever. I bought the book @ Amazon. After plowing through 442 of them, I winnowed it down to ten poems for my song cycle. It is scored for soprano and piano. NB: I cannot afford an orchestra, and it would be too much unnecessary work. LOL!!! The entire song cycle has a duration of ca. 35 minutes. It ends like a mechanical music box while the soprano sings a lullaby. Sleep is of course a perfect metaphor for being dead. Enjoy!!!https://thomasoboelee.bandcamp.com/album/kindertodtenlieder-2020
$9.99
9.13 €
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Voix Soprano, Piano
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Thomas Oboe Lee
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Kindertodtenlieder
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Thomas Oboe Lee
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SheetMusicPlus
La Périchole's Tipsy Waltz (A quel diner)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.955879 Composed by Ja…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.955879 Composed by Jacques Offenbach. Arranged by Scott S. Stewart. Broadway,Musical/Show,Opera,Romantic Period. 3 pages. Scott S. Stewart #6622323. Published by Scott S. Stewart (A0.955879). The Tipsy Waltz (Ah! quel diner!) by Jacques Offenbach, from this operetta La Périchole, is a favorite comedic scene that is played for laughs. It has become a favored, character piece on many a mezzo-soprano’s rep list. Alone it stands on its own as a masterful, humorous tour de force. The new English text has been updated and expanded to give more depth of character; and the accompaniment enhanced to provide more color and substance to the musical background. This new arrangement is scored for mezzo-soprano with piano accompaniment. Performance time: 1:45+
$12.99
11.88 €
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Voix Soprano, Piano
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Jacques Offenbach
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Scott S
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La Périchole's Tipsy Waltz
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Scott S. Stewart
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SheetMusicPlus
Songs of a Wayside Inn (after Longfellow) 4 Songs for Soprano and Piano (Composed 1970, New Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939743 Composed by Ri…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939743 Composed by Richard St. Clair. 20th Century. 18 pages. Richard St. Clair #3258153. Published by Richard St. Clair (A0.939743). Lyrical songs in a post-Romantic style with some modern-day harmonies. The 4 songs are settings of selections from the larger poetic cycle, Tales of a Wayside Inn, by the 19th century American poet, Henry Wadsworth Longfellow. Total duration: about 10 minutes. Range of soprano part: two octave range, B-flat below Middle C to High B-natural.
$14.99
13.7 €
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Voix Soprano, Piano
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Richard St
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Songs of a Wayside Inn
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Richard St. Clair
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SheetMusicPlus
Lilacs ... A Poem by Amy Lowell (2012, rev. 2016) for soprano and piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869312 Composed by Th…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869312 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. With Recitativo and Allegro. You are everywhere. You were everywhere. You tapped the window when the preacher preached his sermon, And ran along the road beside the boy going to school. You stood by the pasture-bars to give the cows good milking, You persu. 38 pages. Thomas Oboe Lee #2283. Published by Thomas Oboe Lee (A0.869312). Lilacs … a poem by Amy Lowell (2012) 1. Lilac, false blue ... Moderato. 2. You Are Everywhere ... Recitativo, allegro. 3. Lilacs, false blue ... Moderato. 4. Maine Knows You ... Recitativo, allegro. 5. Lilacs, false but ... Moderato. Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/lilacs-a-poem-by-amy-lowell-2012Video link: https://youtu.be/K1ERB6S6c0YAmy Lowell, Lilacs from The Complete Poetical Works of Amy Lowell. Copyright © 1955 by Houghton Mifflin Company. Copyright © renewed 1983 by Houghton Mifflin Company, Brinton P. Roberts, and G. D'Andelot, Esquire. Used by permission of Houghton Mifflin Company. All rights reserved.
$9.99
9.13 €
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Voix Soprano, Piano
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Thomas Oboe Lee
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3
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Lilacs ... A Poem by Amy Lowell
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Thomas Oboe Lee
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SheetMusicPlus
"Annabel Lee," for Soprano and Piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.834328 Composed by St…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.834328 Composed by Steven Shade. Concert,Instructional,Romantic Period,Standards. 17 pages. Steve Shade #3210489. Published by Steve Shade (A0.834328). Annabel Lee is a song composed for Soprano Voice and Piano. Poe's heart wrenching poem, Annabel Lee, is set to music in the dramatic key of E minor. This purchase includes a cover page, program notes, the complete Annabel Lee poem, and the full score to the piece. Duration: About 4 minutesDifficulty: AdvancedScored for: Soprano Voice and Piano
$1.99
1.82 €
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Voix Soprano, Piano
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Steven Shade
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"Annabel Lee," for Soprano and Piano
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Steve Shade
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SheetMusicPlus
More Than Just A Friend
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1008225 Composed by M…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1008225 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. Latin,Pop. 10 pages. Optimistic Music Company #5354969. Published by Optimistic Music Company (A0.1008225). More Than Just A Friend is an upbeat romantic ballad with a Latin feel from the musical Amber Avenues which is set in 1964. Suitable for general audiences, including high schools and community theatres.
$3.50
3.2 €
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Voix Soprano, Piano
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Music by Helen MacCulloch & Lyrics by Alastair MacCulloch
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More Than Just A Friend
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Optimistic Music Company
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SheetMusicPlus
Le Bestiaire (2018) for soprano and piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869575 Composed by Th…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869575 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 66 pages. Thomas Oboe Lee #3560229. Published by Thomas Oboe Lee (A0.869575). Le Bestiaire ou Cortège d'Orphée is an album of 30 short poems by Guillaume Apollinaire, published in 1911. I acquired a facsimile copy published by the Metropolitan Museum of Arts. The album is divided into four sections. Each section begins with an oration by Orpheus, which then is followed by a set of poems depicting animals, insects, sea creatures and some mythological beasts. Francis Poulenc set six of these poems. I decided to do all thirty. Why not?
$9.99
9.13 €
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Voix Soprano, Piano
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Thomas Oboe Lee
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Le Bestiaire
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Thomas Oboe Lee
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SheetMusicPlus
Solveig's Song - A Minor
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.884870 Composed by Ed…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.884870 Composed by Edvard Grieg. Arranged by Jonathan Prentice. Romantic Period. 4 pages. Jonathan Prentice #6072909. Published by Jonathan Prentice (A0.884870). This charming song was part of Grieg's music for Henrik Ibsen's play, Peer Gynt. Grieg adapted his music to form the famous Peer Gynt Suite, and this song too has become well known in it's own right. (Here in A Minor, suitable for sopranos).
$1.99
1.82 €
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Voix Soprano, Piano
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Edvard Grieg
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Jonathan Prentice
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Solveig's Song - A Minor
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Jonathan Prentice
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SheetMusicPlus
H.D. ... Seven Poems by Hilda Doolittle (2015) for soprano and piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869373 Composed by Th…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869373 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 37 pages. Thomas Oboe Lee #38787. Published by Thomas Oboe Lee (A0.869373). A musical setting of seven poems by H.D., aka Hilda Doolittle. 1. Song. 2. Circe. 3. Evadne. 4. We Two. 5. Lethe. 6. If You Will Let Me Sing. 7. Adonis. Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/h-d-2015-seven-poems-by-hilda-doolittle
$9.99
9.13 €
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Voix Soprano, Piano
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Thomas Oboe Lee
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H.D. ... Seven Poems by Hilda Doolittle
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Thomas Oboe Lee
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SheetMusicPlus
Three Valentines (2017) for soprano and piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869524 Composed by Th…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869524 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 39 pages. Thomas Oboe Lee #3106055. Published by Thomas Oboe Lee (A0.869524). A song cycle of four poems and two translations by Elizabeth Bishop.1. Valentine2. In the Middle of the Road (Carlos Drummond de Andrade, trans. by EB)3. Valentine4. My Last Poem (Manuel Bandeira, trans. by EB)5. Valentine6. The ReprimandUsed of poems by Elizabeth Bishop granted by Farrar, Straus and Giroux.Bandcamp link: https://thomasoboelee.bandcamp.com/album/three-valentines-2017
$9.99
9.13 €
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Voix Soprano, Piano
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Thomas Oboe Lee
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Three Valentines
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Thomas Oboe Lee
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SheetMusicPlus
Snowdrop: Song for Soprano voice and Piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.841211 Composed by Ch…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.841211 Composed by Chris Gordon. 20th Century,Romantic Period. 4 pages. Cool Wind Music Digital #2917227. Published by Cool Wind Music Digital (A0.841211). Snowdrop is the second in a cycle of songs setting poems about Nature.
$3.50
3.2 €
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Voix Soprano, Piano
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Chris Gordon
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Snowdrop: Song for Soprano voice and Piano
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Cool Wind Music Digital
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SheetMusicPlus
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gi…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.18 €
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Voix Soprano, Piano
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.18 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.75 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
10.01 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.18 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
MARY'S SONG
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.962911 Composed by So…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.962911 Composed by Sonny Rios. Christian,Christmas,Romantic Period,Sacred. 6 pages. Sonny Rios #4277991. Published by Sonny Rios (A0.962911). MARY’S SONG: Mary’s Song, or The Magnificat, is part of a greater work, a Christmas cantata (Bells Are Ringing) written by Sonny Rios in 1976. The song, for Soprano solo, is in English and has a range of Eb4-B5. Its lyrics are taken from the biblical (KJV) account of Mary and Elizabeth conversing about their pregnancies, as found in the first chapter of the gospel of Luke. The song may be sung in Christian services, secular or religious concerts and UIL competitions. The song has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. If you wish to record the song, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
5.48 €
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Voix Soprano, Piano
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Sonny Rios
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MARY'S SONG
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Sonny Rios
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SheetMusicPlus
The Silver Swan
Voix Soprano, Piano
Piano/Vocal/Chords, Soprano Voice, Soprano and Voice - Digital Download Composed by A…
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Piano/Vocal/Chords, Soprano Voice, Soprano and Voice - Digital Download Composed by Apostolos Paraskevas (1964-). Romantic Period, Impressionistic, World, New Age. Score. 5 pages. Published by Silver Sickle Publications
I composed this song back in the early nineties while I wasexperimenting with extended tonality. The text of this anonymous poet propelledme to use a more pensive style but without deviating from the romantic style Ihad envision for this song.<br> <br> The song form isalmost an announcement without repeats or technical remedies for a cyclic formas we mostly are accustomed from the romantic period or in general from songwriting. It is a simple story that was told once.<br> <br> Dedicated to composer Jakov Jakoulov who made me see that the fineprint of my music.I composed this song back in the early nineties while I wasexperimenting with extended tonality. The text of this anonymous poet propelledme to use a more pensive style but without deviating from the romantic style Ihad envision for this song.<br> <br> The song form isalmost an announcement without repeats or technical remedies for a cyclic formas we mostly are accustomed from the romantic period or in general from songwriting. It is a simple story that was told once.<br> <br> Dedicated to composer Jakov Jakoulov who made me see that the fineprint of my music.
$5.99
5.48 €
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Voix Soprano, Piano
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Apostolos Paraskevas
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The Silver Swan
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Silver Sickle Publications
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SheetMusicPlus
Echo
Voix Soprano, Piano
Soprano voice and piano - Digital Download SKU: OX.9780193569508 Homage Ã? …
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Soprano voice and piano - Digital Download SKU: OX.9780193569508 Homage � Francis Poulenc. Composed by Michael Berkeley. Score. 7 pages. Oxford University Press Digital #9780193569508. Published by Oxford University Press Digital (OX.9780193569508). ISBN 9780193569508.For soprano and piano. This song was written for the 'NMC Songbook', a CD of contemporary vocal studies. Of a romantic, wistful nature, it is particularly accessible, full of lush Poulenc-inspired harmonies. Echo was first performed and recorded in August 2008 at King's Place, London by Ailish Tynan and Iain Burnside.
$14.99
13.7 €
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Voix Soprano, Piano
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Michael Berkeley
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Echo
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Oxford University Press Digital
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SheetMusicPlus
If I Find the Time
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1008239 Composed by M…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1008239 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. Concert,Jazz,Musical/Show. 6 pages. Optimistic Music Company #5374919. Published by Optimistic Music Company (A0.1008239). If I Find the Time Is a romantic ballad from the musical Under the Same Sky which is set in 1964. Suitable for general audiences including high schools and community theatres.
$3.50
3.2 €
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Voix Soprano, Piano
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Music by Helen MacCulloch & Lyrics by Alastair MacCulloch
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If I Find the Time
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Optimistic Music Company
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SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.18 €
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Voix Soprano, Piano
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Schwips-lied (The Tipsy Polka)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.955877 Composed by Jo…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.955877 Composed by Johann Strauss Jr. Arranged by Scott S. Stewart. Broadway,Musical/Show,Opera,Romantic Period. 7 pages. Scott S. Stewart #6622319. Published by Scott S. Stewart (A0.955877). The Schwips-Lied ('Tipsy Song') is actually the 'Annen-Polka' (an orchestral polka originally composed by Johann Strauss, ‘Sohn,’ in 1852) with a vocal part added above, inserted in his 1883 operetta, Eine Nacht in Venedig (One Night in Venice). It is sung by a proper Victorian-era woman who finds herself slightly drunk. This arrangement of The Schwips-lied is a masterful, humorous, musical tour de force. The new English text has been updated and expanded to give more depth of character (the girl who wants to be naughty, but still be nice looking for a long drawn out kiss), complete with an extended cadenza. This new arrangement is scored for soprano with piano accompaniment. Performance time: 2:30+
$12.99
11.88 €
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Voix Soprano, Piano
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Johann Strauss Jr
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Scott S
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Schwips-lied
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Scott S. Stewart
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SheetMusicPlus
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