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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Part
Non classifié
120 983
Piano & claviers
Piano seul
44 478
Piano, Voix
16 325
Piano, Voix et Guitare
6 502
Piano Facile
5 428
Orgue
3 528
Accordéon
3 310
Accompagnement Piano
2 220
Instruments en Do
2 079
1 Piano, 4 mains
1 876
Piano (partie séparée)
1 725
Piano Trio: piano, violon, violoncelle
1 571
Piano Quatuor: piano, violon, alto, violoncelle
504
Piano Quintette: piano, 2 violons, alto, violoncelle
472
2 Pianos, 4 mains
437
Piano Quatuor: piano, 2 violons, violoncelle
368
Orgue, Trompette (duo)
307
Orgue, Piano (duo)
208
Piano grosses notes
149
Clavier
127
Clavecin
104
1 Piano, 6 mains
102
Ensemble d'Accordéons
41
2 Accordéons
28
2 Pianos, 8 mains
25
Fake Book
15
Accordéon, Piano
12
Ligne De Mélodie, Piano
10
Accordéon, Corde(s)
7
Accordéon et Orchestre
4
Tous Les Instruments
3
Accordéon, Voix
3
2 Orgues (duo)
3
Orgue et Orchestre
3
Ensemble de Pianos
2
Accordéon - Piano, Voix, Guitare
2
Piano Trio: Instruments de chambre mixtes
2
Instrument seul et Orgue
2
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
Orgue, Voix
1
+ 34 instrumentations
Retracter
Guitares
Guitare
14 731
Guitare notes et tablatures
4 969
Basse electrique
4 755
Guitare (partie séparée)
2 137
2 Guitares (duo)
1 081
Ukulele
902
Piano, Guitare (duo)
733
4 Guitares (Quatuor)
651
Ligne De Mélodie, (Paroles) et Accords
614
Dulcimer
428
Basse électrique (partie séparée)
415
3 Guitares (trio)
343
Ensemble de guitares
244
Paroles et Accords
149
Mandoline
121
Ukulele Baryton
92
Mandoline, Piano (duo)
70
2 Dulcimers (duo)
65
Banjo
58
Ensemble de Ukulélés
37
Guitare, Violon, Violoncelle (trio)
36
Mandoline, Guitare (duo)
32
3 Dulcimers (trio)
21
Guitare, Flûte, Clarinette
18
2 Ukuleles
17
Orchestre à Plectres
10
Guitare, Orchestre
9
Guitare, Quatuor à cordes
8
2 Mandolines (duo)
7
Cithare
6
Guitare Pedal Steel
4
Partitions De Groupes
4
Luth
3
2 Guitares et Piano
2
2 Guitares et Orchestre
1
2 Guitares, Clarinette (trio)
1
Bouzouki
1
Dobro
1
+ 33 instrumentations
Retracter
Voix
Chorale 3 parties
25 879
Chorale 2 parties
15 870
Chorale SATB
9 910
Voix seule
6 292
Chorale TTBB
2 425
Chorale
2 209
Chorale Unison
1 659
Chorale SSAA
1 477
Voix haute
290
Voix duo, Piano
280
Voix Moyenne
205
Voix duo
180
Pack Instrumental pour Chorale
158
Voix basse, Piano
153
Voix Soprano, Piano
115
Voix Alto, Piano
88
Voix Tenor, Piano
82
Voix Baryton, Piano
76
Voix moyenne, Piano
37
Chorale SSAATTBB
30
Voix d'Enfants
27
Chorale SSATB
22
Male Voice
17
Soli, choeur mixte et accompagnement
16
Voix, Guitare
16
Voix Baryton
15
Chorale SSAB a cappella
15
Voix Mezzo-Soprano, Piano
14
Chorale, Orchestre
13
Voix Tenor
12
Chorale SSAB, Piano
11
Chorale SSATTB
10
Voix Soprano, Orchestre
6
Voix et basse continue
5
Voix Soprano
5
Chorale SSATBB
4
Voix basse
3
Chorale SATBB
2
Voix d'Enfants, Piano
2
Chorale SAATB A Cappella
2
Chorale SSAATB
2
Voix duo, Orgue
1
Chorale SATTBB A Cappella
1
+ 38 instrumentations
Retracter
Vents
Saxophone (partie séparée)
26 483
Saxophone
17 942
Flûte traversière
16 476
Clarinette (partie séparée)
14 958
Clarinette
14 567
Flûte traversière et Piano
11 737
Clarinette et Piano
9 174
Saxophone Alto
8 274
Saxophone Alto et Piano
7 122
Flute (partie séparée)
7 112
Saxophone Tenor
6 911
Hautbois, Piano (duo)
6 844
Hautbois (partie séparée)
6 342
Saxophone Tenor et Piano
5 327
Quatuor de Saxophones: 4 saxophones
3 989
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3 491
2 Saxophones (duo)
3 400
Saxophone Soprano et Piano
3 263
Quatuor de Clarinettes: 4 clarinettes
3 141
Flûte, Hautbois, Clarinette, Basson
2 338
Hautbois
2 105
2 Clarinettes (duo)
2 095
2 Flûtes traversières (duo)
2 048
Flûte à Bec
1 993
Quatuor de Flûtes : 4 flûtes
1 827
Saxophone Baryton, Piano
1 498
3 Clarinettes (trio)
1 398
Flûte et Guitare
1 368
Saxophone Soprano
1 324
Flûte, Clarinette (duo)
1 299
Quintette de Saxophone: 5 saxophones
1 167
3 Saxophones (trio)
1 116
Cor anglais, Piano
1 100
Instruments en Mib
1 098
Ensemble de Flûtes
1 053
Trio de Flûtes: 3 flûtes
967
Ensemble de Clarinettes
869
Quintette de Clarinettes: 5 clarinettes
762
Hautbois, Basson (duo)
729
Clarinette Basse, Piano
720
Flûte à bec Soprano
710
Flûte, Violon
676
Clarinette, Violon (duo)
618
Ensemble de saxophones
549
Saxophone, Clarinette (duo)
543
Flûte à bec Alto
494
Quatuor de Flûtes à bec
488
Flûte, Violon, Piano
479
Hautbois, Clarinette (duo)
460
Clarinette, Guitare (duo)
389
2 Hautbois (duo)
371
Saxophone Baryton
357
Cor Anglais
356
Hautbois, Flûte
339
2 Flûte à bec (duo)
332
Piccolo
330
Flûte, Violoncelle
329
Clarinette, Basson (duo)
329
Piccolo, Piano
326
Clarinette, Trompette (duo)
321
Flûte, Hautbois, Clarinette (trio)
316
Flûte, Violon et Violoncelle
311
Flûte, Alto (duo)
279
Flûte, Clarinette et Basson
276
Clarinette et Alto
273
Flûte, Clarinette, Piano (trio)
270
Flûte à bec Soprano, Piano
259
Flûte à bec Alto, Piano
257
Flûte à bec Tenor
255
Flûte, Hautbois (duo)
247
Flûte, Violoncelle, Piano (trio)
246
Flûte, Saxophone (duo)
245
2 Saxophones, Piano
223
Saxophone et Guitare
222
Clarinette, Harpe (duo)
219
3 Flûtes à bec (trio)
211
Flûte à Bec, Piano
192
Quintette de Flûte : 5 flûtes
188
Saxophone et Piano
185
Flûte, Hautbois, Basson
185
Clarinette, Violoncelle (duo)
178
Flûte, Trompette (duo)
176
2 Flûtes traversières, Piano
173
2 Clarinettes, Piano
169
Hautbois, Clarinette, Basson (trio d'anches)
150
5 Flûtes à bec
129
Clarinette Basse
125
Flûte, Clarinette, Violon (trio)
112
Clarinette, Violoncelle, Piano (trio)
108
Flûte, Basson et Piano
107
Cor anglais, Guitare (duo)
103
Ensemble De Flûte à bec
100
Flûte, Hautbois, Violon
99
Flûte, Trombone (duo)
97
Harmonica
94
Flûte irlandaise
90
Ensemble à vent
87
Hautbois, Guitare (duo)
84
3 Hautbois
79
Flûte, Harpe et Violoncelle
74
Flute, harpe et violon
73
Flûte, Hautbois, Piano (trio)
72
Hautbois, Violoncelle
68
Flûte à bec, Guitare (duo)
68
Flûte, Alto et Piano
67
Saxophone et Orgue
63
Flûte, Violon, Violoncelle et Piano
63
Cornemuse
62
Clarinette, Trombone (duo)
45
Clarinette, Basson, Piano (trio)
44
Harmonica, Piano
43
Hautbois et alto (duo)
42
Ocarina
41
Flûte traversière, Orgue (duo)
41
Flûte et Quatuor à Cordes
38
Flûte, alto et harpe
37
2 Cors Anglais Et Pianoforte
36
Hautbois, violon (duo)
35
2 Clarinettes, Basson
34
Flûte, trombone et piano
33
Hautbois, Harpe
33
Quintette de Clarinette: Clarinette, Quatuor à Cordes
33
Flûte, Tuba (duo)
31
Flûte et Trio à cordes
31
Saxophone et Harpe
28
Clarinette, Alto et Piano (trio)
27
Flûte traversière, Orchestre
25
Flûte, Violon, Guitare
25
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
25
Clarinette, Tuba
25
Clarinette, trompette et piano
24
Flûte, Clarinette, Cor, Basson (Quartet)
23
Flûte, Violoncelle, Guitare
22
Hautbois, Violoncelle et Piano
21
Clarinette, Orgue
21
Hautbois, Basson et Piano
19
Flûte, Alto et Violoncelle
19
Flûte à bec Alto, Basse continue
19
4 Hautbois
18
Hautbois, trombone (duo)
17
Clarinette, Orchestre
17
Saxophone, Violon (duo)
15
Cor anglais et Harpe (duo)
15
2 Flûtes à bec, Piano
15
Flute, Cor (duo)
13
Saxophone, Basson (duo)
12
Hautbois, Clarinette et Piano (Trio)
11
2 Flûtes traversières, Guitare
10
Flûte à bec, Harpe
10
2 Flûtes traversières, Harpe
9
Hautbois, Violin, Alto et Violoncelle (Quatuor)
9
2 Hautbois, Piano
8
Saxophone, Tuba (duo)
8
Hautbois, Violon, Piano
8
2 Hautbois et Basson
7
2 Hautbois et Cor anglais
6
Flûte traversière, Basse continue
5
Hautbois et Orchestre
5
Ensemble de Hautbois
5
2 Flûtes, 2 Clarinettes (Quatuor)
4
Flûte à bec Soprano, Basse continue
4
Clarinette, Contrebasse (duo)
4
Hautbois, Orgue
4
Hautbois, Quatuor à cordes
4
2 Flûtes, Basse continue
3
Hautbois, Clarinette, Basson et Piano
3
Clarinette, Saxophone, Piano
3
Saxophone et violoncelle
3
Clarinette, Quatuor à cordes et Piano
3
Melodica
3
Hautbois, Trompette (duo)
2
2 Flûtes à bec, Guitare
2
Flute, alto, violoncelle et guitare
1
Flûte de Pan
1
2 Hautbois, 2 Cors et 2 Bassons
1
2 clarinettes, 2 bassons
1
3 Flûtes à bec, Piano
1
+ 172 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
18 493
Trompette (partie séparée)
18 009
Trompette
13 320
Trombone
11 883
Cor (partie séparée)
6 819
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6 488
Trompette, Piano
6 418
Trombone et Piano
5 758
Cor
5 080
Tuba (partie séparée)
4 973
Cor et Piano
4 216
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4 092
Tuba
2 714
Tuba et Piano
1 868
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1 447
Euphonium, Piano (duo)
1 241
Quatuor de cuivres: 4 trombones
1 177
Euphonium
1 176
Instruments en Sib
1 123
Cor anglais, Piano
1 100
Quatuor de Cuivres
1 071
Trompette, Trombone (duo)
930
Quatuor de cuivres: 4 cors
730
2 Trombones (duo)
683
2 Trompettes (duo)
652
Bass Clef Instruments
542
2 Euphoniums et 2 Tubas
530
4 Tubas
519
Trompette, Saxophone (duo)
499
2 Cors (duo)
463
Ensemble de Trombones
420
3 Trombones (trio)
386
Cornet A Pistons
358
Cor Anglais
356
Trio de Cuivres
340
Trompette, Cor (duo)
304
3 Trompettes (trio)
289
Trombone basse et Piano
277
Instruments en Fa
259
Ensemble de Trompettes
242
Quatuor de cuivres: 4 trompettes
202
Tuba ou Euphonium ou Saxhorn
188
2 Tubas (duo)
185
Ensemble de Cors
182
Trompette, Tuba (duo)
172
Trombone, Tuba (duo)
163
Tuba et Orgue
143
Euphonium, Tuba (duo)
116
2 Trompettes, Clavier (piano ou orgue)
106
Cor anglais, Guitare (duo)
103
3 Cors (trio)
86
Euphonium (partie séparée)
84
Trombone basse
77
2 Euphoniums (duo)
66
Trombone, Orgue
60
Cor, Tuba (duo)
50
Ensemble de Tubas
50
Cor et Harpe
47
Quatuor de cuivres: 2 trompettes, 2 trombones
47
Trompette, Violoncelle et Piano
43
Trombone, Violon (duo)
43
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
41
Trompette, violon (duo)
39
2 Cors Anglais Et Pianoforte
36
Clarinette, Cor (duo)
34
Trombone, Cor (duo)
32
Trompette, Harpe
30
Trompette, Violoncelle (duo)
30
Trompette, Trombone, Piano
29
Trompette et Guitare
26
Cor et Orgue
21
Cor, Trompette, Trombone (trio)
20
3 Tubas (trio)
19
Cor, Violoncelle (duo)
18
2 Trombones, Piano
17
4 Euphoniums
16
Trompette, Orchestre
16
Cor anglais et Harpe (duo)
15
Cornet et Piano
15
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
12
3 Euphoniums
12
2 Cors, Piano
11
Cor, Orchestre
10
Trompette, Basson (duo)
9
Trombone et orchestre
8
Cor, Violoncelle et Piano
6
Trompette, Euphonium (duo)
6
Euphonium Ou Saxhorn Et Piano
5
Bugle
5
G Instruments
4
Trombone, violoncelle (duo)
3
Cor et Basson (duo)
3
Saxhorn basse ou Euphonium ou Tuba et Piano
3
Cornet et orchestre
2
Trombone, Alto (duo)
1
+ 90 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
25 753
Violoncelle
11 107
Violoncelle, Piano
10 363
Violon (partie séparée)
10 217
Alto seul
9 150
Alto, Piano
8 267
Violon et Piano
8 109
Violon
7 027
Contrebasse (partie séparée)
5 090
Violon, Violoncelle (duo)
4 098
Trio à Cordes: violon, alto, violoncelle
3 645
Alto (partie séparée)
3 467
Violoncelle (partie séparée)
3 294
Harpe
2 288
Contre Basse
2 160
Violon, Alto (duo)
1 931
Contrebasse, Piano (duo)
1 735
2 Violons (duo)
1 731
Trio à Cordes: 2 violons, violoncelle
1 179
2 Violoncelles (duo)
1 093
Quintette à cordes: 2 violons, alto, violoncelle, basse
1 025
Alto, Violoncelle (duo)
992
4 Violoncelles
950
Trio à cordes: 3 violins
782
Violon, Guitare (duo)
699
Trio à cordes
683
2 Altos (duo)
640
Piano Trio: Violon, Alto, Piano
608
Trio à Cordes: 3 violoncelles
542
2 Harpes (duo)
523
Violoncelle , Guitare (duo)
519
Harpe, Flûte (duo)
453
Quatuor à cordes: 4 violons
419
Harpe, Violon (duo)
366
2 Violons, Piano
291
Alto, Guitare (duo)
281
Violoncelle, Contrebasse (duo)
274
Quatuor à cordes : 4 altos
268
Trio à Cordes: 2 violons, alto
246
Trio à cordes: 3 altos
244
2 Contrebasses (duo)
175
Violon, Basson (duo)
105
Harpe, Violoncelle (duo)
98
2 Violoncelles, Piano
93
Harpe (partie séparée)
90
Violon, Clarinette, Piano (trio)
82
Harpe et Piano
77
Ensemble de Violoncelles
77
Quintette à cordes: 2 violons, 2 altos, violoncelle
65
Alto et Harpe
63
Violon, Orgue
59
4 Contrebasses
59
Violoncelle, Orgue
58
2 Altos, Piano
56
Harpe, Voix
54
Violoncelle, Orchestre
51
Ensemble de Violons
45
Flûte, Contrebasse (duo)
41
Harpe, Violon, Violoncelle
40
Quintette à cordes : 2 violons, alto et 2 violoncelles
38
Alto et Basson
36
Ensemble d'Altos
31
3 Contrebasses
27
Violon, Tuba (duo)
25
3 Harpes
18
Violon, Contrebasse (duo)
15
Violoncelle et Marimba
15
Alto, Orgue
15
Harpe et mandoline
14
Alto et orchestre
13
Violon, Trompette et Piano
12
Harpe, Trombone (duo)
10
Violoncelle, Basse continue
10
Violon, Basse continue
9
Violon, Violoncelle, Clarinette
9
5 Harpes
6
Harpe, Orchestre
6
Harpe, Quatuor à cordes
5
4 Harpes
5
Ensemble de Contre basses
3
2 Violons et Basse continue
3
Autoharp
2
Violon, Clarinette et Guitare
1
Harpe et Orgue
1
+ 79 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
37 105
Orchestre
11 829
Orchestre à Cordes
9 741
Percussion (partie séparée)
9 160
Batterie
7 318
Ensemble Jazz
7 175
Ensemble de cuivres
5 551
Fanfare
4 607
Orchestre de chambre
2 845
Batterie (partie séparée)
2 658
Timbales (partie séparée)
2 282
Jazz combo
1 977
Percussion
1 852
Cloches
1 453
Ensemble de Percussions
1 370
Marimba
427
Vibraphone
310
Timbales
290
Instrumentation Flexible
281
Quintette à Vent
263
Xylophone
131
Caisse Claire
120
Vibraphone (partie séparée)
96
Quatuor à Vent : 4 instruments à vents
92
Big band
67
Piano et Orchestre
62
Orchestre, Violon
51
Xylophone, Piano
46
Quintette de Cuivres: autres combinaisons
38
Xylophone (partie séparée)
35
Batterie-Fanfare
30
Vibraphone et Marimba
28
Orchestre Symphonique
26
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
24
Ensemble d'École
24
2 Marimbas
20
Vibraphone, Piano
19
3 Marimbas
18
Trio à Vent: 3 instruments à vents
13
Marimba, Piano (duo)
9
Xylophone ou Marimba ou Vibraphone
9
Voix et Orchestre
9
3 Percussions
9
2 Xylophones
8
2 Percussions
7
2 Caisses Claires (duo)
3
Bongos
3
Mariachi
3
4 Percussions
2
Caisse Claire, Piano
1
Marimba ou Xylophone et Piano
1
+ 46 instrumentations
Retracter
Autres
Formation musicale - Solfège
243
Théorie de la musique
11
Papeterie
2
Eveil Musical
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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BOUZOUKI
CHORALE - CHAN…
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Voix Soprano, Piano
Partitions à imprimer
115 partitions trouvées
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LONATI Carlo Ambrogio: Tu partisti, canzona, - Voice and Piano (A minor)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Carlo Ambrogio LONATI
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Sergei PICHUGIN
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LONATI Carlo Ambrogio: Tu part
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.868726 Composed by Carlo Ambrogio LONATI (c.1645 – c.1712). Arranged by Sergei PICHUGIN. Baroque,Con...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.868726 Composed by Carlo Ambrogio LONATI (c.1645 – c.1712). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4407404. Published by Really Good Music, LLC. (A0.868726). The canzona Tu partisti was composed by Carlo Ambrogio LONATI (c.1645 – c.1712). The realization of the tune for voice and piano, made by Sergei Pichugin, is based on its early publication in the collection Scelta di canzonette italiane de più autori (London, 1679). The canzona may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of A minor (D4 – A5) for high voice.
$5.95
Water Parted (from The Intelligence Park)
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Voix Soprano, Piano
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Gerald Barry
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Water Parted
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - SKU: S9.Q41781 For soprano and piano. Composed by Gerald Barry. This edition: Sheet music. Downloadable. Duration 7 min...
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Soprano voice and piano - SKU: S9.Q41781 For soprano and piano. Composed by Gerald Barry. This edition: Sheet music. Downloadable. Duration 7 minutes. Schott Music - Digital #Q41781. Published by Schott Music - Digital (S9.Q41781). English • Italian.Water Parted is from Barry’s opera The Intelligence Park, and tells the story of a composer who has lost the power to write, later rediscovering it through an obsession with a castrato. The work alternates a beautiful fragility with moments of violent, angular virtuosity: a fantastic recital piece for soprano and piano.
$15.99
O Holy Night (for SAB - High Key - Soprano Part Rehearsal Track)
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Voix Soprano, Piano
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Musique Sacrée
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Adolphe-Charles Adam
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Stephen DeCesare
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O Holy Night
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Exultet Music
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SheetMusicPlus
Piano,Soprano voice - SKU: A0.1052342 Composed by Adolphe-Charles Adam. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred. Accom...
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Piano,Soprano voice - SKU: A0.1052342 Composed by Adolphe-Charles Adam. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred. Accompaniment. Duration 235. Exultet Music #4980689. Published by Exultet Music (A0.1052342). (French: Cantique de Noël) One of the most popular and beloved Christmas carols ever written. This is the Soprano part only (computer generated) with the Piano accompaniment. Accessible for all levels of singing and can be easily used in any church or concert setting. (Key of Db).
$3.99
O Holy Night (for SAB - Medium/Low Key - Soprano Part Rehearsal Track)
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Voix Soprano, Piano
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Musique Sacrée
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Adolphe-Charles Adam
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Stephen DeCesare
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O Holy Night
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Exultet Music
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SheetMusicPlus
Piano,Soprano voice - SKU: A0.1052337 Composed by Adolphe-Charles Adam. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred. Accom...
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Piano,Soprano voice - SKU: A0.1052337 Composed by Adolphe-Charles Adam. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred. Accompaniment. Duration 235. Exultet Music #4980679. Published by Exultet Music (A0.1052337). (French: Cantique de Noël) One of the most popular and beloved Christmas carols ever written. This is the Soprano part only (computer generated) with the Piano accompaniment. Accessible for all levels of singing and can be easily used in any church or concert setting. (Key of Bb).
$3.99
O HOLY NIGHT (Soprano Solo with Piano - Score & Soprano Part included)
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Voix Soprano, Piano
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Noël
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Adolphe-Charles Adam
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Gary Lanier
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O HOLY NIGHT
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The Lanier Company
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SheetMusicPlus
Composed by Adolphe-Charles Adam (1803-1856). Arranged by Gary Lanier. Christian, Contemporary Christian, Sacred, Praise & Worship, Christmas. Score, Solo Part....
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Composed by Adolphe-Charles Adam (1803-1856). Arranged by Gary Lanier. Christian, Contemporary Christian, Sacred, Praise & Worship, Christmas. Score, Solo Part. 13 pages. Published by The Lanier Company (S0.288139). - Score,Solo Part - Christian,Contemporary Christian,Sacred,Praise & Worship,Christmas - The Lanier Company
$6.99
SICUT CERVUS - G.P.L. da Palestrina - Part for SOPRANO
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Voix Soprano, Piano
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Renaissance
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G
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SICUT CERVUS - G.P.L. da Pales
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Renato Tagliabue
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SheetMusicPlus
Composed by G.PL. da Palestrina. Renaissance, Christian, Spiritual, Sacred. Individual Part. 2 pages. Published by Renato Tagliabue (S0.228361). - Individual Pa...
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Composed by G.PL. da Palestrina. Renaissance, Christian, Spiritual, Sacred. Individual Part. 2 pages. Published by Renato Tagliabue (S0.228361). - Individual Part - Renaissance,Christian,Spiritual,Sacred - Renato Tagliabue
$1.99
Settings of Two Thomas Campion Love Poems
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Voix Soprano, Piano
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Contemporain
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John Partridge
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Settings of Two Thomas Campion
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John W Partridge
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.980979 Composed by John Partridge. Contemporary. 9 pages. John W Partridge #6012109. Published by John W Partridge (A...
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Soprano voice,Vocal Solo - SKU: A0.980979 Composed by John Partridge. Contemporary. 9 pages. John W Partridge #6012109. Published by John W Partridge (A0.980979). Two Elizabethan love poems by Thomas Campion set to music by John Partridge. For mezzo - soprano and piano.
$5.00
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
My Love is Like a Red, Red Rose
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Traditional Scottish Air/ Lyri
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Thomas Quigley
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My Love is Like a Red, Red Ros
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Thomas Quigley
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.732141 Composed by Traditional Scottish Air/ Lyrics by Robert Burns. Arranged by Thomas Quigley. Celtic,Con...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.732141 Composed by Traditional Scottish Air/ Lyrics by Robert Burns. Arranged by Thomas Quigley. Celtic,Concert,Folk. 4 pages. Thomas Quigley #5044741. Published by Thomas Quigley (A0.732141). A convincing and sensitive arrangement! The piano part is a pleasure to play with its variety of beautiful harmonies and the rippling semiquavers in the second verse. This professionally arranged version is particularly suitable for a concert of Scottish/Celtic music. Highly recommended!
$3.99
Sappho ... Five Poems by H.D. (2019) for soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Sappho ... Five Poems by H.D.
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Thomas Oboe Lee
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869598 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 51 pages. Thomas Oboe Lee #4629791. Publishe...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869598 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 51 pages. Thomas Oboe Lee #4629791. Published by Thomas Oboe Lee (A0.869598). Sappho ... Five Poems by H.D. (2019) is dedicated to Öznur Hasibe Tülüoğlu. I heard her sing at her senior recital at the New England Conservatory of Music this spring and I immediately thought I should write a song cycle for her. I love the poetry of H.D. (aka Hilda Doolittle). My first attempt at setting her poems to music was in 2015. The poems in that song cycle focused on several figures from Greek mythology: Adonis, Circe, Lethe, Daphne, Evadne, etc.The words in this cycle are Ms. Doolittle's poetic musings on fragments left behind by the ancient Greek poet Sappho.1. Fragment 41a ... thou flittest to Andromeda.2. Fragment 41c3. Fragment 40 Love ... bitter sweet4. Fragment 113 Neither honey nor bee for me.5. Fragment 68 ... even in the house of Hades.Music by Thomas Oboe LeePoems by H.D.© Hilda Doolittle, from Collected Poems, 1912-1944, copyright © 1982 by the Estate of Hilda Doolittle. Reprinted by permission of New Directions Publishing Corp. © Departed Feathers Music, Inc. - BMI Audio link: https://thomasoboelee.bandcamp.com/album/sappho-five-poems-by-h-d-2019Video link: https://youtu.be/NH8baTZxRzg
$9.99
SKK (2019) for soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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SKK
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Thomas Oboe Lee
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869617 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 48 pages. Thomas Oboe Lee #4777699. Publishe...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869617 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 48 pages. Thomas Oboe Lee #4777699. Published by Thomas Oboe Lee (A0.869617). Sarah Kalkert (SKK) is a young lady who is home-schooled and an avid ballet student. She is also a fine poet. This is a song cycle of five of her poems and interspersed between each song are four of her haikus.1. Extremity Labor/Twilight Verano2. Haiku I3. Agriebb 4. Haiku II5. The Troubles 6. Haiku III7. For a Friend 8. Haiku IV9. What Shall I do?© Departed Feathers Music, Inc - BMIPermission to use the poems and haikus granted by the author, Sarah Kalkert.Audio link: https://thomasoboelee.bandcamp.com/album/skk-2019-for-soprano-and-pianoVideo link: https://youtu.be/fbp1zN1w5bg
$9.99
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Quasi Un Madrigale for soprano and piano
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Voix Soprano, Piano
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AVANCÉ
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Contemporain
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Robert M
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Quasi Un Madrigale for soprano
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Robert M. Greenberg
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.987854 Composed by Robert M. Greenberg. 20th Century. 44 pages. Robert M. Greenberg #115419. Published by R...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.987854 Composed by Robert M. Greenberg. 20th Century. 44 pages. Robert M. Greenberg #115419. Published by Robert M. Greenberg (A0.987854). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 23 minutes Year of composition: 1999 Program Note: Quasi Un Madrigale sets the poetry of three 20th century Italian poets: Salvatore Quasimodo, Aldo Palazzeschi and Corrado Govoni. These expressive, evocative poems deal variously with states of memory, nostalgia, and longing. The four songs are conceived as a cycle. The first three songs are true duets, with the piano a full partner of the soprano. The fourth and final song, from which the cycle draws its name, constitutes the emotional core of the set. It is at once a resigned lament of personal loss and an affirmation of new life. Quasi Un Madrigale was composed between February and September 1985. All poems used with permission.
$28.00
Six Songs
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Voix Soprano, Piano
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AVANCÉ
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Heinz Holliger
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Six Songs
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - advanced to difficult - SKU: S9.Q5809 After Poems of Christian Morgenstern. Composed by Heinz Holliger. This edition: S...
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Soprano voice and piano - advanced to difficult - SKU: S9.Q5809 After Poems of Christian Morgenstern. Composed by Heinz Holliger. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q5809. Published by Schott Music - Digital (S9.Q5809). German.Comparable to Alban Berg whose 'Seven Early Songs' show through in the music, Heinz Holliger has picked out some truly rapturous youth songs, set them up in easy arrangements and scored them for orchestra. Apart from being used as piano reduction, the original meaning of this edition remains evident: another piece in the great tradition of the German lied for voice and piano.
$19.99
Sifting the Stars
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sally Whitwell
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Sifting the Stars
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873028 Composed by Sally Whitwell. Contemporary,Musical/Show. 8 pages. Sally Whitwell #3867233. Published b...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873028 Composed by Sally Whitwell. Contemporary,Musical/Show. 8 pages. Sally Whitwell #3867233. Published by Sally Whitwell (A0.873028). Composer’s Note - Sifting the StarsIn 2015 I was commissioned by Sydney Philharmonia Choirs to create a Christmas show for kids. Being me, I decided that I wanted to make it a narrative show because I’m ambitious that way. It was called Cog in the Machine (a family Christmas tale with a twist) and alongside the carols was a gentle commentary on the commercialisation of the festive season, and how our priorities of family celebration are often overshadowed by the extravagance of gift giving.One of the main characters in the story is a smart, sassy teenage girl called Stella. She loves science, particularly astronomy (hence the name!) and it was therefore a family tradition for her to put the star on the top of the Christmas tree each year. This particular Christmas, she has a bit of a disagreement with her mother and as she’s putting the star on the tree, she goes into a kind of dream sequence, floating about the galaxies inside her head, trying to process her adolescent need for independence and protection in equal amounts. It’s a coming of age song.-- Sally Whitwell
$2.99
Echo
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Voix Soprano, Piano
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Contemporain
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Michael Berkeley
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Echo
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Oxford University Press Digital
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SheetMusicPlus
Soprano voice and piano - SKU: OX.9780193569508 Homage � Francis Poulenc. Composed by Michael Berkeley. Score. 7 pages. Oxford University P...
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Soprano voice and piano - SKU: OX.9780193569508 Homage � Francis Poulenc. Composed by Michael Berkeley. Score. 7 pages. Oxford University Press Digital #9780193569508. Published by Oxford University Press Digital (OX.9780193569508). ISBN 9780193569508.For soprano and piano. This song was written for the 'NMC Songbook', a CD of contemporary vocal studies. Of a romantic, wistful nature, it is particularly accessible, full of lush Poulenc-inspired harmonies. Echo was first performed and recorded in August 2008 at King's Place, London by Ailish Tynan and Iain Burnside.
$14.99
Silent Night - Soprano and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Noël
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Geoffrey Loff
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Silent Night - Soprano and Pia
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Geoffrey Loff
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.882869 Arranged by Geoffrey Loff. Christian,Christmas,Contemporary. 3 pages. Geoffrey Loff #3896099. Publis...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.882869 Arranged by Geoffrey Loff. Christian,Christmas,Contemporary. 3 pages. Geoffrey Loff #3896099. Published by Geoffrey Loff (A0.882869). Enjoy this mellifluous and tender arrangement of Silent Night. Arranged for female voice [D-flat 4 - G-flat 5] with piano accompaniment. The harmonies are beautiful, and enchant the ear by mingling the familiar with the unexpected. This song is perfect in a program or as an encore for a Christmas or Holiday party, or to just play with your family; maybe with some eggnog, around a roaring fire..or maybe you're lactose intolerant and afraid of fire. Either way, this arrangement is sure to soothe you into the holiday spirit!Please write a review of my arrangement, and be sure to check out others of mine!
$5.00
The Birds
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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The Birds
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.873025 Composed by Sally Whitwell. Contemporary. 14 pages. Sally Whitwell #3867185. Published by Sally Whitwell (A0.873025). Composer’s Note - The BirdsI lived for a couple of years in a little top floor Art Deco apartment in Sydney’s Kings Cross. There were always birds sitting on my window sill because of the huge Jacaranda tree outside. I was at a bit of a crossroads in my life at that time, and would spend at least an hour daily walking in the neighbourhood, along those twisting, sloping streets and slowly eroding sandstone staircases so typical of Sydney’s harbourside suburbs. On the wall by such a staircase very close to my home was a tiny red spray painted bird with little music notes emanating from his beak. His was a constant presence in my life, I really rather liked him.Birds seemed to be making appearances everywhere in my life at that time, which I took as some kind of message from the universe. I was reading quite a lot of Christina Rossetti that year too, enjoying her writings about birds and all that they symbolised for her; beauty and sadness, hope and joy. There was a quiet optimism in her words, sometimes veiled but always present, which propelled me to write this song cycle T​ he Birds.​-- Sally Whitwell
$3.99
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Adieu, mon petite table - Manon (G Minor)
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Jules Massenet
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Jonathan Prentice
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Adieu, mon petite table - Mano
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.884729 Composed by Jules Massenet. Arranged by Jonathan Prentice. Opera,Romantic Period. 3 pages. Jonathan ...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.884729 Composed by Jules Massenet. Arranged by Jonathan Prentice. Opera,Romantic Period. 3 pages. Jonathan Prentice #5775861. Published by Jonathan Prentice (A0.884729). Massenet's simple yet intensely moving aria from his opera, Manon. The impressionable young girl, Manon, has been told that her love, Des Grieux will soon be kidnapped by his father's men in order to get him away from her. She knows that the happy days they have spent in Des Grieux's apartment will soon be at an end and takes the opportunity to bid adieu to the table where they ate many meals together.
$1.99
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
My Grandma: There Never Was a Dearer Friend to Me, Aria for Soprano
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Voix Soprano, Piano
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AVANCÉ
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James Nathaniel Holland
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My Grandma: There Never Was a
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James Nathaniel Holland
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.730210 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 7 pages. Jame...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.730210 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. 7 pages. James Nathaniel Holland #37197. Published by James Nathaniel Holland (A0.730210). There Never Was a Dearer Friend to Me (My Grandma) Aria for Soprano (Coloratura) From the 21st Century, American opera The One Upstairs Music and Libretto by James Nathaniel Holland Website: http://lacoronadelossantos.net/jamesnathanielholland.html YouTube video presentation: https://www.youtube.com/watch?v=mTdPgcQqf90 Entire Opera at: https://www.youtube.com/watch?v=AiZ3kGBkFEA SYNOPSIS: Setting: NYC. An unsuspecting woman moves into a volatile apartment situation with a crazy neighbor above who keeps banging on the floor at the slightest provocation. It's war! Find out who wins and how in the end. In this aria, our protaganist, Loie (soprano), has had enough with her upstairs neighbor. After banging on the neighbor's door, she quiets down to sing this aria.
$3.99
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