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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
AND CAN IT BE - FLUTE
Non classifié
3 143
Piano & claviers
Piano seul
2 174
Piano Facile
809
Piano, Voix et Guitare
667
Piano, Voix
622
Instruments en Do
327
Orgue
239
Piano grosses notes
116
1 Piano, 4 mains
63
2 Pianos, 4 mains
41
Accordéon
34
Accompagnement Piano
32
Piano Trio: piano, violon, violoncelle
23
Piano Quatuor: piano, violon, alto, violoncelle
10
Orgue, Trompette (duo)
7
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano (partie séparée)
4
Orgue, Piano (duo)
3
Clavecin
2
2 Pianos, 8 mains
2
Clavier
2
Ligne De Mélodie, Piano
1
+ 17 instrumentations
Retracter
Guitares
Guitare
256
Guitare notes et tablatures
208
Ukulele
82
Ligne De Mélodie, (Paroles) et Accords
33
Basse electrique
32
Dulcimer
23
4 Guitares (Quatuor)
23
Mandoline
17
Piano, Guitare (duo)
14
Banjo
13
2 Guitares (duo)
11
Paroles et Accords
9
Ensemble de guitares
7
Guitare (partie séparée)
5
2 Dulcimers (duo)
4
3 Guitares (trio)
4
2 Mandolines (duo)
2
Mandoline, Guitare (duo)
2
+ 13 instrumentations
Retracter
Voix
Chorale SATB
1 051
Chorale 3 parties
344
Chorale 2 parties
220
Chorale Unison
128
Chorale TTBB
124
Chorale SSAA
88
Voix haute
53
Voix duo
36
Voix duo, Piano
34
Voix Soprano, Piano
29
Voix Alto, Piano
28
Pack Instrumental pour Chorale
19
Voix seule
17
Voix moyenne, Piano
17
Voix Baryton, Piano
7
Voix Tenor, Piano
4
Voix Tenor
3
Voix basse, Piano
2
Chorale
2
Voix basse
2
Voix Soprano
1
Chorale SSATTB
1
Voix Mezzo-Soprano, Piano
1
Chorale SATBB
1
Soli, choeur mixte et accompagnement
1
Chorale SSAATTBB
1
+ 21 instrumentations
Retracter
Vents
2 Saxophones (duo)
278
Quatuor de Saxophones: 4 saxophones
239
Quatuor de Clarinettes: 4 clarinettes
193
Clarinette et Piano
160
Quintette de Saxophone: 5 saxophones
146
Hautbois, Piano (duo)
139
2 Clarinettes (duo)
137
Clarinette
135
Saxophone Alto et Piano
118
Saxophone Tenor et Piano
95
Saxophone
81
Ensemble de Clarinettes
80
2 Flûte à bec (duo)
79
Saxophone (partie séparée)
76
Saxophone Alto
74
Hautbois (partie séparée)
74
3 Saxophones (trio)
71
Saxophone Soprano et Piano
59
Saxophone, Clarinette (duo)
57
Saxophone Tenor
55
Saxophone Baryton, Piano
54
Ensemble de saxophones
50
2 Hautbois (duo)
43
Clarinette, Violon (duo)
40
3 Clarinettes (trio)
40
Clarinette, Trompette (duo)
36
Quintette de Clarinettes: 5 clarinettes
32
Cor anglais, Piano
32
Hautbois, Basson (duo)
28
Flûte à bec Soprano
28
Flûte à Bec
27
Quatuor de Flûtes à bec
27
Hautbois, Clarinette (duo)
25
Clarinette et Alto
20
Clarinette (partie séparée)
17
Clarinette, Basson (duo)
17
3 Flûtes à bec (trio)
16
Saxophone Soprano
14
Cor Anglais
14
5 Flûtes à bec
13
Clarinette Basse, Piano
11
Flûte à bec Alto
11
Clarinette, Trombone (duo)
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Saxophone Baryton
8
Hautbois
7
Piccolo, Piano
6
Ensemble de Hautbois
6
4 Hautbois
6
Clarinette, Guitare (duo)
6
Ensemble De Flûte à bec
6
Flûte à bec Soprano, Piano
6
Flûte à bec Tenor
5
Flûte à bec Alto, Piano
5
Ocarina
4
2 Clarinettes, Piano
4
Hautbois, Guitare (duo)
2
2 Clarinettes, Basson
2
Instruments en Mib
2
Saxophone et Guitare
2
Saxophone et Orgue
1
Clarinette, Tuba
1
2 Saxophones, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Orgue
1
Hautbois, Violoncelle
1
Harmonica
1
Flûte à bec, Harpe
1
2 Hautbois, Piano
1
Piccolo
1
Flûte à Bec, Piano
1
Clarinette, Violoncelle (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette, Contrebasse (duo)
1
+ 71 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
234
Trompette
155
Trompette, Piano
140
Trombone et Piano
137
Quatuor de Cuivres : 2 trompettes, trombone, tuba
121
Cor et Piano
112
Trombone
99
Tuba et Piano
77
2 Trompettes (duo)
76
2 Trombones (duo)
75
Cor
59
Quatuor de cuivres: 4 trombones
54
Tuba
51
Quatuor de Cuivres: 2 trompettes, Cor, trombone
49
Trompette, Trombone (duo)
41
Trompette, Saxophone (duo)
40
2 Cors (duo)
32
Euphonium, Piano (duo)
32
Cor anglais, Piano
32
Trompette (partie séparée)
31
Quatuor de cuivres: 4 cors
31
Ensemble de Trombones
28
Trombone (partie séparée)
22
Quatuor de Cuivres
20
Ensemble de Trompettes
19
2 Tubas (duo)
19
2 Euphoniums et 2 Tubas
17
Quatuor de cuivres: 4 trompettes
17
Ensemble de Cors
17
Trompette, Cor (duo)
15
4 Tubas
15
Cor Anglais
14
Cor (partie séparée)
12
3 Trombones (trio)
12
2 Euphoniums (duo)
11
Tuba (partie séparée)
8
Euphonium
6
3 Tubas (trio)
6
Trombone, Tuba (duo)
6
3 Cors (trio)
6
Trio de Cuivres
5
Trombone, Cor (duo)
5
Tuba et Orgue
4
Bass Clef Instruments
3
Trompette, violon (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Tuba (duo)
3
Trombone, Orgue
2
Euphonium, Tuba (duo)
2
3 Trompettes (trio)
2
Instruments en Sib
2
2 Cors, Piano
1
Cor, Violoncelle (duo)
1
Ensemble de Tubas
1
Cornet et orchestre
1
Trompette, Trombone, Piano
1
Trombone et orchestre
1
Trombone basse
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 54 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
766
Violon, Violoncelle (duo)
341
Violon
340
Violon et Piano
266
Trio à Cordes: violon, alto, violoncelle
216
Harpe
190
Violoncelle
179
Violoncelle, Piano
176
Alto, Piano
156
2 Violons (duo)
113
Trio à Cordes: 2 violons, violoncelle
87
2 Violoncelles (duo)
86
Violon, Alto (duo)
84
Alto seul
65
2 Altos (duo)
64
Quintette à cordes: 2 violons, alto, violoncelle, basse
58
Contre Basse
47
Contrebasse, Piano (duo)
46
Alto (partie séparée)
33
2 Harpes (duo)
31
Trio à cordes: 3 violins
26
Violon (partie séparée)
24
Quatuor à cordes: 4 violons
22
4 Violoncelles
21
Violon, Guitare (duo)
20
Trio à Cordes: 3 violoncelles
19
Alto, Violoncelle (duo)
16
Violoncelle , Guitare (duo)
14
Contrebasse (partie séparée)
13
Trio à cordes: 3 altos
13
Violoncelle, Contrebasse (duo)
10
Quatuor à cordes : 4 altos
10
Ensemble de Violons
9
2 Contrebasses (duo)
8
Ensemble d'Altos
7
Piano Trio: Violon, Alto, Piano
7
Harpe et Piano
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Violoncelle, Basse continue
4
Violon, Orgue
4
Harpe, Voix
4
Trio à Cordes: 2 violons, alto
3
3 Harpes
3
Harpe, Violoncelle (duo)
3
Harpe, Violon (duo)
3
4 Contrebasses
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Alto et Basson
2
2 Altos, Piano
2
5 Harpes
2
Violon, Basson (duo)
2
Alto, Guitare (duo)
1
Violoncelle, Orgue
1
Harpe, Violon, Violoncelle
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
Autoharp
1
Alto et Harpe
1
Alto, Orgue
1
2 Violons, Piano
1
+ 55 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
610
Orchestre à Cordes
392
Cloches
382
Orchestre
242
Ensemble Jazz
204
Ensemble de cuivres
186
Orchestre de chambre
94
Ensemble de Percussions
71
Jazz combo
63
Batterie
30
Fanfare
27
Vibraphone
7
Percussion (partie séparée)
6
Marimba
5
Batterie (partie séparée)
4
Percussion
3
3 Marimbas
3
Piano et Orchestre
3
Quintette à Vent
2
Xylophone
2
Orchestre, Violon
1
2 Xylophones
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Marimba, Piano (duo)
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
3
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
AND CAN IT BE - FLUTE
Chorale TTBB
Partitions à imprimer
124 partitions trouvées
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101
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English)
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Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Matthew Alan Edwards
#
Matthew Alan Edwards
#
Op. 7 Canzona alla terza "
#
Matthew Alan Edwards
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance...
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Choral Choir (TTBB) - Level 4 - SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!
$2.19
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
#
Chorale TTBB
#
INTERMÉDIAIRE/AVANCÉ
#
Matthew Alan Edwards
#
Matthew Alan Edwards
#
Op. 7 Canzona alla terza "
#
Matthew Alan Edwards
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance...
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Choral Choir (TTBB) - Level 4 - SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!
$2.19
Quando corpus morietur, TTBB a cappella
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Chorale TTBB
#
FACILE
#
Gioachino Rossini
#
Ivana Tuskan
#
Quando corpus morietur, TTBB a
#
Ivana Tuskan
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.793924 Composed by Gioachino Rossini. Arranged by Ivana Tuskan. A Cappella,Concert,Easter,Romantic Period,Sacred...
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Choral Choir (TTBB) - Level 2 - SKU: A0.793924 Composed by Gioachino Rossini. Arranged by Ivana Tuskan. A Cappella,Concert,Easter,Romantic Period,Sacred. Octavo. 5 pages. Ivana Tuskan #4276261. Published by Ivana Tuskan (A0.793924). Beautiful and profound Rossini's movement Quando corpus morietur (from Stabat Mater) is meant to be sung by SATB solo quarttet, by Rossini's instructions. It's often sung by choirs. This arrangement is written for TTBB male (available for SSAA, too) ensemble, and can be sung by quarttet or choir. Key: original: Bflat major
$1.99
I Am My Country (highland Cathedral)
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Chorale TTBB
#
FACILE
#
Will Martin
#
Lorraine Forsdick
#
I Am My Country
#
Lorraine Forsdick
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1260792 By Will Martin. By Angela Lupino, Michael Korb, and Uli Roever. Arranged by Lorraine Forsdick. Contempor...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1260792 By Will Martin. By Angela Lupino, Michael Korb, and Uli Roever. Arranged by Lorraine Forsdick. Contemporary,Patriotic,Traditional. Octavo. 7 pages. Lorraine Forsdick #853935. Published by Lorraine Forsdick (A0.1260792). This is male voice choir arrangement of 'Highland Cathedral' to the words' I Am My Country'. These words make it more applicable to sing for male voice choirs as they don't have quite such a Scottish connection as some other versions and can be easily applied to other locations. Until the last couple of bars it is in two parts with the 1st and 2nd tenors together and the baritones and basses together with easy harmonies.
$1.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
#
FACILE
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo &am
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Silent Night - TTB and piano with FREE BACKING TRACK to sing along!
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Noël
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F
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Austin Ralphson
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Silent Night - TTB and piano w
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Austin Ralphson
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.563745 Composed by F. Gruber, Mohr, and j. Arranged by Austin Ralphson. Christmas,Standards. 9 pages. Aus...
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Choral Choir,Choral (TTBB) - Level 4 - SKU: A0.563745 Composed by F. Gruber, Mohr, and j. Arranged by Austin Ralphson. Christmas,Standards. 9 pages. Austin Ralphson #4844869. Published by Austin Ralphson (A0.563745). This is a lovely arrangement for TTB with piano. It includes a different arrangement for each of the three verses and is ideal for Christmas Concert programmes and other performances. Fun to learn, to sing and to listen to!This piece can either be sung with a live pianist, or can be sung along with the free backing track which is available from https://youtu.be/x0oY4Gya50Q
$1.99
I Will Sing and Praise Your Name - TTBB Ensemble
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Chorale TTBB
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INTERMÉDIAIRE
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Mark R Lewis
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I Will Sing and Praise Your Na
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Mark R Lewis
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1144882 Composed by Mark R Lewis. A Cappella,Religious,Sacred. Octavo. 12 pages. Mark R Lewis #745197. Published...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1144882 Composed by Mark R Lewis. A Cappella,Religious,Sacred. Octavo. 12 pages. Mark R Lewis #745197. Published by Mark R Lewis (A0.1144882). I Will Sing and Praise the Lord is an original piece by Mark Lewis. Written for a cappella choir, the lyrics are adapted from Psalm 61 and the tune is entirely original. It begins with a fanfare asking God to listen and moves into a dance-like prayer for God's blessing with the chorus repeating a simple statement of praise to God. This piece is quite achievable by most groups. The tenor 1 and basses do spend a fair bit of time towards the extreme of their ranges. There is only one (optional) note that can only be reached by a true bass and the tenor 1s do go up to a G4 but most singers will have little difficulty performing it.
$1.99
Arioso by Bach for Choir TTBB and Piano
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Chorale TTBB
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Arioso by Bach for Choir TTBB
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Woods Only, Arrangements
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 1 - SKU: A0.957331 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Multicultural,Sacred,Standards,Weddi...
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Choral Choir,Choral (TTBB) - Level 1 - SKU: A0.957331 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Multicultural,Sacred,Standards,Wedding,World. 7 pages. Woods Only, Arrangements #6853135. Published by Woods Only, Arrangements (A0.957331). This easy arrangement for choir ttbb was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains.
$7.99
Jesu, joy of man's desiring by Bach for Choir TTBB and Piano
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Chorale TTBB
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Jesu, joy of man's desiring by
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Woods Only, Arrangements
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 1 - SKU: A0.957349 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christian,Easter,Standards,Wedding. ...
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Choral Choir,Choral (TTBB) - Level 1 - SKU: A0.957349 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christian,Easter,Standards,Wedding. 10 pages. Woods Only, Arrangements #6854499. Published by Woods Only, Arrangements (A0.957349). This easy arrangement for choir ttbb and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass.
$7.99
O Jesulein süss by Bach for Choir TTBB and Piano
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Chorale TTBB
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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O Jesulein süss by Bach f
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Woods Only, Arrangements
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 1 - SKU: A0.957370 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Multicultural,Sacred,Stand...
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Choral Choir,Choral (TTBB) - Level 1 - SKU: A0.957370 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Multicultural,Sacred,Standards,World. 4 pages. Woods Only, Arrangements #6858623. Published by Woods Only, Arrangements (A0.957370). This easy arrangement for choir ttbb quartet has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. Recommended for performance in reverently Christian and liturgical ceremonies such as Good Friday and Christmas time. It also serves as a study for Baroque sacred song.
$7.99
It's The Most Wonderful Time Of The Year
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Chorale TTBB
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INTERMÉDIAIRE
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Eddie Pola, Edward Eddie Pola,
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Jay Dearling
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It's The Most Wonderful Time O
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Jay Dearling
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.996393 Composed by Eddie Pola, Edward Eddie Pola, and George Wyle. Arranged by Jay Dearling. A Cappella,Barbersh...
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Choral Choir (TTBB) - Level 3 - SKU: A0.996393 Composed by Eddie Pola, Edward Eddie Pola, and George Wyle. Arranged by Jay Dearling. A Cappella,Barbershop,Contemporary. Octavo. 4 pages. Jay Dearling #6383185. Published by Jay Dearling (A0.996393). Made popular by Andy Williams as a Christmas classic, having previously sung it with his brothers who frequently joined Andy on his Christmas shows with this song. A TTBB arrangement for any quartet or chorus at Intermediate level. A popular classic for the Christmas Season.This should be sung with a rolling lilt in 3/4 time that gets the audience swaying.Further details can be found on www.jaydeemusic.me.uk.
$1.99
Back To The Island
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Chorale TTBB
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FACILE
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Jimmy Buffett
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Bob Eggers
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Back To The Island
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.940462 By Jimmy Buffett. By Leon Russell. Arranged by Bob Eggers. A Cappella,Rock. Octavo. 12 pages. ROBERT J EG...
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Choral Choir (TTBB) - Level 2 - SKU: A0.940462 By Jimmy Buffett. By Leon Russell. Arranged by Bob Eggers. A Cappella,Rock. Octavo. 12 pages. ROBERT J EGGERS #6501439. Published by ROBERT J EGGERS (A0.940462). Looking for something easy, light hearted and fun? This song is laid back and has a humorous and sweet message that everyone can identify with. The solo is very approachable, and the singer can really take the audience to another world while your backup singers will have a easy time supporting his efforts. My group uses this an an opener, because it quickly gets the audience on our side. Instantly, they know the rest of the program will be fun.Orchestration: TTBB a cappella with tenor soloDuration: 4:33.
$1.99
It's Oh So Quiet (und Jetzt Ist Es Still)
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Chorale TTBB
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AVANCÉ
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Bjork
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Donya Metzger
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It's Oh So Quiet
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Donya I Metzger
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SheetMusicPlus
Voice (TTBB) - Level 5 - SKU: A0.1194357 By Bjork. By Bert Reisfeld, Erich Meder, and Hans Lang. Arranged by Donya Metzger. A Cappella,Barbershop,Pop. B...
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Voice (TTBB) - Level 5 - SKU: A0.1194357 By Bjork. By Bert Reisfeld, Erich Meder, and Hans Lang. Arranged by Donya Metzger. A Cappella,Barbershop,Pop. Barbershop Quartet. 6 pages. Donya I Metzger #793721. Published by Donya I Metzger (A0.1194357). Bjork meets Barbershop! Not for the faint of heart, this arrangement is quite demanding for the top two parts. Written as a TTBB chart, it could be sung by any combination of genders who can manage the notes.
$12.99
Be Near Me (TTBB)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Greg Bartholomew
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Be Near Me
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Burke & Bagley
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.787386 Composed by Greg Bartholomew. Concert,Contemporary. Octavo. 12 pages. Burke & Bagley #6334145. Published ...
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Choral Choir (TTBB) - Level 4 - SKU: A0.787386 Composed by Greg Bartholomew. Concert,Contemporary. Octavo. 12 pages. Burke & Bagley #6334145. Published by Burke & Bagley (A0.787386). Be Near Me is a setting of Canto 50 from the poem In Memoriam A.H.H. by Alfred Tennyson for unaccompanied mixed choir (SATB). Duration ca. 5'15. This is an adaptation for men’s chorus of a work originally composed for mixed choir (SATB). The piano reduction (for rehearsal purposes only) keeps the original women’s voices in the right hand, to help with clarity of line during rehearsal. It may also be helpful to separate the first tenors and baritones on one side and the second tenors and basses on the other, but that is entirely optional.
$2.25
STAND BY ME by Rev. CHARLES A. TINDLEY
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Chorale TTBB
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Musique Sacrée
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Gospel Spirituel
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Rev
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Paul A
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STAND BY ME by Rev. CHARLES A.
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.522373 Composed by Rev. CHARLES ALBERT TINDLEY. Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Sacred. Octavo. 4 pa...
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Choral Choir (TTBB) - SKU: A0.522373 Composed by Rev. CHARLES ALBERT TINDLEY. Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Sacred. Octavo. 4 pages. Paul A. Jorg #6036707. Published by Paul A. Jorg (A0.522373). This song was written in 1905 and was built on the pentatonic scale, as were many Spirituals of Rev. Tindley's early years. This entire melody, as well as Amazing Grace can be played solely on the black keys of a piano.The arrangement features several key changes as well as a verse with bass melody; it is written for 4 part male harmony (TTBB) a cappella.
$4.59
Isn't This A Lovely Day (To Be Caught In The Rain?)
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Chorale TTBB
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INTERMÉDIAIRE
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Irving Berlin
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Bob Martin
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Isn't This A Lovely Day
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Bob Martin Music
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1399364 Composed by Irving Berlin. Arranged by Bob Martin. A Cappella,Barbershop,Broadway,Jazz,Musical/Sh...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1399364 Composed by Irving Berlin. Arranged by Bob Martin. A Cappella,Barbershop,Broadway,Jazz,Musical/Show,Standards. 4 pages. Bob Martin Music #982647. Published by Bob Martin Music (A0.1399364). A straigtforward and musical Barbershop arrangement of this Irvin Berlin classic that sings with an easy beat. Â It can be heard on Scollay Square Quartet's album 'Old Pals' available on iTunes and Spotify.
$1.99
Can't Get It Out Of My Head
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Chorale TTBB
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INTERMÉDIAIRE
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Electric Light Orchestra
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Bob Eggers
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Can't Get It Out Of My Head
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1287756 By Electric Light Orchestra. By Jeff Lynne. Arranged by Bob Eggers. 20th Century,A Cappella,Conte...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1287756 By Electric Light Orchestra. By Jeff Lynne. Arranged by Bob Eggers. 20th Century,A Cappella,Contemporary,Pop,Rock. 13 pages. ROBERT J EGGERS #878833. Published by ROBERT J EGGERS (A0.1287756). Jeff Lynne of ELO composed this song to prove to his father that all of his classical music lessons were not a waste as he pursued a career in popular rock music. This arrangement features a tenor soloist, accompanied by 4 part background, plus a duet and later a trio of tenors on the final chorus. To extend the song, a key change lifts the final chorus to a new level. Duration is 3:45.The arrangement is suitable for school, collegiate and professional choirs of any size, and may be performed for family audiences. Please be sure to follow the link to preview the YouTube video!
$1.99
How Can I Keep from Singing
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Chorale TTBB
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INTERMÉDIAIRE
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Musique Sacrée
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Robert Wadsworth Lowry
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John Trent Wallace
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How Can I Keep from Singing
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TS3
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1098567 Composed by Robert Wadsworth Lowry. Arranged by John Trent Wallace. A Cappella,Christian,Religious,Sacre...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1098567 Composed by Robert Wadsworth Lowry. Arranged by John Trent Wallace. A Cappella,Christian,Religious,Sacred,Spiritual. Octavo. 5 pages. TS3 #702428. Published by TS3 (A0.1098567). How Can I Keep From Singing - Male Choral (TTBB) As part of John Trent Wallace's Modern Classics for Men, this arrangement lifts the orginal simple hymn using contemporary chords and vocal lines for male voices. It can be sung unnaccommpanied or with piano accompaniment.
$1.99
Won't You Be My Neighbor? (it's A Beautiful Day In The Neighborhood)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Fred Rogers
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Skip Stradtman
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Won't You Be My Neighbor?
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Skip Stradtman
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.984783 Composed by Fred Rogers. Arranged by Skip Stradtman. A Cappella. Octavo. 3 pages. Skip Stradtman #4370058...
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Choral Choir (TTBB) - Level 4 - SKU: A0.984783 Composed by Fred Rogers. Arranged by Skip Stradtman. A Cappella. Octavo. 3 pages. Skip Stradtman #4370058. Published by Skip Stradtman (A0.984783). This is Part 1 of 3 of a Mister Rogers Medley for male a cappella vocal ensembles. This arrangement is an homage to the great Fred Rogers who changed the lives of young people through his public television show, Mr. Rogers' Neighborhood. This medley aims to highlight the joy and sincerity with which Fred Rogers sang these songs to his viewers while reimagining the tunes in the context of contemporary a cappella. This arrangement can be performed with vocal percussion as well to highlight its contemporary a cappella style of singing.
$1.99
Goodnight, Sweetheart, Goodnight (goodnight, It's Time To Go)
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Chorale TTBB
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FACILE
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Chuck Berry
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Jonathan Kilhams
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Goodnight, Sweetheart, Goodnig
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Jonathan Kilhams
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1108228 By Chuck Berry. By Calvin Carter and James Hudson. Arranged by Jonathan Kilhams. 20th Century,A Cappella...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1108228 By Chuck Berry. By Calvin Carter and James Hudson. Arranged by Jonathan Kilhams. 20th Century,A Cappella,Barbershop,Classical,Jazz. Octavo. 8 pages. Jonathan Kilhams #710855. Published by Jonathan Kilhams (A0.1108228). This is a great piece to end concerts with! Can be sung unaccompanied or with the delicate piano part. A recording of this arrangement will be available soon.
$5.00
Lullaby by Brahms for TTBB Choir and Piano
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Chorale TTBB
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DÉBUTANT
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Classique
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purchasing this digital sheet
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Johannes Brahms
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Langanho
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Lullaby by Brahms for TTBB Cho
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Avery Lynn Jordan
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.1263405 Composed by Johannes Brahms. Arranged by Langanho. 19th Century,Children,Classical,Romantic Period. Octa...
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Choral Choir (TTBB) - Level 1 - SKU: A0.1263405 Composed by Johannes Brahms. Arranged by Langanho. 19th Century,Children,Classical,Romantic Period. Octavo. 2 pages. Avery Lynn Jordan #856368. Published by Avery Lynn Jordan (A0.1263405). Experience the timeless charm of Brahms’ Lullaby, also known as Wiegenlied, in Opus 49, in a unique arrangement for TTBB choir and Piano with Choir. This delightful song has been carefully adapted to suit the vocal range of the performers, making it ideal for vocal students, teachers looking for instructional material, and parents wishing to encourage their children to explore classical music. This arrangement is incredibly accessible and easy to perform, making it perfect for academic studies as well as formal concerts. The sheet music has been meticulously transcribed to ensure accuracy and clarity in musical notation. The TTBB vocals intertwine smoothly, creating rich and melodic harmonies that resonate with delicacy and emotion. By purchasing this digital sheet music, you will gain immediate access to a high-quality PDF file that can be printed or used on electronic devices. This offers flexibility for practicing, studying, or performing the music anywhere, anytime. Our online sheet music store provides ease and convenience for musicians of all levels. Don’t miss the opportunity to add this beautiful piece to your choral repertoire. With our search engine optimized text, you will easily find this sheet music on top online search engines. Secure your digital copy of Brahms’ Lullaby, also known as Wiegenlied, in Opus 49, now and delight your audience with this unique arrangement.
$4.99
Lullaby by Brahms for TTBB Choir and Piano
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Chorale TTBB
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DÉBUTANT
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Classique
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purchasing this digital sheet
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Johannes Brahms
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Langanho
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Lullaby by Brahms for TTBB Cho
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Avery Lynn Jordan
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.1263402 Composed by Johannes Brahms. Arranged by Langanho. 19th Century,Children,Classical,Romantic Period. Octa...
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Choral Choir (TTBB) - Level 1 - SKU: A0.1263402 Composed by Johannes Brahms. Arranged by Langanho. 19th Century,Children,Classical,Romantic Period. Octavo. 2 pages. Avery Lynn Jordan #856365. Published by Avery Lynn Jordan (A0.1263402). Experience the timeless charm of Brahms’ Lullaby, also known as Wiegenlied, in Opus 49, in a unique arrangement for TTBB choir and Piano. This delightful song has been carefully adapted to suit the vocal range of the performers, making it ideal for vocal students, teachers looking for instructional material, and parents wishing to encourage their children to explore classical music. This arrangement is incredibly accessible and easy to perform, making it perfect for academic studies as well as formal concerts. The sheet music has been meticulously transcribed to ensure accuracy and clarity in musical notation. The TTBB vocals intertwine smoothly, creating rich and melodic harmonies that resonate with delicacy and emotion. By purchasing this digital sheet music, you will gain immediate access to a high-quality PDF file that can be printed or used on electronic devices. This offers flexibility for practicing, studying, or performing the music anywhere, anytime. Our online sheet music store provides ease and convenience for musicians of all levels. Don’t miss the opportunity to add this beautiful piece to your choral repertoire. With our search engine optimized text, you will easily find this sheet music on top online search engines. Secure your digital copy of Brahms’ Lullaby, also known as Wiegenlied, in Opus 49, now and delight your audience with this unique arrangement.
$4.99
I Can't Get Next To You
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Chorale TTBB
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FACILE
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The Temptations
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Bob Eggers
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I Can't Get Next To You
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.940447 By The Temptations. By Barrett Strong and Norman Whitfield. Arranged by Bob Eggers. A Cappella,Oldies. Oc...
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Choral Choir (TTBB) - Level 2 - SKU: A0.940447 By The Temptations. By Barrett Strong and Norman Whitfield. Arranged by Bob Eggers. A Cappella,Oldies. Octavo. 8 pages. ROBERT J EGGERS #3245589. Published by ROBERT J EGGERS (A0.940447). A mash up of the soulful Al Green version with the Temptations driving rendition, this arrangement captures the sounds of the era. With some optional percussion and easy backup parts and a driving bass line, your group will find it easy to be a hit with this song.Learning Tracks available for all voice parts. Contact me for details: reggersusa@yahoo.com
$12.99
It's A Good Day
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Chorale TTBB
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INTERMÉDIAIRE
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Peggy Lee
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Chris Arnold
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It's A Good Day
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Chris Arnold
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.874620 By Peggy Lee. By Dave Barbour and Peggy Lee. Arranged by Chris Arnold. A Cappella,Pop. Octavo. 6 pages. C...
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Choral Choir (TTBB) - Level 3 - SKU: A0.874620 By Peggy Lee. By Dave Barbour and Peggy Lee. Arranged by Chris Arnold. A Cappella,Pop. Octavo. 6 pages. Chris Arnold #4285681. Published by Chris Arnold (A0.874620). This is a great opening song for show package: can be sung fully or there are edits suggested if you want a quick hit opener.Written for men's barbershop ensemble, the melody is primarily in the second voice, shown as Lead; dashed lines indicate where the melody moves to a different voice. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.
$12.99
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