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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All-American Men
Non classifié
929
Piano & claviers
Piano seul
812
Piano, Voix
761
Piano, Voix et Guitare
170
Instruments en Do
137
Piano Facile
75
2 Pianos, 4 mains
30
1 Piano, 4 mains
25
Orgue
16
Piano grosses notes
7
Piano Trio: piano, violon, violoncelle
7
Accordéon, Voix
4
Ligne De Mélodie, Piano
4
Accompagnement Piano
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Tous Les Instruments
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 8 mains
1
Orgue, Piano (duo)
1
Orgue, Trompette (duo)
1
+ 14 instrumentations
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Guitares
Guitare notes et tablatures
79
Ligne De Mélodie, (Paroles) et Accords
70
Guitare
24
Ukulele
18
Mandoline
6
Banjo
4
2 Guitares (duo)
3
Basse electrique
3
Ukulele Baryton
2
Guitare, Violon, Violoncelle (trio)
1
Piano, Guitare (duo)
1
+ 6 instrumentations
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Voix
Chorale SATB
308
Chorale 3 parties
30
Chorale TTBB
25
Chorale SSAA
24
Chorale 2 parties
18
Chorale Unison
7
Voix haute
6
Voix duo
4
Pack Instrumental pour Chorale
3
Voix duo, Piano
3
Voix Baryton, Piano
2
Voix Mezzo-Soprano, Piano
2
Soli, choeur mixte et accompagnement
1
Voix basse
1
Voix Soprano, Piano
1
Voix Baryton
1
Voix Tenor, Piano
1
Voix basse, Piano
1
+ 13 instrumentations
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Vents
2 Saxophones (duo)
80
Saxophone, Clarinette (duo)
48
Flûte, Clarinette (duo)
40
Clarinette, Violon (duo)
40
2 Clarinettes (duo)
36
Clarinette, Trompette (duo)
33
Flûte traversière et Piano
31
2 Flûtes traversières (duo)
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Quintette de Saxophone: 5 saxophones
27
Hautbois, Clarinette (duo)
24
Flûte traversière
22
Flûte, Violon
21
Clarinette et Alto
21
Hautbois, Piano (duo)
20
Flûte, Alto (duo)
19
Clarinette et Piano
18
Quatuor de Saxophones: 4 saxophones
18
Hautbois, Basson (duo)
17
Ensemble de saxophones
17
Quatuor de Clarinettes: 4 clarinettes
16
Flûte, Saxophone (duo)
16
Saxophone Alto et Piano
15
Flûte, Trompette (duo)
14
Hautbois, Flûte
14
Ensemble de Clarinettes
13
Saxophone Soprano et Piano
13
Saxophone Alto
12
2 Hautbois (duo)
11
Clarinette, Basson (duo)
9
Saxophone Tenor et Piano
9
Quintette de Clarinettes: 5 clarinettes
9
Clarinette
9
Flûte, Hautbois, Clarinette, Basson
9
Ensemble de Flûtes
8
Hautbois (partie séparée)
8
Saxophone Tenor
7
Trio de Flûtes: 3 flûtes
7
Instruments en Mib
6
Harmonica
6
Saxophone Baryton, Piano
6
Quintette de Flûte : 5 flûtes
5
Cor anglais, Piano
5
Quatuor de Flûtes : 4 flûtes
5
Flûte, Violoncelle
5
Flûte, Hautbois (duo)
4
Saxophone Baryton
4
Clarinette, Violoncelle (duo)
4
Flûte irlandaise
4
Flute (partie séparée)
4
Saxophone (partie séparée)
4
Clarinette Basse, Piano
4
Clarinette, Harpe (duo)
3
Hautbois, violon (duo)
3
Flûte et Guitare
3
Ocarina
3
Saxophone Soprano
3
Hautbois, Violoncelle
3
Hautbois et alto (duo)
3
Flûte, Violon, Piano
2
Flûte à bec Soprano
2
Clarinette, Trombone (duo)
2
Flûte à bec Alto, Piano
2
Hautbois
2
Saxophone et Orgue
2
Clarinette, Violoncelle, Piano (trio)
2
Piccolo, Piano
1
Hautbois, trombone (duo)
1
Flûte, Alto et Piano
1
2 Saxophones, Piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois, Basson
1
Clarinette Basse
1
Flûte, Trombone (duo)
1
Clarinette, Basson, Piano (trio)
1
3 Saxophones (trio)
1
Hautbois, Trompette (duo)
1
Clarinette, Contrebasse (duo)
1
Saxophone et Guitare
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violoncelle, Piano (trio)
1
2 Clarinettes, Piano
1
Clarinette, Tuba
1
3 Clarinettes (trio)
1
Flute, harpe et violon
1
Flûte à bec Soprano, Piano
1
Flûte, Violon et Violoncelle
1
+ 83 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
58
Quatuor de Cuivres : 2 trompettes, trombone, tuba
38
Trombone et Piano
35
Trompette, Saxophone (duo)
34
Quatuor de Cuivres
26
Trompette, Trombone (duo)
24
Trompette
17
Trompette, Piano
16
2 Trombones (duo)
13
Cor
12
2 Trompettes (duo)
12
Trombone
11
Ensemble de Trombones
10
Tuba et Piano
9
Ensemble de Trompettes
8
Trompette (partie séparée)
7
Bass Clef Instruments
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Instruments en Sib
6
Trombone (partie séparée)
6
Tuba
5
Cor anglais, Piano
5
Cor et Piano
5
Trompette, Cor (duo)
4
2 Cors (duo)
4
3 Trompettes (trio)
3
Trompette, violon (duo)
3
Euphonium, Piano (duo)
3
2 Euphoniums (duo)
2
Trompette, Harpe
1
Trombone, Tuba (duo)
1
Cor et Harpe
1
Quatuor de cuivres: 4 trombones
1
4 Tubas
1
Trompette, Tuba (duo)
1
Trombone, Cor (duo)
1
Clarinette, Cor (duo)
1
Ensemble de Tubas
1
Cor (partie séparée)
1
Trio de Cuivres
1
+ 35 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
92
Violon et Piano
52
Violon, Violoncelle (duo)
47
Violon
30
Violon, Alto (duo)
30
2 Harpes (duo)
27
Violoncelle, Piano
25
Harpe
23
Alto, Piano
22
Violoncelle
18
2 Violoncelles (duo)
16
Harpe, Flûte (duo)
15
Trio à Cordes: violon, alto, violoncelle
13
Alto seul
13
Trio à Cordes: 2 violons, violoncelle
13
Violon (partie séparée)
10
2 Altos (duo)
10
2 Violons (duo)
10
Alto (partie séparée)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Alto, Violoncelle (duo)
6
2 Contrebasses (duo)
5
Contre Basse
5
Violoncelle, Contrebasse (duo)
4
Ensemble de Violons
4
Violon, Guitare (duo)
4
Contrebasse, Piano (duo)
3
Harpe, Violon (duo)
3
Trio à cordes: 3 violins
2
Piano Trio: Violon, Alto, Piano
2
Contrebasse (partie séparée)
2
Flûte, Contrebasse (duo)
2
Violon, Basson (duo)
2
Violoncelle , Guitare (duo)
2
Violoncelle (partie séparée)
2
Harpe, Violoncelle (duo)
2
Ensemble d'Altos
2
4 Violoncelles
1
Alto et Basson
1
Violon, Clarinette, Piano (trio)
1
4 Contrebasses
1
Quatuor à cordes : 4 altos
1
Alto, Orgue
1
+ 38 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
251
Orchestre
156
Orchestre à Cordes
77
Orchestre de chambre
68
Ensemble Jazz
24
Ensemble de cuivres
20
Cloches
13
Jazz combo
4
Ensemble de Percussions
4
Marimba
3
Vibraphone
2
Batterie
2
Piano et Orchestre
1
Bongos
1
Percussion
1
Instrumentation Flexible
1
Orchestre, Violon
1
Xylophone
1
+ 13 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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CORNEMUSE
CORNET
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All-American Men
Chorale TTBB
Partitions à imprimer
25 partitions trouvées
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1
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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When Cockle Shells Turn Silver
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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I'm Sad and I'm Lonely, from &
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Cowboy Songs of the American Southwest [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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Cowboy Songs of the American S
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$4.20
I'm Always Chasing Rainbows - Barbershop Men, TTBB, Chorus, Quartet
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Chorale TTBB
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INTERMÉDIAIRE
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Comédie Musicale
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Harry Carroll, Joseph McCart
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Mark Goodney
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I'm Always Chasing Rainbows -
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Mark Goodney
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SheetMusicPlus
Voice, TTBB - Intermediate - Composed by Harry Carroll, Joseph McCarthy. Arranged by Mark Goodney. Broadway, Musicals, Movies, Old-time, Americana. ...
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Voice, TTBB - Intermediate - Composed by Harry Carroll, Joseph McCarthy. Arranged by Mark Goodney. Broadway, Musicals, Movies, Old-time, Americana. Sheet Music Single. 4 pages. Published by Mark Goodney
Beautiful timeless ballad. Classical melody line and melodic harmonies. Scores well with judges and audiences.
$4.51
Hakol Hevel (All is Mere Breath) - Choral Score
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Nicholas Weininger
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Hakol Hevel
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Nicholas Brock Weininger
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 4 - SKU: A0.1417490 Composed by Nicholas Weininger. 21st Century,Classical. 96 pages. Nicholas Brock Weininger #...
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Choral Choir,Choral,TTBB Chorus - Level 4 - SKU: A0.1417490 Composed by Nicholas Weininger. 21st Century,Classical. 96 pages. Nicholas Brock Weininger #999027. Published by Nicholas Brock Weininger (A0.1417490). Cantata in ten movements, for TTBB chorus, chamber orchestra, and soloists, written in memory of the victims of the COVID-19 pandemic. Premiered by the Empire City Men's Chorus in March 2023 in New York, released on Navona Records in December 2023, this work was recently named a finalist for the 2024 American Prize. Gramophone called it poignant and powerful and said that Weininger skilfully weaves together texts from the Tanakh, eloquently sung in Hebrew by the chorus and presented in Robert Alter’s powerful English translations by the three soloists. The cantata unfolds as a tapestry of colours and profound mourning, with occasional echoes of an ancient musical language, wherein the orchestra plays a virtuosic role.This is the choral score with parts for singers and soloists and a piano reduction for rehearsal. A full conductor score is available separately, and orchestra parts are available from the composer on request.
$5.99
Indiana for Four Part A capella Men's Chorus (TTBB) from the musical "A Lucky Star"
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Chorale TTBB
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INTERMÉDIAIRE
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James Nathaniel Holland
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Indiana for Four Part A capell
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.730509 Composed by James Nathaniel Holland. A Cappella,Broadway,Folk,Holiday,Musical/Show,Patriotic,Traditional....
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Choral Choir (TTBB) - Level 3 - SKU: A0.730509 Composed by James Nathaniel Holland. A Cappella,Broadway,Folk,Holiday,Musical/Show,Patriotic,Traditional. Octavo. 6 pages. James Nathaniel Holland #5991761. Published by James Nathaniel Holland (A0.730509). A hymn to home and the Hoosier state of Indiana from the 1920s musical, A Lucky Star, words and music by American composer (and Indiana native) James Nathaniel Holland. Arranged for four part a capella men's chorus with reduced piano for easy rehearsal. Tenor 1 and 2, Baritone, Bass choir.Lyrics:When I think of my home,There's no other place I see,Than that land with its broad rolling hills,And it's mist that creeps up,Every blue, warm summer night.That is home, no matter where, that's home to me.Seasons Spring, Summer, Fall, even Winter sings so brightlyWith your hills and your green fields of corn.In that way do not change, But keep faith as time passes,That to each and all that Hoosier State's sweet home. (The Hoosier State's my home!)Here's to you, Indiana,Though we change, my Indiana,You will always be that home sweet home to me! (My Indiana home.)Duration: 3:22 minutes.
$4.50
Oh Shenandoah ( men's BBS arrangement ) TTBB
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Chorale TTBB
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FACILE
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Unknown
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Bob O'Connell
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Oh Shenandoah
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Bob OConnell
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.828092 Composed by Unknown. Arranged by Bob O'Connell. A Cappella,Folk. Octavo. 2 pages. Bob OConnell #4786815. ...
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Choral Choir (TTBB) - Level 2 - SKU: A0.828092 Composed by Unknown. Arranged by Bob O'Connell. A Cappella,Folk. Octavo. 2 pages. Bob OConnell #4786815. Published by Bob OConnell (A0.828092). Oh Shenandoah (also called simply Shenandoah or Across the Wide Missouri) is a traditional American folk song of uncertain origin, dating to the early 19th century. This a cappella arrangement is for 4 part Barbershop men's voices.
$1.99
Brisbane Ladies (Augathella Station)
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Chorale TTBB
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DÉBUTANT
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Traditional
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Sandra Milliken
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Brisbane Ladies
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Sandra Milliken
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863...
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Choral Choir (TTBB) - Level 1 - SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863765. Published by Sandra Milliken (A0.774723). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon.Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port. Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
$2.20
Marseilles Hymn. Chorus
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Chorale TTBB
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H
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Marseilles Hymn. Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (TTBB) - SKU: LV.3131 Arranged by H.S. Saroni. Revolutions, Patriotism, France. Lester S. Levy Collection. 4 pages. Published by Johns H...
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Piano and voice (TTBB) - SKU: LV.3131 Arranged by H.S. Saroni. Revolutions, Patriotism, France. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3131). National Songs. Arranged for Four Voice or Chorus for the use of Musical Societies. Marseilles Hymn. Chorus [English and French]. Arranged by H.S. Saroni. Published 1848 by William Hall & Son, 543 Broadway, Between Spring and Prince Sts. in New York. Composition of strophic with chorus with piano and voice (ttbb) instrumentation. Subject headings for this piece include Revolutions, Patriotism, France. First line reads Ye gallant Frenchmen! sons of glory.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
I'm runnin' on
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Chorale TTBB
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Gospel Spirituel
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Musique Sacrée
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Mack Wilberg
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I'm runnin' on
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Oxford University Press Digital
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SheetMusicPlus
SATB chorus with divisi, upper-voice solo, and orchestra or piano - SKU: OX.9780193543201 Arranged by Mack Wilberg. Sheet music. Octavo. 13 pages. Oxfor...
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SATB chorus with divisi, upper-voice solo, and orchestra or piano - SKU: OX.9780193543201 Arranged by Mack Wilberg. Sheet music. Octavo. 13 pages. Oxford University Press Digital #9780193543201. Published by Oxford University Press Digital (OX.9780193543201). ISBN 9780193543201.For SATB with divisi, upper-voice solo, and orchestra or piano. Wilberg's masterful setting of this African-American spiritual begins with a female solo backed by static, high-pitched chords in the piano, then gradually builds momentum to finish in a jubilant and lively double forte. Orchestral material is available on hire.
$4.00
Star in the East - TTBB Ensemble
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Chorale TTBB
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INTERMÉDIAIRE
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American Folk Hymn
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Mark R Lewis
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Star in the East - TTBB Ensemb
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Mark R Lewis
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1045085 Composed by American Folk Hymn. Arranged by Mark R Lewis. Christmas,Folk,Holiday,Sacred,Traditional. Oct...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1045085 Composed by American Folk Hymn. Arranged by Mark R Lewis. Christmas,Folk,Holiday,Sacred,Traditional. Octavo. 41 pages. Mark R Lewis #649649. Published by Mark R Lewis (A0.1045085). The tune for Star in the East first appears in print in The Southern Harmony collection, but is well attested as an American Folk Hymn. The lyrics are partially anonymous but most published versions include verses that seem to have been added by the arranger of that version. This Epiphany song has similar themes to We Three Kings but is definitely a refreshing change from that well known tune. This fun arrangement by Mark R Lewis is for Baritone soloist, TTB choir, a woodwind instrument, and bass instrument. Included is sheet music for C, Bb, and Eb instruments and a bass line which can be played by many different bass instruments depending on what the group has available. The instrumentalists can transpose their parts to different octaves for ease of playing if necessary. The Baritone soloist should be a well experienced intermediate singer and the bass line is very active at times, but the choir and woodwind parts should be performable by most intermediate groups. Also available for Baritone solo w/ SATB ensemble. Vocal Range: f minor Baritone solo - 1 1/2 octaves (Bb2 to F4) Tenor 1 - 1+ octaves (Eb3 to F4) Tenor 2 - 1 octave (C3 to C4) Bass - 1+ octaves (F2 to Gb3) Instrument Range: Clarinet - max 3 1/2 octaves (F3 to A5) can be smaller if octaves are transposed Bass instrument - 1 1/2 octaves (F2 to C4).
$1.99
Mine Eyes Have Seen the Glory (TTBB voices, a cappella)
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Chorale TTBB
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional
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Anthony Giamanco
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Mine Eyes Have Seen the Glory
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Anthony Giamanco Music
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SheetMusicPlus
TTBB a cappella - Intermediate - Digital Download Composed by Traditional. Arranged by Anthony Giamanco. Sacred, Fourth of July, Recital, Patriotic, ...
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TTBB a cappella - Intermediate - Digital Download Composed by Traditional. Arranged by Anthony Giamanco. Sacred, Fourth of July, Recital, Patriotic, Americana. Score. 10 pages. Published by Anthony Giamanco Music
Mine Eyes Have Seen the Glory (aka Battle Hymn of the Republic) is given a stirring arrangement for unaccompanied men's voices. Harmonies are pretty straight-forward, melody is shared by all voices. Interesting use of tempo and dynamics. Ideal for patriotic celebrations and concerts. Ends with an optional high C (tenor 1). Medium easy level of difficulty.
Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.
$2.05
The Star-Spangled Banner
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Chorale TTBB
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INTERMÉDIAIRE
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Rob Blaney
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The Star-Spangled Banner
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Rob Blaney
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.1028221 Arranged by Rob Blaney. A Cappella,Holiday,Patriotic. Octavo. 4 pages. Rob Blaney #4804087. Published by...
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Choral Choir (TTBB) - Level 3 - SKU: A0.1028221 Arranged by Rob Blaney. A Cappella,Holiday,Patriotic. Octavo. 4 pages. Rob Blaney #4804087. Published by Rob Blaney (A0.1028221). This solid a cappella arrangement of the National Anthem is suitable for 3-part women, men, or combine your choirs for a truly majestic performance! Opting for a 4/4 time signature instead of the usual 3/4, choirs of all sizes can succeed in performing this standard of the American repertoire. Great for sporting events!
$2.00
Somewhere Out There
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Chorale TTBB
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INTERMÉDIAIRE
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Linda Ronstadt & James Ingram
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David Maddux
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Somewhere Out There
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David Maddux
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1507607 By Linda Ronstadt & James Ingram. By Barry Mann, Cynthia Weil, and James Horner. Arranged ...
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Choral Choir,Choral (TTBB Chorus) - Level 3 - SKU: A0.1507607 By Linda Ronstadt & James Ingram. By Barry Mann, Cynthia Weil, and James Horner. Arranged by David Maddux. A Cappella,Pop. 5 pages. David Maddux #1083011. Published by David Maddux (A0.1507607). NOTE: This PDF file contains the piano-vocal part. The orchestration is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS. After a brief instrumental opening to set the tone, this tender ballad from the 1986 animated feature An American Tail soars off into heartfelt, a cappella lullabye of lush dreaminess full of emotion and hope. This arrangement brings to life the classic Ronstadt-Ingram duet with rich harmonies and a gentle melody, evoking the universal themes of separation and the enduring belief in reunion. Perfect for choirs looking to perform a piece that resonates with audiences of all ages, this song remains a touching ode to love and the power of dreams.
$5.25
How Can I Keep From Singing? (Downloadable)
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Chorale TTBB
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INTERMÉDIAIRE
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Stephen Caracciolo
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How Can I Keep From Singing?
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Galaxy Music Corporation - Digital
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SheetMusicPlus
TTBB choir divisi - Medium - SKU: MQ.1.3398-E Composed by Stephen Caracciolo. 8 pages. Galaxy Music Corporation - Digital #1.3398-E. Published by Galaxy...
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TTBB choir divisi - Medium - SKU: MQ.1.3398-E Composed by Stephen Caracciolo. 8 pages. Galaxy Music Corporation - Digital #1.3398-E. Published by Galaxy Music Corporation - Digital (MQ.1.3398-E). English.Commissioned by Cantus in 2014 for their album A Harvest Home and subsequent tours through Northern Europe, the BalticStates, and United States. Written as a companion piece to the composer's setting of Simple Gifts (also commissioned by Cantus four years earlier) this is an arrangement of this iconic folk hymn that sounds traditionally American, immediately recognizable, and not overly arranged, while still having something fresh to say musically using the sonorous sounds of men’s voices.Knowing that Cantus planned to place How Can I Keep From Singing? at the end of their tour program, the final bars were fitted with an extended cadence to bring their staged performances to a satisfying and heartfelt close.
$2.65
My Lord! What a Mourning - TTBB, a cappella
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Chorale TTBB
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INTERMÉDIAIRE
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Gospel Spirituel
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Musique Sacrée
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Anthony Giamanco
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My Lord! What a Mourning - TTB
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Whole Tone Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.773928 Arranged by Anthony Giamanco. A Cappella,African,Concert,Folk,Spiritual,Standards. Octavo. 4 pages. Whole...
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Choral Choir (TTBB) - Level 3 - SKU: A0.773928 Arranged by Anthony Giamanco. A Cappella,African,Concert,Folk,Spiritual,Standards. Octavo. 4 pages. Whole Tone Press #6132501. Published by Whole Tone Press (A0.773928). A beautiful African-American Spiritual sensitively arranged for 4-part men's voices. Intermediate. My Lord! what a mourning when the stars begin to fall.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
$2.10
Light
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Chorale TTBB
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INTERMÉDIAIRE
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Contemporain
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Tom Kitt
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Charles Beale
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Light
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charliebmusic
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.865870 Composed by Tom Kitt. Arranged by Charles Beale. Contemporary. Octavo. 15 pages. Charliebmusic #5307715. ...
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Choral Choir (TTBB) - Level 3 - SKU: A0.865870 Composed by Tom Kitt. Arranged by Charles Beale. Contemporary. Octavo. 15 pages. Charliebmusic #5307715. Published by charliebmusic (A0.865870). Next to Normal is a 2008 American rock musical by Brian Yorkey and music by Tom Kitt. A dark but brillant contemporary musical theater piece, it addresses the issues of grief, depression, suicide and psychiatry. More cheerfully 'Light' was one of its key songs. It covers a central moment of change in the plot, literally from dark to light, and expresses our personal need for light, and a deep conviction that connection, family and resilience can return light into the world.In this choral arrangement, which includes 1-4 solos depending on how they are divided, there is an optimistic journey from dark to spectacular light in the music and lyrics, which finishes with a fortissimo long held brassy C major chord on the words 'There will be Light'.
$1.99
Waltz of the Roses (Think of My Love As A Rose), for TB Chorus Piano, Theme from The Snow Queen, A B
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Chorale TTBB
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FACILE
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James Nathaniel Holland
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Waltz of the Roses
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.730416 Composed by James Nathaniel Holland. Holiday,Wedding. 8 pages. James Nathaniel Holland #3369785. P...
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.730416 Composed by James Nathaniel Holland. Holiday,Wedding. 8 pages. James Nathaniel Holland #3369785. Published by James Nathaniel Holland (A0.730416). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged here for TB Male Chorus or Individual Tenor or Bass Duet (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$4.25
(ghost) Riders In The Sky (a Cowboy Legend)
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Chorale TTBB
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FACILE
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Johnny Cash
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Anastasio Rossi
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(ghost) Riders In The Sky
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Anastasio Rossi
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SheetMusicPlus
Voice (TTBB) - Level 2 - SKU: A0.1298167 By Johnny Cash. By Stan Jones. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 6 pages....
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Voice (TTBB) - Level 2 - SKU: A0.1298167 By Johnny Cash. By Stan Jones. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 6 pages. Anastasio Rossi #888121. Published by Anastasio Rossi (A0.1298167). The song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever trying to catch the Devil's herd across these endless skies. Stan Jones said he was told the story when he was 12 years old, by an old Native American Apache. He related this story to a boyhood friend. As both boys were looking at the clouds one day, Stan shared the story with him, both looking in amazement as the cloudy shapes were identified as the ghost riders. Years later the story was transposed into lyrics. The melody is based on the Civil War-era popular song When Johnny Comes Marching Home.Ghost Riders In The Sky has a haunting quality that will capture the imaginations of children of all ages from young to old!Hundreds of performers have recorded this song, including Vaughn Monroe, Bing Crosby, Peggy Lee, Lawrence Welk, Frankie Laine, Burl Ives, The Outlaws, The Ramrods, Stan Jones, and Johnny Cash.Learning tracks and the Orchestral Accompniment Track (MP3) available at no cost from the arranger: AAR@prodigy.net.
$12.99
At Teasdale's
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Chorale TTBB
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Cecila Damström
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At Teasdale's
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
TTBB divisi chorus - SKU: BJ.1278 Composed by Cecila Damström. Award-winning congenial music about the sea, the night and love. Octavo. 8 pages. Bo E...
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TTBB divisi chorus - SKU: BJ.1278 Composed by Cecila Damström. Award-winning congenial music about the sea, the night and love. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1278. Published by Bo Ejeby Forlag - Digital (BJ.1278). 8.27 x 11.7 inches.Cecilia Damstrom (b. 1988) is a Finland-Swedish composer and pianist with a rich production of music for choir and for chamber ensembles. Her piece for male voices, At Teasdale's, gives in three short, concentrated movements life to the American poet Sara Teasdale's beautiful poems about the sea, the night and love: At Sea, At Night and At Midnight. Cecilia Damstrom's At Teasdele's is the winner of the 1st prize in Linkopings Studentsangare Composition Award 2016: For an artistic and through-composed suite in three movements that congenially interprets and conveys Sara Teasdale's exquisite and expressive lyrics. The composer utilises the male choir's richness and variety of possibilities, with a substantial feeling for the male voice conditions. With its personal musical language At Teasdale's has a great opportunity to appeal to both singers, and the audience..
$3.40
The Heavens Declare the Glory of God
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Andrew Schneider
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The Heavens Declare the Glory
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Andrew Schneider
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.930751 Composed by Andrew Schneider. A Cappella,Christian,Contemporary,Romantic Period,Sacred. Octavo. 9 pages. ...
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Choral Choir (TTBB) - Level 4 - SKU: A0.930751 Composed by Andrew Schneider. A Cappella,Christian,Contemporary,Romantic Period,Sacred. Octavo. 9 pages. Andrew Schneider #3573679. Published by Andrew Schneider (A0.930751). This piece is very much in the German and British tradition of a cappella choral works, and it is as American as my works are likely to get; I enjoy using such rhythmic and harmonic elements manneristically, as my otherwise Victorian compositional language is spiced up considerably, I believe, by their organic inclusion. Perhaps one can discover my love of the dynamic and adventurous a cappella works of MacDowell?
$2.49
Shivers
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Chorale TTBB
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FACILE
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Pop musique
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Ed Sheeran
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Michael Stewart
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Shivers
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Michael D Stewart
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.928200 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kal Lavelle, and Steve Mac. Arranged by Michael Stewart. Pop...
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Choral Choir (TTBB) - Level 2 - SKU: A0.928200 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kal Lavelle, and Steve Mac. Arranged by Michael Stewart. Pop. Octavo. 19 pages. Michael D Stewart #6776487. Published by Michael D Stewart (A0.928200). This is an upbeat and amazing song to get your students moving. I've written this in a way that you can take and use whatever you need to make this piece work. You can exclude parts or use any that you would like. Part 2 is the melody throughout the entire piece except for the bridge section. It moves to the Part 1.It is in the original key, so if you buy the instrumental version of the song done by Ed Sheeran himself, you can actually do my arrangement with those instrumentals. If you would like the piano accompaniment, please email me at newamericanmichael@gmail.com.
$1.99
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