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BOUZOUKI
CHORALE - CHAN…
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6017
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3526
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2891
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2045
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1356
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501
Orgue
301
Instruments en Do
236
Piano grosses notes
225
2 Pianos, 4 mains
124
Accompagnement Piano
93
Piano Trio: piano, violon, violoncelle
66
Piano Quatuor: piano, violon, alto, violoncelle
36
Piano Quintette: piano, 2 violons, alto, violoncelle
25
Accordéon
25
Piano (partie séparée)
21
Piano Quatuor: piano, 2 violons, violoncelle
9
1 Piano, 6 mains
8
Orgue, Trompette (duo)
6
Orgue, Piano (duo)
5
2 Pianos, 8 mains
5
Ligne De Mélodie, Piano
3
Clavier
3
Accordéon, Voix
2
Ensemble d'Accordéons
2
2 Accordéons
1
Clavecin
1
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Guitare notes et tablatures
695
Ligne De Mélodie, (Paroles) et Accords
466
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374
Dulcimer
154
Ukulele
127
Basse electrique
79
Paroles et Accords
62
Guitare (partie séparée)
48
2 Guitares (duo)
40
Mandoline
23
4 Guitares (Quatuor)
19
Banjo
18
Piano, Guitare (duo)
14
Basse électrique (partie séparée)
13
2 Dulcimers (duo)
12
Ensemble de guitares
12
3 Guitares (trio)
7
Mandoline, Guitare (duo)
2
Guitare, Violon, Violoncelle (trio)
1
Mandoline, Piano (duo)
1
2 Mandolines (duo)
1
Dobro
1
Guitare, Orchestre
1
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VOIX
Chorale SATB
1496
Chorale 3 parties
585
Chorale 2 parties
311
Chorale TTBB
242
Chorale Unison
189
Chorale SSAA
170
Voix duo, Piano
58
Voix seule
43
Voix duo
41
Voix Soprano, Piano
36
Chorale
25
Voix haute
20
Voix Alto, Piano
14
Voix basse, Piano
12
Voix moyenne, Piano
11
Voix Tenor, Piano
8
Chorale SSAATTBB
7
Voix basse
5
Chorale SSATB
4
Voix Mezzo-Soprano, Piano
4
Voix Baryton, Piano
3
Voix Tenor
3
Voix, Guitare
2
Voix Soprano
2
Chorale SSATTB
2
Soli, choeur mixte et accompagnement
1
Chorale SSAB, Piano
1
Voix haute, Piano
1
Voix Moyenne
1
Chorale SSATBB
1
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VENTS
Flûte traversière et Piano
614
Clarinette et Piano
537
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
511
Saxophone (partie séparée)
460
Quatuor de Saxophones: 4 saxophones
411
Clarinette
359
Flûte traversière
341
Hautbois, Piano (duo)
338
Flûte, Hautbois, Clarinette, Basson
335
Quintette de Saxophone: 5 saxophones
315
2 Saxophones (duo)
307
Saxophone Alto et Piano
302
Saxophone Alto
268
Quatuor de Clarinettes: 4 clarinettes
256
Saxophone Tenor et Piano
203
2 Flûtes traversières (duo)
175
Saxophone Soprano et Piano
171
2 Clarinettes (duo)
158
Ensemble de saxophones
149
Hautbois (partie séparée)
143
Ensemble de Clarinettes
135
Quatuor de Flûtes : 4 flûtes
128
Saxophone Baryton, Piano
104
3 Saxophones (trio)
81
Ensemble de Flûtes
77
Saxophone
76
Cor anglais, Piano
72
Flûte, Clarinette (duo)
69
Saxophone Tenor
66
2 Hautbois (duo)
61
Trio de Flûtes: 3 flûtes
57
Flûte et Guitare
57
Clarinette (partie séparée)
52
Quintette de Flûte : 5 flûtes
51
Quintette de Clarinettes: 5 clarinettes
50
3 Clarinettes (trio)
49
2 Flûte à bec (duo)
48
Hautbois
47
Flute (partie séparée)
41
Saxophone, Clarinette (duo)
37
Clarinette Basse, Piano
36
Hautbois, Basson (duo)
33
Clarinette, Basson (duo)
32
Saxophone Soprano
32
Clarinette, Violon (duo)
30
Flûte à bec Soprano
27
Flûte à Bec
26
Clarinette, Trompette (duo)
25
Clarinette, Guitare (duo)
23
Flûte, Violon
22
Hautbois, Clarinette, Basson (trio d'anches)
22
Quatuor de Flûtes à bec
20
Hautbois, Clarinette (duo)
19
Saxophone Baryton
18
Flûte à bec Alto
17
Flûte, Alto (duo)
16
Flûte, Hautbois, Clarinette (trio)
16
5 Flûtes à bec
15
Clarinette et Alto
14
Flûte, Violoncelle
14
Clarinette, Violoncelle (duo)
14
Flûte, Hautbois (duo)
13
Flûte, Clarinette et Basson
12
Hautbois, Flûte
12
Piccolo, Piano
12
Flûte, Hautbois, Basson
11
Flûte, Saxophone (duo)
11
3 Flûtes à bec (trio)
11
Hautbois, Violoncelle
11
Flûte à bec Tenor
10
Ensemble De Flûte à bec
10
Instruments en Mib
10
Flûte, Violoncelle, Piano (trio)
10
Cor Anglais
9
Flûte à bec Alto, Piano
9
Clarinette, Harpe (duo)
9
Flûte, Trompette (duo)
9
Hautbois, Guitare (duo)
9
Harmonica
9
Flûte à bec Soprano, Piano
9
Flûte, Violon, Piano
8
Saxophone et Harpe
7
Flûte, Clarinette, Piano (trio)
6
2 Clarinettes, Piano
6
Cor anglais, Guitare (duo)
6
2 Flûtes traversières, Piano
5
Hautbois, Harpe
4
Saxophone et Orgue
4
Ensemble à vent
3
4 Hautbois
3
Flûte, Hautbois, Piano (trio)
3
2 Saxophones, Piano
3
Flûte et Trio à cordes
3
Flûte à Bec, Piano
3
Clarinette, Violoncelle, Piano (trio)
2
Flûte irlandaise
2
Flûte, Violoncelle, Guitare
2
Clarinette, Trombone (duo)
2
Piccolo
2
Ensemble de Hautbois
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Hautbois, violon (duo)
2
Flûte à bec Alto, Basse continue
2
Hautbois et alto (duo)
2
Flûte traversière, Basse continue
1
Ocarina
1
Flûte, Basson et Piano
1
Saxophone, Tuba (duo)
1
Flûte, trombone et piano
1
Flûte de Pan
1
3 Hautbois
1
Clarinette, Orgue
1
2 Clarinettes, Basson
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Saxophone et Guitare
1
Flûte, Harpe et Violoncelle
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Violon et Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, alto et harpe
1
2 Cors Anglais Et Pianoforte
1
Cor anglais et Harpe (duo)
1
Flûte traversière, Orgue (duo)
1
Hautbois, Violon, Piano
1
Clarinette Basse
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
534
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366
Trompette
354
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237
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226
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174
Cor
169
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Tuba
129
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125
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93
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84
2 Trombones (duo)
84
Euphonium, Piano (duo)
74
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65
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62
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61
2 Cors (duo)
60
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39
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24
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24
Quatuor de cuivres: 4 trompettes
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21
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21
Ensemble de Cors
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15
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15
3 Trombones (trio)
14
4 Tubas
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Tuba et Orgue
11
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Instruments en Sib
9
Cor Anglais
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9
Trio de Cuivres
9
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3 Tubas (trio)
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Cor, Violoncelle (duo)
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7
Cor anglais, Guitare (duo)
6
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Cor et Harpe
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3 Cors (trio)
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Trombone basse
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2 Euphoniums (duo)
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Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
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3 Trompettes (trio)
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Cor et Orgue
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Cor anglais et Harpe (duo)
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2 Trompettes, Clavier (piano ou orgue)
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Tuba ou Euphonium ou Saxhorn
1
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Cor et Basson (duo)
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Quatuor à cordes: 2 violons, alto, violoncelle
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138
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Quintette à cordes: 2 violons, alto, violoncelle, basse
108
Contre Basse
106
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100
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99
2 Altos (duo)
93
Trio à Cordes: 2 violons, violoncelle
92
Alto (partie séparée)
72
2 Harpes (duo)
53
Contrebasse (partie séparée)
51
Violon (partie séparée)
48
Alto, Violoncelle (duo)
48
4 Violoncelles
40
Ensemble de Violons
29
Ensemble d'Altos
28
Harpe, Flûte (duo)
25
Quatuor à cordes: 4 violons
24
Trio à Cordes: 3 violoncelles
22
2 Contrebasses (duo)
22
Violoncelle, Contrebasse (duo)
18
Violon, Guitare (duo)
18
Piano Trio: Violon, Alto, Piano
18
Trio à cordes: 3 violins
18
Violoncelle , Guitare (duo)
17
Quatuor à cordes : 4 altos
17
Trio à cordes: 3 altos
13
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Harpe, Violon (duo)
8
Harpe, Violoncelle (duo)
6
Alto, Guitare (duo)
5
Violon, Basson (duo)
5
Harpe, Voix
5
Alto et Basson
5
Trio à cordes
4
Trio à Cordes: 2 violons, alto
4
2 Violons, Piano
3
Alto et Harpe
3
Ensemble de Violoncelles
3
Violoncelle, Orgue
3
4 Contrebasses
2
Harpe, Violon, Violoncelle
2
Harpe, Trombone (duo)
2
Harpe et Piano
2
Violon, Clarinette, Piano (trio)
1
Alto, Orgue
1
Harpe (partie séparée)
1
Violon, Orgue
1
Harpe et mandoline
1
Autoharp
1
Violoncelle, Basse continue
1
5 Harpes
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1621
Orchestre à Cordes
526
Orchestre
506
Ensemble de cuivres
290
Ensemble Jazz
244
Cloches
228
Orchestre de chambre
160
Batterie
111
Fanfare
106
Jazz combo
83
Batterie (partie séparée)
66
Percussion (partie séparée)
51
Ensemble de Percussions
43
Marimba
13
Vibraphone
12
Xylophone, Piano
10
Percussion
7
Xylophone
6
2 Xylophones
6
Ensemble d'École
5
Orchestre, Violon
3
Quintette de Cuivres: autres combinaisons
2
Piano et Orchestre
2
Quintette à Vent
2
Caisse Claire
1
Big band
1
Conga
1
Instrumentation Flexible
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Timbales
1
Bodhran
1
Vibraphone et Marimba
1
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AUTRES
Formation musicale - Solfège
2
Théorie de la musique
1
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Voix Soprano, Piano
Partitions à imprimer
36 partitions trouvées
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Bring me a Rainbow
Voix Soprano, Piano
Piano,Soprano voice - Digital Download SKU: A0.1070364 Composed by Barbara Graff. B…
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Piano,Soprano voice - Digital Download SKU: A0.1070364 Composed by Barbara Graff. Broadway,Film/TV,Musical/Show,New Age,Pop. Full Performance. Duration 223. Barbara H Graff #4582357. Published by Barbara H Graff (A0.1070364). Review from MainlyPiano, Piano review website www.mainlypiano.comBring me a Rainbow is a piano and vocal piece by Barbara Graff that features the lovely vocals of Chloe Boelter. A sad and lonely story of unrequited love, the words are sung to an indifferent lover who refuses to be swayed by the passion of the singer, frequently causing her deep pain. The instrumental accompaniment is a spare piano part that expresses as much emotion as the words do. I especially like the piano solo near the end of the song. Bring me a Rainbow is also downloaded and streamed as an instrumental-only piece on Barbara's Beginnings album. Both the vocal and instrumental-only versions are heard and streamed on over 40 radio stations including Pandora Radio and Spotify. It is part of Barbara's popular Into the Light EP.
$2.99
2.75 €
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Voix Soprano, Piano
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Barbara Graff
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Bring me a Rainbow
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Barbara H Graff
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SheetMusicPlus
Chansons de Verlaine
Voix Soprano, Piano
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano…
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Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
$19.99
18.36 €
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Voix Soprano, Piano
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John Casken
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Chansons de Verlaine
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Schott Music - Digital
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SheetMusicPlus
Divertimento 6 / Divertissement 6 / Entertainment 6
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1256745 Composed by R…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1256745 Composed by Rudesindo Soutelo. 21st Century,Classical,Contemporary,Singer/Songwriter. 4 pages. Publisher by Rudesindo Soutelo #850105. Published by Publisher by Rudesindo Soutelo (A0.1256745). To Keri Lee PiersonRudesindo SouteloDivertimento 6 / Divertissement 6 / Entertainment 6 for Solo Voice (Soprano) [ca. 1']Lorem ipsum is an anonymous text that since the 15th century has been used by typographers to show the size and make of typefaces. The text distorts the original font found in Cicero’s De Finibus Bonorum et Malorum (1.10.32-33). There are various versions of the text, some comic, others absurd or even devoid of verbal sense. In that sense it is used here so as not to disturb the musical entertainment. It functions, therefore, as vocables without any message other than the purely musical.The complex {4 [2, 2], 3 [2, 1]}, taken from the dedicatory’s name, organizes the whole work.---oOo---Lorem ipsum é um texto anónimo que desde o século XV vem sendo utilizado pelos tipógrafos para mostrar o tamanho e feitura dos tipos de letra. O texto distorce a fonte original que se encontra no De Finibus Bonorum et Malorum (1.10.32–33) de CÃcero. Existem varias versões do texto, algumas cómicas, outras absurdas ou mesmo carentes de significado verbal. Nesse sentido é utilizado aqui para não perturbar o divertimento musical. Funciona, pois, como vocábulos sem qualquer mensagem para além da puramente musical.O complexo {4 [2, 2], 3 [2, 1]} retirado do nome da dedicatária, organiza toda a obra.ISWC: T-315.926.601-6ISMN: 979-0-707704-09-7 Lyric/Texto:Lorem ipsum dolor sit amet,  consectetur adipisci elit,  sed eiusmod tempor incidunt ut labore et dolore magna aliqua. Ut enim ad minim veniam,  quis nostrum exercitationem  ullam corporis suscipit laboriosam,  nisi ut aliquid ex ea commodi consequatur. Quis aute iure reprehenderit  in voluptate velit  esse cillum dolore  eu fugiat nulla pariatur. Excepteur sint obcaecat  cupiditat non proident,  sunt in culpa qui officia deserunt  mollit anim id est laborum.(Anonymous and fictitious text from the printing industry of the 15th century.)(Texto anónimo e fictÃcio da industria tipográfica do século XV.).
$3.00
2.75 €
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Voix Soprano, Piano
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Rudesindo Soutelo
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Divertimento 6 / Divertissement 6 / Entertainment 6
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
LIED DER BAVARIA - Song of Bavaria for Soprano and Piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.889791 Composed by Ra…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.889791 Composed by Rainer Fabich. Contemporary,Opera,World. 25 pages. Fajora Music #3425841. Published by Fajora Music (A0.889791). Funny and ironic song of the huge statue and symbol Bavaria, atop the Theresienwiese, where the Oktoberfest in Munich takes place every year. It contains elements of the folk song Erherzog-Johann-Jodler. Orginalversion (bavarian/german language) from the CD Rainer Fabich z-Minga III (Music for Munich). For sopran, piano and special effects in G-major and F-major version. Popular from tv- and radiobroadcasts and live concerts. Score and parts 24 pages. Duration: ca. 4:30 min Music of the famous bavarian/german composer Rainer Fabich. More informations and audiofiles: www.rainer-fabich.de, www.fajora.com, itunes, amazon and CDbaby.
$11.95
10.97 €
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Voix Soprano, Piano
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Rainer Fabich
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LIED DER BAVARIA - Song of Bavaria for Soprano and Piano
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Fajora Music
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.22 €
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Voix Soprano, Piano
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.81 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
10.06 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.22 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.22 €
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Voix Soprano, Piano
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Civility
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Me…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75
4.36 €
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Voix Soprano, Piano
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
The Wexford Carol for sopran and piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.793872 Composed by Ir…
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Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.793872 Composed by Irish Traditional. Arranged by Ivana Tuskan. Christmas,Sacred. 8 pages. Ivana Tuskan #3885655. Published by Ivana Tuskan (A0.793872). This is an arrangement of beautiful modal Irish Carol from County Wexford for sopran solo and piano. It contains 4 verses (1st and 2nd F major key, 3rd G major key and 4th A major key). Vocal range: from C4 to G5. The sound sample is an electronic preview. The pdf file contains score, 8 pages Performance Time approx. 3:50 NOTE: You are allowed 2 print copies with one purchase of this title. Further distribution or forwarding of this sheet music is prohibited. Thank you! - Ivana Tuskan
$6.00
5.51 €
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Voix Soprano, Piano
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Irish Traditional
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Ivana Tuskan
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The Wexford Carol for sopran and piano
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Ivana Tuskan
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SheetMusicPlus
Sue (Downloadable)
Voix Soprano, Piano
Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8371-2E C…
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Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8371-2E Composed by Henry Mollicone. 39 pages. E. C. Schirmer Music Company - Digital #8371-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8371-2E). These songs were composed for a benefit event held by DAY WORKERS OF MOUNTAIN VIEW, a strong organization that serves immigrants in Northern California. Having visited their offices, I was very impressed with the range of programs they provide for immigrants and the personal commitment of their director, Maria Marroquin. Maria interviewed four women and transcribed their true stories into poems which I have set to music. The stories have a common thread that suggests the difficult and painful experiences of immigration in our society. It is our hope that the stories of these brave women help to raise the awareness of this important issue. -Henry Mollicone.
$11.50
10.56 €
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Voix Soprano, Piano
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Henry Mollicone
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Sue
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wa…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
8.22 €
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Voix Soprano, Piano
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Pictures at an exHERbition
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
9.18 €
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Voix Soprano, Piano
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
I Have to Say
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796587 Composed by Ga…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796587 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 14 pages. DR GARY D BELSHAW #2927197. Published by DR GARY D BELSHAW (A0.796587). Certain sopranos get to play roles like Despina, complaining chambermaid who whines about food. And with any luck they’ll sing the Queen of the Night! This energetic aria from the two act music comedy Incident at Burro Java surveys that repertoire and explores the character of the sopranos who sing it. The character who performs this aria in the music comedy is a first-year graduate student at an imaginary urban university’s School of Music. The role was created by Aimee Pineau.
$3.99
3.66 €
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Voix Soprano, Piano
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Gary D
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I Have to Say
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DR GARY D BELSHAW
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SheetMusicPlus
I Have to Say (x2)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796576 Composed by Ga…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796576 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 25 pages. DR GARY D BELSHAW #2857017. Published by DR GARY D BELSHAW (A0.796576). Certain sopranos get to play roles like Despina, complaining chambermaid who whines about food. And with any luck they’ll sing the Queen of the Night! This energetic aria from the two act music comedy Incident at Burro Java surveys that repertoire and explores the character of the sopranos who sing it. The character who performs this aria in the music comedy is a first-year graduate student at an imaginary urban university’s School of Music. The role was created by Aimee Pineau. Your download includes an accompanist score at half price.
$5.99
5.5 €
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Voix Soprano, Piano
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Gary D
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I Have to Say
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DR GARY D BELSHAW
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SheetMusicPlus
The Meeting of the Waters
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1111413 Composed by I…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1111413 Composed by Irish Traditional / Words: Thomas Moore. Arranged by Thomas Quigley. Celtic,Contest,Festival,Irish,Traditional. 6 pages. Thomas Quigley #713700. Published by Thomas Quigley (A0.1111413). This fine, sensitively arranged Irish air with words by Thomas Moore is perfect for a concert of Irish music. A beautifully devised piano accompaniment brings an art song dimension and perhaps it would suit a trained vocalist. Carefully nuanced, with rich harmonies it is a rewarding song to perform and is a possible competition item. Impressive.
$5.99
5.5 €
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Voix Soprano, Piano
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Irish Traditional / Words: Thomas Moore
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Thomas Quigley
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The Meeting of the Waters
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Thomas Quigley
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SheetMusicPlus
Halevi Songs (piano/vocal score only)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by El…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
8.26 €
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Voix Soprano, Piano
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Time Arranged for Soprano soloist and Piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.962409 Composed by Sa…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.962409 Composed by Salvador Rojo Gamón. Arranged by Salvador Rojo Gamón. 20th Century,Concert,Contemporary. 24 pages. Salvador Rojo-Gamon #6050685. Published by Salvador Rojo-Gamon (A0.962409). It is an arrangement of my work Time for Soprano soloist and Piano. The work is complete, unfortunately, you only can enjoy the audio in the full version. I hope to fix this ASAP.TimeThis work has been done during coronavirus. It is my way to complain about the comportment of the human being. It is clear work, without ostentations, trying to be easy, simple, and the most importantly honest. It is composed for Choir SATB & Strings. It has form movements being the last as large as the other three. The lyrics are simple without pretension and with a homely message.Lyrics:People, it’s time. Straight out from the ample worlds.The Society falls deep Deep as does my Planet. People, it’s time. Beyond, beyond, beyond the walls.Beyond, beyond, beyond of worlds.Life is defined.Beyond the walls, life.Beyond the worlds, life.People, it’s time.What more could you ask for?You complain you complain about lack of empathy.
$14.00
12.86 €
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Voix Soprano, Piano
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Salvador Rojo Gamón
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Salvador Rojo Gamón
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Strings.
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Time Arranged for Soprano soloist and Piano
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Salvador Rojo-Gamon
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SheetMusicPlus
All through the Night
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.731863 Composed by We…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.731863 Composed by Welsh traditional/ English lyrics by H. Boulton. Arranged by Thomas Quigley. Concert,Folk. 3 pages. Thomas Quigley #3405969. Published by Thomas Quigley (A0.731863). A very simple, gentle accompaniment with a wide variety of comforting chords, supports and enhances the delicacy of this sublime Welsh traditional lullaby. It is however deceptively easy, as the voice needs good control to sustain the legato in the phrases. It is suitable for a very good student, amateur or professional singer. .
$3.99
3.66 €
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Voix Soprano, Piano
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Welsh traditional/ English lyrics by H
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Thomas Quigley
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All through the Night
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Thomas Quigley
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SheetMusicPlus
In principio erat verbum
Voix Soprano, Piano
Soprano voice or tenor voice and piano - intermediate - Digital Download SKU: S9.Q22576…
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Soprano voice or tenor voice and piano - intermediate - Digital Download SKU: S9.Q22576 Motet for Soprano or Tenor and Piano. Composed by Paul Hindemith. This edition: Sheet music. Downloadable. Duration 5 minutes. Schott Music - Digital #Q22576. Published by Schott Music - Digital (S9.Q22576). Latin.Hindemith composed a total of 14 motets for soprano and piano between 1940 and 1960. It was not until 1958 that Hindemith developed the idea of combining his early motets with the composition of further pieces to create a cycle, setting to music stories from the four gospels for Christmas time from Christmas Eve to the 4th Sunday after Epiphany. The motet “In Principio erat Verbumâ€, dated “24.12.41“ and dedicated to Hindemith’s “dearest colleagueâ€, Gertrud Hindemith, was not included. “In Principio erat Verbum†remained unpublished and unperformed until it was included in the Complete Hindemith Edition. The motet is available as a single piece of sheet music and completes the series of Christmas stories from the gospels with the one of the third mass on 25 December, the famous beginning of the Gospel of John: “In the beginning was the wordâ€.
$11.99
11.01 €
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Voix Soprano, Piano
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Paul Hindemith
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In principio erat verbum
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Schott Music - Digital
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SheetMusicPlus
Echo
Voix Soprano, Piano
Soprano voice and piano - Digital Download SKU: OX.9780193569508 Homage Ã? …
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Soprano voice and piano - Digital Download SKU: OX.9780193569508 Homage � Francis Poulenc. Composed by Michael Berkeley. Score. 7 pages. Oxford University Press Digital #9780193569508. Published by Oxford University Press Digital (OX.9780193569508). ISBN 9780193569508.For soprano and piano. This song was written for the 'NMC Songbook', a CD of contemporary vocal studies. Of a romantic, wistful nature, it is particularly accessible, full of lush Poulenc-inspired harmonies. Echo was first performed and recorded in August 2008 at King's Place, London by Ailish Tynan and Iain Burnside.
$14.99
13.76 €
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Voix Soprano, Piano
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Michael Berkeley
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Echo
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Oxford University Press Digital
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SheetMusicPlus
Fiordiligi! (x2)
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796585 Composed by Ga…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796585 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 28 pages. DR GARY D BELSHAW #2926489. Published by DR GARY D BELSHAW (A0.796585). Includes Accompanist Copy at half-price! 28 pages. Perfect for opera scenes, opera workshop, or solo recitals. 51/2 minutes. The character, Cecilia, in the Two-Act Comic Opera Incident at Burro Java is a graduate vocal performance major at an urban University's School of Music. She is stressed, trying to finish her degree and graduate, yet her work on her dissertation and recital practice keeps getting interrupted. In this aria from Act I Scene 3, she has fled to the women's restroom, but immediately realizes that this is not going to help. She did NOT audition for a role in the School's current opera production for fear she might have been cast as Fiordiligi in Mozart's Cosi fan tutte, and that worries her even more. But, let her explain it to you.Follow Gary D. Belshaw Music on Facebook and Twitter; we'll follow you back!
$5.99
5.5 €
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Voix Soprano, Piano
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Gary D
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Fiordiligi!
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DR GARY D BELSHAW
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SheetMusicPlus
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