Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It don\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
Non classifié
2 578
Piano & claviers
Piano seul
1 290
Piano, Voix
1 069
Piano, Voix et Guitare
640
Piano Facile
396
Instruments en Do
208
Orgue
81
Accompagnement Piano
44
1 Piano, 4 mains
42
2 Pianos, 4 mains
37
Piano (partie séparée)
33
Piano Trio: piano, violon, violoncelle
24
Accordéon
13
Clavecin
12
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano grosses notes
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Piano (duo)
2
2 Pianos, 8 mains
2
1 Piano, 6 mains
1
Orgue, Trompette (duo)
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
177
Guitare
137
Ligne De Mélodie, (Paroles) et Accords
94
Guitare (partie séparée)
82
Ukulele
56
Basse electrique
46
Paroles et Accords
43
2 Guitares (duo)
12
Dulcimer
12
Mandoline
7
Piano, Guitare (duo)
6
Banjo
5
Mandoline, Guitare (duo)
4
2 Ukuleles
3
4 Guitares (Quatuor)
3
Ukulele Baryton
2
2 Dulcimers (duo)
2
Guitare, Violon, Violoncelle (trio)
1
3 Guitares (trio)
1
Guitare, Orchestre
1
Mandoline, Piano (duo)
1
Ensemble de guitares
1
+ 17 instrumentations
Retracter
Voix
Chorale SATB
678
Chorale 3 parties
210
Chorale TTBB
152
Chorale 2 parties
141
Chorale SSAA
119
Chorale Unison
47
Voix seule
17
Pack Instrumental pour Chorale
14
Voix duo, Piano
13
Voix haute
13
Voix duo
10
Voix Soprano, Piano
9
Chorale
6
Voix Baryton, Piano
4
Voix Tenor, Piano
4
Voix Alto, Piano
4
Voix basse, Piano
4
Chorale SSAATTBB
3
Voix moyenne, Piano
3
Voix Mezzo-Soprano, Piano
1
Chorale SSAB, Piano
1
+ 16 instrumentations
Retracter
Vents
Saxophone (partie séparée)
258
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
228
Quatuor de Saxophones: 4 saxophones
222
Flûte traversière et Piano
203
2 Saxophones (duo)
193
Quintette de Saxophone: 5 saxophones
161
Clarinette et Piano
160
Flûte, Hautbois, Clarinette, Basson
156
Flûte traversière
139
Saxophone Alto et Piano
129
Clarinette
124
Hautbois, Piano (duo)
115
Saxophone Alto
110
Saxophone Tenor et Piano
108
2 Clarinettes (duo)
84
Saxophone Soprano et Piano
83
2 Flûtes traversières (duo)
81
Saxophone Tenor
79
Quatuor de Clarinettes: 4 clarinettes
73
Ensemble de saxophones
70
Hautbois (partie séparée)
61
Saxophone Baryton, Piano
61
Ensemble de Clarinettes
56
Saxophone
47
Quatuor de Flûtes : 4 flûtes
45
2 Hautbois (duo)
44
3 Saxophones (trio)
40
Quintette de Clarinettes: 5 clarinettes
38
2 Flûte à bec (duo)
36
Clarinette (partie séparée)
36
Cor anglais, Piano
33
Flute (partie séparée)
31
3 Clarinettes (trio)
29
Ensemble de Flûtes
28
Hautbois
28
Flûte à bec Soprano
28
Flûte, Clarinette (duo)
27
Saxophone Baryton
22
Saxophone Soprano
21
Trio de Flûtes: 3 flûtes
20
Flûte à Bec
17
Quintette de Flûte : 5 flûtes
17
Quatuor de Flûtes à bec
15
Clarinette Basse, Piano
14
Flûte et Guitare
13
Clarinette, Basson (duo)
12
Flûte, Clarinette et Basson
11
Flûte, Hautbois (duo)
10
Piccolo, Piano
10
Piccolo
9
Ensemble De Flûte à bec
9
Hautbois, Basson (duo)
9
Flûte à bec Alto, Piano
9
5 Flûtes à bec
8
Flûte à bec Tenor
8
Flûte, Violon, Piano
8
Flûte à bec Alto
8
Cor Anglais
8
Hautbois, Clarinette (duo)
7
Clarinette, Guitare (duo)
7
Flûte, Violon
6
3 Flûtes à bec (trio)
5
Flûte, Hautbois, Basson
5
Flûte, Violoncelle, Piano (trio)
4
Flûte à Bec, Piano
4
Flûte, Hautbois, Piano (trio)
4
Instruments en Mib
4
Saxophone, Clarinette (duo)
3
Flûte à bec Soprano, Piano
3
Clarinette, Violoncelle (duo)
3
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Alto et Piano
2
Flûte, Alto (duo)
2
Cor anglais, Guitare (duo)
2
Clarinette, Trombone (duo)
2
4 Hautbois
2
Flûte, Violoncelle
2
Clarinette, Violon (duo)
2
Saxophone et Guitare
2
Flute, harpe et violon
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Hautbois, Guitare (duo)
2
Flûte, Clarinette, Piano (trio)
2
2 Clarinettes, Piano
2
2 Flûtes traversières, Piano
1
Clarinette, Harpe (duo)
1
Clarinette et Alto
1
Flûte, Violoncelle, Guitare
1
Flûte irlandaise
1
Hautbois, Flûte
1
Flûte, Saxophone (duo)
1
Flûte et Trio à cordes
1
Harmonica
1
Clarinette, Trompette (duo)
1
Saxophone, Tuba (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Basson et Piano
1
Hautbois, Violoncelle
1
2 Saxophones, Piano
1
Flûte, Harpe et Violoncelle
1
+ 96 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
332
Trombone (partie séparée)
218
Trombone et Piano
188
Trompette (partie séparée)
171
Trompette
155
Quatuor de Cuivres : 2 trompettes, trombone, tuba
138
Trombone
131
Trompette, Piano
125
Cor et Piano
103
Tuba et Piano
97
Cor
82
Tuba
77
Quatuor de Cuivres: 2 trompettes, Cor, trombone
69
Ensemble de Trombones
62
2 Trompettes (duo)
59
Quatuor de cuivres: 4 trombones
59
2 Trombones (duo)
56
2 Cors (duo)
48
Euphonium, Piano (duo)
41
Quatuor de Cuivres
39
Cor (partie séparée)
35
Cor anglais, Piano
33
Tuba (partie séparée)
31
2 Tubas (duo)
22
Quatuor de cuivres: 4 cors
18
Trompette, Trombone (duo)
17
Trompette, Cor (duo)
13
Ensemble de Trompettes
12
Quatuor de cuivres: 4 trompettes
12
2 Euphoniums et 2 Tubas
11
3 Trombones (trio)
10
Trombone basse
10
4 Tubas
9
Cor Anglais
8
Euphonium
7
Trombone basse et Piano
6
Trio de Cuivres
5
Trombone, Tuba (duo)
5
Ensemble de Cors
5
Trompette, Saxophone (duo)
4
Bass Clef Instruments
4
3 Trompettes (trio)
4
Trombone, Cor (duo)
4
Instruments en Sib
3
Trompette, Tuba (duo)
2
Tuba et Orgue
2
Trombone, Orgue
2
Cor anglais, Guitare (duo)
2
3 Tubas (trio)
2
Cor, Tuba (duo)
2
Trombone, Violon (duo)
1
Cor et Orgue
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Euphoniums
1
Cor et Harpe
1
2 Euphoniums (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Harpe
1
Ensemble de Tubas
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
3 Cors (trio)
1
+ 57 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
473
Violon
177
Violon et Piano
172
Violoncelle, Piano
148
Violoncelle
134
Alto, Piano
112
2 Violons (duo)
83
Alto seul
80
Trio à Cordes: violon, alto, violoncelle
70
Quintette à cordes: 2 violons, alto, violoncelle, basse
68
Violon, Violoncelle (duo)
65
Contrebasse (partie séparée)
60
2 Violoncelles (duo)
56
Contrebasse, Piano (duo)
55
Contre Basse
50
2 Altos (duo)
49
Harpe
41
Violon, Alto (duo)
40
Violon (partie séparée)
30
Alto (partie séparée)
28
Trio à Cordes: 2 violons, violoncelle
21
2 Contrebasses (duo)
16
Harpe, Flûte (duo)
14
Alto, Violoncelle (duo)
14
4 Violoncelles
13
Violoncelle, Contrebasse (duo)
10
Quatuor à cordes: 4 violons
10
Quatuor à cordes : 4 altos
9
Trio à cordes: 3 violins
9
Trio à Cordes: 3 violoncelles
8
2 Harpes (duo)
7
Trio à cordes: 3 altos
7
Ensemble de Violons
6
Ensemble d'Altos
6
Piano Trio: Violon, Alto, Piano
6
Violoncelle (partie séparée)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Harpe, Violon (duo)
4
Violon, Guitare (duo)
4
Violoncelle , Guitare (duo)
3
Trio à Cordes: 2 violons, alto
3
Ensemble de Violoncelles
3
Alto et Basson
2
Harpe (partie séparée)
2
Alto et Harpe
2
4 Contrebasses
2
Harpe, Voix
2
4 Harpes
2
Harpe et Piano
2
Harpe, Trombone (duo)
1
Violon, Basson (duo)
1
Trio à cordes
1
Harpe et mandoline
1
Violon, Orgue
1
Harpe, Violoncelle (duo)
1
2 Violons, Piano
1
Violoncelle, Orchestre
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
771
Jazz combo
334
Ensemble Jazz
283
Orchestre
253
Ensemble de cuivres
177
Orchestre à Cordes
140
Orchestre de chambre
63
Fanfare
53
Cloches
53
Batterie (partie séparée)
39
Batterie
26
Percussion (partie séparée)
18
Ensemble de Percussions
16
Vibraphone
5
Marimba
3
Xylophone
3
Orchestre, Violon
1
Xylophone, Piano
1
Percussion
1
+ 14 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
3
Partitions Numériques
9
Librairie Musicale
115
Matériel de Musique
10 795
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
It don\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
Voix Soprano, Piano
Partitions à imprimer
9 partitions trouvées
<
1
Ah! chi mi dice mai - Don Giovanni (Db Major)
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Classique
#
Wolfgang Amadeus Mozart
#
Jonathan Prentice
#
Ah! chi mi dice mai - Don Giov
#
Jonathan Prentice
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.884896 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 9 pages. Jonath...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.884896 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 9 pages. Jonathan Prentice #6111525. Published by Jonathan Prentice (A0.884896). Accompanied by his long suffering servant, Leporello, the serial seducer, Don Giovanni looks on admiringly, as a vengeful Donna Elvira sings about her lust for justice against the man who has betrayed her, unaware that it's in fact him she's ranting about. From Act 1 of Mozart's famous opera, Ah, who could ever tell me is a wonderfully dramatic and fiery aria. (Here in Db Major, a tone lower than the original, suitable for younger sopranos).
$1.99
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
#
Voix Soprano, Piano
#
AVANCÉ
#
Classique
#
Ruggiero Leoncavallo
#
Nicole Elyse DiPaolo
#
Qual fiamma...Stridono lass&ug
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
(+)
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
VIVALDI Antonio: Sento con qual diletto, aria from the opera "Ercole su'l Termodonte", arranged for
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: Sento con qua
#
Really Good Music, LLC.
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868683 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868683 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4368198. Published by Really Good Music, LLC. (A0.868683). Sento con qual diletto is an aria from the opera Ercole su'l Termodonte (1723) by Antonio VIVALDI (1678 – 1741). It has been realized and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F major (F4 – A5) for high voice. .
$5.95
Time Arranged for Soprano soloist and Piano
#
Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Salvador Rojo Gamón
#
Salvador Rojo Gamón
#
Strings.
#
Time Arranged for Soprano solo
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.962409 Composed by Salvador Rojo Gamón. Arranged by Salvador Rojo Gamón. 20th Century,Concert,Contemp...
(+)
Soprano voice,Vocal Solo - Level 3 - SKU: A0.962409 Composed by Salvador Rojo Gamón. Arranged by Salvador Rojo Gamón. 20th Century,Concert,Contemporary. 24 pages. Salvador Rojo-Gamon #6050685. Published by Salvador Rojo-Gamon (A0.962409). It is an arrangement of my work Time for Soprano soloist and Piano. The work is complete, unfortunately, you only can enjoy the audio in the full version. I hope to fix this ASAP.TimeThis work has been done during coronavirus. It is my way to complain about the comportment of the human being. It is clear work, without ostentations, trying to be easy, simple, and the most importantly honest. It is composed for Choir SATB & Strings. It has form movements being the last as large as the other three. The lyrics are simple without pretension and with a homely message.Lyrics:People, it’s time. Straight out from the ample worlds.The Society falls deep Deep as does my Planet. People, it’s time. Beyond, beyond, beyond the walls.Beyond, beyond, beyond of worlds.Life is defined.Beyond the walls, life.Beyond the worlds, life.People, it’s time.What more could you ask for?You complain you complain about lack of empathy.
$14.00
When a Mezzo (x2)
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Gary D
#
#
When a Mezzo
#
DR GARY D BELSHAW
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.796586 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 20 pages. DR GARY D BELSHAW #2...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.796586 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 20 pages. DR GARY D BELSHAW #2926491. Published by DR GARY D BELSHAW (A0.796586). Includes Accompanist copy at half price! 20 pages. Duration: 41/2 minutes Are mezzo sopranos known ONLY for singing the Habanera? Of course not, but it is one of their most requested arias. So, dispel the misinformation! Clear the air! Defend your mighty status as a Mezzo Soprano with this veritable laugh riot of an aria. When a Mezzo directs an opera is your opportunity to promote the splendor of this wonderful voice type, to take your stand, and assume your place among the most noble, most intellectually stable, and most erudite soprano - well, at least the most likely to survive at the hands of some tenor! The first aria to be published from Gary Belshaw’s hilarious Two Act Music Comedy, Incident at Burro Java (coming soon to Sheet Music Plus, When a Mezzo will delight your audience during a recital or as part of an Opera Workshop or Opera Scenes program. The role was created in April 2016 by Cloyce Kuhnert, a director of opera herself. Cloyce brought a lot of personal experience to the role in the premiere. The more you know about opera and opera plots, the more often you’ll laugh. But you don’t have to be an aficionado to have a tough time singing some of these lines without snickering or outright bursting with laughter yourself. And we all know what snickering can do to your vocal apparatus, right?! The audio clip is from the premiere of the music comedy Incident at Burro Java. Cloyce Kuhnert is the mezzo on the recording, and the Plainview Symphony Orchestra was conducted by the composer.
$5.99
LONATI Carlo Ambrogio: Tu partisti, canzona, - Voice and Piano (A minor)
#
Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Carlo Ambrogio LONATI
#
Sergei PICHUGIN
#
LONATI Carlo Ambrogio: Tu part
#
Really Good Music, LLC.
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.868726 Composed by Carlo Ambrogio LONATI (c.1645 – c.1712). Arranged by Sergei PICHUGIN. Baroque,Con...
(+)
Soprano voice,Vocal Solo - Level 3 - SKU: A0.868726 Composed by Carlo Ambrogio LONATI (c.1645 – c.1712). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4407404. Published by Really Good Music, LLC. (A0.868726). The canzona Tu partisti was composed by Carlo Ambrogio LONATI (c.1645 – c.1712). The realization of the tune for voice and piano, made by Sergei Pichugin, is based on its early publication in the collection Scelta di canzonette italiane de più autori (London, 1679). The canzona may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of A minor (D4 – A5) for high voice.
$5.95
PORPORA Nicola: Già la notte s'avvicina, aria from the cantata, - Voice and Piano (A maj
#
Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Nicola PORPORA
#
Sergei PICHUGIN
#
PORPORA Nicola: Già la
#
Really Good Music, LLC.
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868703 Composed by Nicola PORPORA (1686–1768). Arranged by Sergei PICHUGIN. Baroque,Concert,Instruct...
(+)
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868703 Composed by Nicola PORPORA (1686–1768). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4404620. Published by Really Good Music, LLC. (A0.868703). Già la notte s'avvicina is an aria from Solo cantata VI, written by the eminent Italian composer Nicola PORPORA (1686 – 1768). The cantatas were composed on the poetry of Pietro Metastasio, famous Italian librettist and poet, who once took music lessons from Porpora. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on early publication of the composer’s twelve cantatas (London, 1735). The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A major (E4 – A5) for high voice.
$5.95
Echo
#
Voix Soprano, Piano
#
Contemporain
#
Michael Berkeley
#
Echo
#
Oxford University Press Digital
#
SheetMusicPlus
Soprano voice and piano - SKU: OX.9780193569508 Homage � Francis Poulenc. Composed by Michael Berkeley. Score. 7 pages. Oxford University P...
(+)
Soprano voice and piano - SKU: OX.9780193569508 Homage � Francis Poulenc. Composed by Michael Berkeley. Score. 7 pages. Oxford University Press Digital #9780193569508. Published by Oxford University Press Digital (OX.9780193569508). ISBN 9780193569508.For soprano and piano. This song was written for the 'NMC Songbook', a CD of contemporary vocal studies. Of a romantic, wistful nature, it is particularly accessible, full of lush Poulenc-inspired harmonies. Echo was first performed and recorded in August 2008 at King's Place, London by Ailish Tynan and Iain Burnside.
$14.99
Chansons de Verlaine
#
Voix Soprano, Piano
#
AVANCÉ
#
John Casken
#
Chansons de Verlaine
#
Schott Music - Digital
#
SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Dura...
(+)
Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
$19.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
It don\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
