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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
a Romantic
Non classifié
4 959
Piano & claviers
Piano, Voix
16 270
Piano seul
5 192
Piano Facile
1 418
Orgue
355
Instruments en Do
165
Piano, Voix et Guitare
148
Piano Trio: piano, violon, violoncelle
114
1 Piano, 4 mains
105
Accompagnement Piano
89
2 Pianos, 4 mains
76
Piano Quatuor: piano, violon, alto, violoncelle
51
Orgue, Trompette (duo)
31
Piano Quintette: piano, 2 violons, alto, violoncelle
29
Piano Quatuor: piano, 2 violons, violoncelle
14
Orgue, Piano (duo)
7
Accordéon
7
Clavier
6
Piano grosses notes
4
1 Piano, 6 mains
3
2 Pianos, 8 mains
3
Orgue et Orchestre
1
Piano (partie séparée)
1
+ 17 instrumentations
Retracter
Guitares
Guitare
448
Guitare notes et tablatures
410
2 Guitares (duo)
147
Ukulele
43
Ligne De Mélodie, (Paroles) et Accords
35
Piano, Guitare (duo)
27
4 Guitares (Quatuor)
25
Basse electrique
16
3 Guitares (trio)
11
Guitare, Violon, Violoncelle (trio)
9
Mandoline
8
Banjo
4
Ensemble de guitares
4
Ukulele Baryton
3
Mandoline, Guitare (duo)
2
Dulcimer
2
Guitare (partie séparée)
2
Paroles et Accords
2
Guitare Pedal Steel
1
2 Ukuleles
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
884
Chorale 3 parties
207
Chorale 2 parties
137
Voix seule
118
Chorale TTBB
112
Chorale SSAA
96
Voix duo, Piano
41
Voix Soprano, Piano
37
Chorale Unison
37
Voix duo
32
Voix Tenor, Piano
28
Voix Baryton, Piano
21
Voix basse, Piano
20
Voix haute
19
Voix moyenne, Piano
15
Voix Alto, Piano
12
Chorale
7
Voix Tenor
5
Voix basse
4
Chorale SSAB a cappella
2
Chorale SSAATTBB
2
Voix Soprano
2
Chorale SAATB A Cappella
1
Voix Mezzo-Soprano, Piano
1
Voix, Guitare
1
Chorale SSATTB
1
Soli, choeur mixte et accompagnement
1
+ 22 instrumentations
Retracter
Vents
Flûte traversière et Piano
1 332
Clarinette et Piano
790
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
699
Hautbois, Piano (duo)
568
Quatuor de Saxophones: 4 saxophones
547
Saxophone Alto et Piano
508
Quatuor de Clarinettes: 4 clarinettes
424
Flûte, Hautbois, Clarinette, Basson
368
2 Saxophones (duo)
334
Clarinette
330
2 Flûtes traversières (duo)
310
Saxophone Tenor et Piano
277
Flûte traversière
274
Saxophone Soprano et Piano
264
Quatuor de Flûtes : 4 flûtes
243
Flûte et Guitare
222
2 Clarinettes (duo)
221
Quintette de Saxophone: 5 saxophones
201
Saxophone Alto
173
Hautbois (partie séparée)
133
Ensemble de Clarinettes
132
3 Saxophones (trio)
129
Cor anglais, Piano
120
Saxophone Baryton, Piano
107
Saxophone Tenor
102
Quintette de Clarinettes: 5 clarinettes
100
Ensemble de saxophones
95
Flûte, Clarinette (duo)
91
Ensemble de Flûtes
90
3 Clarinettes (trio)
90
Saxophone (partie séparée)
83
2 Hautbois (duo)
77
Clarinette, Guitare (duo)
74
Trio de Flûtes: 3 flûtes
65
Clarinette Basse, Piano
62
Quatuor de Flûtes à bec
57
Hautbois
56
2 Flûte à bec (duo)
48
Quintette de Flûte : 5 flûtes
45
Flûte à bec Soprano
43
Clarinette, Basson (duo)
41
Hautbois, Basson (duo)
40
Saxophone Soprano
38
Hautbois, Clarinette (duo)
33
Flûte, Clarinette et Basson
33
Flûte, Violon, Piano
32
Hautbois, Clarinette, Basson (trio d'anches)
32
5 Flûtes à bec
31
Saxophone Baryton
30
Clarinette, Violon (duo)
30
Flûte, Hautbois, Clarinette (trio)
26
Flûte, Violoncelle
26
Flûte à bec Alto
25
Flûte à Bec
24
Flûte, Violon
23
Cor Anglais
23
Flûte, Hautbois, Basson
20
Clarinette, Violoncelle (duo)
19
Saxophone
18
Flûte, Hautbois, Piano (trio)
17
Hautbois, Violoncelle
17
2 Flûtes traversières, Piano
17
2 Clarinettes, Piano
17
Saxophone, Clarinette (duo)
17
Flûte, Hautbois (duo)
16
Flûte, Violoncelle, Piano (trio)
16
3 Flûtes à bec (trio)
15
Clarinette, Violoncelle, Piano (trio)
15
Flûte, Clarinette, Piano (trio)
15
Hautbois, Guitare (duo)
13
Clarinette et Alto
12
Flûte, Violon et Violoncelle
11
Piccolo, Piano
10
Flûte, Alto (duo)
10
Saxophone et Piano
9
Clarinette Basse
9
Piccolo
9
Flûte, Alto et Piano
8
Clarinette, Trompette (duo)
8
Flûte, Saxophone (duo)
8
Hautbois, Flûte
7
Flûte, trombone et piano
7
Flûte, Clarinette, Cor, Basson (Quartet)
6
Clarinette, Harpe (duo)
6
Ensemble De Flûte à bec
6
2 Saxophones, Piano
6
Clarinette, Trombone (duo)
6
Flûte à Bec, Piano
6
Flûte à bec Soprano, Piano
6
Flûte à bec, Guitare (duo)
6
Flûte, Basson et Piano
6
Flûte à bec Tenor
6
Flûte, Trompette (duo)
6
Flute (partie séparée)
5
Flûte à bec Alto, Piano
5
Flûte et Trio à cordes
5
Cor anglais, Guitare (duo)
5
Hautbois et alto (duo)
5
Clarinette, trompette et piano
5
Hautbois, Violin, Alto et Violoncelle (Quatuor)
5
Flûte, Violon, Violoncelle et Piano
4
Flûte, Trombone (duo)
4
Saxophone et Guitare
4
Hautbois, violon (duo)
4
Flûte traversière, Orgue (duo)
4
Clarinette, Basson, Piano (trio)
4
Hautbois, Harpe
4
Saxophone et Orgue
4
Flute, harpe et violon
4
4 Hautbois
3
2 Cors Anglais Et Pianoforte
3
Ocarina
3
Saxophone et Harpe
3
2 Clarinettes, Basson
3
Flûte, Violon, Guitare
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Clarinette, Alto et Piano (trio)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Tuba (duo)
2
Flûte, Violoncelle, Guitare
2
Clarinette, Orgue
1
Harmonica
1
3 Hautbois
1
Flûte, alto et harpe
1
Clarinette (partie séparée)
1
Ensemble à vent
1
Flûte irlandaise
1
+ 122 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
484
Trombone et Piano
455
Trompette, Piano
419
Cor et Piano
350
Quatuor de Cuivres : 2 trompettes, trombone, tuba
297
Trompette
288
Cor
200
Tuba et Piano
190
Trombone
179
Tuba
153
2 Trompettes (duo)
132
Euphonium, Piano (duo)
132
Quatuor de Cuivres: 2 trompettes, Cor, trombone
123
Quatuor de cuivres: 4 cors
123
Cor anglais, Piano
120
2 Trombones (duo)
91
Quatuor de cuivres: 4 trombones
85
Quatuor de Cuivres
80
2 Cors (duo)
74
Ensemble de Trombones
67
Trompette, Trombone (duo)
52
Ensemble de Cors
33
Quatuor de cuivres: 4 trompettes
29
Trompette, Cor (duo)
26
2 Tubas (duo)
24
Cor Anglais
23
Trio de Cuivres
21
Euphonium
21
Ensemble de Trompettes
19
3 Trombones (trio)
18
4 Tubas
18
Tuba et Orgue
18
Trombone basse
16
Trompette (partie séparée)
11
Trombone, Orgue
11
3 Trompettes (trio)
11
Trombone basse et Piano
11
Cor, Violoncelle (duo)
10
2 Euphoniums et 2 Tubas
10
Trombone, Cor (duo)
10
Trombone (partie séparée)
9
Trompette, Saxophone (duo)
9
Cor, Tuba (duo)
8
3 Cors (trio)
7
Cor et Basson (duo)
7
Trompette, Violoncelle (duo)
7
Trompette et Guitare
7
3 Tubas (trio)
7
Euphonium, Tuba (duo)
6
Trompette, Basson (duo)
6
Trompette, Violoncelle et Piano
6
Trompette, Tuba (duo)
5
Trombone, Tuba (duo)
5
Cor anglais, Guitare (duo)
5
Trompette, Trombone, Piano
5
Trombone et orchestre
3
2 Cors Anglais Et Pianoforte
3
2 Euphoniums (duo)
3
Cor et Harpe
3
Cor et Orgue
2
Ensemble de Tubas
2
Trompette, Harpe
2
Trompette, Orchestre
1
Tuba (partie séparée)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor, Violoncelle et Piano
1
Trompette, Euphonium (duo)
1
Trombone, Violon (duo)
1
Cornet et orchestre
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 66 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 576
Violon et Piano
1 509
Violoncelle, Piano
1 164
Alto, Piano
627
Violon
405
Violoncelle
335
2 Violons (duo)
258
Trio à Cordes: violon, alto, violoncelle
231
Violon, Violoncelle (duo)
211
Harpe
205
Alto seul
196
Contrebasse, Piano (duo)
175
2 Violoncelles (duo)
144
Contre Basse
134
Quintette à cordes: 2 violons, alto, violoncelle, basse
132
Violon, Alto (duo)
112
2 Altos (duo)
109
Violon, Guitare (duo)
107
4 Violoncelles
96
Trio à Cordes: 2 violons, violoncelle
72
Violoncelle , Guitare (duo)
58
Quatuor à cordes: 4 violons
51
Alto, Violoncelle (duo)
50
Alto (partie séparée)
48
Alto, Guitare (duo)
41
Trio à cordes: 3 violins
40
Quatuor à cordes : 4 altos
37
2 Contrebasses (duo)
34
2 Harpes (duo)
31
Trio à Cordes: 3 violoncelles
30
Trio à cordes: 3 altos
27
Harpe, Violon (duo)
26
Harpe, Flûte (duo)
24
Piano Trio: Violon, Alto, Piano
21
Trio à Cordes: 2 violons, alto
19
Violon, Basson (duo)
19
Violon (partie séparée)
16
Violoncelle, Contrebasse (duo)
11
Alto et Basson
11
4 Contrebasses
9
2 Violons, Piano
9
Trio à cordes
6
Ensemble de Violons
5
Violon, Orgue
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Harpe, Violoncelle (duo)
4
Flûte, Contrebasse (duo)
4
Contrebasse (partie séparée)
4
Ensemble de Violoncelles
4
Violoncelle, Orgue
4
Harpe, Trombone (duo)
4
2 Violoncelles, Piano
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Alto, Orgue
3
Violon, Clarinette, Piano (trio)
3
Violoncelle (partie séparée)
3
Ensemble d'Altos
2
Harpe, Voix
2
Harpe et Piano
2
Violoncelle, Orchestre
2
3 Contrebasses
2
Violon, Violoncelle, Clarinette
2
Alto et Harpe
1
Harpe, Violon, Violoncelle
1
Harpe, Quatuor à cordes
1
+ 60 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
720
Orchestre d'harmonie
618
Orchestre
469
Orchestre de chambre
346
Ensemble de cuivres
262
Ensemble Jazz
64
Cloches
31
Marimba
20
Xylophone, Piano
19
Ensemble de Percussions
18
Xylophone
14
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Jazz combo
8
Vibraphone
5
Fanfare
4
Quintette de Cuivres: autres combinaisons
4
2 Xylophones
3
Instrumentation Flexible
3
Quatuor à Vent : 4 instruments à vents
3
Marimba, Piano (duo)
2
Vibraphone (partie séparée)
2
Piano et Orchestre
1
Percussion (partie séparée)
1
Batterie (partie séparée)
1
Vibraphone et Marimba
1
Ensemble d'École
1
Batterie
1
Quintette à Vent
1
Orchestre, Violon
1
+ 24 instrumentations
Retracter
Autres
Formation musicale - Solfège
136
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Pertinence
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Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
a Romantic
Voix Soprano, Piano
Partitions à imprimer
37 partitions trouvées
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1
26
A Night-Piece for Mezzo-Soprano and Piano after Wordsworth
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Voix Soprano, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Richard St
#
A Night-Piece for Mezzo-Sopran
#
Richard St. Clair
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.939663 Composed by Richard St. Clair. 20th Century. 9 pages. Richard St. Clair #3000385. Published by Richa...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.939663 Composed by Richard St. Clair. 20th Century. 9 pages. Richard St. Clair #3000385. Published by Richard St. Clair (A0.939663). A modern-day romantic style setting of William Wordsworth's 1798 poem, A Night-Piece for mezzo-soprano with piano accompaniment. Duration about 5 minutes. The style is mostly tonal but with some nontraditional harmonies. The attached MP3 Audio Clip is computer-generated.Lyrics:A NIGHT-PIECEby William Wordsworth THE sky is overcast With a continuous cloud of texture close, Heavy and wan, all whitened by the Moon, Which through that veil is indistinctly seen, A dull, contracted circle, yielding light So feebly spread, that not a shadow falls, Chequering the ground--from rock, plant, tree, or tower. At length a pleasant instantaneous gleam Startles the pensive traveller while he treads His lonesome path, with unobserving eye 10 Bent earthwards; he looks up--the clouds are split Asunder,--and above his head he sees The clear Moon, and the glory of the heavens. There, in a black-blue vault she sails along, Followed by multitudes of stars, that, small And sharp, and bright, along the dark abyss Drive as she drives: how fast they wheel away, Yet vanish not!--the wind is in the tree, But they are silent;--still they roll along Immeasurably distant; and the vault, 20 Built round by those white clouds, enormous clouds, Still deepens its unfathomable depth. At length the Vision closes; and the mind, Not undisturbed by the delight it feels, Which slowly settles into peaceful calm, Is left to muse upon the solemn scene. 1798.
$10.00
La Périchole's Tipsy Waltz (A quel diner)
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Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Jacques Offenbach
#
Scott S
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La Périchole's Tipsy Wa
#
Scott S. Stewart
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.955879 Composed by Jacques Offenbach. Arranged by Scott S. Stewart. Broadway,Musical/Show,Opera,Romantic Pe...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.955879 Composed by Jacques Offenbach. Arranged by Scott S. Stewart. Broadway,Musical/Show,Opera,Romantic Period. 3 pages. Scott S. Stewart #6622323. Published by Scott S. Stewart (A0.955879). The Tipsy Waltz (Ah! quel diner!) by Jacques Offenbach, from this operetta La Périchole, is a favorite comedic scene that is played for laughs. It has become a favored, character piece on many a mezzo-soprano’s rep list. Alone it stands on its own as a masterful, humorous tour de force. The new English text has been updated and expanded to give more depth of character; and the accompaniment enhanced to provide more color and substance to the musical background. This new arrangement is scored for mezzo-soprano with piano accompaniment. Performance time: 1:45+
$12.99
Songs of a Wayside Inn (after Longfellow) 4 Songs for Soprano and Piano (Composed 1970, New Edition
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Richard St
#
Songs of a Wayside Inn
#
Richard St. Clair
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.939743 Composed by Richard St. Clair. 20th Century. 18 pages. Richard St. Clair #3258153. Published by Rich...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.939743 Composed by Richard St. Clair. 20th Century. 18 pages. Richard St. Clair #3258153. Published by Richard St. Clair (A0.939743). Lyrical songs in a post-Romantic style with some modern-day harmonies. The 4 songs are settings of selections from the larger poetic cycle, Tales of a Wayside Inn, by the 19th century American poet, Henry Wadsworth Longfellow. Total duration: about 10 minutes. Range of soprano part: two octave range, B-flat below Middle C to High B-natural.
$14.99
Lilacs ... A Poem by Amy Lowell (2012, rev. 2016) for soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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3
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Lilacs ... A Poem by Amy Lowel
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Thomas Oboe Lee
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869312 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. With Recit...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869312 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. With Recitativo and Allegro. You are everywhere. You were everywhere. You tapped the window when the preacher preached his sermon, And ran along the road beside the boy going to school. You stood by the pasture-bars to give the cows good milking, You persu. 38 pages. Thomas Oboe Lee #2283. Published by Thomas Oboe Lee (A0.869312). Lilacs … a poem by Amy Lowell (2012) 1. Lilac, false blue ... Moderato. 2. You Are Everywhere ... Recitativo, allegro. 3. Lilacs, false blue ... Moderato. 4. Maine Knows You ... Recitativo, allegro. 5. Lilacs, false but ... Moderato. Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/lilacs-a-poem-by-amy-lowell-2012Video link: https://youtu.be/K1ERB6S6c0YAmy Lowell, Lilacs from The Complete Poetical Works of Amy Lowell. Copyright © 1955 by Houghton Mifflin Company. Copyright © renewed 1983 by Houghton Mifflin Company, Brinton P. Roberts, and G. D'Andelot, Esquire. Used by permission of Houghton Mifflin Company. All rights reserved.
$9.99
More Than Just A Friend
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Music by Helen MacCulloch & Ly
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More Than Just A Friend
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Optimistic Music Company
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008225 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. Latin,Pop. 10 pages. Optimis...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008225 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. Latin,Pop. 10 pages. Optimistic Music Company #5354969. Published by Optimistic Music Company (A0.1008225). More Than Just A Friend is an upbeat romantic ballad with a Latin feel from the musical Amber Avenues which is set in 1964. Suitable for general audiences, including high schools and community theatres.
$3.50
Solveig's Song - A Minor
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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Jonathan Prentice
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Solveig's Song - A Minor
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Jonathan Prentice
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.884870 Composed by Edvard Grieg. Arranged by Jonathan Prentice. Romantic Period. 4 pages. Jonathan Prentice...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.884870 Composed by Edvard Grieg. Arranged by Jonathan Prentice. Romantic Period. 4 pages. Jonathan Prentice #6072909. Published by Jonathan Prentice (A0.884870). This charming song was part of Grieg's music for Henrik Ibsen's play, Peer Gynt. Grieg adapted his music to form the famous Peer Gynt Suite, and this song too has become well known in it's own right. (Here in A Minor, suitable for sopranos).
$1.99
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
The Silver Swan
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Voix Soprano, Piano
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Classique
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Apostolos Paraskevas
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The Silver Swan
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Silver Sickle Publications
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SheetMusicPlus
Piano/Vocal/Chords, Soprano Voice, Soprano and Voice - Composed by Apostolos Paraskevas (1964-). Romantic Period, Impressionistic, World, New Age. S...
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Piano/Vocal/Chords, Soprano Voice, Soprano and Voice - Composed by Apostolos Paraskevas (1964-). Romantic Period, Impressionistic, World, New Age. Score. 5 pages. Published by Silver Sickle Publications
I composed this song back in the early nineties while I wasexperimenting with extended tonality. The text of this anonymous poet propelledme to use a more pensive style but without deviating from the romantic style Ihad envision for this song.
The song form isalmost an announcement without repeats or technical remedies for a cyclic formas we mostly are accustomed from the romantic period or in general from songwriting. It is a simple story that was told once.
Dedicated to composer Jakov Jakoulov who made me see that the fineprint of my music.
$5.99
Kindness (high voice solo with piano)
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Voix Soprano, Piano
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AVANCÉ
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Emily Wood
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eswoodmusic@gmail.com).
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Kindness
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Emily Sue Wood
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.907126 Composed by Emily Wood. Concert,Contemporary,Wedding. 6 pages. Emily Sue Wood #4292555. Published by...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.907126 Composed by Emily Wood. Concert,Contemporary,Wedding. 6 pages. Emily Sue Wood #4292555. Published by Emily Sue Wood (A0.907126). I admire you for your kindness. This song may be interpreted as a romantic love song or a song honoring someone inspirational. Vocal pitch ranges from the A sharp below middle C to the A sharp above treble C. Original music and text. About two minutes long, written in 2018. (My Facebook page: Music by Emily Wood; eswoodmusic@gmail.com).
$4.99
Echo
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Voix Soprano, Piano
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Contemporain
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Michael Berkeley
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Echo
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Oxford University Press Digital
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SheetMusicPlus
Soprano voice and piano - SKU: OX.9780193569508 Homage � Francis Poulenc. Composed by Michael Berkeley. Score. 7 pages. Oxford University P...
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Soprano voice and piano - SKU: OX.9780193569508 Homage � Francis Poulenc. Composed by Michael Berkeley. Score. 7 pages. Oxford University Press Digital #9780193569508. Published by Oxford University Press Digital (OX.9780193569508). ISBN 9780193569508.For soprano and piano. This song was written for the 'NMC Songbook', a CD of contemporary vocal studies. Of a romantic, wistful nature, it is particularly accessible, full of lush Poulenc-inspired harmonies. Echo was first performed and recorded in August 2008 at King's Place, London by Ailish Tynan and Iain Burnside.
$14.99
If I Find the Time
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Music by Helen MacCulloch & Ly
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If I Find the Time
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Optimistic Music Company
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008239 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. Concert,Jazz,Musical/Show. 6...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1008239 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. Concert,Jazz,Musical/Show. 6 pages. Optimistic Music Company #5374919. Published by Optimistic Music Company (A0.1008239). If I Find the Time Is a romantic ballad from the musical Under the Same Sky which is set in 1964. Suitable for general audiences including high schools and community theatres.
$3.50
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Un Bel Di Vedremo (from Madama Butterfly) - for Soprano - in C major
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Giacomo Puccini
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Rodrigo Faleiros
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Un Bel Di Vedremo
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1370217 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Pe...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1370217 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Score. 6 pages. Rodrigo Faleiros #954492. Published by Rodrigo Faleiros (A0.1370217). Experience the poignant beauty of Giacomo Puccini's masterpiece Madama Butterfly with our arrangement of the aria Un Bel Di Vedremo for solo soprano and piano accompaniment. This emotive rendition allows the soprano to showcase the heart-wrenching beauty and hope encapsulated in the character's yearning for a brighter future. The lush piano accompaniment provides a rich tapestry of harmonies, perfectly complementing the vocal lines to create a powerful and evocative musical experience.Key Features: Soprano Showcase: Tailored for a solo soprano, allowing for a captivating and expressive performance of the iconic aria. Piano Accompaniment: The lush arrangement enhances the emotional depth, creating a compelling backdrop for the soprano's rendition. Key of C Major: The arrangement is thoughtfully crafted in the key of C major, allowing for a resonant and sonorous interpretation. Emotive and Evocative: Immerse your audience in the emotional journey of Madama Butterfly, capturing the essence of the aria's poignant narrative. Instant : Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply indulging in the beauty of Puccini's operatic masterpiece, this arrangement of Un Bel Di Vedremo offers a captivating interpretation of one of opera's most cherished arias.And don't miss other arias I've arranged for solo soprano by clicking here!
$2.99
Un Bel Di Vedremo (from Madama Butterfly) - for Soprano - in Ab major
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Giacomo Puccini
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Rodrigo Faleiros
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Un Bel Di Vedremo
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1370214 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Pe...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1370214 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Score. 6 pages. Rodrigo Faleiros #954489. Published by Rodrigo Faleiros (A0.1370214). Experience the poignant beauty of Giacomo Puccini's masterpiece Madama Butterfly with our arrangement of the aria Un Bel Di Vedremo for solo soprano and piano accompaniment. This emotive rendition allows the soprano to showcase the heart-wrenching beauty and hope encapsulated in the character's yearning for a brighter future. The lush piano accompaniment provides a rich tapestry of harmonies, perfectly complementing the vocal lines to create a powerful and evocative musical experience.Key Features: Soprano Showcase: Tailored for a solo soprano, allowing for a captivating and expressive performance of the iconic aria. Piano Accompaniment: The lush arrangement enhances the emotional depth, creating a compelling backdrop for the soprano's rendition. Key of Ab Major: The arrangement is thoughtfully crafted in the key of Ab major, allowing for a resonant and sonorous interpretation. Emotive and Evocative: Immerse your audience in the emotional journey of Madama Butterfly, capturing the essence of the aria's poignant narrative. Instant : Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply indulging in the beauty of Puccini's operatic masterpiece, this arrangement of Un Bel Di Vedremo offers a captivating interpretation of one of opera's most cherished arias.And don't miss other arias I've arranged for solo soprano by clicking here!
$2.99
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
"Eulalie," for Soprano and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Steven Shade
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"Eulalie," for Sopra
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Steve Shade
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.834331 Composed by Steven Shade. 20th Century,Romantic Period. 12 pages. Steve Shade #3240751. Published by...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.834331 Composed by Steven Shade. 20th Century,Romantic Period. 12 pages. Steve Shade #3240751. Published by Steve Shade (A0.834331). Eulalie is a poem written by Edgar Allan Poe. I have set it to a song for Soprano Voice and Piano. Due to the content of the poem, this piece allows the vocalist to get a chance to work on both expressive and dramatic singing. The vocalist gets a moment to truly shine during a mini cadenza. Although not the soloist, the pianist has interludes that will showoff the player's expressive abilities. Although not technically difficult, this piece does demand a fairly large range from the vocalist. This song would be a good expressive piece to add to a recital. Contents: Cover page, program notes, Eulalie poem in its entirety, full scoreSoprano Range: C4-Bb5Difficulty: Intermediate/Early AdvancedDuration: About 3 minutes
$1.99
Kindertodtenlieder (2020) for soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Kindertodtenlieder
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Thomas Oboe Lee
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869653 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. 68 pages. Thomas Oboe Lee #5...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869653 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. 68 pages. Thomas Oboe Lee #5751651. Published by Thomas Oboe Lee (A0.869653). I am not a huge fan of Mahler's music but his Kindertotenlieder is a cultural gem! I inadvertently discovered that the poet Friedrich Rückert who penned Kindertodtenlieder (yes, with a d ... LOL!) wrote 400-plus of these KTL poems after his two youngest children died of scarlet fever. I bought the book @ Amazon. After plowing through 442 of them, I winnowed it down to ten poems for my song cycle. It is scored for soprano and piano. NB: I cannot afford an orchestra, and it would be too much unnecessary work. LOL!!! The entire song cycle has a duration of ca. 35 minutes. It ends like a mechanical music box while the soprano sings a lullaby. Sleep is of course a perfect metaphor for being dead. Enjoy!!!https://thomasoboelee.bandcamp.com/album/kindertodtenlieder-2020
$9.99
The Nightigale
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Voix Soprano, Piano
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A
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Marina Rechkalova
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The Nightigale
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Marina Rechkalova
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.1030079 Composed by A. Alabiev. Arranged by Marina Rechkalova. Folk,Romantic Period. 7 pages. Marina Rechkalova #6859...
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Soprano voice,Vocal Solo - SKU: A0.1030079 Composed by A. Alabiev. Arranged by Marina Rechkalova. Folk,Romantic Period. 7 pages. Marina Rechkalova #6859079. Published by Marina Rechkalova (A0.1030079). The Nightingale by A. Alabiev, based on the poem by A. Delvig is a Russian-language art song. .
$19.99
Schwips-lied (The Tipsy Polka)
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Scott S
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Schwips-lied
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Scott S. Stewart
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.955877 Composed by Johann Strauss Jr. Arranged by Scott S. Stewart. Broadway,Musical/Show,Opera,Romantic Pe...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.955877 Composed by Johann Strauss Jr. Arranged by Scott S. Stewart. Broadway,Musical/Show,Opera,Romantic Period. 7 pages. Scott S. Stewart #6622319. Published by Scott S. Stewart (A0.955877). The Schwips-Lied ('Tipsy Song') is actually the 'Annen-Polka' (an orchestral polka originally composed by Johann Strauss, ‘Sohn,’ in 1852) with a vocal part added above, inserted in his 1883 operetta, Eine Nacht in Venedig (One Night in Venice). It is sung by a proper Victorian-era woman who finds herself slightly drunk. This arrangement of The Schwips-lied is a masterful, humorous, musical tour de force. The new English text has been updated and expanded to give more depth of character (the girl who wants to be naughty, but still be nice looking for a long drawn out kiss), complete with an extended cadenza. This new arrangement is scored for soprano with piano accompaniment. Performance time: 2:30+
$12.99
Today Is Your Day (Med-High Voice)
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Voix Soprano, Piano
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FACILE
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Clyde Grabski
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Today Is Your Day
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Diamond Forest Publishing
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 2 - SKU: A0.943930 Composed by Clyde Grabski. Graduation,Holiday,Romantic Period. 4 pages. Diamond Forest Publishing #4...
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Soprano voice,Vocal Solo - Level 2 - SKU: A0.943930 Composed by Clyde Grabski. Graduation,Holiday,Romantic Period. 4 pages. Diamond Forest Publishing #4596537. Published by Diamond Forest Publishing (A0.943930). This song is a wonderful tribute to a close friend or family member. It could be used for birthdays, graduation, or even a memorial service. The wonderful flowing melody has a dramatic refrain with the words, ..for today is your day, showing the way, lighting the Light of your Love. To hear the musical dramatic effect, listen to the audio sample.
$4.99
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
MARY'S SONG
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Voix Soprano, Piano
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AVANCÉ
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Sonny Rios
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MARY'S SONG
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Sonny Rios
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.962911 Composed by Sonny Rios. Christian,Christmas,Romantic Period,Sacred. 6 pages. Sonny Rios #4277991. Pu...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.962911 Composed by Sonny Rios. Christian,Christmas,Romantic Period,Sacred. 6 pages. Sonny Rios #4277991. Published by Sonny Rios (A0.962911). MARY’S SONG: Mary’s Song, or The Magnificat, is part of a greater work, a Christmas cantata (Bells Are Ringing) written by Sonny Rios in 1976. The song, for Soprano solo, is in English and has a range of Eb4-B5. Its lyrics are taken from the biblical (KJV) account of Mary and Elizabeth conversing about their pregnancies, as found in the first chapter of the gospel of Luke. The song may be sung in Christian services, secular or religious concerts and UIL competitions. The song has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. If you wish to record the song, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
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